It’s a tough time to be a fan. I have two shows that I absolutely adore, and both of those shows delivered a gut punch last week that left me reeling. The Magicians season finale saw the death of one of my favorite characters (and half of my favorite ship) and it was both excruciatingly well done and absolutely heartbreaking (and maybe a bit problematic too). The very next night, Supernatural aired its penultimate episode of Season 14. I was already raw from the anticipatory grieving about Supernatural ending this time next year, and then The Magicians ripped me apart, so I went into watching “Jack In The Box” with more trepidation and dread than anticipation.
To those of you saying hey, why can’t you just watch the Show and love it? Let me just say that I would give ANYTHING to be able to do that right now. I DO love it, I will always love it. What I really want to do is squee about it all the time. But last week’s episode left me feeling sad and vaguely sick to my stomach, so there’s not a lot of squee to be had right now.
I always go back and do a rewatch before I write my review, but today I found every excuse not to. Have to run out and pick up the ham for tomorrow’s dinner. Have to grade some papers. Have to clean….and water the plants (we have lot of plants, so that took alot of time)…have to…. Finally I couldn’t put it off any longer, and the rewatch made me feel every bit as sick to my stomach as the first watch did. I guess you can say that means the episode was well done, because it was clearly crafted to be upsetting (just as the episode before was crafted to be very sad), but when I don’t want to watch it, I’m not sure that’s the level of upset the Show was going for.
There were lots of times back in the day when fandom would all go online after a rip-you-apart episode of Supernatural and post tons of icons (predecessor of gifs) saying “Damn You Kripke!”
The Show has never played it the easy way, and it has never been lollipops and rainbows. It’s a story filled with tragedy, but it has also always been a story with hope and with characters I loved fiercely, who were often heroic in the face of tragedy. Terrible things have happened to our heroes over the years, and they’ve had to make terrible decisions to save the world and each other, but this episode was particularly hard to swallow. I’m well aware that my emotions (like most of the fandom’s) are heightened because we know we have only 21 episodes left of this story that is so important to us. That makes every episode that doesn’t hit quite right for me seem even more upsetting than it would have before we knew the end was imminent. So with that in mind, here are my thoughts on ‘Jack In The Box.’
We’ve known the episode title for quite a while, so everyone knew that Jack was probably going to end up in that goddamn box, but I for one didn’t want to believe it. The Ma’lak box was so profoundly upsetting to the fandom when Dean was determined to get in it, and his nightmare so horrifying, that the thought of Jack in that box was almost unthinkable. So I guess I chose not to think about it. Still, as the ‘Then’ segment started, a chilling dread began to settle over me. Please Show, don’t go there. Please?
Let me just say at the outset that all the actors outdid themselves. They all played their parts incredibly well and every one of them made me genuinely feel. It wasn’t always what I wanted to feel, but feel I did. Robert Singer directed (and had a cameo as a doctor) and that was also as well done as always. The VFX was on point and the cinematography and set dec were often breathtakingly beautiful. I appreciate my Show even when I’m reluctant to go where it’s taking me.
We open with a memorial service for Mary in the bunker. The AU hunters and other people who’ve hunted with her are there, her photo (or rather Sam Smith’s photo) and John’s journal on the table. Sam, Dean and Cas join the group but only Dean speaks. He’s carefully composed, makes a joke about Mary’s cooking even, while Sam stands silent, nodding in agreement.
Dean: We lost our mom once before…
It’s something important to remember when you look at Dean’s behavior in this episode. There’s this thing with grief that’s called the “fishhook effect”. A new loss “hooks into” all the old loss and pulls it up like a fish snagged on a line, so that the pain of the new loss brings up all the pain of the old one and it’s overwhelming. That’s what happens to Dean here, I think. Unlike Sam, he remembers the horrible pain of losing his mother as a four year old, something that has shaped his life ever since and left him with a reservoir of anger that he’s channeled into making him an often ruthless hunter.
Dean expresses their gratitude that they got to know her and what she was really like, a smart and stubborn hunter who couldn’t cook worth a damn.
Dean: Mom, you weren’t here long enough…. But we’re glad for the time we had.
There’s a weird and jarring moment in the middle of all this where AU Bobby suddenly appears and tosses a hatchet across the room to kill one of the guests, who apparently is a wraith, but WTF? It was all very odd.
WTF?
AU Bobby says what we’re all thinking – that maybe Dean is like him, “bein’ teary in public’s not my style.”
That’s for sure because Bobby doesn’t seem very torn up at all for someone who was maybe kinda sorta having a bit of a thing with Mary.
At any rate, it’s soon clear that something is up with Dean. Sam suggests they open Ketch’s bottle of Scotch and hang out and talk about Mom.
Dean: (almost coldly) Talk about Mom? Isn’t that what we’ve been doing?
Ouch.
He boxes things up with steely motivation, like he thinks he can just box up his grief over losing his mother (again).
Courtesy of that grief and loss course I’m currently teaching, Dean and Sam struggle to understand each other in this episode or to be there for each other because they have two very different styles of grieving. Sam is an intuitive griever – he wants to express his grief and share his feelings, eager to take in the comfort of others. Dean, on the other hand, is an instrumental griever. He keeps his feelings to himself and tries to DO something instead – like plan a memorial and box up his mother’s things. Neither can help the other right now, and that’s heartbreaking.
