Tag: Robert Berens

In The Middle of Sociopolitical Turmoil: Here Comes Supernatural!

In The Middle of Sociopolitical Turmoil: Here Comes Supernatural!

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This has been a hell of a week. The US election happened on Tuesday and Americans (and most of the rest of the world) waited through constant anxiety attacks to find out who won as results trickled in. Everyone was on edge, tensions were high, and I really needed my number one comfort show, Supernatural. On Thursday, the third to last Supernatural episode ever aired in the midst of all this uncertainty and anxiety – an episode ominously titled ‘Despair’. True to Supernatural form, its third to last episode aired in the middle of unprecedented chaos and caused even more chaos, both in the fandom and more broadly in terms of anyone watching trending topics that night. In fact, #Supernatural not only trended, but #Destiel and #Putin trended – often in the same tweets. Who the hell had that one on their 2020 bingo card??

As Supernatural ends its run, it’s no longer the major player on Tumblr that it once was, but on Thursday all those 2012 Supernatural accounts rose from the dead en masse to comment on whether or not “Destiel Is Canon” with a mind blowing range of unironic celebration posts alongside an equally mind blowing array of shitposts and hilarious memes  making fun of the show for how that possibility played out. I admit I never thought that if Supernatural once again ruled Tumblr memes, it would be for making fun of a scene that was the opposite of intended to be funny.

But it’s been that kind of a week. I have mixed feelings all over the place that I still haven’t sorted out and the US Presidential election was just decided after 987 years, so I’m not likely to sort them out any time soon. Instead, I’ll try to dig into the entire episode, not just those three minutes, and see where it brought us, for better or worse.

The episode picks up right where 15.17 left off, Sam helping an injured Jack. Jack tells them all to leave him, for their own good.

Jack: I don’t wanna hurt you, don’t let me hurt you…

Alex Calvert is so good at making me feel for Jack, that plaintive ‘don’t let me hurt you’ going right to my heart. Dean has changed his tune completely, insisting passionately that they’re not gonna give up on him. Poor Dean must have whiplash with how the writers keep making him change his tune so often.

Billie appears, blaming them for her plan not working and then zapping Jack out of there to the Empty.

Which means we get to see Rachel Miner again, so yay. Jack promptly explodes, though, so boo. The explosion wakes everything up and makes a lot of noise and totally pisses it off. Enraged, the Empty attacks Jack, crushing his head.

Poor Jack, he’s been through a lot in the last two minutes.

Billie gives us some exposition about the Empty being pissed at her too for sending an explosive Jack there, and reminds us that the Empty can’t come to Earth unless it is summoned, which we already knew. And Sam reminds us what we figured out last week about Billie’s plan – that anyone who was resurrected will die, including Sam and Dean. Billie also is pissed that Sam took the God book and wants it back, refusing to return the maybe still alive Jack until Sam gives it to her. Sam finally goes to get it; instead of putting it in her outstretched hand, he drops it on the table instead. Sassy, Sam.

Billie underestimates the Winchesters for some reason and walks away to read the new portion of the God book, her scythe left behind and her back to the Winchesters. She zaps Jack back to them but insists he’s coming with her, since he’s still “useful”, and that’s when Dean has had enough. He grabs her scythe and attacks her, injuring her. She zaps herself out of there, leaving Jack (and her scythe) behind.

Lisa Berry can be very scary indeed and she proves it in this episode, telling the reapers in her library when she returns, clutching her shoulder, that “the plan has changed.”

Uh oh.

That night, neither of the Winchesters can sleep. Dean drinks in the dark, and Sam joins him.

Dean slides a glass and the bottle to his brother and they settle in, mirror images of each other. It’s a beautifully filmed scene from director Richard Speight, Jr. but melancholy as hell.

Dean: Sam, I’m sorry…about everything.

Sam: Dean, you don’t have to…

Dean: I pulled a gun on you! I couldn’t stop… we were so close to beating him… I couldn’t snap out of it.

Sam: Yeah, well, you did. And you’ve snapped me out of worse.

Dean: Mmm

Sam: You have.

Gifs jaredandjensen

Sam is hanging onto hope for both of them, saying they’ll regroup. Somehow.

