Tag: Lisa Berry

In The Middle of Sociopolitical Turmoil: Here Comes Supernatural!

In The Middle of Sociopolitical Turmoil: Here Comes Supernatural!

spnfans

This has been a hell of a week. The US election happened on Tuesday and Americans (and most of the rest of the world) waited through constant anxiety attacks to find out who won as results trickled in. Everyone was on edge, tensions were high, and I really needed my number one comfort show, Supernatural. On Thursday, the third to last Supernatural episode ever aired in the midst of all this uncertainty and anxiety – an episode ominously titled ‘Despair’. True to Supernatural form, its third to last episode aired in the middle of unprecedented chaos and caused even more chaos, both in the fandom and more broadly in terms of anyone watching trending topics that night. In fact, #Supernatural not only trended, but #Destiel and #Putin trended – often in the same tweets. Who the hell had that one on their 2020 bingo card??

As Supernatural ends its run, it’s no longer the major player on Tumblr that it once was, but on Thursday all those 2012 Supernatural accounts rose from the dead en masse to comment on whether or not “Destiel Is Canon” with a mind blowing range of unironic celebration posts alongside an equally mind blowing array of shitposts and hilarious memes  making fun of the show for how that possibility played out. I admit I never thought that if Supernatural once again ruled Tumblr memes, it would be for making fun of a scene that was the opposite of intended to be funny.

But it’s been that kind of a week. I have mixed feelings all over the place that I still haven’t sorted out and the US Presidential election was just decided after 987 years, so I’m not likely to sort them out any time soon. Instead, I’ll try to dig into the entire episode, not just those three minutes, and see where it brought us, for better or worse.

The episode picks up right where 15.17 left off, Sam helping an injured Jack. Jack tells them all to leave him, for their own good.

Jack: I don’t wanna hurt you, don’t let me hurt you…

Alex Calvert is so good at making me feel for Jack, that plaintive ‘don’t let me hurt you’ going right to my heart. Dean has changed his tune completely, insisting passionately that they’re not gonna give up on him. Poor Dean must have whiplash with how the writers keep making him change his tune so often.

Billie appears, blaming them for her plan not working and then zapping Jack out of there to the Empty.

Which means we get to see Rachel Miner again, so yay. Jack promptly explodes, though, so boo. The explosion wakes everything up and makes a lot of noise and totally pisses it off. Enraged, the Empty attacks Jack, crushing his head.

Poor Jack, he’s been through a lot in the last two minutes.

Billie gives us some exposition about the Empty being pissed at her too for sending an explosive Jack there, and reminds us that the Empty can’t come to Earth unless it is summoned, which we already knew. And Sam reminds us what we figured out last week about Billie’s plan – that anyone who was resurrected will die, including Sam and Dean. Billie also is pissed that Sam took the God book and wants it back, refusing to return the maybe still alive Jack until Sam gives it to her. Sam finally goes to get it; instead of putting it in her outstretched hand, he drops it on the table instead. Sassy, Sam.

Billie underestimates the Winchesters for some reason and walks away to read the new portion of the God book, her scythe left behind and her back to the Winchesters. She zaps Jack back to them but insists he’s coming with her, since he’s still “useful”, and that’s when Dean has had enough. He grabs her scythe and attacks her, injuring her. She zaps herself out of there, leaving Jack (and her scythe) behind.

Lisa Berry can be very scary indeed and she proves it in this episode, telling the reapers in her library when she returns, clutching her shoulder, that “the plan has changed.”

Uh oh.

That night, neither of the Winchesters can sleep. Dean drinks in the dark, and Sam joins him.

Dean slides a glass and the bottle to his brother and they settle in, mirror images of each other. It’s a beautifully filmed scene from director Richard Speight, Jr. but melancholy as hell.

Dean: Sam, I’m sorry…about everything.

Sam: Dean, you don’t have to…

Dean: I pulled a gun on you! I couldn’t stop… we were so close to beating him… I couldn’t snap out of it.

Sam: Yeah, well, you did. And you’ve snapped me out of worse.

Dean: Mmm

Sam: You have.

Gifs jaredandjensen

Sam is hanging onto hope for both of them, saying they’ll regroup. Somehow.

