Tag: Ben Edlund

A Season 3 Favorite – Bad Day At Black Rock

A Season 3 Favorite – Bad Day At Black Rock

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Our little rewatch of Supernatural has arrived at another favorite episode! I feel like I’ve been saying that almost constantly during this rewatch, but the first few seasons of this show were just SO amazing. Even watching sixteen years later, they hold up incredibly well – in fact, I think this show really has spoiled me. I stack every other new show up against this one, and few make the cut. Supernatural is THAT good.

Anyway… I love this episode for its humor, which Jared and Jensen carry out masterfully, but it comes during a dark time in the show’s canon. Kripke was particularly good at knowing when the audience needed a bit of comic relief from the darkness, because at this time Supernatural was very much still a horror show. The combination was compelling, like the best twists and turns and scares of a roller coaster, but I’m sure it was hard to pull off. But Supernatural? Did it every single time in the early years. Including in this episode. With brilliant writing by Ben Edlund and directing by Bob Singer, this episode is an all time favorite.

Let’s jump in!

‘THEN’ reminds us that this is, in fact, a horror genre show. That the boys’ dad is gone, and Dean is determined that they will carry out his legacy. That Dean sold his soul to save Sam and has a year to live before being sent to Hell.  That a mysterious chick named Ruby might have a blade that can kill a demon and insists she can save Dean. Oh, and a reminder of the hunter Gordon Walker, convinced that Sam Winchester is fighting on hell’s side in the upcoming war….

NOW.

Kubrick visits Gordon in prison, telling him that a devil’s gate was opened in Wyoming.   (Kubrick was a fascinating character played perfectly by Michael Massee, who sadly passed away in 2016.)

Gordon is immediately suspicious. He’s got a one track mind when it comes to Sam – an obsession really. Gordon is such an interesting character, both he and Kubrick in this episode vividly showing that hunters have a dark side. They’re obsessed, most of them, in one way or another. If they weren’t, would anyone do what they do? And that includes the Winchesters, all of them, eventually. I love that the show has never shied away from examining its heroes and pointing out their flaws – the ARE heroes, no doubt about it, but what they do skates the thin line between right and wrong and is almost always on the not-quite-legal side of things, especially in the early seasons. It made for a compelling narrative and characters.

Gordon: Sam Winchester was there, wasn’t he?

Kubrick is initially doubtful about Sam going darkside – Bobby Singer says the Winchesters were there, but they went in there to stop it.

Kubrick: He’s a hunter, that’s all.

Gordon laughs.

Gordon: Kubrick, I’m not even sure he’s human.  Track him down, Kubrick. Sam Winchester must die.

Gordon hangs up dramatically, and we all know the boys are in trouble.

The Supernatural Season 3 title card hits the screen, and then we’re with our boys. In the Impala at night on a quiet, dark road. Sam and Dean are arguing, and Dean is pissed that Sam is considering working with Ruby. Of course, the boys are keeping secrets, so he doesn’t know that Sam is considering it to save Dean. At this time in the show, we already know the lengths Dean will go to in order to ensure Sam is okay, but we’re now finding out that Sam will go every bit as far.

Dean: The second you find out this Ruby chick is a demon, you go for the holy water, you don’t chat!

Sam bristles, saying no one was chatting.

Dean demands to know why he didn’t send her back to hell then, and Sam reluctantly admits that she said she could help him out of his deal. Dean stares at Sam incredulously, while Sam sits silent and sullen.

Dean: What is wrong with you, huh? She’s lying, you gotta know that, don’t you? She knows what your weakness is – it’s me. What else did she say?

Sam doesn’t answer.

Dean: Dude!

Sam: Nothing. Look, I’m not an idiot, Dean, I’m not talking about trusting her, I’m talking about using her.

I forget sometimes how reasonable it all seemed at the beginning of the season. It’s probably what any of us would have done, if we wanted to save someone we loved and there was no other way to do it. Of course Sam desperately wanted to believe Ruby – and Dean’s right, she knew that.

Dean: You’re okay, right? I mean, you’re feeling okay?

Dean, of course, knows that if he tries to welsh on the deal, Sam will once again drop dead. Both of them are terrified that they’re about to lose the other.

Sam snaps back, saying he’s fine.

Sam: Why are you always asking me that?

Dean has not forgotten what his little brother looked like laid out on that old bed, lifeless. He can’t shake the fear that Sam really isn’t okay, that he’s going to be yanked out of Dean’s life once again just like that.

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Supernatural Rewatch: Supernatural Goes Meta with Hollywood Bablylon

Supernatural Rewatch: Supernatural Goes Meta with Hollywood Bablylon

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As my friends and I make our way through a Supernatural series rewatch, I am so struck by the quality of these first few seasons. Season 2 is one of my favorite seasons – maybe my favorite of all. There are very few episodes that don’t feel like classics now, and this is certainly one that fits that description. Hollywood Babylon is extra special because it’s the first “meta” episode of Supernatural – something that the show would become known for over its 15 year run.  I LOVED its wink wink nudge nudge making fun of itself and the industry when I saw this episode then and I loved this episode just as much rewatching it now.

