Supernatural Does A Little Objectifying – Red Sky at Morning

The sixth episode of Season 3 isn’t one of my favorite episodes, but it has its moments. It’s not as bad as Kripke sometimes fears it is, as one of the maligned episodes that even Chuck disparages in canon, and it does have some great bits. It’s written and directed not by ‘regulars’, which is unusual for Supernatural – written by Laurence Andries and directed by Cliff Bole, who didn’t return to do more SPN. I wonder what their experience was, and what the cast and crew’s experience of them was too. Season 3 was a weird season, what can I say?

From my perspective as a VERY passionate fan at the time, we were constantly afraid the show would be cancelled (and so were the people making the show). The fandom was alot more unified than it is now, as I write this in December 2023, though there were rifts and arguments about being a “Sam girl or a Dean girl” even then. But the show itself constantly being in jeopardy brought us together to keep it on the air, and that was a good thing. By the time the sixth episode aired, the network was also trying to keep the show on the air, which for them meant trying to counteract the testosterone-heavy cast by bringing in more attractive young women as series regulars – Lauren Cohan as Bela and Katie Cassidy as Ruby. It’s true that most of the fandom wasn’t on board with having Ruby and Bela riding around in the backseat of the Impala, but most of the fandom could also tell the difference between real life and fiction and were welcoming of the two actresses who did a fabulous job portraying them. This is, imho, the best of the Bela episodes – Lauren does a fabulous job, and of course she would go on to more great roles too.

So, let’s dig into this episode, which with 15 years of hindsight, is actually pretty damn good! (And has Sam and Dean in tuxes, so what’s not to like?) In the ‘Then’ we get a reminder of who Bela Talbot is and that she shot Sam. And that Sam tried to make a deal with a Crossroads demon to save Dean, but it didn’t work. In other words, the Winchesters are in a bad place.

The episode opens with a woman running on the docks – she looks towards the ocean and sees a creepy old ghost ship, and then poof, it’s not there. Lightning flashes in the dark and she runs away – but of course she can’t escape whatever this is. As she showers later that night (a little Psycho homage which is ingrained in all of our psyches so it’s always extra scary), we see a shadowy figure moving outside her transparent shower door. Ahhhhhh! SPN early seasons can be so damn scary!

We see a hand on the glass, and she opens the door, but of course doesn’t see anything. But back in the shower, someone grabs her from behind. We see her head slamming against the frosted glass, and her hand scrapes down it as she falls.

Seriously, scary.

And…title card.

Supernatural

And then we get one of those great moments, the boys driving in the Impala at night, roaring over a hill. (Yes, CW, it’s testosterone heavy, but times like this we don’t really mind).

Dean is pissed, asking if Sam has something to tell him.

Sam plays dumb, making jokes that it’s not Dean’s birthday, maybe it’s Purim…

Dean finally asks right out why a bullet is missing from the Colt, and accuses Sam of going after the crossroads demon after he told him not to, obviously pissed.

Sam doesn’t deny it.

Dean: You could’ve gotten yourself killed!

Sam: I didn’t.

Dean: And you shot her!

Sam: She was a smartass!

Dean still trying to protect Sam, Sam desperate to save Dean. My Show.

Dean sounds heartbreakingly hopeful when he asks if that got him out of his deal, and Sam sadly and angrily says he probably would’ve mentioned that little fact. Dean can be so cold this season, single minded about not doing anything that might get Sam dead all over again, reminding Sam that they need to find out who holds the contract.

Dean (sarcastically): And the crossroads demon is our best shot at finding out, but oh wait…

He reiterates that Sam shouldn’t have done it, that it was a stupid freaking risk, but Sam has had enough.

Sam: I shouldn’t have done it?? You’re my brother, Dean – and no matter what you do, I’m gonna try and save you. And I’m sure as hell not gonna apologize for it, all right?!

Dean doesn’t answer.

Poor Sam, so frustrated and scared. And poor Dean, so determined. And scared.

Dean still doesn’t quite understand that Sam needs him as much as he needs Sam; that he too will go to almost any lengths to save his brother. We, the viewers, know it at this point, but Dean’s insecurity about their relationship keeps convincing him that Sam will be fine and dandy without him around. Maybe even better off. The guilt he’s been carrying about pulling Sam back into the life, back on the road with him, distorts his ability to see Sam’s loyalty clearly – something he’ll struggle with for much of the show’s run, but something we’ll see has changed by the time the series finale airs. (One of the reasons I love it)

Read more

Supernatural Gets Creepy (and Poignant) with Season 3’s Bedtime Stories

Season 3 was a memorable season of Supernatural for many reasons. I was well and truly down the rabbit hole of being head over heels in love with the show, and the fandom was busy trying to get enough people to watch it that we could keep it on the air. It was constantly touch and go, and yet I was continually struck by how amazing the show was – why didn’t everyone else see it??

