Supernatural Spring Break – Photo Post No. 3 of Kim’s Favorites!

For our final photo retrospective for Supernatural Spring Break week, Kim has put together her thirty favorite photos from Supernatural cons over the years. I have no idea how she was able to do this, because narrowing it down to 30 from so much incredible beauty? I would give up. If you’ve ever stood behind her and looked over her shoulder in a convention hotel room at 2 am and watched while Kim edits her shots and tries to decide which of the hundreds (from one con) to post, then you get what I mean.

Most of the time, my contribution on those late night editing sessions is to periodically distract her by exclaiming OMG GUH!!! when she gets to a particularly gorgeous one. Kim, for some reason, does not appreciate this.

So I’m paying her back by NOT rearranging these photos before this posts. You’re the photographer, Kim, so you get the final say on which of your photos bring you the most joy. I’m just grateful for every single photo you’ve taken, and that you put together the color photo spreads for both Family Don’t End With Blood and There’ll Be Peace When You Are Done. The books would not be nearly as pretty if it wasn’t for your contributions, and the photo and art contributions of other talented fans you coordinated too. (Also you wrote a powerful chapter!)

So here, in order of ability to spark joy, are Kim’s Supernatural cast faves – along with her commentary below and some of mine I couldn’t resist adding. Enjoy!

#30 – Misha at the convention in Jacksonville 2016.

Lynn: And Misha Collin’s blue blue blue eyes too!

#29 – Nashville 2019. I love their riffs.

Lynn: Me too. And their smiles. Jensen Ackles and Rob Benedict aka Robsen definitely sparks joy.

#28 – Louden Swain concert in Austin, Texas, 2020. I’m pretty sure this is “Rock Song.”

Lynn: The Swain show in Austin as 2020 began was one of the last times we got to see them play and be with our fellow SPNFamily. It was a charmed trip in so many ways, and the Swain show on my birthday was the perfect way to celebrate. And, I’m in my feelings already…

 

#27 – Saturday Night Special, Nashville 2019. She just has so much fun at these concerts, and it shows.

Lynn: Kim Rhodes putting her inner rock star out there at the Saturday Night Specials is one of the best things to come from Supernatural conventions.

#26 – Literally the best emcee Ever. Dallas, 2019.

Lynn: Hands down. I remember Richard Speight, Jr.’s very first con and how his personality came through loud and clear. When Creation had an actor cancel for their next con and were wondering who could replace him, I said they should call that Richard Speight guy (who we’d interviewed for our first book) because he was a natural for the convention stage. They did, and the rest is history. And the conventions became something they might not have without Richard’s guidance and incredible ability to improvise onstage at the drop of a hat.

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Supernatural Spring Break – Photo Retrospective Part 2

Continuing our week long spring break celebration of that little show we miss, here are some memories of the Supernatural cast over the years, seen through the lens of Kim Prior’s trusty camera – and her photographer instincts!

First up, some pics from Vegas Con 2015. I remember the first time Gil McKinney stepped onstage and started singing and everyone kind of stopped and went WHAT? Because damn, can he sing! The song he wrote for his dad is a favorite of mine – if you haven’t heard it, check out his album with that beautiful song and more.

Rob with the perfect tee shirt and almost clean shaven at that con!

I can hear the harmonies on Seven Bridges Road just looking at this photo…

“Seven Bridges Road” with Louden Swain, featuring Richard Speight, Jr. and Jensen Ackles.

Jensen looks as excited as all of us were to have both Winchester parents onstage at the same time with him!

Here are a few from Jacksonville 2016 – Ruth Connell and Kim Rhodes with smiles that light up the room, and Mark Sheppard doing one of the things that clearly makes him happiest – playing drums.

Nashville 2016 Matt Cohen when his hair was really long, which I’d almost forgotten. Matt can pull off any look, and I love how much he’s bringing to Entertainment Tonight these days – all his experience helping host cons with Rich and Rob have been put to very good use!

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Looking Back on Supernatural – A Chat with Writer Davy Perez

It’s no secret that Davy Perez is one of my favorite Supernatural writers. If you read my episode reviews regularly, you’ve heard me say that more than once, and he’s the only writer who wrote a chapter in the new book There’ll Be Peace When You Are Done: Actors and Fans Celebrate the Legacy of Supernatural, all about his journey as a writer and his experience on the show. There’s an online book club that’s currently reading Peace, and they’re inviting the contributors to join in their discord chat when they’re discussing that chapter. I pop in when I can, so I joined them when Davy’s chapter was the topic of conversation – and so did he!

