Minneapolis Supernatural Convention 2018 – Sunday with Jared and Jensen!

 

Sunday was, as always, J2 day. The Jared and Jensen morning panel started out with a sad story of how Jensen hurt his knee training for the Bad Idea marathon with Jason Manns.  Good friend that he is, Jared took a picture.

Jared: I took a picture of Jensen from the waist down with ice on both his knees and sent it to our guy friends and they were like, why’d you send this?

Jensen: No, they were like, why didn’t you show more?

 

Jared got a spam call and made a face, which prompted Jensen to give a talk about how to deal with unwanted sales calls.

Which was just proof that these two can make any topic hilarious.

And nice to look at.

Then someone made the mistake of giving Jared an entire tray of cupcakes. Jared went from gloating and gleeful while Jensen made faces and looked worried…

To dropping the entire tray on the floor. There was red icing everywhere, including all over Jared’s face!

While handlers swooped in to try to clean up, Jensen made Jared crack up even more by muttering that “you look like you just fellated Ronald McDonald”.

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Minneapolis Supernatural Convention 2018 – Friday and Saturday

This was the last Supernatural con in Minneapolis (at least for now) so it seemed like everyone in attendance was determined to make it the very best one. The cast and the band love the giant theater with its for-real stage, complete with floor to ceiling (like 100 feet up ceiling) thick velvet curtains. There are layers of them, so finding your way onstage from backstage is a bit of a challenge – but it also makes everything seem like real theater and adds a feeling of professionalism to everything that happens.

It was also a great place for taking pictures, even for a non-photographer like me, so this post will be broken into two. First up, Thursday through Saturday, including Misha Collins and the Saturday  Night Special!

Minneapolis is a funny city, interconnected by indoor walkways that tie all the hotels to the convention center like a network of human hamster habitrails. I was outside the first day I was there and then never ventured out again as the weather took a turn for the cold and rainy.

Thursday, after setting up in the vendor room, I got to watch the new Supernatural episode with some fellow fangirls at the honors floor guest suite in one of the hotels. There was wine and cheese and crackers and even sandwiches custom made by the lovely gentleman in charge of the suite. I’m not sure what he made of the four women shrieking with screams and then doubling over with laughter, but he seemed to be amused enough to want to make us sandwiches, so that’s a win. And we were grateful!

Most of the “vendor squad” was there, so I spent a little time catching up with friends, and then met lots of new people who hadn’t yet read Family Don’t End With Blood or any of our other books. And some familiar people who I haven’t seen in a while too, one of the best part of cons.

Predictably, I stayed up way too late chatting, then grabbed a bagel and latte and headed back to the convention center for the start of the con on Friday. SPNMinn kicked off with our hosts Richard Speight Jr. and Rob Benedict.

And then with Rachel Miner, who is always a ray of sunshine every time she takes the stage.

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Supernatural ‘Optimism’ – Some Laughs, Some Feels and A Bit of Head Scratching

 

Last week’s Supernatural episode, hopefully titled ‘Optimism’, was one of those episodes that fandom didn’t agree on. And that’s okay. Like most episodes of this Show, there were things I liked and things I didn’t. I’ll get to the elephant in the room thing in time, but first, a look at some of the things that worked for me and what didn’t.

Richard Speight Jr. directed the episode, and I tend to really enjoy his directing, so that was a point in this episode’s favor. I like his pacing, and his editing, and I really really like the way he embraces the quirkiness of Supernatural that has always been one of my favorite parts of the Show. Writer Steve Yockey is a good partner for that quirkiness and the two worked well together here. From the first frame, the weirdly upbeat music presents the small town as too-good-to-be-true, including Harper the perky town librarian. She’s got at least two quirky suitors, one of whom seems dangerously jealous and slightly unhinged, so we immediately are suspicious that something bad is going to happen to too-good-to-be-true librarian.

Sure enough, it does. Winston, the nice guy suitor who Harper clearly isn’t into, saunters down the street feeling good about himself after Harper agrees to dinner, and the familiar strains of Stayin’ Alive start to play. Speight mimics the view of John Travolta’s iconic walk in the opening of Saturday Night Fever, which comes off as amusingly ironic when applied to Winston.

And also announces to us that poor happy Winston is probably not long for this world. Yep. Splat.

I loved that whole opening, and it had Speight’s directorial touch all over it.

Back to the bunker, where Jack is piling a ton of sugar into his coffee (ewww) and Dean is looking for Sam. We find out that Sam and Charlie have gone off on a stakeout because Dean was somewhere else and that means we’re not getting Sam and Dean hunting together for a little while. Not something that makes me particularly happy, but I’ll roll with it.