It was extra scary by the middle of the season because there was a writers’ strike, and while the fandom overwhelmingly supported the strike and our beloved writers, that made it even less certain the Show would survive. Looking back, the strike changed the trajectory of the season, but of course we didn’t know that at the time.

‘Bedtime Stories’ was in the Show’s early seasons tradition, creepy and scary but at the same time able to rip your heart out with unexpected emotionality. The episode was written by Cathryn Humphris, who I was so sad to lose early on, and directed by Mike Rohl, who directed quite a few episodes and includes some gorgeous shots in this one.

The ‘THEN’ reminds us of the history of the Colt, Dean’s deal to save Sam and his insistence that he’s not scared, and just how worried Dean is about whether what he brought back is “100% pure Sam” – the story line that was so intriguing and didn’t really go anywhere…

And NOW…

Three guys bicker like brothers (which it turns out they are) next to a billboard advertising new home construction with the tempting “ONCE UPON A TIME… All homes were built this well.”

One announces that he’s the “brick guy” and the other is the “wood guy” while the third warns that if a good gust of wind comes up the whole place is gonna blow over. (Sound familiar?)

As they argue, we see that something is watching them, the feeling of the scene ominous.

There’s a growl and one brother asks the others, did you hear that?

For some unknown reason he goes off to investigate on his own, dramatic music playing, but finds nothing. (Of course, because this is a horror show, the first time someone checks it’s gonna be nothing, so that we’re falsely reassured…).  One of the brothers goes to warm up their truck and suddenly something attacks brother no. 1 and drags him away as he screams. Brother no. 2 runs and hides while something attacks brother no. 3, blood spraying all over the truck and splattering on the dirt. Brother no. 2 hunkers down, terrified, breathing hard.

He finally dares to look around the cinder blocks and sees his dead brother lying on the ground. He hears another growl and then footsteps, and then he’s screaming too.

‘SUPERNATURAL’

A giant toad sitting in the middle of the road almost gets run over by the Impala as it roars by, spraying water from a puddle in the road.

Sam and Dean are not exactly getting along at this point in the series. In fact, they are having a quintessential brothers spat. Dean is determined that his going to hell to save Sam will stick, because otherwise Sam won’t survive. Sam is determined to save his brother. Both are hard headed and just as invested in their codependent relationship at this point. I am not complaining about this – it’s one of the things I love so much about this show.

Sam: I don’t understand, Dean – why not??

Dean: Because I said so!!

Sam: But we’ve got the Colt now.

Dean is resolute, warning his brother with a terse “Sam…”

Sam wants to summon the crossroads demon to try to get Dean out of his deal by holding her at gunpoint and forcing her.  Dean insists that they’re not summoning anything, that they don’t even know if it will work. Sam retorts that they can just shoot her anyway and the deal will go away, but Dean insists they don’t know if that’s even true.

Dean: You’re pitching me a bunch of ifs and maybes and that’s not good enough because if we screw with this deal, you die!

Sam: And if we don’t screw with it, you die!!

Talk about quintessential Supernatural. Dean will save Sam no matter what, and Sam will save Dean no matter what. And good luck trying to talk either of them out of it!

Sam finally demands, why, because you said so?

Dean: YES, because I said so!

Sam: Yeah well you’re not Dad.

Dean: (yelling) No but I am the oldest, and I’m doing what’s best. And you’re gonna let this go, you understand me?

If that isn’t the face of determination, I don’t know what is.

Sam finally subsides. He sits silent and sullen, staring out the window.

Dean tries to draw him back in, bring the conversation back to something normal (for them).

Read more

Did Sammy Come Back Wrong? Supernatural 3.04 ‘Sin City’

The fourth episode of Supernatural Season 3 is one that I sometimes forget about, but it’s actually very interesting not only in how it moves the main plot forward, but also in how it moves the evolution of Sam and Dean’s (and the show’s) understanding of “monsters” forward too. Plus it’s a beautiful episode, with director Charles Beeson and DP Serge Ladouceur creating some gorgeous scenes. The show was still quite dark in this season, though it was transitioning, so I relish all the episodes that still retained that early season darkness, both literally and metaphorically.

This is one of the episodes co-written by Bob Singer, along with Jeremy Carver, two eventual showrunners themselves. The script is punctuated with all kinds of pop culture references, from the title referring to a comic, film and AC/DC song and nods to everything from Donnie Brasco to Psycho, Dick Cheney to Margaritaville.

