Lynn and Nightsky Watch Supernatural ‘The Rupture’ – With Lots of Tissues!

 

The third episode of Supernatural’s fifteenth and final season in some ways felt like the first – the first of this season that really felt like my Show. Written by Robert Berens and directed by Supernatural veteran director Charles Beeson, it was a rollercoaster of a story that had me on the edge of my seat (literally) and then all out sobbing (also literally). Sometimes it seems masochistic to say, but this is what I want from my Show – I want to FEEL. And damn, did I ever feel during this episode! All the kudos to Berens, Beeson, set dec wizard Jerry Wanek, Adam Williams and his VFX crew, and the incredible actors who brought this episode to life. And made me cry so much.

After watching it live last night, I picked up my good friend Nightsky from the Winchester Family Business at the airport this morning and we decided to do a rewatch together – and to just blog our reactions real time. So here are our thoughts – and feelings, lots of feelings – about ‘The Rupture.’ Don’t worry, I had the tissues ready.

The Road So Far pops up onscreen. Here we go, folks!

Lynn: Argh I have to sit through some of that ridiculous second episode again. Do not want.

Nightsky: I thought it was a little spoilery that they included that clip that Sam has to be the one who kills Rowena. As if fandom has forgotten that??

Lynn: Seriously.

Ghost guy from last week appears onscreen.

Nightsky: ARGH

Lynn: SAME

Then we were off with episode 3. We start off with an interesting new hunter.

Nightsky: I like that they pulled in other hunters, since they’re not the only hunters in the country.

Lynn: And she had some personality too. She was sassy.

Then our heroes (and heroine) set off to try a new spell from Rowena, who has changed into a frankly amazing pink dress. Rowena is oddly optimistic about the chances of success.

Lynn: Oh no Rowena, stop with the optimism, it never ends well on Supernatural!

Nightsky: I appreciated the consistency that they referred back to how they left those people back at the gym with the reference to the anxious townspeople though.

Lynn: Continuity FTW!

Ghosts are flying up out of the huge crack as our heroes walk by.

Nightsky: Where were these ghosts for the past three days? Late to the party? The doors of hell open and it takes you three days to get out?

Lynn:  I’m totally confused by these souls/ghosts. Why do some of them have to possess bodies and others just show up looking like they did in life, like Jack the Ripper or the woman in white? I don’t get it.

We had no answer.

Rowena and her pink dress are beautiful in the creepy crypt, though. Just sayin.

They barricade  themselves in. Banging starts on the door.

Nightsky: Okay, why are ghosts now banging on the door? They just were strolling through the cemetery like they were on their way to high tea, totally unconcerned.

Lynn: I got nothin’.

Rowena starts her incantation as Sam, Dean, Castiel and Belphagor look on.

 

Lynn: I wonder if this is the scene where she accidentally said “vulva” and J2M cracked up. (Turns out it was the next scene with all of them and Ruth doing an incantation)

Nightsky: Berens was so proud of that pink dress. At first I thought it was an odd choice for a red head, but in that scene her eyes glow pink and the ghost attacks on the wall glow pink as her spell works and maybe that was a nice tip of the hat that this was a woman doing this.

Lynn: Her eyes were totally violet.

Nightsky: Totally pink.

Yes, we’re still friends. There are too many ghosts for Rowena’s power to hold and she collapses on the floor, gasping.

Rowena: We’re all going to die!

And that was just the beginning of the episode!

Rowena asks for a drink and Sam solicitously offers her water.

Rowena: A REAL drink.

Dean shrugs like, I got nothin’.

Sam looks at Dean like oh come on, I KNOW you have a flask. Dean tries to avoid, but Sam gives him that I’m-your-brother-and-I-know-you look until Dean reluctantly hands it over.

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A Most Happy Review for Supernatural A Most Holy Man!

 

I really enjoyed last week’s Supernatural episode, which feels really good to say. I don’t like not loving episodes – it makes me feel like my entire universe is somehow tilted in a wrong direction – so it’s almost a relief when Show comes back with an episode that I can thoroughly enjoy. From the very first scenes, I loved the look of it – the dark and dimly lit, atmospheric quality that it had. In some ways, it was very much an old school Supernatural episode, dark (literally) and full of twists and turns and Winchesters on a hunt for something personally important to them. Struggling with conflicting ideas of what’s right and wrong and whether the ends justify the means and struggling with their own faith in the face of overwhelming odds and too many losses. All the while teasing each other in the easy way that brothers who know they have each others’ backs no matter what can do – and knowing when the other doesn’t need teasing, but listening and empathy, and giving it freely. All that was in this episode, together with a double-triple (quadruple?) game of Clue with the Winchesters in the middle. Thank you, Bob Singer and Andrew Dabb, for writing such a satisfying episode.

I’ve come to like Amanda Tapping’s directing very much – she doesn’t rush, allows us to revel in the gorgeous lighting and cinematography that Serge Ladouceur and his team invariably bring, and to savor the beauty of the actors onscreen too. Chris Lennertz added a unique score that underscored the feeling that we were back in time throughout the episode, giving it a surreal noir feel that made it both fun and quirky. I like fun and quirky.