Dean raises his glass.

Dean: To somehow.

They clink glasses, drink together in the dark.

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Supernatural Returns For Its Final Run with Galaxy Brain 15.12

Supernatural Returns For Its Final Run with Galaxy Brain 15.12

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I’m in an entirely new headspace for watching the last episodes of Supernatural, which is making writing a recap and review an entirely new challenge. There’s a big part of me that just wants to watch and drink it up, absorb every last morsel of experience with my favorite fictional characters and savor it, no matter what. I am acutely aware, every single second that I’m watching, that my last minutes with the Winchesters and company are ticking down. The other part of me is aware of the same thing but reacts instead with “omg please don’t waste a single moment of these last minutes!” That part is more likely to get frustrated when it seems like those precious moments are indeed wasted.

That’s complex enough, but I am also acutely aware that there are competing motivations here. As a fan, I want the last eight episodes to be satisfying – to continue the story that has meant so much to me and to wrap it up in a way that makes sense and honors the characters I love. For the people who actually make the show – the cast, the crew, and the writers – the motivation is different; more personal, more idiosyncratic. I value the fictional story and characters; they value their workplace and their colleagues and perhaps their legacy with this show. I’m most concerned about wrapping the story; they may be most concerned about saying goodbye to friends and coworkers, or about wrapping their own part of the story instead of the holistic one. Nobody is right or wrong, but it means we’re going to want different things and respond to things differently as we head toward the end.

And as if all that wasn’t complex enough, COVID19 has changed the entire landscape of the world and made Supernatural ending even more emotional than it already was – and much more complicated. Some days, it seems like the world is crumbling around us, and I realize that I need Supernatural more than ever. Yes, I know it’s “just a television show”, but it has been a lifeline for many fans for a decade and a half. I don’t know when we’ve ever needed that lifeline more than right now, in the grip of a global pandemic that is attacking people’s health, safety and livelihoods. When this beloved show is gone, the world will seem that much colder and scarier. I think we’ll make sure the lifeline is still there in terms of the fan community and continuing to engage with the cast in whatever they’re doing, but we won’t have the ongoing story itself to immerse ourselves in. That just means my emotions are running higher than ever about Supernatural ending!

And finally, the ending itself is all up in the air right now. Filming was suspended at the end of last week, as it had just begun on the penultimate (I know, nobody says penultimate…) episode, 15.19. The last one to finish filming was 15.18, which likely left us in a cliffhanger situation without an end. Yesterday producer Jim Michaels reassured a worried fandom that once it was safe to resume, they would “finish what we started” but the uncertainty just adds to the anxiety of impending loss. Will the crew who has been a part of this family since the start be able to be there to resume too? I’m trying to take heart from what Michaels said and not worry, but it seems like worry is a lot of what I’m doing right now!

That said, I was glad to have Supernatural return on Monday night with episode 15.12, Galaxy Brain, written by Robert Berens and Meredith Glynn, and directed by Richard Speight, Jr. It wasn’t a keep-you-on-the-edge-of-your seat episode by any means, but its last scene did set up the foundation for how the rest of the series will go. I didn’t jump up and down and scream about how much I love this show as I was watching, but it had its moments that were satisfying – as well as a few head scratchers.  Mostly, it made me aware that we all participate in this show for different reasons and have different motivations, so for some, this episode satisfied, and for others, it frustrated.

I had a few emotional moments, so I always count that as a win.

Rob Benedict returns as Chuck on ‘Earth 2’ as the episode begins, in a Radio Shed with a hapless and very relatable employee trying to sell him a universal remote. I had to laugh at how right they got it, memories of once-beloved Radio Shack stores making me all kinds of nostalgic.

I enjoyed the nod to Rob’s actual band, Louden Swain, as one of their songs plays in the store – with a lyric that includes “I had a dream that I ate your heart” that is just too perfect considering Jack’s charge from Billie this season. In fact, the fake store was so well done by Jerry Wanek and his amazing crew that director Richard Speight, Jr. tweeted that a few people came in off the street to try to buy a phone!

Chuck then goes full on meta – a little too on the nose for me at this point, even though I usually enjoy the meta. I enjoy it less now that we have so little time – I just want episodes that focus on saving people, hunting things, the family business. And I find myself wanting to stay ‘in the story’ more, knowing I have so little of it left.