The “THEN” reminds us of the Yellow Eyed Demon’s provocative question to Dean: How certain are you that what you brought back is 100% pure Sam?

It’s a theme that was so intriguing and I was hoping they’d make more of, but Season 3 is the season that was cut short by the writer’s strike and changed course in multiple ways, so nothing ever really came of that question unless you want to look at it as foreshadowing of Sam eventually losing his soul. We’re also reminded of the Colt that can kill anything, and Ruby’s manipulation of Sam with the promise that she can help him save his brother, the only thing Sam cares about right now.

“NOW”…

The opening scene is beautiful and disturbing, a church lit by candles that suddenly flicker as a wind blows through. A parishioner in the choir loft insists that God isn’t with them anymore as a nun and priest look up – to see the man pull a gun and shoot himself, collapsing.

The nun screams bloody murder, and we get the title card in a perfect juxtaposition.

SUPERNATURAL

Cut to Bobby working on the Colt, Dean making bullets. It’s incongruously beautiful, as Supernatural often is even when it’s violent and dark.

Sam tells them he might have found some omens in Ohio.

Dean: Well that’s thrilling…

Sam goes on about the guy blowing his head off in a church and another guy going postal in a hobby shop. Dean’s still not entirely convinced and not very excited about going to Ohio.

Dean (hopefully): There’s gotta be a demon or two in South Beach…

Sam: Sorry, Hef, maybe next time.

Sam calling Dean Hugh Hefner, the infamous Playboy mansion owner, is kinda adorable. I bet Dean loved it.

He asks Bobby how it’s going with the Colt, and Bobby admits it’s going slowly.

Dean: I tell you, it’s a little sad seeing the Colt like that.

Bobby: The only thing it’s good for now is figuring out what makes it tick.

Sam: So what makes it tick?

Bobby: (bitchface)

Dean (taking his cue from Sam): So if we wanna go check out these omens in Ohio, you think you can have that thing ready by this afternoon?

Sam laughs, while Bobby….does not.

Read more

A Season 3 Favorite – Bad Day At Black Rock

Our little rewatch of Supernatural has arrived at another favorite episode! I feel like I’ve been saying that almost constantly during this rewatch, but the first few seasons of this show were just SO amazing. Even watching sixteen years later, they hold up incredibly well – in fact, I think this show really has spoiled me. I stack every other new show up against this one, and few make the cut. Supernatural is THAT good.

Anyway… I love this episode for its humor, which Jared and Jensen carry out masterfully, but it comes during a dark time in the show’s canon. Kripke was particularly good at knowing when the audience needed a bit of comic relief from the darkness, because at this time Supernatural was very much still a horror show. The combination was compelling, like the best twists and turns and scares of a roller coaster, but I’m sure it was hard to pull off. But Supernatural? Did it every single time in the early years. Including in this episode. With brilliant writing by Ben Edlund and directing by Bob Singer, this episode is an all time favorite.

Let’s jump in!

‘THEN’ reminds us that this is, in fact, a horror genre show. That the boys’ dad is gone, and Dean is determined that they will carry out his legacy. That Dean sold his soul to save Sam and has a year to live before being sent to Hell.  That a mysterious chick named Ruby might have a blade that can kill a demon and insists she can save Dean. Oh, and a reminder of the hunter Gordon Walker, convinced that Sam Winchester is fighting on hell’s side in the upcoming war….

NOW.

Kubrick visits Gordon in prison, telling him that a devil’s gate was opened in Wyoming.   (Kubrick was a fascinating character played perfectly by Michael Massee, who sadly passed away in 2016.)

Gordon is immediately suspicious. He’s got a one track mind when it comes to Sam – an obsession really. Gordon is such an interesting character, both he and Kubrick in this episode vividly showing that hunters have a dark side. They’re obsessed, most of them, in one way or another. If they weren’t, would anyone do what they do? And that includes the Winchesters, all of them, eventually. I love that the show has never shied away from examining its heroes and pointing out their flaws – the ARE heroes, no doubt about it, but what they do skates the thin line between right and wrong and is almost always on the not-quite-legal side of things, especially in the early seasons. It made for a compelling narrative and characters.

Gordon: Sam Winchester was there, wasn’t he?

Kubrick is initially doubtful about Sam going darkside – Bobby Singer says the Winchesters were there, but they went in there to stop it.

Kubrick: He’s a hunter, that’s all.

Gordon laughs.

Gordon: Kubrick, I’m not even sure he’s human.  Track him down, Kubrick. Sam Winchester must die.

Gordon hangs up dramatically, and we all know the boys are in trouble.