Cas, Sam and Bobby break out the Scotch as Sam looks at one of the very few (only?) photos of him, Dean and Mary when they were little.
They disagree, however, about what to do about Jack.
Cas: We need to find Jack…and help him.
Bobby: I liked the kid… but if his human side is gone, he’s an unstoppable monster who don’t know right from wrong, and he needs to be put down!
Bobby sets off to do just that, and Dean takes off saying he needs to get out of there.
When the next scene opens, we see that Dean has parked the Impala in the woods and is sitting alone on a fallen log. He looks around one last time to make sure nobody is watching him, and then he finally breaks down. Jensen Ackles can make you believe grief like no one else, and he sobbed for real here. I can’t help but wonder if he was crying real tears knowing he will be losing Dean Winchester soon, the way so many of us keep crying. At any rate, it was a heartbreaking scene. Ackles talked about it at a recent convention, saying that it was a brutal scene to film because it was cold and pouring rain and they needed to shoot from above so there couldn’t be any shelter for him. It sounded like it took a long time to film, so it’s sort of a shame it was so short. It got the point across though. Dean is hurting – BAD. He just can’t let anyone know it.
Gifs itsokaysammy
And what is the most common ‘cover’ emotion when someone is hurting that badly? You guessed it. Anger.
I’ve come to the conclusion that the last episodes of Season 14 and the entirety of Season 15 of Supernatural are going to be a master class in grief and loss. It’s impossible for me to experience the show, the conventions, the fandom or anything else related to the Show without the spectre of its ending coloring my reactions. That was very much in evidence at the convention in Chicago last weekend and in last week’s episode, the aptly named “Absence.” Supernatural’s absence? That’s pretty much all I can think about right now!
Coincidentally, I’m in the midst of teaching a graduate course in grief and loss to a bunch of counselors in training, so I’m immersed in current research and theory about what sort of things we experience as a loss and the myriad ways in which we grieve them. In a way, that’s making what’s happening with Supernatural and its fandom easier to understand, but in another way, it’s tempting me to grab onto one of the coping strategies for grief that sometimes comes back to kick you in the butt – denial, avoidance, intellectualizing, call it what you will. I’ve been doing a lot of all three, and let me just say up front that it probably influenced my reaction to this episode. As fandom used to say all the time back in the day to acknowledge and validate differing points of view, your mileage may vary.
In fact, my friend Laurena (who helms the Winchester Family Business) and I spent the con weekend together – and boy, did we ever have different perspectives on ‘Absence’! Then again, we’ve had different perspectives on Mary Winchester all along. And while we’re both mired in anticipatory grief about Supernatural ending, that meant we had a very different experience of this episode.
Let me say at the outset that I think director Nina Lopez-Corrado (whose work is incredible) and writer Robert Berens (who has written some amazing episodes) did an excellent job of taking the story where it needed to go. The actors all did an amazing job bringing the emotions that needed to saturate the story. That said, as a viewer, I was unusually reticent to go where they wanted to take me. (Laurena, on the other hand, fell down that rabbit hole and landed HARD).
I watched the episode on Thursday night after a long day of work, and then did a re-watch when I returned from the Chicago convention on Monday night. My second viewing was also impacted by having “Sammies with Sam” at the con – that is, a little meet and greet with Samantha Smith while we ate delicious PBJ sandwiches. I love Samantha and I loved hearing her insights about Mary and about the Show. It was quite clear that she too was grieving, and that shared grief changed my experience of the episode on rewatch a bit. Suffice it to say, this is an episode review that was extraordinarily complicated!
We start off with Sam and Dean returning from the events of 14.17, glad to be home and to share beers as they traditionally do. Dean expresses his relief about Sam being alive in typically minimizing fashion, making a joke about “another miraculous Sam Winchester survival” – when we know he was completely undone by those few minutes of Sam being gone. But that’s Dean.
Sam and Dean acknowledge Jack’s role in saving the day and say they’re glad to have a get out of jail free card, and if you didn’t know that Jack was on his way out before, you certainly did then. No show can have a consistent character who’s a get out of jail free card for long, since it dilutes the urgency of everything that happens. RIP Jack. (sobbing)
The opening scene is well done, the sense of dread slowly growing as the boys try to find Jack and Mary, and then Mary’s phone ominously rings at the other end of the table.
This year’s Vegas con was special. I know I say that about pretty much every con, because they’re all special in their own way – but no convention had ever been like this. This was the first convention after we found out that Supernatural is ending after next season. When I heard the news, I couldn’t wait to be with a bunch of people who truly “get it”. Fellow fans who are just as devastated by the news as I was, and who love the actors and the Show enough to support the decision anyway. I just wanted to talk to people who understand, and get lots of hugs too. And that’s pretty much what I got.