Dean raises his glass.

Dean: To somehow.

They clink glasses, drink together in the dark.

Read more →

It’s Gonna Take A lot To Drag Me Away (From Supernatural)

It’s Gonna Take A lot To Drag Me Away (From Supernatural)

spnfans

I love the title of this episode (thank you, writer Meghan Fitzmartin). In fact, I’m listening to Toto right now as I write this review. ‘Africa’, the lyrics of which inspired this episode’s title, is a pop culture phenomenon, but it’s also special to the Supernatural fandom, and nobody knows that better than Meghan. It’s so special that I broke my ‘don’t let yourself get onstage for karaoke at a Supernatural con’ rule and joined my friend Alana and her cousin for our karaoke version of Africa along with Kim Rhodes, Briana Buckmaster, Matt Cohen and Richard Speight, Jr. – who were all dumbfounded that I was up there doing it. That’s the power this song has over me! Chris Schmelke plays it in photo ops regularly, and I’ve witnessed all sorts of people succumbing to its power, including Jared and Jensen and impromptu waltzes. After ‘Carry On’, it’s one of the songs that is most reminiscent of this wild ride I’ve been on for fifteen years with this show, and it’s always going to bring both smiles and tears every time I hear it. So thank you, Meghan.

This was one of those episodes that kicked up a lot of divergent opinions in the fandom – some people loved it, some people hated it, and a lot of people had conflicting emotions. You can probably guess that I’m one of them, as this show often leaves me feeling that way recently. There was a lot I enjoyed, and then there were a few things that drove me crazy.

I’m glad we got one more flashback episode, because frankly I could watch Weechesters for an entire spinoff tv series and be ecstatic about that. Amyn Kaderali always does a great job directing this show, and he did so here, setting up some truly scary moments while at the same time showcasing Jerry Wanek’s iconic motel décor beautifully.

There were scenes I loved and dialogue I loved. There were also a few things that made me jump up and down and start yelling at my tv screen, which is never a good sign when I’m watching Supernatural. I’ve said this before, but it bears repeating – every episode matters now. Every scene, every interaction, every moment, matters now. We have FOUR episodes left. Once again, that makes me cherish just having time with the Winchesters, but also grow frustrated quickly when something doesn’t quite work. Let me start from the beginning, which happens to be in the present.

The Rooster’s Sunrise Motel is quintessential Supernatural. “If I Didn’t Care” plays as adult Travis (Ryan Alexander McDonald) checks into a particular room – 214. Interesting song choice – If I didn’t care, I wouldn’t be trying to get past this trauma? If I didn’t care, I wouldn’t lie to you to try to protect you?  There are a lot of options.

Anyway, the opening scene was scary as hell, Travis trying to talk himself into being calm and facing his fears, while we see the closet door slowly opening behind him. AAHHHH!!! A ghostly kid taunts and attacks him. Poor Travis.

Read more →

Behind the Scenes of The Last Season of Supernatural with Director Richard Speight, Jr.

Behind the Scenes of The Last Season of Supernatural with Director Richard Speight, Jr.

spnfans

Richard Speight, Jr. has a birthday coming up, and that has me thinking about a) how long I’ve known him and b) the incredible impact he has had on Supernatural and on the SPNFamily. In our very first conversation, close to 12 years ago, I was impressed with how smart and thoughtful he was. It wasn’t long before he talked about wanting to direct in addition to acting, and I was not a bit surprised when he added that to his repertoire – and kicked ass at it. He’s come a long way from 2014, when producer Jim Michaels posted a photo of Richard shadowing director Tom Wright on the set of Supernatural, going on to direct eleven episodes and to shape the show in significant ways.