The Supernatural Season 3 title card hits the screen, and then we’re with our boys. In the Impala at night on a quiet, dark road. Sam and Dean are arguing, and Dean is pissed that Sam is considering working with Ruby. Of course, the boys are keeping secrets, so he doesn’t know that Sam is considering it to save Dean. At this time in the show, we already know the lengths Dean will go to in order to ensure Sam is okay, but we’re now finding out that Sam will go every bit as far.

Dean: The second you find out this Ruby chick is a demon, you go for the holy water, you don’t chat!

Sam bristles, saying no one was chatting.

Dean demands to know why he didn’t send her back to hell then, and Sam reluctantly admits that she said she could help him out of his deal. Dean stares at Sam incredulously, while Sam sits silent and sullen.

Dean: What is wrong with you, huh? She’s lying, you gotta know that, don’t you? She knows what your weakness is – it’s me. What else did she say?

Sam doesn’t answer.

Dean: Dude!

Sam: Nothing. Look, I’m not an idiot, Dean, I’m not talking about trusting her, I’m talking about using her.

I forget sometimes how reasonable it all seemed at the beginning of the season. It’s probably what any of us would have done, if we wanted to save someone we loved and there was no other way to do it. Of course Sam desperately wanted to believe Ruby – and Dean’s right, she knew that.

Dean: You’re okay, right? I mean, you’re feeling okay?

Dean, of course, knows that if he tries to welsh on the deal, Sam will once again drop dead. Both of them are terrified that they’re about to lose the other.

Sam snaps back, saying he’s fine.

Sam: Why are you always asking me that?

Dean has not forgotten what his little brother looked like laid out on that old bed, lifeless. He can’t shake the fear that Sam really isn’t okay, that he’s going to be yanked out of Dean’s life once again just like that.

Read more

Supernatural Rewatch ‘The Kids Are All Right’ – Or Are They?

Season 3 continues in our Supernatural Rewatch with the second episode of the season, which introduces the character of Lisa Braeden and her son Ben. She’s part of Dean’s last-year-to-live tour of living it up that he’s insisting Sam support him going on, no matter how painful Sam might find the constant reminder of his brother’s upcoming death, but she turns out to be alot more than that. Lisa is a polarizing character, but I think many fans appreciate how the character is written and admire Cindy Sampson’s portrayal of her. I had the pleasure of meeting Cindy at a Supernatural convention in 2022 and she is absolutely lovely and seems to have a genuine appreciation for the Supernatural fandom.

I’m one of the people who liked her character from the jump, and at the same time did not think that Dean and her could really work – or Dean and anyone for that matter. Especially not in Season 3 with his trip to hell breathing down his neck! But Lisa is a nuanced character and a believable mom thanks to Sera Gamble’s writing and Cindy’s acting – which means the couple of things that didn’t make sense in this episode really bothered me.

Which brings me to…

Full disclosure: This episode is not one of my favorites. I know a lot of people like it, and it has moments that I also enjoy, but it also has things that don’t quite work for me. Also? Damn Kripke and Gamble, it is SCARY. And disturbing. And bloody and creepy and all those other things that Kripke and company love. I had to close my eyes a few times during this rewatch, ngl.

Written by Sera Gamble, who I love, and directed by the venerable Phil Sgriccia, there’s a lot that’s very well done in this episode, but changelings? Ewwwww. I guess that’s a testament to the fact that they came through just as creepy as they were supposed to!

THEN

Sam’s death, Dean’s deal, his tearful explanation to Bobby, the terms of the deal, the mysterious woman and her demon-killing knife. And…

NOW

In Cicero, Indiana, a truck pulls up, a dad dropping off his daughter from visitation. The child runs to the mom and hugs her, tearful, saying there are monsters at her dad’s house and begging not to have to go back. The mom is confused, saying she usually loves to go to her father’s. Later, we see the dad working in his garage, carving a wooden rocking horse for presumably his daughter. Poor guy, that whole begging not to go back must have been tough.

But his life is about to get much tougher – and shorter.

Suddenly as the guy goes to leave, the table saw starts up all on its own.  The man turns back and goes over to investigate, leaning in and getting his face up close and personal.

All of us watching: NOOOOO!!!

He turns it off, walks away and turns out the light. It starts again. He goes BACK to it OMG.

All of us watching: NOOOOO why would you do that??? Run!!!

As he approaches, he stumbles and it snags his shirt and pulls him onto the saw – the blade slices right through him, blood splattering everywhere. Have I mentioned that in early seasons Supernatural truly was a horror show?? How did they get away with such a graphic bloody scene? Again, worthy of The Boys.

And then it was time for Sam and Dean! Yay!

Sam’s in a diner, chatting with Bobby on the phone about a demon dispelling ritual he found, and sounding more than a little desperate trying to find a way to save his brother. Dean walks by the window and waves a newspaper at Sam, as Sam hurriedly hangs up.