My friend Laurena from Winchester Family Business and I roomed together at the Rio, where I’ve had all sorts of misadventures before including the traumatic experience of having our bathroom explode in the middle of the night and our room be overtaken with sewage (literally) like something out of a horror movie. The Rio always brings adventures of some kind, even if it’s only the adventure of walking five miles each way from the hotel through the casino to the convention center which is more or less in the next state over. Maybe an exaggeration, but maybe not. There’s also the drama of the Starbucks which insists on closing at 3 pm every day and the serious lack of fast and easy takeout. And the smoke-filled casino.
But actually, I have as many fond memories of the Rio as traumatic ones. This year, like every year, was a time to catch up with friends old and new. I got to see HR’s brand new Richard sculpture along with the rest of the gang. This fandom is so damn talented!
This year, I just wanted to immerse myself in the arms of the SPNFamily, both cast and fans. So that’s what I did.
My friend Alana and I spent a lot of time talking about how many fans were confronted with derision in their non-fannish lives and being judged for grieving the loss of a television show. So we sat down and filmed a video for her channel, which you can watch on her channel (link below). We hope it helps a little bit as we all help each other get through this. And try to look forward to the next year of Supernatural!
I’ve grown to love being part of the “vendor squad” at the Supernatural cons. We’re like a traveling band of wanderers, but we all look out for each other and support each other. There’s always someone to watch your table while you run to the bathroom or pat you on the back when you’re tired or lend you some packing tape or just share a laugh. I was right next to the lovely Jason Manns’ table manned by the equally lovely Misty when he wasn’t there. It was nice to catch up with Jason again and to reminisce a little about the early days of the fandom and some of his first concerts, including in my hometown many years ago! Jason contributed a free digital download of ‘Soul’ to one of our first books, Fangasm Supernatural Fangirls, and a Station Breaks free song to Family Don’t End With Blood too, so he’s part of the FDEWB family.
I flew in on Wednesday night and arrived at about 1 am after flying for 9 hours including layovers, so needless to say I was absolutely knackered. I checked in and started dragging my suitcases across the casino floor when I heard someone call out “hey, are you Fangasm?”
A young woman in a Supernatural tee shirt who looked very distraught was asking, so I said yes. Nearly in tears, she asked if I could help her, because her roommate wasn’t getting in until tomorrow and the hotel was not letting her check in because she was under 21. As though stranding her in the middle of a casino was a better idea! I got back in the check in line and gave them a guarantee for her so they’d give her a room – so for the rest of the weekend whenever I saw her, she’d joke that I was her savoir. Hey, we’re all SPNFamily.
Thursday was kicked off by our host Richard Speight Jr., as always, and Louden Swain.
Then it was time for Adam Rose, who I haven’t seen in a long time and really enjoy. Adam immediately acknowledged the elephant in the room.
Adam: I heard the news…I’m really excited to see how they wrap things up. It’s great they get a year to do that.
What are Aaron and his Gollum up to?
Adam: Last time we saw Aaron and his Gollum they were at a disco in Germany so I feel like they’re having fun.
He’s also up on his Supernatural memes, including the one he stars in from his episode.
Adam: Oh my god these guys are psychopaths… I love that meme!
Adam was not spared some J2 pranking on set.
Adam: I’m doing this intense scene with Jensen and I see Jared pop up (off camera of course) holding this paper with a phallic object on it. I cracked up. So then, 13 takes later…
Twenty three more Supernatural episodes to go, and counting. Last week’s ‘Game Night,’ written by Meredith Glynn and directed by John Showalter, was the first episode I watched knowing that the Show was coming to an end, so I think I was even more attentive than usual. As in, nobody should say a word to me while I’m relishing every last second of my favorite show for the next solid year! It wasn’t a perfect episode, but it was a wild rollercoaster of both action and emotion, and that means I enjoyed it – and was grateful to be able to see a new episode. That’s going to be the case from now on in, but I’ll probably still find things to quibble about in the midst of my relishing. Okay, make that definitely.
The ‘Then’ includes Nick, which made me groan because I’m just over that story line and the inevitable tie-in to Lucifer (as is about 99.9% of the fandom, but apparently that news has not reached the network). The ‘Now’ begins with someone baking cookies and for a split second I thought it was Dean doing some nesting in the bunker, but nope, it’s Donatello humming and baking in his cozy kitchen. I really like Donatello so when the doorbell rang I started shaking my head immediately, even before he wound up tied to a table with a gigantic hypodermic needle poking into his neck. (I closed my eyes but his screams were still audible). Ouch.
Back at the bunker, it’s Winchester Game Night. Dean is fixing his favorite childhood game, Mousetrap (aww), Jack is making Jiffy Pop on the stove and Mary’s got the beers. Sammy’s out picking up the pepperoni meat intensive pizzas and one with pineapple for Jack, over Dean’s objections. It’s a nice domestic scene which means things are about to go south in a big way.
Sure enough, Dean gets a phone call pleading for help from Donatello.
Dean: So much for Winchester Game Night…
He tries to call Sam but there’s conveniently no signal – that’s Show’s favorite way of splitting characters up, oops, no service suddenly – so he and Mary head off with instructions for Jack to fill Sam in. (I do love that Sam’s voicemail says if you can’t reach him to ‘call my brother’ just like John’s always said ‘call my son Dean’.)
Once Sam gets back he says what I’m thinking – I should be there with you!