Chuck: It’s monologue time.

Me: Okay, Show. We get it.

Employee: Sir, this is a Radio Shed.

That was one of the best lines in the episode and it made me laugh out loud. Kudos to Nicco DelRio for that delivery and Speight’s directing.

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Supernatural Returns From Last Mid Season Hiatus with ‘The Trap’

Supernatural Returns From Last Mid Season Hiatus with ‘The Trap’

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Supernatural returned from its very last mid season hiatus with an episode that fans waited for with a wide range of emotions, which is probably going to be par for the course for the last eleven episodes of the series. I have mixed feelings every time an episode airs, because it’s one episode closer to the end, and because it’s one more chance to take the show somewhere I may not want to follow, knowing there’s no time for that to change anymore. This is not an easy thing, staying with a show you’ve loved for fifteen years to the bitter end! It feels like an emotional and psychological risk, which is something I’ve never experienced before with television.

I’m actually really looking forward to next week’s episode, which will be a ‘funny’ one – at least in parts. I feel like I need a break from all the angst and stress! To think, this used to be my stress reliever!

So here are the things I liked and the things that didn’t work too well for me. It was a kickass ‘The Road So Far’. I watch those beginnings and am always in awe of just what a remarkable show this is. We also had an amazing Shaving People Punting Things video the week before, which made this next string of episodes look truly epic. I think sometimes those editors get the show better than anyone!

Anyway, the episode was split into two story lines, as it so often is. Sam and Eileen wake up tied to chairs, captured by Chuck. I’ve said before that I thought Chuck had a hand in manipulating Sam and Eileen and it turns out that yes, he put her in Sam’s path and made that spell fall out (that was obviously too much of a coincidence) and let Sam being a good person do the rest. What an awful thing for Eileen and Sam to find out. How do you have any hope of sorting out which of your feelings are real and which aren’t? Worse yet, did you really have agency (and the capacity for any kind of consent) when you acted on those feelings? Chuck really is a bad bad guy. I’m still confused as to why Sam looked so conflicted about his relationship with Eileen the entire time, though. Side effect of Chuck’s “nudges”? Was he somehow sensing the interference? We may never know.

Chuck’s explanation is particularly cruel.

Chuck: I couldn’t see you. I needed eyes and ears on the inside… well, eyes.

Ouch. If you wanted to turn Chuck into an irredeemable villain, Show, that’s a good way to do it. So vicious and pointed. Rob delivered it perfectly; I could appreciate that even as I literally cringed hearing it.

I love that Eileen shot back, “Screw you.”

Shoshannah Stern delivers the line with all the venom and badassery it warranted.

Yeah, screw you, Chuck! (But not you, Rob, I still adore you)

Meanwhile, Dean is worrying about not being able to reach Sam, not knowing that Sam and Eileen are captured. I also love that Eileen almost did screw Chuck over by managing to place a call to Dean (more badassery). I’m assuming her phone has a convert to text feature because Dean kept yelling “Eileen?” into the phone.  Unfortunately, Chuck realizes and picks up.

Dean: Chuck, you dick!

Chuck: Bye, Dean.

Dean tracks Sam’s phone, and smart Winchesters make me happy. Cas is also doing something smart – making Leviathan bullets out of Borax.

Dean: We need to go!

Cas: To Purgatory.

Not what Dean meant; he’s understandably focused on saving Sam and Eileen. They argue, and Dean says he’s not leaving Sam, because he’s Dean.

Cas: Stop being so stupid!

I was taken aback by that. Castiel in this episode is written as had-it-up-to-here, bristling with anger and resentment. We don’t always see Castiel’s emotions come to the surface, but I think he’s every bit as angry as Dean has been, to the point where he’s harsh and sometimes cold. It’s not the “badass Cas” which we’ve seen before, it’s as though he’s so angry that he’s put up a wall.

