Three Men And A Nephilim – Supernatural Unhuman

 

Drive by review since I’m traveling with the family, so thematic stream of consciousness instead of scene by scene for a change. I watched last week’s Supernatural in an Air BnB in DC whose television set was large and impressive looking but weirdly distorted the picture so that the most beautiful cast in the world did not look like their beautiful selves. Boo.

While this won’t go down in history as one of my favorite episodes, there were some things I enjoyed, and the episode got me all thinky which I also enjoy.  On the other hand, there were also some things I didn’t like. While I was overjoyed to have Ruth Connell back on the show, I was totally confused that Rowena didn’t know seem to know that Jack was Lucifer’s son. What?? She goaded Lucifer with that when she was holding the portal open, saying that his three dads were more fathers to Jack that Lucifer himself. So why did she seem shocked when Sam told her about Jack’s father? I realize she didn’t actually know Jack, but she knew about him. Those kinds of things throw me out of the story and I don’t like that – I like to be immersed and engrossed when I watch my favorite show.

I also got thrown out of the story by Sergei the Shaman, who seemed like such an over the top villainous untrustworthy guy that I didn’t believe a word he said and didn’t expect Castiel to believe him either. Why did he? Cas has been oddly gullible recently, and that seems weird. I get that we all get a little gullible in desperate times, so I’m chalking it up to that. But, I mean, ‘He seemed honest.’ Did he?? Also Sergei had an accent that sounded just like Misha Collins when he’s doing his Indio-Russia thing, so I also half expected Cas to start talking the same way, which was neither here nor there but made me giggle when that wasn’t what the show was going for.

I do love Castiel’s had-it-up-to-here expression here though.

Considering Sergei, do we even believe that the grace he gave Cas was from Gabriel? (Was there a reason to take this at face value? Has Ketch’s word become reason enough?) Or was it really Michael’s grace, and the whole thing an elaborate plot to get Michael’s influence into Jack in the same way he’s been trying to influence other “monsters”? (Was that why Dean’s vision blurred out and his mind went a bit offline a few times there? Was that Michael coming to the fore to see how his plan is going or has he left something behind that allows him to do so?)  That did give us some nice close ups of Dean blinking those long eyelashes.

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But I will say THAT is chilling, the idea that Jack might be corrupted in some way. I don’t worry that Jack will die, because they clearly need him as a key player, but that doesn’t mean he will stay the innocent well-intentioned nougat loving son that he has been this season. And that does worry me.

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Holiday Shopping Supernatural Style!

The holiday season is here! If you have a Supernatural fan on your list (or you’re making a wish list for yourself because really, you deserve it!), then one of our Supernatural books just might be the perfect gift this holiday season! From Family Don’t End With Blood to Supernatural Psychology, we have several books to choose from, plus other FDEWB merchandise such as t-shirts, phone cases, tote bags and more.

Many of the books are now at special holiday sale prices. All the information you need – plus links to take you right to ordering – below!

 

Family Don’t End With Blood – This is the only book actually written by the Supernatural actors. Jared, Jensen, Misha, Kim, Briana, Ruth, Rachel, Mark, Matt, Rob, Osric, Jim and Gil (plus a dozen Supernatural fans) all share their stories of how being on Supernatural and part of the SPNFamily has changed their lives.

We’re so grateful to the actors for their courage and candor in sharing such personal stories of how they’ve grappled with depression, anxiety, and self doubt and found the strength to take risks and keep fighting thanks to the support of the fandom – and to the fans for sharing their stories of how the actors and fellow fans inspired them to do the same.

We love hearing that reading this book has inspired others to keep fighting too – and every purchase benefits Random Acts and Attitudes in Reverse to help make a difference! Click Here to Order!

Did you know there’s also FDEWB merch? If you love the book or love the cover art, we have a shop on Society6 with a variety of products, including t-shirts, totes, mugs and more featuring the beautiful cover design by talented artist Cris Griffin.

Order here (instructions for how to see ALL the many FDEWB products are at the top of the page) Click Here to Order!