Dean assures him it’s okay, and Sam takes issue (me too, Sam).
[In which Kim writes a guest post and makes herself cry….and posts lots and lots and lots of pretty pretty pictures…]
The first con of the year, in Seattle, was cancelled, making this year’s Salute to Supernatural Convention in Nashville the first con of the year. I don’t know if Seattle’s cancellation was the reason, but the atmosphere in Nashville felt electric, joyous, full of anticipatory excitement.
If only we had known then what we know now.
As I write this, I am walking a tightrope, trying to find the right balance. We did not know then what we know now. We were happy and excited and full of joy. We hugged old friends and made new ones, just as we do at any convention. We laughed and joked our way through photo op lines, and then we consoled one another afterwards. I cannot imagine how different it would have all been if we had known.
I think the best thing, perhaps the only thing, I can do is to give you the highlights of this convention. Add in some happy pictures, pretty pictures. Perhaps it will bring some measure of comfort, or happiness, or joy to you in light of what we know now.
Friday panels began with our most favorite unicorn, Rachel Miner. She talked about her time in Kim Rhodes’ closet, how her favorite scene was Meg’s death (written so beautifully by Robbie Thompson), and she laughed when a fan reminded her that she once wished for Meg and Cas to have little demon/angel babies. Rachel also spoke about MS and how she copes with it:
“My day is made or broken by simple kindnesses. I have everyday momentary heroes and many of them are women… I have the life I have because of you. It was your encouragement not to hide.”
Jason Manns followed Rachel’s panel. First we were treated to a few songs with Jason, Rob, and Richard, including “Wagon Wheel” and some Station Breaks!
[Lynn popping into Kim’s guest post to add: Richard Speight Jr. in glasses…. yum…}
Jason talked about working with Richard Speight Jr. in the studio, saying that he’s very professional and they’ve had a lot of fun working together.
Jason also said, “I love conventions because everyone is like on vacation with a bunch of like minded folks.” And he’s right – this is like a vacation, with all of your friends… and as I write this, I hold on to the hope of many more vacations to come.
There’s a psychological phenomenon that happens when we have an experience that shakes our world so much that our brains encode it as a “flashbulb memory”. It’s an old term, and some of you have probably never seen a camera with a flashbulb, but back in the day it used to go off and illuminate a scene you were capturing with a photo, freezing it in time forever. That sort of memory is so important, and often so upsetting, that it too is frozen in time forever in our brains. The sights, the sounds, the emotions of that moment. It doesn’t fade like other memories, or lose the emotional intensity that was there when it was encoded. Instead, it remains as clear and vivid as if it happened yesterday – we remember the clothes we were wearing when we heard the news, or exactly what we were doing or thinking, or who we were talking to. We remember our initial shock and then the moment when our emotions kicked in.
Usually we think of flashbulb memories as things like the moment you found out about a world-changing event like 9/11 or you got the news that a loved one passed. That’s the level of importance. And yet, I think I may have had one on Friday afternoon – the moment I found out that Supernatural would finally end a year from now. Don’t misunderstand, I’m not making the ending of a television show equivalent to those horrific circumstances, but that’s not how our brains work. When something is important, it’s important. Especially emotionally important. Our brains don’t judge. And for many people, that little television show that lasted for 15 seasons is personally and emotionally important.
I’ve seen quite a few posts essentially saying “what the hell is wrong with these people that they’re grieving a TV show, get a life!” There are lots of posts from fans whose family and non-fannish friends are dismissive of their sadness and critical of them for grieving a television show. Sometimes these people mean well, but let’s face it, they really don’t understand. Luckily, there’s a lot of support in the fandom community, in all its various forms. In fact, that’s one of the reasons that Supernatural is so important in the first place. Yes, fans are incredibly sad to be losing Sam and Dean and Castiel, the fictional characters who mean so much to us. But it’s more than that. Supernatural created a family over these past fourteen years. It’s where many fans found their best friends, their support systems, the people who finally “got” them. It’s where they felt like they belonged, maybe for the first time. That is powerful. Life changing sort of powerful.
When I was putting together Family Don’t End With Blood, it was originally going to be a book written by just the fans. We would all share our stories of how Supernatural and its characters and actors and fan community had changed – and literally saved – our lives. So there are thirteen chapters in that book written by fans that describe how important the show has been, from helping a fan get “sober for Sam” to battling cancer, from leaving a cult to having the courage to change who you are and go after who you want to be. Testaments to the way their lives changed when they became involved in changing others’, through Random Acts or GISHWHES, volunteering for a charity or even starting one. Over the years, I’ve heard thousands more. It’s not the only show or film or book that has changed lives, but thanks to its unprecedented fourteen years on the air and hundreds of conventions, Supernatural has had a greater impact than most.
That Family Don’t End With Blood turned out to be a book written by the Supernatural actors as well as the fans is an indication of just how unique and powerful the phenomenon is. Because it’s not just us who were changed by the show. It’s not just us, in fact, who have had our lives saved by the show and the fandom. It’s the actors who bring the show to life too. And unlike many who work in a judgmental industry that demands perfection, these actors felt close enough to their fans to want to share that – in an actual book that they wrote themselves. That’s extraordinary. Jared, Jensen, Misha and so many other Supernatural actors opened up and wrote about how their lives have changed – finding the courage to pursue things they’d always wanted, finding the validation to become who they really are, surviving a life-threatening stroke, and even finding the support to get up and “always keep fighting” when one of them was at the point of wanting to stop. I don’t know another television show whose actors have been that real with their fans, or another show that has changed its cast’s lives in such a powerful way.
