When I said I was going to try to document everything Supernatural related in the weeks before the show returns to the air for the last time, I had no idea just what that would mean. I’ve watched this show since the beginning, and I remember wishing for more media coverage, trying to get people interested in the show, telling anyone who would listen that Supernatural was the best show ever. Fifteen years later, the world has figured that out. That was never more obvious than in the couple of days leading up to the show’s return, when it seemed like every major outlet from Variety to TVGuide to CNN had an interview with Jared and Jensen and an article about the show, and every CW local outlet had their 10 minutes of questions with the boys. It was incredibly overwhelming trying to keep up with the constant onslaught of coverage, and I was constantly emotional – so proud of the little show that could which, now that it’s coming to an end, is recognized for how special it is and what it has created.
There were also bits of news every day, all of it exciting. Jensen and Danneel struck a deal to form a production company under the Warner Bros. umbrella called Chaos Machine Productions. Not gonna lie, I’m keeping all my fingers and toes crossed that they’ll helm the next Supernatural project. Come on, Ackles, it’s a no brainer!
Jared got a hair cut, which left fandom in a collective panic about how short Walker’s hair was going to be.
Turned out to be a fruitless worry, because – in my humble opinion anyway – the new haircut is every bit as hot as the previous one! Fandom then turned its considerable attention to wondering what the new tattoo is that Jared’s sporting and what it might mean. Hmmm.
Jared started a new AKF campaign with Stands that included a plaid AKF charm and a stuffed AKF moose, which is seriously adorable. He did a facebook live about the campaign, which he hasn’t done in one million years, and posted a gorgeous photo in the You Define You hoodie and with his new Walker haircut. Mmm.
Jensen bought a new car, which does not do a damn thing for me but which he was clearly very excited about.
The company he bought it from was equally excited. And clearly Supernatural fans!
Not gonna lie, I’m laughing at the Ackles family tooling around Austin in either their ’67 Impala (they took it to Starbucks the other day) or this new ‘beast’ of a car.
Misha went naked to get out the vote, to fandom’s sincere appreciation, used his text line to help get the vote out, and made sure water and snacks were handed out to voters in Georgia standing in insanely long lines to vote, and generally kept on working to save the world. And look adorable doing it.
Richard Speight, Jr. has a birthday coming up, and that has me thinking about a) how long I’ve known him and b) the incredible impact he has had on Supernatural and on the SPNFamily. In our very first conversation, close to 12 years ago, I was impressed with how smart and thoughtful he was. It wasn’t long before he talked about wanting to direct in addition to acting, and I was not a bit surprised when he added that to his repertoire – and kicked ass at it. He’s come a long way from 2014, when producer Jim Michaels posted a photo of Richard shadowing director Tom Wright on the set of Supernatural, going on to direct eleven episodes and to shape the show in significant ways.
I also knew early on that Richard was an excellent writer, because he wrote a chapter for one of my first books, Fan Phenomena Supernatural. When it came time to write my last book on the show that captured my heart as it went into its very last season, I knew I wanted Richard’s voice in that book too. His chapter in There’ll Be Peace When You Are Done is, fittingly enough, a conversation between me and him. Like countless other conversations we’ve had over the past twelve years, in hotel restaurants or convention green rooms or in a taxi so he could show me where he’d filmed in San Francisco, his chapter is brimming with insights and a little bit of his trademark humor. In There’ll Be Peace When You Are Done, Richard also gets serious about this little show that has changed so many lives. The way he describes Supernatural’s legacy, and what makes it so special, makes me tear up a little every time I read it. He gets it. From Richard’s chapter in There’ll Be Peace When You Are Done:
The “Supernatural” take on family ain’t the Lifetime version. It’s dark, it’s rough, it’s painful, it’s broken. It may not be a perfect family, but it’s our family. It may not be a perfect world, but it’s our world. And I think the way Sam and Dean and Castiel choose to navigate that world and how they deal with each other along the way is inspirational to a lot of people and will continue to be an inspiration for a very long time.
Richard understands why the SPNFamily is so important, and why the show and its iconic characters will always be with us, which is what that book is all about. He also gets the show itself. That’s why I couldn’t wait to talk to him about the episodes of the show he directed for Season 15, three of which have already aired. In part 2 of my conversation with Richard, he takes us behind the scenes of those three episodes with so many fascinating insights. And maybe makes me a little emotional again as he talks about the upcoming end of this incredible show.