It was Davy’s first time using Discord, so the only emoji he could find to try to express himself was the watermelon – which has remained the Book Club’s favorite emoji and is now used for all kinds of positive expressions in Davy’s honor.

The book club always has great questions and Davy had some great answers, so I’m sharing them here with the rest of the fandom (with Davy’s permission of course).

BC: What was it like to write an episode for Supernatural?

DP: I used to watch a lot of shock horror (in the) 80’s and kinda channeled that.

BC: How much influence did the network or the studio have on the writing?

DP: The network and studio give notes, but don’t mandate or dictate anything.  They are more there to
guide you toward the ideals that they want the show to always be (striving) for.  The writers/producers are still in charge of the story in the end.

BC: You said in your chapter that you had only watched a few episodes of Supernatural when you were hired, so you were not overly influenced by what had come before and had fresh takes on the characters and story line direction.

DP: In general, writing an episode is a lot like doubting yourself every step of the way (while also having
to) believe in your own genius. Also, specifically with SPN and with any show, you always do the work, from beats on the cards, to outline, to then just working on the scenes.  I aim for an act a day when
(working) on a script.  I actually found that whenever I watched an old episode, I found inspiration for
bringing something back, or looking at something from a new angle.  I was hired to bring in fresh ideas, for sure, but I like innovating from existing stuff vs. just fabricating from thin air.

BC: What do you think have been your most significant contributions to the characters’ development?

DP: My most significant contribution might be either the glasses or the sweaters (in Mint Condition and American Nightmare).

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(Me: mm hmm)

DP: Maybe the cowboy hats too  (in Tombstone).

BC: (wholeheartedly agreed on all of the above)

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Celebrating Supernatural: An Inspiring Chat with Director Matt Cohen

I’ve known Matt Cohen a long time. I was there for his first Supernatural convention a decade ago – I remember turning to my friend Kathy as we watched Matt try to hug every single fan he met and saying “this guy is a keeper.” I was thrilled when his reception at the cons ensured he would be invited back, eventually becoming one of the Karaoke Kings and an integral part of the Supernatural conventions all over the world. Matt was one of the first Supernatural actors I invited to write a chapter for Family Don’t End With Blood, because I knew he would have something inspiring and moving to say. I was right. The chapter he wrote is candid, insightful and very personal – it describes the way being on Supernatural has changed his life and how his relationships with his fellow cast members has changed him as well. It’s one of the chapters that makes me smile and tear up simultaneously (like all the best Supernatural episodes).

I was thrilled when he returned to the show again to play John Winchester, and perhaps even more thrilled when he became part of the final season of the show – not as an actor this time, but as a director. By then he had already made his own short film, Mama Bear, which he had directed and proved just how talented he was behind the camera, not just in front of it. I loved that film, so I couldn’t wait to see what he did with Supernatural.

I waited until his episode, Gimme Shelter, had aired last month, then we caught up by phone.

Matt: It’s nice to hear your voice.

Lynn: It’s been a long time.

Matt: Too long as far as I’m concerned!

(I think the entire SPNFamily feels that way at this point – we all miss each other! We caught up with family stuff, and how his son Macklin is doing with online learning (great) and then dug into the episode.)

Lynn: I was super excited that you got to direct an episode before the show ends. It seems so right and so special.

Matt: It certainly was special and I feel lucky. This show has given me everything at this point, and for it to give me my first hour of prime time TV directorial debut? I agree with you, it felt right. I felt like I was at home because I knew these people were going to do everything they could to not have me fail.

Lynn: For sure. You’re family.

Matt:  And to me, that made me work harder than I’ve worked on anything my whole life, to make sure I could get them out on time and get everyone home and rested and then back to my set again and we could just knock this one out and keep on moving. And that’s exactly how it went. It was a special experience with the most remarkable crew I’ve ever worked with.  They were there for me and I was there for them and it was just beautiful. Every day was emotional for me. When I wrapped every single day, I felt that this was part of my eight day goodbye to the show. And it was difficult, you know? I tried not to cry every night.

Lynn:  I can’t even imagine how emotional it was for you, after all this time and this being such an incredible, life-changing journey. This was one of those quintessential Supernatural episodes that has a little bit of everything – humor, excitement, and emotion. All of them came together, but it was a complex episode. The emotional moments are probably my favorite things about the show – in this episode, like the scene when Castiel talks about his journey – finding a family, becoming a dad.