But as I often say when talking about the book, these are not your ordinary actors. It says something so important about Jared, Jensen and Misha that when the decision was made to end the show after next season, they told their long-time crew the news first, the people who are like family to them and whose livelihoods depend on this show. Then they took to social media themselves, recording a video for the fandom explaining that the fifteenth season would be the last. Although all three were clearly struggling with their own emotions, they wanted their fans to hear it from them. It’s the same reason they wrote Family Don’t End With Blood in their own words, because this is too important to telegraph through someone else. I respect the hell out of them for making that video.
The impact of this show doesn’t stop there, however, with the fans and the cast. Over the past few days, actors who have been on the show once or twice or have not been on it at all have weighed in on social media with messages of respect and support, thanking Supernatural for being the exemplary thing that it is and inspiring everyone in the industry. The BC film industry itself weighed in, with gratitude for what the show has done for that industry and Vancouver, including huge financial benefits and providing a talented and hard-working crew with a job they could count on for fifteen years – and one they could love. Journalists from many of the publications that cover fan-favorite shows also shared their own stories of how Supernatural has impacted them; for many, the show was responsible for them entering the field, and for some, it was a personal support over the years just like it has been for many fans.
It’s been four days of shock and grief for the Supernatural fandom as we all start to cope with the impending loss in our own ways. Fandom, ever brilliant and creative, immediately began expressing our intense emotions with art and photos and graphics and heartfelt posts.
Who made a deal, that the show Kripke originally planned to end after Season 5 will go exactly ten seasons longer?
Fans looked back at recent episodes, and wondered if the words were prescient.
“Humans burn bright, but for a very brief time. And eventually they’re gone, even the very best ones, and we have to carry on.” – Castiel, 14×14, Ouroboros
There were clips of Rob Benedict as Chuck, singing that soulful version of “Fare The Well” that now takes on new meaning.
There were gifs and screencaps of that pivotal scene where Sam finds out that Dean made a deal to save his life, and that he’ll go to hell for it – that scene that made so many of us realize just how different and special this show was. The first time I saw it posted on Friday, it hit me like a gut punch.
Fans reached out to other fans, offering a safe place to talk, a shoulder to cry on, whatever support might help. Within the fan community, there was instant understanding that this was an important loss that people were facing, and that it wasn’t something to be dismissed or ridiculed.
Then, as fans began the inevitable process of grief adaptation, they began to look back with gratitude on what Supernatural has given each of us and to celebrate the remarkable accomplishment that this little show has been. The hashtag #SPNGaveMe immediately sprang up on Twitter, and fans started sharing all those life-changing things that Supernatural brought to their lives. Some fans said that they had pulled out their copy of Family Don’t End With Blood to re-read the words of the actors and the fans that memorialize for all time just how special this show and its fandom have been. All over social media, fans reached out to other fans with support and comfort and empathy. I saw many posts from fans of other shows who had never even seen an episode of Supernatural, but as fellow fans, they understood the depth of this loss and reached out with sympathy. As always, fandom took care of each other.
I did my own looking back, my own assessment of what #SPNGaveMe and why this Show is so special to me. I’ve written six books about the show that trace my own journey with Supernatural and how the show and the characters have inspired me and changed me, but I don’t think I’ll ever have enough words to truly describe how profoundly this little television show has changed my life. I found my voice – and myself – through this Show and this fandom. I found courage I’d never had – to speak up, to be real, to change jobs, to call myself a writer and get published. I found friends who have challenged me and supported me, and who I’ve traveled the world with and had the most amazing, life-changing adventures. I’ve had to open my eyes to my own blindnesses and biases and start to make progress in putting them aside. I’ve learned that I can be criticized and not fall apart, and sometimes even learn from that criticism! I’ve gone from being the painfully shy girl who once failed geography class because I literally never spoke the entire time to giving panels at San Diego Comic Con and all over the country – and actually enjoying it! I’ve gone from someone who was too anxious to travel on my own to someone who has navigated airports and train stations and bus stations all over the world – because seeing my fellow Supernatural fans and this cast was just that worth it. The mantra of the Winchester brothers and the Show to “always keep fighting” has been my mantra too, and it has made all the difference.
I am, quite literally, a different person than I was in 2005 when this little Show began.
And that makes the announcement of its ending very important indeed.
The first promo I ever saw for this new show…
So where was I when this flashbulb moment happened?
I was sitting at the Project Fancare table at Lexington Comic Con, surrounded by copies of Family Don’t End With Blood and fellow fans. Project Fancare is a nonprofit which gives fans a forum to talk openly about how television and film and books and all sorts of fandoms have helped them get through tough times, and why that’s a good thing. I had just finished talking to a woman who stopped to tell me what the book and the show had meant to her, which I will never get tired of hearing.