Written by the brilliant Ben Edlund, also the mind behind ‘The Tick’, and directed by the venerable Phil Sgriccia, of course Hollywood Babylon was going to be both entertaining and creepy and just plain weird. Which is ALL good in my book!

The opening teaser is a stereotypical horror film, so dimly lit it’s almost black and white, a young woman (Elizabeth Whitmere) with a flashlight searching for her friends in the woods in front of a creepy looking house, the porch swing swaying, scary music playing.

And pretty terrible acting as the woman (searching for her sister, because Supernatural) is deserted by her cowardly male friend and then hears a twig snap behind her. Slowly she turns….and unleashes a bloodcurdling scream into the camera.

That…fades out.

We hear a rather annoyed “cut” and realize we’re on a film set as the camera pans out. She’s been screaming at a suspended tennis ball, which at least partly explains the lack of conviction in her scream.

The meta kicks in instantly, as we meet the director, named McG after the very real producer of Supernatural and many genre shows. He’s as insincere as can be, critical behind her back and then fake oh that was great but let’s do it again and dial up that scream to Tara Benchley’s face. He assures her that the tennis ball will be replaced by a monster and look great “once Ivan and the FX guys are done with it” – an in-group reference to Supernatural’s real life VFX supervisor Ivan Hayden.

For fans who were paying attention, the episode was already leaving us grinning – and I have no doubt it did the same for the cast and crew who were also in on the jokes. Showrunner and creator Eric Kripke has loved playing with meta and in-jokes from the start, and he’s still enjoying doing that on his new show The Boys – and I’m still enjoying it too.

A long-haired crew member named Frank wanders around the set spreading suspicion that there’s some kind of real haunting going on, adding to the fun. At least it’s fun until poor Tara is walking through the fake woods trying to master that scream and is confronted with a dead and bloody Frank up in the scaffolding.

She screams for real, and on the other end of the set, McG happily announces “now that’s what I’m talkin’ about!”

Enter Sam and Dean and our title card. The meta picks right up again, Sam and Dean on the Warner Brothers studio lot taking the trolley tour that many of us have taken in real life, myself included. Dean is in excited fanboy mode, telling the unimpressed kid next to him that ‘Creepshow’ was filmed over there.

The camera pans up to Sam as the tour guide announces that Stars Hollow is to the right, the setting for the TV show, Gilmore Girls.

Tour guide: And if we’re lucky, we might even catch one of the show’s stars.

Close on Sam, who looks suddenly wary and hops right off the trolley.

The joke, of course, is that Jared also played Dean on Gilmore Girls, so he could have been that star she was mentioning. Poor Dean is upset not to be able to finish the tour, but reluctantly follows his brother. He’s convinced he sees Matt Damon on the lot, undeterred when “Matt” is pushing a broom and insisting he’s probably researching a role while Sam rolls his eyes.  Sam’s trying to work the case while Dean just wants to have fun, saying he wanted to come to LA for a vacation, swimming pools, movie stars.

Sam: Does this seem like pool weather to you, Dean? It’s practically Canadian!

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The Winchesters are Renegades in Season 2’s Nightshifter (Supernatural Rewatch)

The Winchesters are Renegades in Season 2’s Nightshifter (Supernatural Rewatch)

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There’s a reason why the 12th episode of Season 2 is so good. Actually there are a few reasons. One, it was written by Ben Edlund. Two, it was directed by Phil Sgriccia. And then there are those two really talented guys who play Sam and Dean.

Edlund didn’t stay with the show as long as I wish he had, but the episodes that he wrote are some of my favorites (as are the episodes he wrote for some of my other favorite shows). Phil Sgriccia was instrumental in shaping the show, staying until Eric Kripke’s new show took him away – and it was a great loss even then.

In ‘Nightshifter,’ the combination of Edlund’s tight, humorous but heartbreaking, quirky writing and dialogue and Sgriccia’s brilliant directing (and Serge Ladouceur’s brilliant lighting and cinematography as always) make this one of those episodes that could be the answer to someone asking for recommendations of episodes that show how special Supernatural is. The whole episode is tense, a mirror of Ronald’s paranoia threaded throughout reflecting the very real danger the Winchesters are in. This time, it’s not just from a supernatural entity, but from all too human law enforcement too. The sense that Sam and Dean are trapped – in the dark bank building, with something dangerous lurking in their midst and something dangerous waiting right outside to invade – sets the dark tone for the whole season as the mystery of the Yellow Eyed Demon and his plans for Sam play out.

It’s also a truly tragic episode, one of a handful that are hard to watch at times. Chris Gauthier’s portrayal of Ronald (and Edlund’s creation of the character) made him achingly real and very sympathetic. He’s a fanboy at heart, and he’s heroic in his own way, risking his life to do what he believes is the right thing and trying his damnedest to ‘save people, hunt things’ just like the Winchesters are doing. We’re rooting for Ronald throughout, and so are Sam and Dean, each in their own way. The contrast in how the brothers try to protect Ronald are telling, deepening our understanding of them – both how different they are and how that contrast often makes them efficient and deadly.