Dean: Who was that?

Sam: Uh, I was just ordering pizza.

Dean: Dude, you do realize you’re in a restaurant?

Sam (shrugs): Yeah, I just, I felt like pizza, you know?

Dean: Okay, Weirdy McWeirderton. So anyway, I think I’ve got something.

Who could resist that FACE though? Sam and those puppy dog eyes and those shaggy bangs and that SMILE?

Let’s pause for a second and just appreciate Sam and Dean circa 2007, with their beautiful baby faces and the way they still smile and joke around so much, even with Dean’s deal hanging over their heads. Let’s also appreciate that this was 2007 and they got their cases from the newspaper. One of the things I love the most about Supernatural is that it always seems timeless. Even when I was watching it in real time, it always had a sense of being in the past anyway, with its past-their-heydey motels and little Americana towns. So Sam and Dean reading a newspaper? Fits right in, even now.

When Sam is skeptical about it being a case, Dean admits there’s another reason he wants to go to Cicero – Lisa Braeden.

Sam: You want to drive all the way to Cicero just to hook up with some random chick?

Read more

Supernatural Rewatch: Season 3 Kicks Off with The Magnificent Seven

This is one of those episodes that doesn’t stick in my head as being a favorite, yet when we rewatched it, I was struck by how solid it is – and how visually powerful. No wonder, since it’s directed by the brilliant Kim Manners and written by the equally brilliant Eric Kripke.

Season 3 was a season we weren’t guaranteed. The first four or five seasons of Supernatural were stressful for fandom – we were never sure the show would eke out another season’s renewal. It was a weirdly exciting time that had the benefit of bonding the fandom together in the shared goal of just keeping the little show we loved on the air. No time for ship wars or character (or actor) wank when the show’s very existence wasn’t assured. Sometimes, not gonna lie, I really miss those days.

As Season 3 began, we were all tremendously relieved and full of anticipation for a season that promised to be horrifying (in the best sense of the word) now that the YED was a) dead but b) had succeeded in opening the hell gate and releasing a whole bunch of demons. Little did we know there was about to be a writer’s strike that would alter the season (and as I write this rewatch in 2023, there is another, so there is still clearly alot of progress to be made!)

That upped the stakes considerably for the Winchester brothers – and that danger became crystal clear right away with this season premiere episode.

We get some vintage AC/DC to start with “Hell’s Bells”, a song I will forever associate with Supernatural.

The early seasons openers were often also truly horrifying in the best sense of the word, as some hapless red shirt person met a terrible fate. This time it’s in a quiet suburban development in Oak Park, Illinois. (Kripke has always known that quiet suburban neighborhoods are truly the most horrifying).  Scary music plays as a guy takes out the trash late at night. (Not gonna lie, every time I take out the trash late at night, I think about this episode). A dog barks as he puts in the bag, and then the trash cans start to rattle like there’s something in them, and instead of walking away like any sane person would, the guy goes BACK to investigate.

All of us watching: Why???

Street lamps flicker, then a big black cloud of smoke comes rolling through the night sky. The guy just stands there and stares at it as we’re all yelling at him to RUN, FOOL! He finally, belatedly, starts to run but it’s too late, it knocks him down and a tendril of smoke goes right in his mouth. Ewwww!

He opens his black eyes.

All the demons start to smoke down to Earth, presumably doing the same thing to more foolish people.

SUPERNATURAL, the title card reminds us – the new title card for Season 3! That was a big point of excitement every year, and they never disappointed.

One week later… and we know we’re about to see what the Winchester brothers are up to. We couldn’t have guessed this one, though!

Sam’s sitting in the Impala at night, reading about Dr. Faustus and his deal with the devil at the crossroads by flashlight – while Dean is inside a motel or house or something.

Sam is sitting in the car watching through the window for some reason.

Dean, in an undershirt, flashes Sam a big horny grin and gives his brother a thumbs up, Sam smiling indulgently.

Everyone at the time: Wha?

Then he closes the (transparent so why bother) curtains and helpfully takes off a woman’s shirt.

As Sam watches and smiles (affectionately, according to the transcript).

Read more

Supernatural’s Powerful Season 2 Finale: All Hell Breaks Loose Part 2

We have finally made it through the second season of the best show of all time (imho) in our Supernatural rewatch! Settle in as we revisit one of the most emotional episodes of the entire series – and one that stands up remarkably well to the test of time. As in, it still made me cry and I still think it’s one of the best hours of television ever as I write this almost exactly sixteen years later. Buckle up!

The season finale of the second season of Supernatural was a two parter that almost destroyed me.