As the woman walked away, my friend Kim leaned over and said softly in my ear, “You need to take a break. Take your phone and go to the bathroom and watch the video that Jensen just posted.” That’s all she said, but instantly I knew. I knew from the genuine emotion in her voice, and the concern for me that I could hear there. I knew because there’s a part of me that has been waiting for this and anticipating it and knew it was coming sooner rather than later. I knew because my stomach instantly fell and my brain kicked into survival mode, blocking all my emotions and making me feel oddly calm even though intellectually I knew I wasn’t. I can vividly see the table in front of me, the books spread out there, and the woman walking away. She was wearing one of the first Represent ‘Always Keep Fighting’ tee shirts and she had red red hair and a bag with the protection symbol on it. I can see it like it’s a photo frozen in time like a flashbulb, and I can hear Kim’s voice and her words like she just finished talking, even though it’s four days later.
I stood in the alcove by the bathroom in the giant convention center and pulled out my phone and found the video – and as soon as I saw their faces, there was no doubt in my mind. Jared, Jensen and Misha are extraordinary in how open they have been with their fans, that’s why they wrote FDEWB after all. I could see all the emotion they were struggling to contain in their faces before I ever hit play to listen to the message. And I am forever grateful that I got to hear it from them.
Within minutes, my phone blew up with people wanting to know if I was okay or wanting to express their own shock and sadness. My fandom friends texted and tweeted and posted and called. My family members, who do understand now that this is important to me, reached out too, checking on how I was doing even if they don’t truly understand why the loss is so deep. I reached out to some of the cast too, who were as emotional as I was feeling. I did a panel with Ruth Connell the next day, so I was able to share with her in person, for which I felt lucky. Even in the midst of grief, there was a sense of “we’re all in this together” that was comforting, even if we might have wished we weren’t in this particular something right now.
It’s four days later as I write this. We are all trying to find the coping strategies that work for us now. Make sure you do so without shame – not everyone will understand how people can grieve for a television show or for fictional characters who don’t exist or for friends you’ve never met in person, but that grief is real because the loss is real. There’s research in one of my books about how we get the same emotional satisfaction from spending an evening with our favorite fictional characters as we do having dinner with family or close friends. Fictional characters play a role in inspiring us and fictional stories are a way of making sense of (and possibly rewriting) our own life stories. Friendship can transcend the physical and online communities can be amazing sources of support. All of that is real, and all of that is healthy. If you’re struggling with a way to cope with fear of losing those things, do what every single person who wrote a chapter in Family Don’t End With Blood advises – tell someone, talk about it, and get some help. There are resources at the end of this article, and don’t be afraid to use them.
It’s also helpful to remind ourselves of the important thing that Supernatural’s very own “dad” posted after the news broke. Eric Kripke, who created this show and these characters, was the empathic father figure on Friday who reached out to tell us all that what he’s most proud of is the family created by his show – and that family is not going anywhere.
Things will change, but not everything. We may not gather together to dissect the latest episode or argue amongst ourselves about which way canon “should” go, but we will have fifteen seasons of rich and nuanced and fascinating adventures to keep watching and keep talking about. As with all fandoms, a lot of what my SPNFamily friends and I talk about on a daily basis doesn’t even have anything to do with Supernatural – we talk family stresses, job challenges, kid questions, politics, that awesome thing we found at Target – whatever! They are the people I can reach out to for support, no matter what the problem.
Fandom friends become forever friends, and the friendship is all the richer for that amazing show that brought us together. Ten years from now a bunch of us will say hey, let’s all watch the Pilot, or The French Mistake, or All Hell Breaks Loose, or the Finale. And no matter where we are in life and who we’ve gone on to become, we’ll all pause and be reminded of all the ways that Supernatural changed our lives. Maybe we’ll get a little teary and reach for the tissues, and maybe we’ll share some hugs as we dab at our eyes, either virtual or in person. Because we’ll always have this in common, and we’ll always “get it”. Nobody can ever take that away.
For now, I’m gonna cherish every single moment I get to spend with the Winchesters and Cas and company for the next year, stock up on tissues, and remember to be very very grateful for this Show and all it’s brought me.
–Lynn
To Write Love On Her Arms: twloha.com
IMAlive: IMalive.org
Random Acts Crisis Network: randomacts.org/crisis-support-network/
I watched this episode of Supernatural from an unusual perspective (for me, at least). I wasn’t able to watch Peace of Mind live, nor was I able to watch it for almost an entire week thanks to being on family vacation. (Despite what most people would probably assume, I actually do prioritize the kids over my favorite show. Okay, maybe I did sneak off and try to watch a bit of the episode on the CW app on Sunday, but that lasted about five minutes, so I gave up after only a single attempt. Pretty respectable, I think.) This meant that I was partially spoiled for the episode, but more importantly, that I already knew what most of my social media timelines thought of it. I intentionally have a wide range of friends and acquaintances on various platforms, and they have a wide range of reasons why they love Supernatural, so it’s not surprising that some people loved the episode and some people hated it.
