Category: Season 01

Supernatural Rewatch – The Shocking Season One Finale, Devil’s Trap

Supernatural Rewatch – The Shocking Season One Finale, Devil’s Trap

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I have to admit, I went into doing our rewatch of the Season 1 finale of Supernatural feeling a little ambivalent. For me, doing this rewatch has been a coping strategy, in part, to get me through the loss of my favorite show (which in itself has been a coping strategy!)  Knowing I have the rewatch to look forward to for literally years in the future is a real comfort, and watching it with a group of friends makes that sense of community feel secure as well. That said, it feels like our Season 1 rewatch has flown by – almost as quickly as the original airings of the show did! I never wanted it to end and always felt a little sad as we came to the season finale, and in the early seasons, we were often terrified that we wouldn’t get a renewal and that might be the last episode we ever watched. It was a tremendous relief in later seasons that the network gave the show an early renewal so we didn’t have to bite our nails about it!

So, the Season One finale…

We start with something innovative at the time, now familiar and nostalgic for anyone who watched the show throughout its run – The Road So Far. It’s a badass rock montage to Triumph’s ‘Fight The Good Fight’ with some of the most dramatic moments the boys have experienced so far, ending with Meg’s  ominous message, “You boys really screwed up this time, you’re never gonna see your father again.”

And we’re off – to an episode that is an unrelenting roller coaster toward a cliffhanger end that left us all open mouthed.

Sam and Dean react to Meg’s phone call, Dean grabbing the Colt and shoving it in his waistband and telling Sam, “we gotta go!”

Sam: Why?

Dean: The demon knows – it’s coming for us next.

Sam: Let it come.

Sam is so much like John, once again, willing to take this thing on out of pure rage and desire for revenge, and not caring what price has to be paid. But Dean is not – his focus, as always, is on protecting his family.

Dean: Listen, tough guy, we’re no good to anybody dead. We’re leaving now.

They peel out in the Impala, skidding in the dust, still arguing about whether they should have tried to confront the demon, or whether they could try to trade the Colt for their father. Sam is focused on killing the demon at any cost, and Dean is not.

Sam: Dad…he might be…

Dean: Don’t! Screw the job, Sam!

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The Winchesters Look For ‘Salvation’ – Supernatural Rewatch

The Winchesters Look For ‘Salvation’ – Supernatural Rewatch

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We’re almost at the end of Season 1 in our Supernatural rewatch from the start, which we began almost seven months ago when the series ended – and it has been a much more emotional experience than I expected it to be! So no surprise that we began watching ‘Salvation’ and I burst into tears when ‘Carry On Wayward Son’ started playing. Even after all these years, I’m never ready to hear that familiar song herald the end of a season of my favorite show, and now that the show is over, my tears were if anything even more free flowing. God, I love this show. I always will.

The episode opens in Blue Earth, Minnesota. Meg in a church lighting candles, telling the kindly priest she needs to talk, that she’s done some things. He tells her there’s forgiveness for everyone and she asks, ‘are you sure?’

Father: Salvation was created for sinners.

Meg: I’ve lied, stolen, lusted…. I slit a man’s throat and ripped his heart out through his chest.

She lets him see her black eyes, and he backs away in alarm.

Father: I know what you are. You can’t be here – this is hallowed ground!

Meg (laughing) Maybe that works in the minor leagues, but not with me.

He runs, into a secret room with an arsenal of guns, and we see that he’s a hunter. Meg breaks in, and easily catches the knife he throws at her, taunting him that he throws like a girl.

Father: What do you want?

Meg: The Winchesters.

Father: I’ll never tell you.

Meg (smirking): I know.

She slits his throat, and he gasps and gurgles and dies. I remember being so caught off guard by the graphic violence of that scene when I first saw it. Truly horrifying.

The show and the actors did such a good job making me care about Pastor Jim even in those few minutes we had with him, which helped us understand how John was going to feel when he found out.

In Manning, Colorado, John has weather reports taped to the wall, marked up, books strewn around, post it notes everywhere. He tells his sons, this is everything he knows, that he spent their whole lives searching for this demon, but there wasn’t a trace until a year ago, when he picked up its trail.

