Supernatural Brings Some Laughs with ‘Peace of Mind’

 

I watched this episode of Supernatural from an unusual perspective (for me, at least). I wasn’t able to watch Peace of Mind live, nor was I able to watch it for almost an entire week thanks to being on family vacation. (Despite what most people would probably assume, I actually do prioritize the kids over my favorite show. Okay, maybe I did sneak off and try to watch a bit of the episode on the CW app on Sunday, but that lasted about five minutes, so I gave up after only a single attempt. Pretty respectable, I think.)  This meant that I was partially spoiled for the episode, but more importantly, that I already knew what most of my social media timelines thought of it. I intentionally have a wide range of friends and acquaintances on various platforms, and they have a wide range of reasons why they love Supernatural, so it’s not surprising that some people loved the episode and some people hated it.

If you really needed a break from the angst and a good laugh, you probably loved it. If you watch for quality Misha Collins content, you were pretty pleased. If you ship Sastiel or are amused by Misha Collins and Jared Padalecki’s real life (adorable) teasing friendship, you got way more than you ever dreamt you would and were probably over the moon. If you watch for Sam and Dean and expect them to be interacting alot, maybe you weren’t. In other words, as in most things fandom, your mileage may vary.

When I tweeted that I hadn’t been able to watch and had no clue whether I’d like it or not, I had a lot of predictions from people in all those contingents about how I’d feel when I finally sat down to watch, which was also really interesting to hear. That watching thing finally happened last night, and guess what? Even I didn’t predict my reaction very accurately!

I didn’t have a strong emotional reaction in either direction, perhaps because I was already prepared for what the episode would contain. That allowed me to look at it with two different lenses, which is not the way I would usually do a review, but I think it’s helpful here. As a 42 minute piece of episodic television, I think Peace Of Mind was well done – and very enjoyable. Collins and Padalecki together in Charming Acres were comedy gold, both of them hitting just the right notes, and Meghan Fitzmartin’s teleplay giving them all the right dialogue to play with. They looked like they were having the time of their lives and that enthusiasm carried right over onto the screen. That story line – let’s call it the A story line – was particularly well done.

Misha shared at the Nashville Supernatural convention last weekend that there had been a scene where Sam lands on top of Castiel, and that Jared had way too much fun with that, including making “an impact”. That little tease primed me for the scene, and when it actually happened I laughed out loud, imagining all the fun Padalecki must have had with a trapped Collins who’s trying to stay in character. I’m crossing all my fingers and toes for lots of gag reel content from that one, because Phil Sgriccia was directing and he definitely knows when to let the cameras keep rolling!

I loved the set dec and locations that transformed a part of Vancouver into the idyllic and picturesque (according to Cas) Charming Acres, and the campy music and back-in-time costumes. Supernatural never cuts corners and it shows.

The B story line, as Dean tries to figure out if Jack is in the angel or devil camp (at times with a Twinkie choice test), worked less well for me, but perhaps that’s inevitably colored by having expectations for how these characters would be feeling after recent canon events. There was humor there too, but it didn’t work as well for me in the B story line. That may be because there just wasn’t as good a reason for the departure from the Show’s usual angst and darkness, like there was in the A story line. Alex Calvert and Keith Szarabajka (Donatello) had some lovely scenes together, but I think the back and forth between what was happening in Charming Acres to Cas and Sam and then to what was happening with Jack and Dean kept jarring me. I was more invested in the Sam and Cas story and didn’t want to keep being yanked away, which is a recurring problem with me and Supernatural when they have two separate story lines running.

From purely the perspective of an episode of television, the bookended brief Winchester brothers moments at the start and end were a separate thing too. They worked for me, and I was glad they were there, but perhaps that’s largely because I was waiting for them as a Supernatural fan.

So that’s the first perspective. Congrats to Meghan for her first episode as a writer and to Steve Yockey for his co-writing, especially for the entire Charming Acres story line. I literally laughed out loud – more than once!

The second perspective is of someone who has watched Supernatural since the beginning and is emotionally invested in this season’s story line as well as in the individual characters. From that perspective, I wasn’t quite as happy with the episode. Did we need a break from the angst? I know some people did, but I was in my happy place after the emotion-drenched episodes we had in the middle of the season and craving nothing more than a continuation of that angsty Winchestery goodness. I do enjoy the “funny” episodes, and I did enjoy this one, but I was also a little frustrated that it popped into the middle of a pretty serious overarching story arc.

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Supernatural ‘Beat The Devil’ – Yes, I’m Still Emotional!

 

This week’s Supernatural episode was one of those episodes that everyone had a strong opinion about – but, as often happens in this fandom, not necessarily the same strong opinion. The one thing that everyone did agree on was that the acting was off the charts incredible – and nobody was left unemotional, that’s for sure.

For me, I think the emotions were especially complex because I was fortunate to be able to watch some of the episode be filmed, including some of the most intense moments. I thought that maybe, since I had already watched those horrific moments when Sam dies and Dean has to watch it, maybe it wouldn’t hit me so hard when I saw it onscreen. But no. It just meant that I got all emotional watching them film it, and then got emotional all over again watching the final product. I knew that Jensen and Jared had killed it in those scenes, but I don’t even have words for how much they broke my heart now that I’ve seen the episode.

So I agree with everyone else – the acting was off the charts. There was plenty to love about this episode, but there were also some things that bothered me, so here’s a bit of both along with a few behind the scenes tidbits.