If you really needed a break from the angst and a good laugh, you probably loved it. If you watch for quality Misha Collins content, you were pretty pleased. If you ship Sastiel or are amused by Misha Collins and Jared Padalecki’s real life (adorable) teasing friendship, you got way more than you ever dreamt you would and were probably over the moon. If you watch for Sam and Dean and expect them to be interacting alot, maybe you weren’t. In other words, as in most things fandom, your mileage may vary.
When I tweeted that I hadn’t been able to watch and had no clue whether I’d like it or not, I had a lot of predictions from people in all those contingents about how I’d feel when I finally sat down to watch, which was also really interesting to hear. That watching thing finally happened last night, and guess what? Even I didn’t predict my reaction very accurately!
I didn’t have a strong emotional reaction in either direction, perhaps because I was already prepared for what the episode would contain. That allowed me to look at it with two different lenses, which is not the way I would usually do a review, but I think it’s helpful here. As a 42 minute piece of episodic television, I think Peace Of Mind was well done – and very enjoyable. Collins and Padalecki together in Charming Acres were comedy gold, both of them hitting just the right notes, and Meghan Fitzmartin’s teleplay giving them all the right dialogue to play with. They looked like they were having the time of their lives and that enthusiasm carried right over onto the screen. That story line – let’s call it the A story line – was particularly well done.
Misha shared at the Nashville Supernatural convention last weekend that there had been a scene where Sam lands on top of Castiel, and that Jared had way too much fun with that, including making “an impact”. That little tease primed me for the scene, and when it actually happened I laughed out loud, imagining all the fun Padalecki must have had with a trapped Collins who’s trying to stay in character. I’m crossing all my fingers and toes for lots of gag reel content from that one, because Phil Sgriccia was directing and he definitely knows when to let the cameras keep rolling!
I loved the set dec and locations that transformed a part of Vancouver into the idyllic and picturesque (according to Cas) Charming Acres, and the campy music and back-in-time costumes. Supernatural never cuts corners and it shows.
The B story line, as Dean tries to figure out if Jack is in the angel or devil camp (at times with a Twinkie choice test), worked less well for me, but perhaps that’s inevitably colored by having expectations for how these characters would be feeling after recent canon events. There was humor there too, but it didn’t work as well for me in the B story line. That may be because there just wasn’t as good a reason for the departure from the Show’s usual angst and darkness, like there was in the A story line. Alex Calvert and Keith Szarabajka (Donatello) had some lovely scenes together, but I think the back and forth between what was happening in Charming Acres to Cas and Sam and then to what was happening with Jack and Dean kept jarring me. I was more invested in the Sam and Cas story and didn’t want to keep being yanked away, which is a recurring problem with me and Supernatural when they have two separate story lines running.
From purely the perspective of an episode of television, the bookended brief Winchester brothers moments at the start and end were a separate thing too. They worked for me, and I was glad they were there, but perhaps that’s largely because I was waiting for them as a Supernatural fan.
So that’s the first perspective. Congrats to Meghan for her first episode as a writer and to Steve Yockey for his co-writing, especially for the entire Charming Acres story line. I literally laughed out loud – more than once!
The second perspective is of someone who has watched Supernatural since the beginning and is emotionally invested in this season’s story line as well as in the individual characters. From that perspective, I wasn’t quite as happy with the episode. Did we need a break from the angst? I know some people did, but I was in my happy place after the emotion-drenched episodes we had in the middle of the season and craving nothing more than a continuation of that angsty Winchestery goodness. I do enjoy the “funny” episodes, and I did enjoy this one, but I was also a little frustrated that it popped into the middle of a pretty serious overarching story arc.
All of us here at Fangasm are especially proud to be pitching in with a charity auction to help Jared and Gen Padalecki raise money through #RunPadsRun for Dream Big, an organization that provides girls from low income households with the equipment and program fees that are necessary to participate in sports and physical activities. Many young women want to participate, but their economic situations prevent it. Uniforms and equipment are expensive, and so are the soccer and volleyball camps, dance classes, sports clinics and gymnastics classes that allow young women to excel in their sport of choice.
Why is this so important that the Padaleckis are running the Boston Marathon to raise money for the cause? With my psychologist hat on, I decided to find out – and it turns out the research is pretty compelling.
Multiple large-scale studies over the past decade have found a gender gap in youth sports, with girls from urban and low income environments the most impacted. Historically, sports have been an area in which women’s participation is sometimes limited, including access for racial minorities, GLBT+ persons, and women and girls. Girls have faced resistance to their participation, and women’s sports have often been devalued.
Supernatural was back from its mini-hiatus last week finally. I absolutely loved the last few episodes, so “Ouroboros” had a tough act to follow. It turned out to be an episode with some excellent moments and it definitely held my interest throughout, but there were a bunch of head scratching moments and we all know I don’t like those. On the other hand, I was thrilled to have Rowena back on my screen, so that combined with some great emotional scenes left me at least intermittently happy.
The episode, written by Steve Yockey and directed by cast favorite Amyn Kaderali, starts with a memorable scene (perhaps not for my preferred reasons, but…), a mostly shirtless barefoot dude cooking with some good music playing. I love the way it’s filmed and directed, almost like a sorta sexy version of a cable tv cooking show. Except, because this is Supernatural, it turns out barefoot dude is cooking a recently murdered man and slicing and breading and frying his organs and popping out his eyeballs for a snack. I literally said “ewwww” out loud. A new high for Supernatural’s enjoyment of making its fans have to stop eating their traditional pie slices. It was a well done opening, though, and I’d sort of like Noah (very well played by Phillippe Bowgen) if he wasn’t so busy eating people.