The episode had a lot to say about anger, but not all of it was easy to decipher. We saw Dean’s anger come spilling out in his initial fight with Cas, in which he lashes out with some hurtful things. Everyone expresses anger differently, and in this episode we saw Castiel’s anger too. I think he walked out on that fight with Dean because it was just too painful, but it was also clearly because he was angry. Otherwise he would have picked up Sam’s phone calls. His response to anger is to withdraw and then to put up a cold shoulder and refuse to be reached, literally or figuratively. Maybe I can’t stop my psychologist brain from kicking in, but this is a familiar pattern. One person goes on the attack, spewing hurtful words, then the other withdraws and puts up a wall. Both are expressions of anger and intended to hurt. Often one of those people is very afraid of abandonment; in this case, that applies to both of them, so the withdrawal and stonewalling is an effective counterattack (that probably impact Dean’s later breakdown).

Cas points out that they have no way to kill Chuck and that going to Purgatory and doing the spell is the way they’ll save Sam – and the world.

Surprisingly, Dean goes along fairly quickly, which I didn’t expect. I had a little trouble with that instant capitulation, much like the scene in the tunnels in Season 13 when Dean tries to go after an in-peril Sam and Cas stops him. Dean seemed a little too easy to convince here too. However, Cas does have a point, so maybe Dean just reluctantly agreed. The pacing (or the editing?) was wonky in this episode, so perhaps some things that were meant to be conveyed just didn’t come through.

Back to the casino (isn’t it interesting that Chuck has taken up residence at a casino? He loves rolling the dice and playing the odds, especially when it’s with other people’s lives.)

Chuck does a lot of dialoguing in this episode, which Rob Benedict pulls off quite well. He decides to dig out the god bullet in Sam’s shoulder that he realizes is keeping him weak, but hesitates. (I at first thought it was because it would hurt Chuck too, because isn’t that exactly what we’ve been told in canon? But no, that’s apparently been discarded, because Chuck calmly plays guitar while Sam has a knife dug into him). For some reason, Sam thinks it would be a good idea to taunt God while he’s holding a knife to him, ridiculing Chuck for not being able to get his hands dirty.

Sam: You just like to watch.

Oooh, Sam. Good one. But still not sure it’s a great idea…

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Lynn and Nightsky Watch Supernatural ‘The Rupture’ – With Lots of Tissues!

Lynn and Nightsky Watch Supernatural ‘The Rupture’ – With Lots of Tissues!

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The third episode of Supernatural’s fifteenth and final season in some ways felt like the first – the first of this season that really felt like my Show. Written by Robert Berens and directed by Supernatural veteran director Charles Beeson, it was a rollercoaster of a story that had me on the edge of my seat (literally) and then all out sobbing (also literally). Sometimes it seems masochistic to say, but this is what I want from my Show – I want to FEEL. And damn, did I ever feel during this episode! All the kudos to Berens, Beeson, set dec wizard Jerry Wanek, Adam Williams and his VFX crew, and the incredible actors who brought this episode to life. And made me cry so much.

After watching it live last night, I picked up my good friend Nightsky from the Winchester Family Business at the airport this morning and we decided to do a rewatch together – and to just blog our reactions real time. So here are our thoughts – and feelings, lots of feelings – about ‘The Rupture.’ Don’t worry, I had the tissues ready.

The Road So Far pops up onscreen. Here we go, folks!

Lynn: Argh I have to sit through some of that ridiculous second episode again. Do not want.

Nightsky: I thought it was a little spoilery that they included that clip that Sam has to be the one who kills Rowena. As if fandom has forgotten that??

Lynn: Seriously.

Ghost guy from last week appears onscreen.

Nightsky: ARGH

Lynn: SAME

Then we were off with episode 3. We start off with an interesting new hunter.

Nightsky: I like that they pulled in other hunters, since they’re not the only hunters in the country.

Lynn: And she had some personality too. She was sassy.

Then our heroes (and heroine) set off to try a new spell from Rowena, who has changed into a frankly amazing pink dress. Rowena is oddly optimistic about the chances of success.

Lynn: Oh no Rowena, stop with the optimism, it never ends well on Supernatural!

Nightsky: I appreciated the consistency that they referred back to how they left those people back at the gym with the reference to the anxious townspeople though.

Lynn: Continuity FTW!

Ghosts are flying up out of the huge crack as our heroes walk by.