I also knew early on that Richard was an excellent writer, because he wrote a chapter for one of my first books, Fan Phenomena Supernatural. When it came time to write my last book on the show that captured my heart as it went into its very last season, I knew I wanted Richard’s voice in that book too. His chapter in There’ll Be Peace When You Are Done is, fittingly enough, a conversation between me and him. Like countless other conversations we’ve had over the past twelve years, in hotel restaurants or convention green rooms or in a taxi so he could show me where he’d filmed in San Francisco, his chapter is brimming with insights and a little bit of his trademark humor. In There’ll Be Peace When You Are Done, Richard also gets serious about this little show that has changed so many lives. The way he describes Supernatural’s legacy, and what makes it so special, makes me tear up a little every time I read it. He gets it. From Richard’s chapter in There’ll Be Peace When You Are Done:

The “Supernatural” take on family ain’t the Lifetime version. It’s dark, it’s rough, it’s painful, it’s broken. It may not be a perfect family, but it’s our family. It may not be a perfect world, but it’s our world. And I think the way Sam and Dean and Castiel choose to navigate that world and how they deal with each other along the way is inspirational to a lot of people and will continue to be an inspiration for a very long time.

Richard understands why the SPNFamily is so important, and why the show and its iconic characters will always be with us, which is what that book is all about. He also gets the show itself. That’s why I couldn’t wait to talk to him about the episodes of the show he directed for Season 15, three of which have already aired. In part 2 of my conversation with Richard, he takes us behind the scenes of those three episodes with so many fascinating insights. And maybe makes me a little emotional again as he talks about the upcoming end of this incredible show.

Part 1 of my epic interview with Richard shared insights into his new film Driven, his hilarious podcast with Rob Benedict, and some behind the scenes stories of directing his first episode of Season 15, Proverbs 17:3. I had a few more questions about that episode, because so much about it was SO good, so we pick up there…

L: Switching gears again, another scene I really liked in that episode was with the actress who played Lilith, who was so good – things very quickly go from all serious and horrifying to this poor traumatized girl falling on some antlers and being impaled, to her just getting up and brushing herself off! How challenging was that kind of split second progression?

R: Let me tell you, first off, Steve Yockey wrote a great script. So clever, the miscues were great. It was like my third or fourth Steve Yockey script, so we work together well. We connect on the material, he likes what I do, I like what he does. As we go through and adjust, we’re always on the same page. But I really really think, to pull that moment off, I give massive credit to Anna Grace Barlow. Finding her was finding Nate Torrence for Sully. I cast her off tape, I never met her. She turned in an audition that she shot in the garage during a short film she was doing that was so fantastic. And she came up and just knocked the leather off the walls. She was so good at every scene, from day one. Day one, her first day of shooting, she was confronting Sam and Dean in a parking lot as Lilith and taking the gun. She was already doing heavy hitting stuff right out of the gate. I thought she was incredibly talented. And she got the character. We discussed the character, she got the beats, and she played all that drama for real. Because you don’t get the joke, you don’t enjoy that moment, if you didn’t buy into everything that has happened before that.

L: Yes, and you really did.

R: You believed that she was in distress, you believed that she was a victim in this scenario, that she was in peril and incapable of doing anything to defend herself. And she’s completely distraught by what she’s witnessed and probably damaged for life, and then she stumbles and dies on those antlers and it’s a WTF moment of massive proportion.

L: Massive! She did a great job there and Jared and Jensen did too, with Sam and Dean’s WTF just happened expressions.

R: They did, they played it like the audience should have been too. But Anna Grace did such a good job and when she makes that turn, she’s Lilith the rest of the time. We had such fun crafting that character. To really go into this episode, I started talking to Jerry Wanek about the episode two weeks before we went up there because he read it and he called me and said “Wes Anderson”.

L: Ohhhhh

R: And I said, you had me at Wes. Because he’s like, I’m trying to figure it out, tonally I don’t want you to hang your hat on the set here but if you’re into it, I’ll lean into it and let’s create that vibe of symmetrical sets and straight on angles. And I said, oh absolutely. Then Carrie at the costume center got on board and that’s why Anna Grace Barlow looks like she’s from Moonrise Kingdom.

L: Yesssss

R:  If you go back to the campsite scene, we used plaids and all these things ala that heightened style. I loved that episode so much, and every set was a meal. It was all stylized. The sheriff’s office, very stylized. We used angles that reflected that kind of style – I don’t wanna say an homage because every shot is an homage because you picked it up from somebody at some point – but nonetheless it was a consistent style thing through the whole episode and it was so fun to do. Anna Grace in her little beret and kerchief being super evil was just so phenomenal.