Supernatural Psychology – If you’ve ever tried to figure out why Supernatural is the best show ever, then this is the book for you. Written by a variety of psychologists who are also fans of the show, this book explores how the Winchesters, Castiel and many other characters deal with the challenges thrown their way, and what drives these characters to always keep fighting. The book also includes a moving introduction by Mark Pellegrino (Lucifer).

Click Here to Order!

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Minneapolis Supernatural Convention 2018 – Sunday with Jared and Jensen!

 

Sunday was, as always, J2 day. The Jared and Jensen morning panel started out with a sad story of how Jensen hurt his knee training for the Bad Idea marathon with Jason Manns.  Good friend that he is, Jared took a picture.

Jared: I took a picture of Jensen from the waist down with ice on both his knees and sent it to our guy friends and they were like, why’d you send this?

Jensen: No, they were like, why didn’t you show more?

 

Jared got a spam call and made a face, which prompted Jensen to give a talk about how to deal with unwanted sales calls.

Which was just proof that these two can make any topic hilarious.

And nice to look at.

Then someone made the mistake of giving Jared an entire tray of cupcakes. Jared went from gloating and gleeful while Jensen made faces and looked worried…

To dropping the entire tray on the floor. There was red icing everywhere, including all over Jared’s face!

While handlers swooped in to try to clean up, Jensen made Jared crack up even more by muttering that “you look like you just fellated Ronald McDonald”.

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Happy Halloween! A Chat With Supernatural and Blair Witch’s Eduardo Sanchez

 

What could be more perfect for Halloween than talking with the director of some of the scariest projects out there? Eduardo Sanchez burst onto the film scene in 1999 with the innovative and terrifying Blair Witch Project. He has gone on to direct in film and television, including my favorite show of all time, Supernatural.

I am fascinated by every aspect of creating the Show I love, because if there’s one thing that has become very clear to me after researching and writing about that Show for over a decade, it’s that Supernatural is a collaboration. It takes top  notch writing, set dec, locations, cinematography, make-up, special effects, producing, acting and directing (among a multitude of other things) to make Supernatural the special thing it is. So I’m always genuinely interested in the perspectives of all the many people who contribute to that collaboration. I loved hearing the actors’ perspectives when they wrote chapters for Family Don’t End With Blood and the insights of director of photography Serge Ladouceur in Fan Phenomena Supernatural and all the contributions that everyone on the set shared in Fangasm Supernatural Fangirls. I am endlessly fascinated by what it takes to make a show like Supernatural.

So it was with great anticipation that I scheduled a chat with Sanchez, who has done four episodes of Supernatural so far, not to mention the groundbreaking film The Blair Witch Project. And guess what? Our chat was even more fun and more fascinating than I had anticipated! (And not scary at all).  So sit back and relax and enjoy a director’s insights into the diverse episodes of Supernatural he has directed so far.

Lynn: The first episode you directed is one of my all-time favorites, The Chitters. That’s partly because it introduces two of my favorite original characters, Jesse and Cesar (Lee Rumohr and Hugo Ateo), affectionately known in the fandom as the “hunter husbands”.

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Lynn: Written by Nancy Won, who I wish had stuck around on Supernatural, this episode was groundbreaking in its own quiet way. It was the first time Supernatural told a fully fleshed out story of two gay characters in such an organic and matter-of-fact manner. There were articles after the episode aired praising Supernatural for being “quietly progressive” with an interracial gay couple who are both hunters and heroes. Were you aware that it would be an important episode in that aspect?

Eduardo:  I didn’t know the history of Supernatural. I came in like the tenth or eleventh season, so it was impossible to watch every episode to catch up. But they told me that there hadn’t been this sort of thing in the show before, so we cast it really carefully and wanted to kinda ground it in not being stereotypical and just make these guys as real as possible and make their backgrounds as real as possible. At a certain point, yeah, I started to realize that this was an important episode. It was also just a fun episode for me – it was the first time I had done the show so I was nervous. The crew made me feel very much at home, and the guys were very friendly and welcoming. It was cool that we ended up bringing in these two characters who I know people really loved and I really loved bringing them to life. It was an all around good experience.

