What a pleasure it was to catch up with Curtis Armstrong, especially after his last two episodes of Supernatural Season 10 (Inside Man and The Book of the Damned). Actually it’s always a pleasure, but this time I was particularly excited, because those episodes had so many delicious scenes for his alter ego, Metatron. Metatron has been confusing this season, sometimes seeming to really try to connect with our heroes (especially Cas, when Metatron became unexpectedly human for the first time) and other times being the scheming bad guy we’ve come to know. Metatron’s machinations figure importantly in the season’s ongoing arc of Castiel trying to regain his grace, and the Show leaves things up in the air as to what will happen in Season 11, now that Metatron has taken off with the demon tablet. If anyone understands the mind of Metatron, it’s the actor who so brilliantly portrays him.
I was so unspoiled for this week’s Supernatural episode, thanks to an insane few weeks at work, that I didn’t even know who had written it. About three minutes in, I was already pretty sure I knew. Thank you, Robbie Thompson, for an episode so good that even fans who are rarely in agreement are standing up and cheering. I don’t even know where to start. And that’s a good thing.
I guess I’ll start at the beginning, since the opening scene grabbed me immediately (partly because for a second I thought that Stephen Amell’s suggestion about an Arrow crossover had actually happened!) But no, it’s Charlie (clue number one that this is a Robbie episode). I have loved the character from her first introduction, so much that I’m only a little taken aback by her evolution from scared and geeky to scared and badass. And geeky. The evolution seems alarmingly quick from a viewer standpoint, but Charlie spent time in Oz kicking butt with Dorothy, and time passes differently there. Which is to say that her fighting skills are therefore believable. That little niggling taken care of, I’m free to just enjoy who Charlie is now and the meaning of that in a broader sense. She’s who Becky could have become if she wasn’t hijacked in Season 7 – she’s the fangirl who never apologized for her geek ways or her fannish enthusiasm, instead putting all that passion and knowledge to good use to become a heroine herself. She’s the fangirl who is every bit as smart and capable as the Winchesters, in her own way. And every bit as courageous. That’s a really important message, both for the Show and for a culture that struggles with depicting female characters who are real and human and yet able to be truly heroic. We don’t see it enough and we need to see it more.