Nightsky: Where were these ghosts for the past three days? Late to the party? The doors of hell open and it takes you three days to get out?

Lynn:  I’m totally confused by these souls/ghosts. Why do some of them have to possess bodies and others just show up looking like they did in life, like Jack the Ripper or the woman in white? I don’t get it.

We had no answer.

Rowena and her pink dress are beautiful in the creepy crypt, though. Just sayin.

They barricade  themselves in. Banging starts on the door.

Nightsky: Okay, why are ghosts now banging on the door? They just were strolling through the cemetery like they were on their way to high tea, totally unconcerned.

Lynn: I got nothin’.

Rowena starts her incantation as Sam, Dean, Castiel and Belphagor look on.

 

Lynn: I wonder if this is the scene where she accidentally said “vulva” and J2M cracked up. (Turns out it was the next scene with all of them and Ruth doing an incantation)

Nightsky: Berens was so proud of that pink dress. At first I thought it was an odd choice for a red head, but in that scene her eyes glow pink and the ghost attacks on the wall glow pink as her spell works and maybe that was a nice tip of the hat that this was a woman doing this.

Lynn: Her eyes were totally violet.

Nightsky: Totally pink.

Yes, we’re still friends. There are too many ghosts for Rowena’s power to hold and she collapses on the floor, gasping.

Rowena: We’re all going to die!

And that was just the beginning of the episode!

Rowena asks for a drink and Sam solicitously offers her water.

Rowena: A REAL drink.

Dean shrugs like, I got nothin’.

Sam looks at Dean like oh come on, I KNOW you have a flask. Dean tries to avoid, but Sam gives him that I’m-your-brother-and-I-know-you look until Dean reluctantly hands it over.

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Supernatural at Comic Con: Press Room Interview Videos

Supernatural at Comic Con: Press Room Interview Videos

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The Supernatural press room is always one of the most well run press rooms in the entire Comic Con experience, but it’s also always a nerve wracking experience that I sit through biting my nails terrified my table won’t get to chat with everyone. In fact, we almost didn’t get a chance to talk with Jared Padalecki at all as they ran late, but he was nice enough to stop over for a few minutes before heading out. I was so flustered by almost missing him that I didn’t realize that I never turned off my video recording of the person we were chatting with before him, and thus spent several hours convinced that I somehow had not recorded Jared’s interview at all! Tears were shed. And then tears of joy as we found it!

Here’s our chat with Jensen Ackles, in which he talks about coming to an understanding of the show’s projected ending, and gets a little emotional thinking about filming that last ending scene – that they’ve already set aside an added day for. Tissues anyone?

https://www.youtube.com/watch?v=-QpkTXPf1HQ

And here’s our little chat with Jared Padalecki. Since we only had 30 seconds, I was elected the question asker – Jared talks about his reaction and Jensen’s reaction to hearing about the show’s ending and why it’s so important to him that there’s “peace when you are done” for the brothers.

https://www.youtube.com/watch?v=X223Zew95wg

We were incredibly lucky to have some extra time with Misha Collins, and to get rather deep into a conversation about what Supernatural is about and how unique it is that the show has been able to focus so much on brotherhood and to explore masculinity in a different way. Misha was asked to move along to the next table at one point, but then there was no room for him so he said F it and came back and picked up the great conversation, much to our great joy. With bonus Jared tickling Misha’s ear, because that’s how this cast rolls.

Also? Misha has a great new cookbook out called the Adventurous Eaters Club that everyone should check out! It’s available on amazon or at Barnes and Noble stores!

https://www.youtube.com/watch?v=WBwHdOXQRfg

Alex Calvert asked me to toss him a psychological question (or a good question, depending on which one of us you ask) so I attempted it. Alex tackles Jack’s mental and emotional state at the end of Season 14, along with what might be coming up for him and his character.

https://www.youtube.com/watch?v=E7lv9egaEhA&feature=youtu.be

We also had some great chats with writers and producers Eugenie Ross-Leming, Brad Buckner and Robert Berens, and showrunners Andrew Dabb and Bob Singer.