Part 1 of my epic interview with Richard shared insights into his new film Driven, his hilarious podcast with Rob Benedict, and some behind the scenes stories of directing his first episode of Season 15, Proverbs 17:3. I had a few more questions about that episode, because so much about it was SO good, so we pick up there…
L: Switching gears again, another scene I really liked in that episode was with the actress who played Lilith, who was so good – things very quickly go from all serious and horrifying to this poor traumatized girl falling on some antlers and being impaled, to her just getting up and brushing herself off! How challenging was that kind of split second progression?
R: Let me tell you, first off, Steve Yockey wrote a great script. So clever, the miscues were great. It was like my third or fourth Steve Yockey script, so we work together well. We connect on the material, he likes what I do, I like what he does. As we go through and adjust, we’re always on the same page. But I really really think, to pull that moment off, I give massive credit to Anna Grace Barlow. Finding her was finding Nate Torrence for Sully. I cast her off tape, I never met her. She turned in an audition that she shot in the garage during a short film she was doing that was so fantastic. And she came up and just knocked the leather off the walls. She was so good at every scene, from day one. Day one, her first day of shooting, she was confronting Sam and Dean in a parking lot as Lilith and taking the gun. She was already doing heavy hitting stuff right out of the gate. I thought she was incredibly talented. And she got the character. We discussed the character, she got the beats, and she played all that drama for real. Because you don’t get the joke, you don’t enjoy that moment, if you didn’t buy into everything that has happened before that.
L: Yes, and you really did.
R: You believed that she was in distress, you believed that she was a victim in this scenario, that she was in peril and incapable of doing anything to defend herself. And she’s completely distraught by what she’s witnessed and probably damaged for life, and then she stumbles and dies on those antlers and it’s a WTF moment of massive proportion.
L: Massive! She did a great job there and Jared and Jensen did too, with Sam and Dean’s WTF just happened expressions.
R: They did, they played it like the audience should have been too. But Anna Grace did such a good job and when she makes that turn, she’s Lilith the rest of the time. We had such fun crafting that character. To really go into this episode, I started talking to Jerry Wanek about the episode two weeks before we went up there because he read it and he called me and said “Wes Anderson”.
R: And I said, you had me at Wes. Because he’s like, I’m trying to figure it out, tonally I don’t want you to hang your hat on the set here but if you’re into it, I’ll lean into it and let’s create that vibe of symmetrical sets and straight on angles. And I said, oh absolutely. Then Carrie at the costume center got on board and that’s why Anna Grace Barlow looks like she’s from Moonrise Kingdom.
R: If you go back to the campsite scene, we used plaids and all these things ala that heightened style. I loved that episode so much, and every set was a meal. It was all stylized. The sheriff’s office, very stylized. We used angles that reflected that kind of style – I don’t wanna say an homage because every shot is an homage because you picked it up from somebody at some point – but nonetheless it was a consistent style thing through the whole episode and it was so fun to do. Anna Grace in her little beret and kerchief being super evil was just so phenomenal.
L: That really added to the character being memorable and full of personality.
R: Everything she does previous to that scene – when she did that hospital scene and expressed her fear to Dean and in the hotel room telling him she doesn’t know what she’ll do now because her friends are all dead? That scene rips your heart out.
L: Yes, you have no idea at the time.
R: She was shaggin’ flies with every take. Everything was a great take by her, so she gave so many options and choices. And when she went dark, she went dark so well. She was a fantastic villainess. In many ways, I wish it was Season 5 instead of Season 15, because I think we would have seen her many more times.
L: My favorite moment was when she asks them to give her the gun, and Dean says, “the Equalizer?” and she just deadpans “I’m not gonna call it that.” I laughed out loud.
Kim and I and quite a few of my other friends have had a bit of a tough time this weekend, since we’re all very aware that we had planned to be at the Creation Supernatural convention in Nashville right now. We’re missing our favorite show, and we’re missing our favorite cast, and we’re missing each other – so we thought it would be therapeutic to take a walk down memory lane and remember all the fun times we’ve had in Nashville in the past. So here are a few memories from me, and alot of pretty pictures and more memories from Kim. Enjoy this walk down memory lane with us!