John: It came out of hibernation. It’s going after families just like us, on the night of the kid’s six month birthday.

Sam: I was six months old that night? It’s going after these kids like it came for me.

At that realization, Sam starts to feel even more responsible for all the tragedy that’s dogging him.

Sam: Mom’s death, Jessica, it was because of me…

Sam is distraught, and Dean rushes to reassure him.

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Introducing Jenny the Vampire – Supernatural Rewatch of Dead Man’s Blood

Introducing Jenny the Vampire – Supernatural Rewatch of Dead Man’s Blood

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This was a good episode when I first saw it, but not an overly emotional one. That is all changed now, watching it post series finale – because this is the episode where we meet the vampire whose nest will take down Dean Winchester fifteen years later. It’s amazing to me that the show managed to do that – to have the same actress come back to portray a character we never thought of as at all important, all those years later, to do something so pivotal to the show’s eventual ending. It makes this episode hard to watch, knowing what will happen so many years later.

‘Dead Man’s Blood’ stands on its own as a well done episode, though, especially because it has all three Winchesters, something that feels like a treat now because we got precious little of that in other seasons. Its vampires are pretty memorably too, and not just because of what Jenny eventually does.

We open in Colorado. Daniel Elkins having a drink, well known to the bartender, who describes him as “a nice old man, just a nut.” He senses trouble coming as a group of people walk in the door, and Elkins stares. They talk about having “dinner plans” (because they’re vampires, get it?) and when the bartender turns to ask Elkins if he wants another, it’s just his glass still there on the bar.

Elkins gets to his cabin and hurries inside, scared, locking the door behind him – but the vampires are already there. He gets a gun from his safe, muttering ‘come on come on’, and frantically loads it as the vampires are breaking down the door and smashing windows. They knock him down before he can fire, and the female vampire picks up the gun, saying it wouldn’t do him much good.

Vampire lady: Boys, we’re eating in tonight…

Cut to a diner in small town America, Dean reading the newspaper and Sam on the computer, just another night with the Winchester brothers on the road, saving people, hunting things. Dean’s still trying to convince Sam to swing by where Sarah is and see her again.

Dean: Cool chick, man. Smoking. You two seemed pretty friendly.

Sam puts him off. Again.

Sam: We have alot of work to do, Dean, you know that.

He also has found that a Daniel Elkins was found mauled in his home in Colorado, and Dean pauses, saying he knows that name. He pulls out the journal and finds an entry on Elkins, and it’s a Colorado area code. So to Colorado they go.

They find the cabin, looking around by flashlight in the mess they vampires left behind.

Dean: Looks like the maid didn’t come today…

Sam: There’s salt over here.

Dean: Like protection against demons salt or oops I spilled the popcorn salt?

[This scene is included in some of the behind the scenes features on the Season 1 DVD which we watched as part of our rewatch – Jared and Jensen look like babies, but they’re already clearly having so much fun, joking with each other and with the crew, pelting the crew with snowballs and then running away. It seems like so long ago now, but I’m so grateful we have these little glimpses that we can hang onto forever.]

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Supernatural Rewatch – A Classic (and Scary) MotW Episode with Provenance

Supernatural Rewatch – A Classic (and Scary) MotW Episode with Provenance

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Provenance is a Phil Sgriccia directed episode, and it shows. It’s creepy and scary and memorable in multiple ways, starting out with a close shot of a decidedly creepy old painting in a giant antique frame. A young couple, for some inexplicable reason, just bought it – though the wife has the good sense to say it’s “kinda creepy”. The husband reassures her that he’ll keep her safe, so we’re fairly certain he’s about to die.

Wife: Maybe you’re the one I ought to be scared of…

He is actually kinda creepy and keeps pinching her, but she seems into it and heads upstairs. The old man in the painting turns his head and watches her go up the stairs and OMG that is super creepy!

The husband locks up, sets the alarm and turns out the lights while the wife lights some candles and gets into bed.