Berens expressed excitement about the ending of the series, saying that it would surprise people without subverting the emotional imperative of closing out the story. To say that I’m dying to know what they have in store, equal parts anxious and excited, is not an understatement!

https://www.youtube.com/watch?v=Y-ZkbaWWgSE

Showrunner Bob Singer confided that he’s talking with Eric Kripke later this week about the ending of the show and that Jensen had also chatted with him. He also had some lovely things to say about the fandom, including reminiscing about his first convention experience, which I also remember!

https://www.youtube.com/watch?v=iGy3jl-mpgc

Writer Eugenie Ross-Leming talked about how the characters are coping with their new knowledge that some of their past wins may not have been a result of free will, and how Castiel helps Dean come to terms with it when he’s struggling.

https://www.youtube.com/watch?v=uPY87lAixt8

Brad Buckner talked about the emotionality of the Supernatural panel that preceded the press room, especially when the actors were asked to reflect on their many years on the show. He shared that all Supernatural scripts always end with “To Be Continued” – and that the other day the writers all realized that Andrew is now writing a script that will instead say “The End”. Cue lots of sniffling at our table.

https://www.youtube.com/watch?v=5MBE9z4M4Ws

Showrunner Andrew Dabb joked that he was just going to “wing it” with the last episode. More seriously, he said what he’s crafting is something that will make sense as an emotional ending for these characters. Which I do think is what we’re all hoping for!

https://www.youtube.com/watch?v=rHjhnG5w2gw

My head was spinning with how much insight we got about the next and final season, and my stomach was in knots with anxiety thinking about what that ending everyone is talking about is really going to be!

Stay tuned for Season 15 – and for more Supernatural coverage from Comic Con 2019!

–Lynn.

 

Supernatural Absence – Double Meanings and Iconic Things

Supernatural Absence – Double Meanings and Iconic Things

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I’ve come to the conclusion that the last episodes of Season 14 and the entirety of Season 15 of Supernatural are going to be a master class in grief and loss. It’s impossible for me to experience the show, the conventions, the fandom or anything else related to the Show without the spectre of its ending coloring my reactions. That was very much in evidence at the convention in Chicago last weekend and in last week’s episode, the aptly  named “Absence.” Supernatural’s absence? That’s pretty much all I can think about right now!

Coincidentally, I’m in the midst of teaching a graduate course in grief and loss to a bunch of counselors in training, so I’m immersed in current research and theory about what sort of things we experience as a loss and the myriad ways in which we grieve them. In a way, that’s making what’s happening with Supernatural and its fandom easier to understand, but in another way, it’s tempting me to grab onto one of the coping strategies for grief that sometimes comes back to kick you in the butt – denial, avoidance, intellectualizing, call it what you will. I’ve been doing a lot of all three, and let me just say up front that it probably influenced my reaction to this episode. As fandom used to say all the time back in the day to acknowledge and validate differing points of view, your mileage may vary.

In fact, my friend Laurena (who helms the Winchester Family Business) and I spent the con weekend together – and boy, did we ever have different perspectives on ‘Absence’! Then again, we’ve had different perspectives on Mary Winchester all along. And while we’re both mired in anticipatory grief about Supernatural ending, that meant we had a very different experience of this episode.

Let me say at the outset that I think director Nina Lopez-Corrado (whose work is incredible) and writer Robert Berens (who has written some amazing episodes) did an excellent job of taking the story where it needed to go. The actors all did an amazing job bringing the emotions that needed to saturate the story. That said, as a viewer, I was unusually reticent to go where they wanted to take me. (Laurena, on the other hand, fell down that rabbit hole and landed HARD).

I watched the episode on Thursday night after a long day of work, and then did a re-watch when I returned from the Chicago convention on Monday night. My second viewing was also impacted by having “Sammies with Sam” at the con  – that is, a little meet and greet with Samantha Smith while we ate delicious PBJ sandwiches. I love Samantha and I loved hearing her insights about Mary and about the Show. It was quite clear that she too was grieving, and that shared grief changed my experience of the episode on rewatch a bit. Suffice it to say, this is an episode review that was extraordinarily complicated!

We start off with Sam and Dean returning from the events of 14.17, glad to be home and to share beers as they traditionally do. Dean expresses his relief about Sam being alive in typically minimizing fashion, making a joke about “another miraculous Sam Winchester survival” – when we know he was completely undone by those few minutes of Sam being gone.  But that’s Dean.