Being uncertain whether Sam Winchester would survive – and whether the brothers and the show I’d fallen in love with would survive too – was excruciating. The level of emotionality I felt watching this episode broadcast live back in May of 2007 was off the charts. Remembering it today, and rewatching it all these years later, I still found myself tearing up. I bet you will too.

The Road So Far recap is a surprise to anyone watching now, who would expect Kansas’ ‘Carry On Wayward Son’ to be played for the penultimate episode instead of the finale, but in Season 2 it first graced our screens in this season finale. The voiceover reminds us that back in 1835, Samuel Colt made a special gun… and then there is such a badass recap OHMYGOD. The Impala screeching, a reminder of the crossroads and what desperate people do there, the Yellow Eyed Demon trying to recruit Sam. Andy’s bloody horrifying death, Jake and Sam’s fight, and then Dean screaming “Sam, look out!”

We see once again Sam fall, Dean holding him as the lyrics reach “Don’t you cry no more” and Dean yells out desperately, “SAM!”

And then, it’s NOW.

Sam lying dead on an old mattress, the camera slowly spinning to show us Dean staring at his brother, his face flat, almost frozen. As lifeless as Sam’s body.

Bobby comes in with food, encouraging Dean to eat something, but it’s clear Dean could care less about nourishment – or living.

Dean: I said I’m fine.

It’s striking how he can barely tear himself way from staring at Sam’s body, perhaps a little Ackles added touch that makes it crystal clear how far away Dean is from acceptance or letting go.

It’s also striking how otherwordly beautiful both Jensen Ackles and Jared Padalecki are in this episode. It quite literally takes my breath away.

Bobby: Dean, I hate to bring this up, I really do. But don’t you think maybe it’s time we bury Sam?

Dean is so full of rage at that suggestion that he looks like he could kill Bobby on the spot.

Dean: No.

Read more

Supernatural Rewatch: The Season 2 Finale That Left Me Reeling – All Hell Breaks Loose Part 1

I still remember how shaken I was by this episode. It was Season 2, the show was on the verge of being cancelled constantly. We didn’t know for sure what its future was, and that made the ending of this episode unbearable as Sam died in his brother’s arms. I remember just sitting on the floor and sobbing, and then being unable to stop thinking about it all week as we waited for Part 2, the season finale. It wasn’t the first time the Show ripped my heart out, but it was the first time I couldn’t shake it off with a reminder that this was a television show and not real life, that Jared Padalecki was out there living his best life in spite of just having watched Sam Winchester die, and everything would be fine. It didn’t feel that way.

And that is damn good story telling.

This is a Sera Gamble penned and Kim Manners directed episode, which should tell you alot about how incredible it is. The THEN reminds us of the Winchesters’ tragic history, Mary burning on the ceiling setting her boys off on this dangerous road they’re still traveling. The Yellow Eyed demon and the special children that were chosen for something still unknown – Andy, Ava. The warning that there’s something big brewing, enough to frighten a scary man like Gordon. Bobby’s warning that a storm is comin’ and Sam and Dean are smack in the middle of it.

Sam’s scared, wondering if maybe this is the YED’s plan, that they’re all…

Dean: What? Killers? Give me a break!

Refusing to believe that about his little brother.  They find sulfur at Ava’s house, know that the demon has been there.

Sam: You can’t run from this — and you can’t protect me.

That, right there, is Dean’s worst nightmare.

Dean: Damn it Sam, this whole thing is spinning out of control!

NOW

The impala pulls up to a café in the middle of nowhere, an example of the brilliant location scouting of Russ Hamilton and set dec of Jerry Wanek and the amazing collaboration that Supernatural was. Most of this episode’s outdoor scenes (which is most of it) are filmed on dark rainy nights, puddles and mud on the ground and raindrops glistening on Baby’s sleek black metal. It sticks in the boys’ hair, on Bobby’s battered cap. It’s beautiful, but it adds to the sense of tragedy that’s coming, and Kim Manners takes advantage of every moment of it.

Sam goes inside the diner and Dean reminds him not to forget the extra onions. It’s a few glorious moments of the brothers being brothers, Sam arguing that he’s the one who will have to ride in the car with Dean’s extra onions and Dean grinning smugly.

Dean: Hey, see if they’ve got any pie – bring me some pie!

He settles back in the seat, murmuring what will become a Supernatural-ism – “I love me some pie”

gif queenofdeansbooty

Sam scoffs as he goes inside. A few of the simple pleasures that the brothers enjoy on those long drives, a random cafe in the middle of nowhere that might have some home-baked pie. An opportunity to annoy your brother by eating lots of onions on your burger, or an opportunity to bitch at him if he does.