2011 and 2012
[Lynn] I went to the very first Nashcon, as it was then called, way back in 2011. It was before I did convention recaps here, back at the time Kathy and I were working on our very first book about Supernatural and fandom. We hadn’t planned on going, but impulsively decided to take a road trip down to Nashville, with Kathy’s ever-patient husband Dave as our driver. We stopped for hushpuppies along the way. Yum. I remember being awestruck by the Gaylord Opryland hotel complex, and getting lost every time I tried to make my way from our hotel room to the convention area. I had no decent camera and no decent seat in the back of the GA section, but Dave did manage to grab a giant cardboard poster of the Impala advertising the convention from a stand in the hallway on the last day of the con because I didn’t have the guts to – it still hangs in my office at the university to this day. Thanks, Dave.
Nashcon 2011 was also an incredible experience because it was the first time I got to witness Jensen Ackles and Steve Carlson play together. They did a jam session for a small group of people, and it was amazing – even though Jensen was clearly anxious. I caught up with him in the green room later and he asked with trepidation if it had been “okay”. OKAY?? It was fangirl heaven – and it seems even more special now, almost a decade later, as Jensen and Steve have released their amazing Radio Co collaboration. Here’s a small excerpt from my write up of what we were treated to that day (alas, no photos were allowed):
The last song they saved until last for a reason – it was the first song they ever played together. Steve was working on it one day and Jensen came over and started singing harmony. So Steve threw him in the woodshed (aka studio) and that’s how they recorded “Come Around More Alabama”.
Steve: He thought he was coming over for a beer, and I threw him in the woodshed and put him to work! And now that’s one of the most requested songs on itunes, because of Mr Ackles’ popularity.
Jensen (interrupts): And your genius writing skills.
Their rendition of the song was incredible, the harmonies spot on, everyone in the room pretty much riveted. Afterwards, Jensen gave a heartfelt thank you to the fans for their donations (proceeds in part going to charity).
Jensen: It’s humbling and gratifying to be around people who are so supportive. You guys are awesome.
As he and Steve got up to head out, Jensen stopped once again, and sounding a little choked up, shook his head and said, “Best fans in the world.”
We couldn’t agree more, but it goes both ways. Right back at ya, guys.
2011 was also the year we spent a lot of time in the green room doing interviews for our first two books, Fandom At The Crossroads and Fangasm Supernatural Fangirls. We were chatting with talented singer and great guy Brian Buckley while Jared was also in the room, so we got to witness him starting his Twitter account and hear the conversation that led up to making it @jarpad! We were privileged to be there as he watched his follower account slowly start to take off. Hard to believe that now, in 2020, he has 3 Million followers!
This seems to be the one blurry photo I managed to take in 2012 at Nashcon, but I remember it being a special convention for it being the first con after one of our books had been published, and how gracious and supportive the entire cast was about wanting a copy.
As I said in the previous post, Lynn and I should be meeting this weekend, in Nashville at the Salute to Supernatural Convention. Sadly, the convention was canceled and we – our entire country, and the entire world – are locked down, quarantined. (The convention has been rescheduled for August and Chuck knows we are so ready to be at another convention!) Rather than worry or feel sad, we thought we should remember the good times we’ve had in Nashville over the years. So without further ado, here’s a quick look back at the Saturday panels at the Salute to Supernatural Conventions in Nashville!
Just a note: Some of our recaps included both Friday panels and Saturday panels, so some links here will take you to the recap of both days — just scroll through to read the portions about Saturdays.
And now, without further ado, here’s what Kim wrote at the time (with some 2020 interjections from time to time as we look back)
Saturday morning panels began with Kim Rhodes and Ruth Connell. They crawled onto the stage Saturday morning after last night’s karaoke. Apparently they were “over-served.”
During their panel, Kim revealed to us that originally she was to become an angel vessel because she was so upset over Alex, but the fans saved her life – literally. Meanwhile, Ruth revealed to us that Misha’s nickname for her is “ear lobe” and I know I can’t wait for the gag reel to understand why. Their panel ended with Briana joining them on stage for a reprisal of the V-Club disco-ball-change induction dance. Someone suggested they do a remake of “The Witches of Eastwick” and oh my god can this be a thing right now please?!?!?!