The CW/WB
Team Free Will Plus (TFW+) arrive too late and are understandably frustrated. Rowena gives Cas a flirty “Hello, Castiel”, and gets a puzzled look in return, which was sort of adorable. Then we unfortunately get our first head scratching moment. Rowena is the only one who notices that the corpse (and apparently the other similar corpses they’ve found) has black around his lips and really, the Winchesters didn’t notice that??? Too busy focusing on the cannibalism to, what? Be hunters??
Head scratch. Grrrr.
Rowena dispenses some wisdom to Jack when he asks if the black around the lips means something.
Rowena: Dear boy, everything means something.
She’s right, and Sam and Dean and Castiel know that, Show. We ALL know that!
There’s an overt (maybe too overt) theme running through the episode of “I’m fine, everyone’s fine” which starts with Rowena and Sam in the next scene as they research who this monster might be and why he always knows they’re coming. As they work, Rowena questions how Jack is okay and what kind of magic they used, and Sam just says ‘he’s fine’. She also wonders how Dean is managing to keep an Archangel locked up in his head.
Sam: Because he’s Dean. And Dean is…. Dean. He’s fine.
Of course he isn’t, but that’s sort of the point.
Meanwhile, Dean and Castiel have a diner chit chat while Jack is in the bathroom coughing up blood ominously. Cas is empathic with Dean, saying he can’t imagine the willpower it’s taking to keep Michael locked up, but Dean insists he’s fine.
Dean: That’s what I’m supposed to say, right?
Me: In this episode, yes, definitely.
Dean insists that it’s on him to keep it up, even if it means no sleep, but Cas protests.
Dean: It’s on me.
Cas: No, it’s on us. We’re here to help you.
Gif justjensenanddean
It’s a nice gesture, but Sam and Cas actually can’t do a damn thing to help Dean other than let him keep hunting to stay distracted. But as Castiel rightly notes, it’s not sustainable.
Jack uses up some more of his soul in the bathroom to heal himself and returns to the table, also insisting he’s fine.
I watched the milestone 300th episode of my favorite show of all time, Supernatural, with a horrendous case of the flu and no voice at all. I couldn’t live tweet and I didn’t have the stamina to read what anyone else thought of the episode, on twitter or anywhere else, so I missed a bit of the ‘we’re all in this together’ feeling that I relish when the Show has a special episode like this. I watched it on DVR later that night, curled up under a blanket with lots of tissues (for multiple purposes) and a cup of hot tea with honey instead of the wine and cherry pie I’d been planning. It’s taken me almost a week to finally find the strength to sit down at a keyboard and write out my thoughts. But you know what? I was as emotional as I’ve ever been about an episode of this Show that consistently makes me VERY emotional. And that’s really saying something.
Now that I can think a little more clearly, I’ve come up with five reasons why this episode worked so well for me (and I think for most people), but to do the episode justice, let’s start at the beginning. I also note a few things that shouldn’t have worked so well, but those mostly got lost in the shuffle of OMG FEEEEEELINGS that characterized my viewing experience.
The emotional hooks start immediately – we’re vaulted right back to the start, the boys (babies!) uttering the iconic lines “Dad’s on a hunting trip” and “We got work to do.” For someone like me who has been watching from the start, it meant everything that the ‘Then’ went all the way back to the beginning and reminded me of just how long this Show has been a big part of my life.
Then we’re rolling, and instead of guest stars of the week, we get to follow the Winchesters right away, so color me happy. Sam and Dean in a pawn shop searching for something specific, buying their way into the secret back room where the occult items are shelved. Sam surprised me by being the one to mess with an ominous looking teddy bear (it’s usually Dean who can’t keep his hands off things like that and Sam doing the eyeroll, though Dean does get his chance later with the dragon’s breath thingy).
Gif abordelimpala
And then with a twist, it turns out the boys are tracking down the shop owner who killed a hunter and stole all this dangerous stuff. He makes the mistake of attacking Sam with a giant scimitar and threatening him, with a speech that ends with “You’re a big boy…” so of course Dean kills him.
Dean: They always talk too much…
I laughed out loud – or I would have if I was capable of making any actual sound. So this is going to follow the Show’s tradition of being a little self referential and a wee bit meta then, and that makes me very happy indeed. The Robbie Thompson-penned 200th episode, Fan Fiction, one of my favorites of the series, was more than a wee bit meta and I loved every minute of it. It seems fitting that the Show should give both its fans and its cast some wink wink nudge nudges in a milestone episode, and that’s Reason No. 1 that this episode worked for me. There were numerous call backs to previous iconic scenes, plus a whole bunch of Easter eggs scattered throughout, from items we’ve seen in past episodes to Family Business Beer signs. I loved every one of them! Thanks, Meredith Glynn and Andrew Dabb, for working so hard to get them all in, and so organically.