“Hurry up or I’m gonna start without you,” she teases, as someone makes their way up the stairs and slowly comes into her room. A gust of breeze blows out the candle and we see her husband just starting to climb the stairs and UH OH that’s not the husband in the room with her….   The clueless husband comes into the room telling her to get the lights, then pauses.

Husband: You smell something?

When the lights come on, his wife is dead on the bed, covered in blood. He falls to his knees, looks up at something we can’t see, and screams.

Cut to a bar and a band playing Steve Carlson’s “Nighttime”, which I wrote about in my recent look back article on some of my early chats with Mr. Carlson, so check those articles out here if you missed them.  Here’s what Steve had to say about how that song came to be in this episode:

I had seen my friend Chris, who co-wrote the song, one night at a birthday party and he was dancing using the drink as his prop and I was like, that would be a great beer commercial! We put the song together and I got back and played it for Jensen and he asked me to burn him a copy. He was playing it in his trailer one day and a producer was like oh, who’s that? He said it’s my roommate, Steve, and the producer said, that would be perfect for the bar scene in our next episode. Their people called my people and negotiated it and worked fast to get it in and sign a contract, and the next thing I know I was flying to Boston and it aired. I was on the phone with someone because I couldn’t watch it live and he was watching and telling me oh, it was loud (on the show) – I was going through security and the guy was like, you have to get off the phone, so I threw it in the Xray machine and then grabbed it back and was like, so it was loud? And he was like yeah, and it’s still on! I had it on Tivo but it sucked because I was in Boston and no one I knew had Tivo so I had to wait a week to watch it when I got home – that was the first thing I did!

You can read that full article here fyi:

Radio Company Vol 2! A Look Back at Steve Carlson and Jensen Ackles’ Musical History

Anyway, Dean’s flirting with a young woman (Brandy with a y or an ‘i’?) while Sam’s reading in the newspaper about a couple’s throats being slashed. Sam tries to call Dean over and he keeps ignoring him until Sam in exasperation says ‘Come ON’

Dean: I gotta go, be right back…

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Supernatural Rewatch – Something Wicked (And Heartbreaking)

Supernatural Rewatch – Something Wicked (And Heartbreaking)

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This episode, number 18 in the show’s first season, takes place in Fitchburg Wisconsin, which is now familiar to me not because I’ve ever been there or am likely to ever go there, but because this is a pivotal – and painful – episode.

We start out with a child saying their prayers, the dad tucking the little girl in with an affectionate “goodnight, monkey puss.”  The little girl asks if her mommy is coming home and the dad says no, she’s at the hospital – with her sister. The dad leaves and turns out the light, and from the little girl’s perspective as she looks around her room, it’s like every time you’ve ever woken up at night in the dark and heard odd noises and your imagination has run away with you.

Sometimes this show does the scary and the horror so damn well, showing you just enough and not too much.

The wind howls, blowing at the window, lashing shadows of tree limbs against the glass as the little girl watches, frightened. She leaps out of bed and throws the curtains closed, but they’re transparent unfortunately. The tree branches almost look like hands as they creep along the glass…and then we see one branch actually IS a hand! It’s incredibly creepy and scary as it opens the latch on the window and the wind chimes in the bedroom rattle in the breeze. A shadow looms over the bed as the little girl hides under the covers. She screams, and the shadowy thing opens its gaping mouth…

Rock music plays as the Impala races down the road, and I remember in these early episodes, I’d just sit and grin every week when “the boys were back.”

Sam and Dean  disagreeing about their dad like they often do – John threw a wedge between them again and again just by being John and raising them differently.

Dean: Are you sure you got the coordinates right? Dad wouldn’t have sent us coordinates if it wasn’t important, Sammy. Maybe he’s gonna meet us there.

Sam: Yeah, because he’s been so easy to find.

Dean: You’re a real smartass – I’m sure there’s something there worth killing.

When Sam continues to protest, Dean insists that he’s making the decision.

Sam: Why?

Dean: Because I’m the oldest, that’s why!

He smirks, unseen by Sam, but we all can see that he’s well aware of what he’s doing and that it’s not really valid. As much as Dean knows he’s the older brother and puts stock in that, he always respected Sam’s intellect and skills. And Sam’s little smile shows he kinda knows that too.

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