Supernatural excels at setting you up with a feel-good scene, all warm and cozy, and then suddenly turning everything ominous and dark in a heartbeat. There’s static on the radio suddenly, the rainy night now seeming dangerous – and when Dean looks up at the diner, he can’t see anyone inside now.

Read more

When Dean Winchester Breaks Your Heart: Supernatural What Is And What Should Never Be

As Season 2 neared its end, Supernatural aired one of its most innovative episodes, ‘What Is And What Should Never Be’. Written by Raelle Tucker, who I wish we’d had longer on Supernatural, and directed by Eric Kripke himself, this 20th episode of the season was a brilliantly done episode that asked the provocative question, what if the Winchesters were never hunters and lived a “normal life”? But of course, because this is Supernatural, it’s a dark and twisted version of that question and its surprising answer.

The ‘THEN’ sequence is a flashback to the very beginning, John and Mary and four year old Dean living a happy “normal” life, then the fires, Mary and Jessica, with a reminder that Sam was headed to law school once upon a time. Then a reminder of Dean’s headspace at the time, as he and Sam argue.

Sam: I’m not gonna just ditch the job!

Dean: Screw the job, man, we don’t get paid, we don’t get thanked, only thing we get is bad luck!

He’s not wrong, especially with what they’ve gone through recently, in prison and with Agent Henriksen on their tail. As this episode aired, Dean was questioning everything, including the job that has been his identity, that he’s sacrificed so much for. Inevitably, there had to be times when he wanted out, even if he felt guilty about that desire, as though he was letting his father down. But Dean is only human, and this episode is a brilliant reminder of that, and of the hopes and dreams and wishes beneath the often stoic surface.

Needless to say, Jensen Ackles portrays all that so vividly that this episode is both painful as hell and impossible to look away from. He has talked about how hard this one was for him, because it took away what Jared and Jensen had relied on for two seasons – the bond between Sam and Dean. Jensen felt destabilized not having Sam’s partnership for Dean to count on, and couldn’t wait to finish filming – just like he would later feel about the Soulless Sam arc which also took “our” Sam away from Dean. That destabilized feeling totally works, though, as Dean himself is thrown by the  sudden changes in his world and in his relationship with his brother.

NOW

Dean driving down the road in the Impala – which has a new license plate! I remember at the time grieving for the original Kansas plate KAZ2Y5. It seems like a little thing, but the Impala was already vastly beloved by the fandom, so it hurt us almost as much as it probably hurt her boys to change the plate. CNK80Q3 Ohio it was, until the end of the show.

Sam is back at the motel, worried that a cop car outside is coming for them, even though they changed the plate and ditched the credit cards they were using. That’s a toll that their newfound visibility took on them, constantly worrying more than they ever had about being caught by law enforcement as they tried to do their job of ‘saving people, hunting things’. It’s another reason for Dean’s discontent, as everything that they’re trying to do – to help people – is getting harder.

The cop car eventually drives away and Sam breathes a sigh of relief.

Dean, as always, keeps his game face on, saying nothing to worry about.

Sam: Yeah, being fugitives? Friggen’ dance party.

Dean (grinning): Hey man, chicks dig the danger vibe.

Half of Dean’s game face is to bolster his little brother, the other half he tries to believe himself.

They’ve been trying to figure out where a bunch of victims disappeared to, Dean driving around and Sam researching. Back at the motel, Sam says that he’s figured out what they’re hunting – a djinn.

Dean: A freaking genie? You think these suckers can really grant wishes?

Sam says they’re powerful enough, they’ve been feeding off people for centuries and are all over the Koran.

Sam: But not exactly like Barbara Eden in harem pants.

Dean (with a wistful look on his face): My God, Barbara Eden was hot, wasn’t she? Way hotter than that Bewitched chick…

Sam (annoyed): Are you even listening to me?

The whole conversation is priceless brotherly banter, with early seasons Dean constantly distracted by his libido and early seasons Sam constantly trying to get him back to concentrating on the job. It was 2007, and we all knew that Dean never actually sacrificed any part of doing the job – and Sam knew that too.

The conversation is also amusing to revisit in 2023 because does anyone watching on Netflix now actually know who Barbara Eden was or that Bewitched was a show that also had a hot woman with powers? I am old enough to know, but Sam and Dean were going back a ways even in 2007 to bring up television shows from the 1960s before they were born! (I imagine they watched a lot of reruns while left in motel rooms as kids though).

Dean decides keep driving and searching for the djinn’s lair, saying he saw a place that fits its MO a couple miles back. Sam is instantly worried – it’s never a good idea for the Winchesters to split up, as we all well know!

Sam: Wait no no no no, come pick me up first!