The opening scene starts right in with the heartstring tugs – a scene of domestic family bliss, Cas and Jack and Mary and Sam around the table and teasing Dean about eating too much pizza, Mary saying she and John called him “our little piglet”. (This is Sam’s perspective, so it makes sense, but I’m pretty sure Dean’s love of food is a result of the deprivation that came after Mary died). Then Sam and Mary having the heart to heart that Sam has longed for, finally hearing Mary express her faith in her sons, how she knew they’d save her and they did. It’s Sam’s most wished for fantasy come to life – and of course it’s a dream.

Break my heart right at the outset, why don’t you? I sort of wanted to employ my dream interpretation skills, because that’s what psychologists do sometimes, but I’ll try to stop myself (would I just be psychoanalyzing writer Robert Berens? Hmmm. Tempting, Bobo…). I did love that in Sam’s fantasy, everyone is teasing Dean – it’s such a little brother fantasy. And everyone is together, family by blood, family by choice. Everyone is safe and happy. Oh Sam.

First quibble though – does Sam really sleep fully clothed in a long sleeve shirt even?? Really??

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It’s Hellatus – So Of Course Supernatural Leaves Us In ‘The Bad Place’!

 

 

Anyone who reads this blog knows that I LOVED last week’s episode of Supernatural, so I went into this week’s with high expectations, especially because this was the lead-in to the Wayward Sisters pilot episode that happens when we return from Hellatus. ‘The Bad Place’ turned out to be a wild rollercoaster of a ride that kept me on the edge of my seat – it literally looked and felt like a feature film crammed into 42 minutes! That’s not to say I loved all of it, but it definitely did a great job of setting up the possible spinoff while simultaneously entertaining me throughout.

So, what I liked?  Well, I really liked Jack. It was nice to meet Alexander Calvert at last weekend’s Supernatural convention and to be able to tell him in person what a fabulous job he’s doing on this show, because DAMN. I have been rooting for Jack since the beginning, which says a lot about Calvert’s acting and the way he’s been written considering he’s Lucifer’s son. I didn’t think I’d like him at all before Jack was born, so I wasn’t even prepared to care about the character – but I do.

We open with a young Native American artist, Derek, and his girlfriend discussing the difficulties of making a living through art, which, YES.

Enter Jack, a prospective buyer.

Derek: You’re young.

Jack: I am.

I laughed out loud at Calvert’s delivery, and the fresh faced expression on Jack’s face. He manages to make Jack entirely likable while also playing him with a hint of wait-is-that-a-menacing-look so I’m always a little off base and unsure. I was so horrified when we thought that Jack killed Derek, it actually made me a little sick to my stomach. I don’t WANT Jack to go dark side, Show! And that says something very good about how the character is being written and acted, because I actually CARE about him.

Writer Robert Berens does a good job of incorporating a bit of Native American lore and casting does a good job as they almost always do with finding an actor  (Nathaniel Arcand) who makes us care about him even in the four minutes he was in the episode! Arcand is not just very good looking, he invests Derek with personality too.

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Lucky Season 13 Kicks Off for Supernatural!

 

Supernatural season premiere days are special. There’s so much anticipation and excitement, I swear it must be visible from space! In the early years of the Show, there was a much smaller group of fans who squeed together on the internet, but even then we were all so passionate that the feeling was incredible. Now the rest of the world has caught up – now there’s a special issue of Entertainment Weekly, there’s Jensen on Live, there’s Jared on Kimmel, there are interviews and videos and even the network tweets about the show coming back! That excitement that has always been there is magnified, but the sense of shared passion that has always been there is just the same.

Not every season premiere has been one of my favorite episodes, but this one I loved. The opening montage was excellent, set to the melancholy ‘Nothing Else Matters’ by Metallica as we remember how desolate and alone the Winchesters are as the season begins. (Also, Metallica!) The new title card is equally awesome – I actually gasped out loud when I saw it. (I watched with two kids and a dog, all with strict instructions to be totally silent, so they all grumbled every time I made involuntary noises. Oh well.)

She’s totally a fan

We open on Dean standing over Cas’ body, and Sam trying to communicate with Jack. In other words, right where we left off. Which made me very happy indeed. The times when the season premiere has started with a time jump have never sat well with me. I want to see EVERYTHING, Show, I don’t want you to cut things out!

This should be a surprise to no one at this point, but the cinematography was gorgeous. An early shot of the boys racing down the road in the Impala is especially beautiful and probably as complex to film – the camera behind then beside then finally in front of the car. I’m sure that wasn’t easy to pull off, but it really really worked. Sometimes Supernatural looks more like a feature film than a television show on the CW, which is a credit to all the talented crew members who make that magic happen. And especially to Serge Ladouceur and director Phil Sgriccia, who I am beyond grateful to still have with the show after all these years.

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Supernatural 12.18 – This Episode is a Memory that will Definitely Remain!

Phil Sgriccia, Steve Boyle (twitter) and the boys

It’s been a while since we’ve had a Supernatural episode that made me so euphoric that I could barely contain myself – those kind of episodes are what made me the passionate fan I am. When it’s been too long between them, my enthusiasm quiets down a bit. Not that I don’t always love the show, but not with the OMG this is the best show in the history of EVER OMG jumping up and down that an episode like this one brings. And damn, does it ever feel good to be that squeeful again!

I would like to give writer John Bring lots of hugs, and my highest compliment – he wrote a scene that could have been written by former Supernatural writer Robbie Thompson. And that, for me, is REALLY saying something.

I’ll get to that wonderful scene soon, but I loved the entire episode. This was an old school Supernatural monster-of-the-week episode, reminiscent of the early seasons in so many ways. I liked the twists and turns of the case, first thinking it was a monster, then a human, then lo and behold it ended up being both. Bring didn’t forget Castiel either. We got another Cas phone call, leading up to the next episode when Castiel reappears. And we got Dean cleaning the Colt and then aiming and fake firing it, which never fails to do things to me.

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