L: That really added to the character being memorable and full of personality.

R: Everything she does previous to that scene – when she did that hospital scene and expressed her fear to Dean and in the hotel room telling him she doesn’t know what she’ll do now because her friends are all dead? That scene rips your heart out.

L: Yes, you have no idea at the time.

R:  She was shaggin’ flies with every take. Everything was a great take by her, so she gave so many options and choices. And when she went dark, she went dark so well. She was a fantastic villainess. In many ways, I wish it was Season 5 instead of Season 15, because I think we would have seen her many more times.

L: My favorite moment was when she asks them to give her the gun, and Dean says, “the Equalizer?” and she just deadpans “I’m not gonna call it that.” I laughed out loud.

Read more →

Remembering #NashCon: The Saturday Night Special!

Remembering #NashCon: The Saturday Night Special!

spnfans

Guest post by Kim Prior to pretty up your Saturday… in which she looks back at the last four years of Nashville Saturday Night Specials and remembers just how special they are. Take it away, Kim!

And thus begins all the many ways in which I try to express how special the Saturday Night Special is…

2016

The recap of the 2016 concert in Nashville is a little less recap, a little more overflow of emotion as I tell y’all how much I love this band, and all the celebrity guests.

And lots of pictures.

#ActualRockGod Rob Benedict

Matt Cohen
Gil McKinney
Osric Chau
Ruth Connell and Kim Rhodes
Tim Omundson on harmonica

Read more →

Remembering #NashCon: Friday Panels

Remembering #NashCon: Friday Panels

spnfans

Guest post by Kim Prior

(With commentary by Lynn…)

Lynn and I should be meeting this weekend, in Nashville. At the Salute to Supernatural Convention at the Grand Ol Opry Hotel/Resort. Instead, we are locked down. Quarantined. The convention has long been canceled. (Rescheduled for August and Chuck knows we are beyond excited at the thought of attending another convention!) Rather than sit and worry about the state of the country, the world… rather than be sad we don’t have a convention this weekend… we thought we should remember the good times we’ve had in Nashville over the years. So without further ado, here’s a quick look back at the Salute to Supernatural Conventions in Nashville!

2016

[Kim]  One of my favorite parts of these conventions is listening to the Rules and Regulations as presented by our host, Richard Speight, Jr. alongside Rob Benedict and Louden Swain. Do they discuss what they are going to do each time? Do they write it, plan it, rehearse it? I don’t know, and frankly, I don’t care. Their version of the Rules and Regulations are different at each convention, usually laced with indirect or direct innuendo about the host city, and always laugh-‘til-my-cheeks-hurt funny. I may or may not have laughed ‘til I cried at more than one of these presentations.

[Lynn] I miss Rules & Regulations! I miss the theme song, and the fabulous showcase that it is for Rich and Rob’s hilarious sense of humor and mad improv skills. Just sayin’.

[Kim} This convention began on Friday with Richard bringing us yet another fresh, new version of the Rules and Regulations. In typical fashion, he managed to explain these to us all while making fun of southern sayings; he referenced so many that I could not possibly include them all – and yes, I reckon I laughed so hard I was fixin’ to cry.

(Ugh. Eww. Look at the ridiculous watermark. Look at the blurry photo. *sigh* I had so much to learn back then.)

Friday panels began with the dynamic duo of Kim Rhodes and Briana Buckmaster.

They danced their way onto the stage, and immediately began to tell us about their conversation from the night before – one that included both periods and trying on underwear – because that’s how best friends roll. Listening to their panel, watching their interaction, I had no doubt they share an epic friendship, and it reminded me of my own real life best friend. (You really don’t want to read some of our texts either.) I don’t know if Wayward Daughters will ever be picked up as a spin off, but if it isn’t, can someone please give these two besties their own show already?

[Lynn]  Ouch. That one’s hard to read now…

Gil McKinney had a solo panel on Friday. Always smooth and sexy, he talks effortlessly about his life on Supernatural and beyond. He also reminds us how much the show and the fandom have impacted his life. Oh, and he discovered and now loves Cracker Barrel… and y’all know you’re gonna eat there for breakfast every time there’s a con in town.

Read more →