Should have listened to Sam, Dean!

But Dean goes on alone. The Impala pulls into a dark alley, full of the “atmo” smoke that they used so often in the early seasons. (The first time we visited the Supernatural set, they had gotten a little carried away with it and it took our transport van a bit longer to come pick us up while they cleared it out – there were alarms going off as we talked to the PA on the phone!)

He walks into an abandoned office building or storage warehouse, past an old fashioned typewriter.

His spidey senses tingle and he grips his knife as he goes, flashlight searching the room.

Then we see him walk by the Djinn’s bald head and it is CREEPY and SCARY as hell omg. This scene was so well done, the cinematography gorgeous, the barely visible figure of the djinn looming in the background where Dean doesn’t seem him – but we do. Well done, Kripke!

Suddenly the djinn attacks, grabbing Dean by the throat, forcing his blue hand onto his forehead as Dean’s eyes roll back. Ackles is so good at scenes like this; you can see the moment that Dean loses the battle, his expression going blank and his eyes vacant as the djinn puts him under.

It’s horrifying and terrifying in its realness.

 

 

 

Read more

The Winchesters Go To Jail in Supernatural Season 2’s ‘Folsom Prison Blues’

We’re finally getting back to the Supernatural rewatch after a break for life being too damn busy – oh OG Supernatural, I have missed you! We pick up with Season 2’s ‘Folsom Prison Blues’, written by John Shiban and directed by Mike Rohl, which aired in April 2007. I had fallen madly in love with the show earlier in Season 2, so by the time this episode aired, I was glued to my TV screen, probably with a piece of pie and a whole lot of excitement as I sat down to watch, having shooed the kids out of the living room so I could squee to my heart’s content.

This is a great episode – it’s Sam and Dean for the entire episode, something that seems like an absolute feast after Jared and Jensen needed to share the burden of constant filming in later episodes (understandably). It’s directed and filmed beautifully, the prison scenes darkly lit, spooky and gritty just like the show itself in these early seasons. Rohl plays with perspective throughout, using it to evoke the claustrophobic feel of being incarcerated, unable to escape or even see clearly the dangers around you. And of course, the acting is incredible. Jared and Jensen were so young, and already so damn good.

The Road So Far reminds us that Agent Henriksen is onto the Winchesters, telling Dean on the phone that he knows about the desecrations and the thefts, that he knows about Sam too, and about their dad. Mention of his family is what gets to Dean, as always.

Dean: You don’t know crap about my Dad.

And then we see Sam and Dean at the end of the job that saw Henriksen almost catching them.

Dean: We are so screwed…

And… NOW

Workers in a dark eerie prison, using a blowtorch to open up an old cell block. We see their breath come out as visible steam, and uh oh. Something invisible blows by them, freaking them out. The lights flicker. All of us experienced Supernatural viewers know that’s trouble. A prisoner calls to the guards, the lights flickering, the clock on the wall stopping at 10 o’clock.

The guard tells him to cool it and go to sleep, but he keeps calling, the guard ignoring Randall’s insistence that he saw something. The lights go out and the guard goes to walk away when suddenly something slams the door on his arm and he’s attacked by something invisible, Randall watching from his cell as the guard screams.

The title card appears, and we jump to three months later as Sam and Dean break into a dark building at the Arkansas Museum of Anthropology at night. It’s a beautifully filmed typical Supernatural scene, lit by the brothers’ flashlights. The brothers are not in agreement.

Sam: I hate this plan, Dean.

Dean: I got that the first ten times I heard it.

They walk right past a motion sensor, open up a glass case and take out an artifact or two – a dagger, an axe – then put them down as they hear a noise and the command ‘Freeze! Down on your  knees now!’

As a viewer, it’s confusing because the Winchesters are never this careless, and they do make a half hearted attempt to evade capture, but then comply and get on their knees.

Sam is annoyed (which seems to make sense because who wouldn’t be annoyed while getting arrested)  but Dean actually gives him a little smile, which… huh?

Sam is cranky doing mug shots too, and again, who wouldn’t be? Though he can’t help but look handsome anyway because that’s just Sam.

gif antiquerss

Dean, however, is almost enjoying himself in a scene which is now iconic for the series.

Dean: I call this one the Blue Steel.

He purses his lips and cocks an eyebrow, and somehow because he’s Dean Winchester he still looks hot.

Dean: Who looks better, me or Nick Nolte?

A little pop culture reference of the time there.

Dean stays cocky when an agent comes in who we recognize as Henriksen, asking for a cheeseburger with extra onions. (Dean does not recognize him, having not seen his face yet).

Henriksen: You think you’re funny.

Dean: I think I’m adorable.

(He is)

Read more