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Director Dick Returns to Supernatural with ‘Gods and Monsters’!

 

After a season premiere that kicked up conflicting emotions for me, the second episode of Season 14 of Supernatural was a different kind of episode – but once again, it kicked up some conflicting emotions. I had a lot of anticipation for this one because I enjoy Richard Speight’s directing and always look forward to hearing his thoughtful take on how he brought a script to life. On the other hand, my track record with enjoying the episodes from these particular writers is spotty. So I guess I went into this with conflicting emotions!

Speight is proficient at juggling the back and forth story lines that Supernatural sometimes serves up, and he did an admirable job here, but I tend to get whiplash if we’re bouncing back and forth between too many stories no matter how proficient the directing is. That was the case here to some extent, though Speight managed to keep the transitions smooth enough that I didn’t feel too jarred. Because there are so many story lines going on, I’ll touch on each scene briefly here, but with the through line of what worked and what didn’t in each one.

I pay more attention to the “Then” montage than ever before these days, because it usually gives a clue to what will be foregrounded in the episode, or at the very least what they don’t trust us to remember (of course we all do) or what they think a viewer who has somehow avoided seeing Supernatural for 14 years would need to know to just step right in and pick it up (totally and completely impossible at this point, give it up, Show!)  The “Then” this week features the final showdown with Lucifer and the moment of Dean’s possession, and a reminder of Jack’s trauma and his hatred of both Michael and Lucifer. With that frame set, we enter the episode through Michael and what he’s up to now – no disposable characters or case of the week for the beginning minutes. The opening scene is visually striking and sets the tone for who Michael is and how we should feel about him. Speight likes to set up close up shots that are like works of art and emotionally evocative – this time it’s done in flashes, like there’s a thunderstorm outside, and the fact that you only get glimpses adds to the feeling of trepidation. A flash of heavy chains, broken statues, a church organ covered in cobwebs, light filtered through age-dimmed stained glass windows. A church defiled. The last close-up shot is of blood slowly dripping from the cut throat of a restrained man, leaning over a chalice that’s  slowly filling as he’s drained. The musical score is full of foreboding, fear mirrored on the faces of the chained up people waiting their turn. (The slow drip of blood will be a recurring image in this episode).

It was a strong opening, and a fitting frame for Michael, still dressed impeccably and as implacable as he was last week (though he has donned an imposing leather apron because clearly he loves his nice suits staying impeccable). It makes him look like a butcher, the leather and straps both terrifying and (perhaps because this is Jensen Ackles) also an oddly sexualized image. Michael seems to pull for objectification, a fact not lost on fandom.

Michael heals the vampire’s slit throat and adds a pinch of archangel grace to the blood.

Michael: A little of this, a little of that…

He then grabs the vampire’s head and forcefully makes him drink. When the vampire acquiesces, Michael does nothing to reduce the erotic vibe of the scene by crooning, “Yes, good boy” as the bound vampire follows his orders.

Unfortunately for the compliant vamp, no sooner has he done so than he burns out and dies, much to the other vampires’ horror.

Michael remains unemotional.

Michael: Huh. Too much that…

It’s our first glimpse of Michael having a sense of humor, albeit a twisted dark one. Ackles did flesh out the character a bit more in this episode, which at first threw me a bit. Last week he was so unemotional he was almost flat, disturbingly so. This week, he showed some humor and some other emotional notes, including pride and a sadistic enjoyment from wielding his power over others. I felt like that was consistent with Christian Keyes’ portrayal of Michael, but it was more personality than Michael showed last week.

There’s another visually effective shot of the dead vampire’s feet dragging across the floor as Michael pulls him over to a pile of other dead vampires; the camera pulls out to show just how many, with lots of impact.

Michael flips the curved blade he’s holding, cocky.

Michael: All right, who’s next?

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I might have needed a cold drink at that moment. There’s something hot about the cocky expression and the facile skill with which he flips that blade. Actually the same thing happens when Ackles flips his mic onstage with equal agility, which he has a habit of doing quite often. But I digress.

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