Lynn: It struck me that is so similar to what you wrote about in your chapter of Family Don’t End With Blood, about your own journey finding yourself and becoming a dad too. Misha [Collins] was so good in that scene. How did you feel about the episode’s story?

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In The Middle of Sociopolitical Turmoil: Here Comes Supernatural!

This has been a hell of a week. The US election happened on Tuesday and Americans (and most of the rest of the world) waited through constant anxiety attacks to find out who won as results trickled in. Everyone was on edge, tensions were high, and I really needed my number one comfort show, Supernatural. On Thursday, the third to last Supernatural episode ever aired in the midst of all this uncertainty and anxiety – an episode ominously titled ‘Despair’. True to Supernatural form, its third to last episode aired in the middle of unprecedented chaos and caused even more chaos, both in the fandom and more broadly in terms of anyone watching trending topics that night. In fact, #Supernatural not only trended, but #Destiel and #Putin trended – often in the same tweets. Who the hell had that one on their 2020 bingo card??

As Supernatural ends its run, it’s no longer the major player on Tumblr that it once was, but on Thursday all those 2012 Supernatural accounts rose from the dead en masse to comment on whether or not “Destiel Is Canon” with a mind blowing range of unironic celebration posts alongside an equally mind blowing array of shitposts and hilarious memes  making fun of the show for how that possibility played out. I admit I never thought that if Supernatural once again ruled Tumblr memes, it would be for making fun of a scene that was the opposite of intended to be funny.

But it’s been that kind of a week. I have mixed feelings all over the place that I still haven’t sorted out and the US Presidential election was just decided after 987 years, so I’m not likely to sort them out any time soon. Instead, I’ll try to dig into the entire episode, not just those three minutes, and see where it brought us, for better or worse.

The episode picks up right where 15.17 left off, Sam helping an injured Jack. Jack tells them all to leave him, for their own good.

Jack: I don’t wanna hurt you, don’t let me hurt you…

Alex Calvert is so good at making me feel for Jack, that plaintive ‘don’t let me hurt you’ going right to my heart. Dean has changed his tune completely, insisting passionately that they’re not gonna give up on him. Poor Dean must have whiplash with how the writers keep making him change his tune so often.

Billie appears, blaming them for her plan not working and then zapping Jack out of there to the Empty.

Which means we get to see Rachel Miner again, so yay. Jack promptly explodes, though, so boo. The explosion wakes everything up and makes a lot of noise and totally pisses it off. Enraged, the Empty attacks Jack, crushing his head.

Poor Jack, he’s been through a lot in the last two minutes.

Billie gives us some exposition about the Empty being pissed at her too for sending an explosive Jack there, and reminds us that the Empty can’t come to Earth unless it is summoned, which we already knew. And Sam reminds us what we figured out last week about Billie’s plan – that anyone who was resurrected will die, including Sam and Dean. Billie also is pissed that Sam took the God book and wants it back, refusing to return the maybe still alive Jack until Sam gives it to her. Sam finally goes to get it; instead of putting it in her outstretched hand, he drops it on the table instead. Sassy, Sam.

Billie underestimates the Winchesters for some reason and walks away to read the new portion of the God book, her scythe left behind and her back to the Winchesters. She zaps Jack back to them but insists he’s coming with her, since he’s still “useful”, and that’s when Dean has had enough. He grabs her scythe and attacks her, injuring her. She zaps herself out of there, leaving Jack (and her scythe) behind.

Lisa Berry can be very scary indeed and she proves it in this episode, telling the reapers in her library when she returns, clutching her shoulder, that “the plan has changed.”

Uh oh.

That night, neither of the Winchesters can sleep. Dean drinks in the dark, and Sam joins him.

Dean slides a glass and the bottle to his brother and they settle in, mirror images of each other. It’s a beautifully filmed scene from director Richard Speight, Jr. but melancholy as hell.

Dean: Sam, I’m sorry…about everything.

Sam: Dean, you don’t have to…

Dean: I pulled a gun on you! I couldn’t stop… we were so close to beating him… I couldn’t snap out of it.

Sam: Yeah, well, you did. And you’ve snapped me out of worse.

Dean: Mmm

Sam: You have.

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Sam is hanging onto hope for both of them, saying they’ll regroup. Somehow.

Dean raises his glass.

Dean: To somehow.

They clink glasses, drink together in the dark.

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