We also are introduced to Agent Henricksen (C. Malik Whitfield) in this episode. He’s another brilliantly written character, memorable instantly. He’s not a bad guy – he’s genuinely a good guy trying to do the right thing, and he’s smart and savvy and wisecracking doing it. The problem is, he sees the Winchesters from the outside and misinterprets who they are and what they’re trying to do. He’s sure they’re the bad guys, and he pursues them like he’s the one who’s saving people. Outsider pov is a popular trope in Supernatural fanfic for a reason – from the outside, if you didn’t know any better,  you probably would agree with Henricksen. These guys are clearly dangerous, twisted, downright evil killers. I love that twist, and seeing that perspective so clearly through this character.

And lastly, the ending is one of the best in the series, with a music cue that is absolute perfection.

So, with all that build up… let’s dive into the rewatch…

We get a brief recap of Saving People, Hunting Things and the Winchesters’ previous encounter with a shapeshifter in Season One’s ‘Skin’ as well as a reminder that Dean is a wanted fugitive from Season Two’s ‘The Usual Suspects’ – and then we jump to the present, SWAT teams and cops and local press surrounding a building as a hostage is dramatically released – to our shock, the guy releasing him is none other than Dean Winchester.

That can’t be good.

Director Phil Sgriccia makes it both realistic and an intensely dramatic reveal as police and press all flurry around when they know a hostage is coming out, and the last thing we expect is for it to be Dean yelling at them to get back as he lets the hostage go.

ONE DAY AGO

Sam and Dean working a case in a jewelry store, Sam having a serious conversation with the manager guy and Dean having a flirty conversation with the woman who works there.  She asks him what it’s like being FBI and Dean takes the opportunity to play it up – dangerous, keeping secrets. And lonely. Most of all, lonely. It’s clearly effective, but then, how could it not be? This is Dean Winchester she’s talking to.

She offers to do a more private interview later, and hands over her phone number (on a piece of paper because this is 2006).

Dean: You’re a true patriot.

Early seasons Dean is good with the BS and always interested in a hookup.

Sam, on the other hand, is having a much less pleasant conversation with the poor store manager, who can’t understand how an employee he’s known for decades lost his mind and murdered the store’s night watchman.

Manager: I heard him die…

The poor guy is distraught, and I can only imagine how horrible that would be. Dean has the empathy to look guilty when he realizes the kind of conversation Sam’s having, and joins them. He can’t resist waving the clerk’s phone number at Sam though.

The manager informs them that the police took all the security tapes, much to Dean’s dismay.

Dean: Friggen’ cops.

Sam: They’re just doing their job, Dean.

Dean: No, they’re doing OUR job, only they don’t know it, so they suck at it.

He’s not wrong.

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The Mystery of the ‘Special Children’ Deepens in ‘Simon Said’ – Supernatural Rewatch

The Mystery of the ‘Special Children’ Deepens in ‘Simon Said’ – Supernatural Rewatch

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The fifth episode of Supernatural’s second season is a Ben Edlund episode, which means it has memorable characters (introducing the adorable Gabriel Tigerman as Andy), dark and disturbing themes, and some laugh out loud moments. Edlund was a perfect fit for Supernatural, because the show combines those kind of things seamlessly – something that not every show can manage.

The recap reminds us of Sam’s visions, and that the Yellow Eyed Demon said he had plans for “me and the children like me”. Sam worrying that he’s some kind of monster is a theme that runs throughout the entire series, and it’s prominent in this episode. Once again, we end with Sam’s question to Dean as they burn their father’s body.

Sam: Did he say anything to you?

Dean: No. Nothin’.

NOW

Close up of that distinctive clock tower that I think is in Delta, because we visited there on one of our Vancouver find-the-location trips. Creepy music plays while a man answers his cell phone, saying “yeah, all right.” He walks along, smiling, and enters a gun shop and asks to look at a gun. The store manager thinks he’s kidding, but shows him one. The guy – ‘Doc’ – proceeds to load it, all the while chuckling and saying not to worry, guns make him nervous.

Manager: No no, you can’t load a gun on the premises, it’s illegal!

Doc: No, it’s okay, it’s okay…

He shoots the man, then turns the gun on himself, still calmly saying “It’s all gonna be okay” as he blows his brains out. Blood splatters, then water’s running.

Sam splashes his face after the vision. Dean walks in on him impatiently, something that doubtless happens all the time.

Dean: C’mon Sam, zip it up.

He stops when he sees the look on Sam’s face.

The Impala zooms through the night as Dean tries to calm Sam down, telling him to chill out and think about this. Sam insists it’s a premonition and could be tied to the demon.

Dean: That’s my point. There will be hunters at the Roadhouse. Announcing you’re some supernatural freak with demonic connections…

Sam: So I’m a freak now?

Dean plays it off as a joke, not wanting to hurt Sam’s feelings or let him see just how worried Dean is after what John said to him.

Dean: You’ve always been a freak.

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Hopes and Fears for Supernatural’s Finale – 8.21, 8.22, and Are You Ready for 8.23?

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With next week’s season finale almost upon us, what are you hoping will happen? And perhaps even more important, what are you praying will NOT happen?? The flip side of being this invested in a television show is that most of us really do care. A lot.

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