Jack about Sam and Charlie: They’re probably doing something really exciting…

Cut to Sam and Charlie, sitting in a truck and looking bored to death.

These are the edits that Speight is excellent at, the juxtaposition and Jared and Felicia Day’s acting skills making just that little bit hilarious. It was the first time I laughed out loud during this episode but not the last.

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What The Hell Did He See In Dean’s Head? Supernatural 14.05 Nightmare Logic

 

This week’s Supernatural episode didn’t leave me jumping up and down and squeeing to the rooftops – but that’s not actually a complaint. Instead it left me scratching my head and wondering where the hell we’re going from here and what the hell the Djinn saw in Dean’s mind. That’s a feeling I often had in the early seasons of Supernatural, so once again, that makes me a happy fangirl. (Not that I don’t have things to critique, of course…)

The episode started out slow, and at the first break I was feeling a bit meh about it. This surprised me because I usually enjoy Meredith Glynn’s writing quite a bit. It took me a little while to realize that the pace was slower than I’ve grown used to – but once again, that turned out to be a good thing. Instead of ten different plot lines zigzagging through the episode, Glynn and director Darren Grant took their time, following each scene and letting the anticipation or suspense or fear or whatever emotion build before bringing it to a climax. The pace was slower, so you could savor moments like Dean and Sam exploring a dark and scary crypt or Sam fearlessly going up to the attic or Dean quietly bonding with Sasha. I just have gotten used to a faster pace on this Show, so it took until the halfway point for me to realize I was actually appreciating the Show taking its time for a change.

The beginning scene is Maggie, whose name half of my timeline can’t remember, which says something that isn’t good. She’s hunting alone for some reason, and not very competently. Sure enough, she’s attacked and taken down by something that looks like a ghoul. I scratch my head. That’s not the reaction Show was going for most likely, but I honestly cannot manufacture much feeling about the AU hunters. There are way too many of them and I don’t like them in the bunker and that all translates into me just not caring very much what happens to them. Maggie has never seemed like someone who should be a hunter, and we haven’t been given any reason to care about her. It’s like she’s the only one of the random AU people who has a name, so she keeps getting tossed into the story. Sorry, Maggie. At least I’m remembering your name.

Then we’re in the overcrowded bunker, Chief Sam briefing a bunch of AU hunters. He’s all awkward when Dean walks in, which is telling – Sam is clearly not comfortable being the leader when Dean is around. I’m not sure I’m all that comfortable with this new dynamic either, but Dean seems more at ease than either me or Sam.

Dean: You kids have fun out there.

He teases Sam to break the awkwardness, telling him that he did a great job with the whole camp counselor vibe and offering to get him a whistle.

Dean: And they’re checking in? That’s adorable.

It’s not, however, adorable that Sam isn’t getting enough sleep. Protective big brother Dean gets on his back about it, clearly worried. Dean stays in this mode when Sam gets upset that Maggie (Katherine Evans) didn’t check in, trying to reassure Sam that she might still be alive. Poor Sam, his reserves clearly on zero and feeling the burden of responsibility, immediately starts catastrophizing and falling into hopelessness, so it’s a good thing Dean is back to pull him out of it. The brothers are always a good team when they’re together, always knowing what the other one needs to hear in order to keep going. There was a lot of that in this episode, and I appreciate every moment.

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Get On Board with Supernatural’s Matt Cohen — and ‘Mama Bear’!

 

Something exciting is happening tomorrow – Supernatural actor and new director Matt Cohen (also well known for General Hospital and South of Nowhere) begins production on his short film “Mama Bear” and I can’t wait to see what he comes up with! I’m especially excited because Matt’s passion for this project is contagious, and I was happy to catch it when I chatted with him yesterday. To see a filmmaker so on fire to make a film, and a bunch of incredibly talented actors on fire to make it with him, reminds me of why we all love movies and television shows and books and all the ways we tell stories. Reminds me that those stories make a difference and help shape our views of the world and each other. They also entertain us, and I think ‘Mama Bear’ is definitely going to do that!

I mean, you can’t really go wrong when this is the premise:  “A gritty, high-octane punch of absolute awesomeness, Mama Bear follows a regular, everyday soccer mom with a hidden, violent past who has 24 hours to save her dying son in need of a transplant — but it means hunting down her powerful crime lord ex-husband and taking his liver.”

Mama Bear stars Cohen’s real-life wife Mandy Musgrave as a mother who will do whatever it takes to save her child. In real life, Musgrave is mom to the couple’s four year old son Macklin, and I have a feeling she’s just as fierce as the character she plays when it comes to her son (hopefully without any liver theft involved).

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