Sam and Dean acknowledge Jack’s role in saving the day and say they’re glad to have a get out of jail free card, and if you didn’t know that Jack was on his way out before, you certainly did then. No show can have a consistent character who’s a get out of jail free card for long, since it dilutes the urgency of everything that happens. RIP Jack. (sobbing)

The opening scene is well done, the sense of dread slowly growing as the boys try to find Jack and Mary, and then Mary’s phone ominously rings at the other end of the table.

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MidSeason Finale Time for Supernatural with The Spear!

MidSeason Finale Time for Supernatural with The Spear!

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After watching the previous week’s Supernatural episode at a Supernatural convention with some fellow fangirls, I missed this week’s episode entirely due to family obligations and watched it on the CW app on my phone a few days later once everyone had gone to bed. A very different experience, to say the least! That also meant I was somewhat spoiled thanks to a few twitter forays in the interim, which always makes my viewing experience muted. It’s hard to say how much more I would have liked this episode if I was 100% unspoiled, but I don’t think it would have been night and day.

The THEN segment was about ten minutes long, which usually means there’s going to be way too much going on in the upcoming episode. Uh oh.

But then I hear Rockin’ Around the Christmas tree, one of my favorites, and there’s lots of pretty Christmas décor, so that’s nice….and then, in true Supernatural fashion, broken things and lots of blood and a hapless guy screaming “No please no!”  One of the crazy-toothed werewolf guys (in a Santa hat) confronts him and grabs him by the throat. Cut to mistletoe above them, so werewolf guy leans in for a kiss – and snaps the guy’s neck. Ah, Supernatural.

I enjoyed that irreverent beginning – nice touches by writer Robert Berens.

Even if I hadn’t been spoiled, it wouldn’t have been a shock to see Michael in a new vessel in the next scene – this one a beautiful woman. Michael sure has good taste in vessels! I thought Felisha Terrell did a good job of channeling Michael’s low key but confident mannerisms. I was happy to see Melanie (Andrea Drepaul) return, and I was also spoiled for the return of D J Qualls as Garth, so no surprises yet for me.

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The Winchesters Are Together Again in this Week’s Supernatural, ‘The Scar’

The Winchesters Are Together Again in this Week’s Supernatural, ‘The Scar’

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This week’s Supernatural brought a divided reaction from fans, which is almost always the case for this show – but I really enjoyed it. Writer Robert Berens kept things mostly canon-compliant, so I had fewer head scratching or WTF moments. And while the back and forth between story lines still jarred me, at least this week there were only two story lines running simultaneously instead of three or more. So instead of a scene by scene analysis, here are the things I loved, the things I liked, and the things that didn’t work for me in this episode for each of those two storylines.

Story line number one is Sam and Dean together again and in pursuit of something that will harm Michael. Story line number two diverges after the first few scenes to follow Castiel and Jack at the bunker trying to save a hapless young woman who the hunters have rescued from a witch. (Nick is off trying to find himself or his family’s killers, so thankfully no story line number three. He apparently left a note and isn’t returning Castiel’s phone calls, which isn’t ominous at all… but that’s okay, I’m just glad we only have two stories to bounce back and forth between this week because that’s enough!)

I have a lot to say about the first, so let me start with the latter. I continue to like the exploration of Cas and Jack’s relationship that this season is undertaking. Jack continues to struggle with finding his place with the hunters, so hurt after Dean dismisses him that Jack decides to run away. He’s such a teenager sometimes, and I find that endearing. He packs up his little backpack and prepares to leave, writing a note out for all three of his “dads”, but then hears Cas and AU hunter Jules trying to help Laura, a young woman kidnapped by a witch and dying from an aging spell. Jack, who can be quite empathic at times, decides to stay, drawn in by the woman’s dire circumstances and his desire to console her.

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When Being A Fan Hurts – Staying Wayward!

When Being A Fan Hurts – Staying Wayward!

