Holy Crap, Show! Supernatural Brother’s Keeper

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I often refer to Supernatural as a rollercoaster, but this week’s season finale episode felt more like being caught in a tsunami and tossed around until I didn’t know up from down and my heart was pounding so hard I thought I might pass out. A few times there, I didn’t know whether to reach for the tissues because I was ugly crying so hard I was dripping on my slice of pie or to reach for the Tums, I was so queasy. Every time a commercial came on and I paused to tweet something inarticulate and unspoilery (usually WHAT??! NOOOOO!!!) I marveled at the fact that after TEN YEARS this Show can still overload my emotions so much that I’m having a physiological reaction to what I’m seeing. After all this time, I care that much.

The Supernatural fandom had been on pins and needles all day in anticipation of what we’ve come to expect from season finales — an episode that rips our hearts out and then leaves us hanging for four months. Fandom passed around empathic gifs so everyone would know that we’re all in this together.

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Stop the Ride, I Wanna Get Off! Supernatural’s The Prisoner

WB/The CW
WB/The CW

I often say that watching Supernatural is a roller coaster – emotional ups and downs, violent twists and turns, screams and shouts and sometimes a queasy feeling in the pit of your stomach even though you’re having a great time. The last two weeks were a bit different – Dark Dynasty was just plain dark at the end, and left me with the sinking feeling that Show had gone somewhere it would have a tough time digging itself out of. The Prisoner was dark too, but it was more of a roller coaster. This time, though, it wasn’t always my favorite one (that would be the Great Bear coaster at Hershey Park, btw). That one flies you through the air swiftly and smoothly, your feet hanging free, a gigantic grin on your face as you soar and dip and basically have the time of your life. The roller coaster ride of The Prisoner was more like one not designed quite so smoothly – one that goes at breakneck speed and sometimes jerks you around corners too roughly and leaves you screaming OUCH instead of YAY. One that creates a sick feeling in the pit of your stomach, far beyond queasy. One that you stagger off of at the end clutching your heart and asking WHY??

Okay, that’s a bit dramatic. But last night’s episode did have me feeling a bit sick and worse for wear. That doesn’t mean it wasn’t a well done episode – it was, especially the amazing acting. But there were parts that were just too painful for me; I haven’t been able to do a rewatch yet, in fact. So this review is from my live watching, which sort of seems fitting for an episode that left me feeling so raw.

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Sticking Together or Stronger Alone? Supernatural’s Angel Heart

WB/The CW
WB/The CW

I knew that streak of “OMG fandom all agrees about the awesomeness of this episode” wouldn’t last forever, so it wasn’t that shocking that this week’s episode split fandom down the middle once again. Half of my social media compatriots loved it and half hated it – or at least one line of it. I admit that particular line caused me to go “Huh?” – actually out loud, while scratching my head – which isn’t the reaction they were probably going for. I had to make a little cognitive detour to figure out what the hell it meant, or at least to come to my own way of making sense of it, which threw me out of the story for a minute, but then I found my way back in. Other than that glitch, and putting it aside for the moment, the rest of the episode was solid and touching, even if it didn’t quite leave me breathless or scrambling for tissues.

This was the first episode in which I found myself really liking the character of Claire. Kathryn Newton has done a credible job playing her throughout, but she was written to be annoying and that’s how she came off. This episode gave us a more mature Claire, some of her defenses partially dismantled as she searches for her mother. No coincidence that it’s her 18th birthday. Sometimes reaching that ‘legal adult’ status just brings up all the losses of childhood and makes us want to be parented all over again. I could understand Claire’s determination to figure out what happened to her mother. To find her, or at least to make sense of her abandonment. To make the chaos of her life somehow have meaning. I think Dean can relate to that need, which plays into what he says to her later.

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The Winchesters “Always Keep Fighting”: Supernatural’s The Werther Project

WB/The CW
WB/The CW

I went into this week’s Supernatural episode already feeling very emotional, thanks to Jared and Jensen’s posted videos celebrating the last day of filming their tenth season of the Show. Seeing them so emotional about the ten years and about how they’ve only grown closer during that time – not to mention sharing some good whisky with their neckties as headbands – was the perfect way to mark that momentous occasion. That they shared what was originally intended as a video just for them with US only made it better.

Jensen: Just finished season 10!!!! 10 years. Same show and same ugly co-star. But damn is he lovable. Here is my post season interview with my boy Jared Padalecki. Cheers everyone!!!

There was a lot of cheering in response to both those videos, that’s for sure.

ten years celebration J2

The ending episodes of this season feel extra special because it’s such a ‘big year’ for the Show, and it seems like everyone is amping up their game in response. I usually have at least SOME things to pick apart, and there’s usually a whole contingent of fans who dislike any particular episode, but in the last few episodes? Not so much. Supernatural is always good – but recently? It’s off the charts good. It’s like everyone wants to close out the tenth season with a BANG.

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That’s The Show I Love! Supernatural Gets Real with The Book of the Damned

WB/The CW
WB/The CW

I was so unspoiled for this week’s Supernatural episode, thanks to an insane few weeks at work, that I didn’t even know who had written it. About three minutes in, I was already pretty sure I knew. Thank you, Robbie Thompson, for an episode so good that even fans who are rarely in agreement are standing up and cheering. I don’t even know where to start. And that’s a good thing.