With Castiel tracking down clues in Syria (did he have to fly there?) Sam is in research mode, which is also old school, and Dean tired of pizza and wryly noting that the internet is not just for porn, Avenue Q classic aside. So off they go to try to find the blood of a saint, which leads them to a lady named Margaret (Leanne Lapp) who also looks like she’s right out of another era. All the set dec reinforced that feeling, with old hotels full of potted palms and flocked wallpaper and sconces for lighting – I felt like we were in the Tower of Terror ride lobby at Disney! (That is a very positive association for me…I love that ride…)  Margaret definitely appreciates what a handsome man Sam Winchester is, for which I totally could not blame her – also Jared’s acting as Sam literally jumps when she unexpectedly (and pointedly) lays her hand over his on the table was A+. He quickly clues in and uses her attraction to his benefit. Also A+. Smart Sammy.  Dean, on the other hand, definitely does not appreciate Margaret’s blatant appreciation of his little brother, which of course Jensen conveys with just his facial expressions.  Eyeroll much, Dean?

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Supernatural Gets Back to The Family Business with Tombstone

I’ve been a happy Supernatural fangirl so far in Season 13, and episode 13.06 was also a win in my book. I’m not over the moon like I was last week, but it was a solid episode with great performances once again – both dramatic and funny as hell — and some great directing by Nina Lopez-Corrado, one of my favorite SPN directors. Also a special shout out to Jay Gruska for the awesome music throughout the episode, both instrumental and song choice. This was one of those episodes that had a specific “feel” to it, with the writing (by Davy Perez), directing, music and set decoration all contributing to make it wonderful.

Supernatural has done a Western episode before, so this one didn’t carry the first time thrill of OMG we get to see Sam and Dean in the old west, but it’s been a while so I was eager to see Dean Winchester put on boots and a cowboy hat once again. And this episode marked a change in tone for the season that was significant– having Castiel back is that ‘one win’ that Dean so badly needed in order to rekindle some spark of hope so he can care again. He told Sam at the end of the last episode that he just needed a win, and he got a big one. Castiel is back, against all odds. That’s wonderful in itself, but maybe that means other things can change for the better as well. Dean has hope again, and a renewed belief that maybe what they do really CAN make a difference – just by knowing that good things can still happen. Miracles, even. I think we’ve all missed Dean’s personality this season, since his usual sense of humor and ability to take great delight in even the smallest things has been quashed by his depression, grief and hopelessness. In this episode, we start to see the Dean Winchester we know and love come back to life, and it feels almost as good as when I see that start to happen with a real person, whether a client or a friend. I’ve missed this side of you, Dean Winchester!

The episode starts with a flashlight-lit chase in a graveyard with Dean and some sheriff guy we don’t recognize, until he disappears down a hole grabbed by who knows what. Then it’s “48 Hours Earlier” and we’re back to where we left off, as Sam and Dean react to the surprise return of Cas.

Sam: I don’t know what to say…

Dean: I do. Welcome home, pal.

You can see how desperate Dean is for that win – he barely hesitates, he needs to believe this is really Cas from the get go. The relief on his face as he embraces his friend is palpable.

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The Evolution of Castiel (and Misha Collins’ Deft Portrayal) in Supernatural 12.10

12-10-end-end-three

Lily Sunder Has Some Regrets is an odd title for a Supernatural episode. It sounds like something I might pick for a big bang fic that I can’t figure out how to title, because it’s unusual and might make people go, huh, I wonder what that one’s about? I sometimes really miss the days of classic rock episode titles. But other than the unusual title, this was a solid episode. I will always prefer the Winchesters onscreen 100% of the time (Jared and Jensen do not appreciate my preference, but this hasn’t deterred me), and I haven’t always been a fan of the angels/heaven storyline in the past, but this episode was less about angels in general and more about the one angel I care about – Cas.

12-10-cas

Much as we’ve been witness to the evolution of Sam and Dean’s views on when killing is justified and when it’s not, increasingly falling into the gray areas instead of black and white, we were able to see some growth in Castiel’s views in this episode. I was chilled by his coldness in the flashback scenes to the execution of Lily’s husband and child (though even then Cas was the only angel who flinched when the human in the house cried out). But other than that flinch, Castiel was at that time truly the ‘good little soldier’ that Dean has often been disparagingly called. The events of the present were a sharp contrast to that way of being, a reminder of how far Cas has come – and that, in contrast to what Ishim believed – that change is in large part due to his relationship with the Winchesters.

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Paint It Gray – Supernatural 10.16

WB/The CW
WB/The CW

I know it was called ‘Paint it Black’, but this episode felt more gray than anything. There were some things I liked very much, and others that left me scratching my head.

I’m always jarred by the episodes that bounce back and forth between story lines, and this one gave me a bit of whiplash. Every time we returned from a commercial I didn’t know if we’d be following Crowley and Rowena or Sam and Dean. I enjoy Crowley and Rowena (and enjoyed her snarky showdown with Teryl Rothery, especially the creative hamster ending). I liked realizing that Olivette was talking about the Men of Letters before the reveal, and I liked that it ties the Crowley and Rowena storyline back into the Winchesters’ directly. (And oh how I loved Rowena’s exasperated “Perpetually the Winchesters.”) Story of my life, Ruth Connell!

I’m still fascinated by the complicated relationship between Crowley and Rowena, and Mark Sheppard and Ruth Connell continue to knock it out of the park whenever they’re onscreen together. Watching two essentially evil manipulative characters interact and trying to figure out if they give a damn about each other or are just experiencing a twisted pride at each other’s feats of badness is intriguing. We got a few more tidbits of information here – Interesting that the grand coven held it against Rowena that she had Crowley. Is that why she resented him so much? Or why she abandoned him?

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