I guess I’ll start at the beginning, since the opening scene grabbed me immediately (partly because for a second I thought that Stephen Amell’s suggestion about an Arrow crossover had actually happened!) But no, it’s Charlie (clue number one that this is a Robbie episode). I have loved the character from her first introduction, so much that I’m only a little taken aback by her evolution from scared and geeky to scared and badass. And geeky. The evolution seems alarmingly quick from a viewer standpoint, but Charlie spent time in Oz kicking butt with Dorothy, and time passes differently there. Which is to say that her fighting skills are therefore believable. That little niggling taken care of, I’m free to just enjoy who Charlie is now and the meaning of that in a broader sense. She’s who Becky could have become if she wasn’t hijacked in Season 7 – she’s the fangirl who never apologized for her geek ways or her fannish enthusiasm, instead putting all that passion and knowledge to good use to become a heroine herself. She’s the fangirl who is every bit as smart and capable as the Winchesters, in her own way. And every bit as courageous. That’s a really important message, both for the Show and for a culture that struggles with depicting female characters who are real and human and yet able to be truly heroic. We don’t see it enough and we need to see it more.

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Pulling It All Together: Supernatural Heads for the Season Finale with Inside Man

WB/The CW
WB/The CW

The first time we met the Supernatural writers, we were immediately impressed with how thoughtful and serious they were about the Show and making it the best it can be. More than once, as we chatted over drinks, one of the writers mentioned that Andrew Dabb would be joining us later. Each time, they added, “He’s the heart of Supernatural.” I didn’t entirely understand what they meant, though when we did get a chance to talk to Andrew later, it was clear that he has a serious emotional investment in the show and the characters. Of course, we’re used to that with fandom. We all have an emotional investment in this show and these characters!

As I watched this week’s episode, the writers’ words kept coming back to me. More than any other episode he’s written, with the possible exception of Dark Side of the Moon, “Inside Man” reminded me of why the other writers consider Dabb the heart of the show. The episode flowed so smoothly, I didn’t realize how much of an emotional impact it was carrying until we got to the end and Sam was tearing up – and so was I. Thank you, Andrew Dabb, for letting us see that, and for letting me feel it.

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Paint It Gray – Supernatural 10.16

WB/The CW
WB/The CW

I know it was called ‘Paint it Black’, but this episode felt more gray than anything. There were some things I liked very much, and others that left me scratching my head.

I’m always jarred by the episodes that bounce back and forth between story lines, and this one gave me a bit of whiplash. Every time we returned from a commercial I didn’t know if we’d be following Crowley and Rowena or Sam and Dean. I enjoy Crowley and Rowena (and enjoyed her snarky showdown with Teryl Rothery, especially the creative hamster ending). I liked realizing that Olivette was talking about the Men of Letters before the reveal, and I liked that it ties the Crowley and Rowena storyline back into the Winchesters’ directly. (And oh how I loved Rowena’s exasperated “Perpetually the Winchesters.”) Story of my life, Ruth Connell!

I’m still fascinated by the complicated relationship between Crowley and Rowena, and Mark Sheppard and Ruth Connell continue to knock it out of the park whenever they’re onscreen together. Watching two essentially evil manipulative characters interact and trying to figure out if they give a damn about each other or are just experiencing a twisted pride at each other’s feats of badness is intriguing. We got a few more tidbits of information here – Interesting that the grand coven held it against Rowena that she had Crowley. Is that why she resented him so much? Or why she abandoned him?

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The Weight: Sam and Dean and The Things They Carried

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‘The Things They Carried’ didn’t make me cry, which was a bit of a relief after some of the tissue-decimating episodes this season. It did, however, make me put aside the delicious slice of pie I had ready for the occasion – who can eat when there’s that level of disgusting on the screen? Jenny Klein, you’re the new queen of EWWW. You know, that version of horror that has you screaming and gagging at the same time? EWWW.

The episode felt a lot like old school SPN, which used to make me do both of those regularly, and I enjoyed the roller coaster feel of those parts. It had a compelling MotW – not the non-Kahn worm [snort] itself, but the hapless people infected with it. It was impossible not to root for poor Kit when his wife was so in love with him and he had clearly been heroic before becoming infected (much like a certain Winchester we know, also recently ‘infected’ with something awful). That parallel was nicely done and not dropped on our heads with a giant anvil, so kudos for that Jenny.

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We Will Always End Up Here – Supernatural’s ‘The Executioner’s Song’

WB/The CW
WB/The CW

I’m so torn. Do I gush first about the writing of this episode that laid the groundwork for so many powerful scenes? Or the brilliant cinematography and direction and set dec and visual effects? Or do I marvel at the acting performances of ALL of the main players, who collectively blew me away and kept me so sucked in that I was holding my breath for most of the second half of the episode?

Not a bad dilemma to face on a Friday morning. I think I’ll gush about all of the above.

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Supernatural Tackles the Ghost in the Machine – 10.13

WB/The CW Promo
WB/The CW Promo

Drive-by review — I liked it! I liked how old school the episode was, with the brothers working together to solve a MotW case and the entire episode spooling out with one reveal after another. We had EMF meters, rockstar aliases, ghosts, and baby roaring off down the street. It was suitably old school SPN creepy and scary and at times disgusting, which often seemed to be the case in the early seasons.

The whole ‘ghost in the machine’ thing has always been a bit terrifying, from way back in 2001 A Space Odyssey to Stephen King to that 90s classic anime. Who hasn’t looked askance at their GPS or Siri every now and then and wondered if it was messing with you? I swear, she just sounds judgmental at times. Especially on the fifteenth “recalculating…”

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