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Passion is what being a fan is all about. It’s what makes it so fulfilling, what makes it an important part of our everyday lives and not something we only think about for an hour a week while watching a television show or once a year for two hours in the movie theater. That show or film or band or whatever we fan has the power to change our lives – it provides heroes and heroines for us to emulate, it sends different messages than what we hear from the rest of the world which are sometimes exactly what we need in order to feel okay about ourselves. It can inspire us to be better, help others, change the world, keep fighting for our own lives. The community that forms around the thing we’re passionate about – the fandom – also has the power to change us. Fandom can be a group that ‘gets us’ and gives us that all-important sense of belonging. Someone to share our good times and provide a source of support to get through the hard times. All that comes from the passion we invest in what we love.

When the thing we love is going strong, that is a beautiful feeling. It’s heady, affirming, exhilarating. Research shows that fans of a winning sports team have the same physiological and psychological reactions as the actual players who won the game. No wonder it’s important!

When the thing we love does not succeed, or is taken away from us, the emotions are just as strong. It feels devastating, a denial of all the good we found in this precious thing. It feels like an overwhelming loss – because it is one. There’s nothing silly or frivolous about the way fans love, or anything unimportant about what we get from that love. When it’s lost, we react with grief, and it’s just like any other grief. There’s denial and anger and sadness.

In the past 24 hours, quite a few beloved television shows have been either cancelled or not picked up for series by the networks that continue to have all the power. Lucifer, Brooklyn99, the list was a long one. Fans all over the world, of all sorts of things, are confused and furious and despairing over never being able to have more of that thing they love. Anyone who is a fan knows that sort of pain.

I want to send out a collective hug to all the fans who got bad news today, and all the people whose livelihoods depend on making that thing that people love. As a Supernatural fan, the CW deciding against a pick up of the spinoff Wayward Sisters has been a personal experience. Wayward (I’ll call it that because now we’re allowed to go back to calling it what it originally was, Wayward Daughters, and that makes me happy) was special to many in the fandom, because it was different. A show about women, starring women, and committed to being told through the perspective of women – diverse women. It’s a credit to Supernatural that the show created characters in Jody and Donna that resonated so much with viewers that we knew they could carry a show of their own. When that became a possibility, it felt like a remarkable evolution, and a hopeful one. The importance of representation is indisputable, and Wayward was going to be a big leap forward – in fact, we don’t even know just how far the show was going to take us, or how life changing that would be for so many people waiting to see themselves reflected onscreen.

Wayward was also different because it was an idea that began, not in a writer’s room or a network meeting, but in fandom itself. Supernatural fans wanted more of the female characters we had come to know and love. We wanted a whole show devoted to those women and exploring their stories. At the time, it almost seemed like an impossible idea, but that little idea caught fire and gained the attention and support of Supernatural’s writers and showrunners and the actresses themselves. For more than a year, fans and writers and actors joined forces to get the idea off the ground. Robert Berens wrote a pilot, Andrew Dabb and Bob Singer got it made. Kim Rhodes, Briana Buckmaster, Kathryn Newtown, Clark Backo, Katherine Ramdeen and Yadira Guevara-Prip kicked ass. Fans rejoiced, and relished the hope that success brought.

I was truly shocked when the network passed. It seemed like the time was so right, and with a built-in fan base, it seemed like Wayward should have been a no-brainer. Then again, I’ve thought that many times only to have TPTB make another decision. I suppose I shouldn’t be as shocked as I am this time.

Maybe the outcry will change their minds; stranger things have happened. Wayward Sisters was trending a little while ago, while none of the shows that did get picked up or renewed were. That probably says something right there.

And if it doesn’t? They still can’t change what Wayward has come to mean to the fandom. That word was reclaimed as something that was okay, as something that was not a source of shame – as something to be proud of! Embracing being WaywardAF on tee shirts and hoodies and caps and anything else you wanted to put it on was powerful for so many fans. It was a way of saying no, I won’t let you shame me for being different, or tell me that I can’t be myself. Led by Kim Rhodes and Briana Buckmaster’s willingness to be real, onstage at a convention or online in tweets or in the chapters they wrote in Family Don’t End With Blood, the Wayward message inspired many others to be real too. And that is the healthiest thing any of us can do! That’s the true power of Wayward, and nobody can take that away.

 

I don’t know what the future will bring for Wayward Daughters. I know the fandom that I call my SPNFamily is hurting right now, as are the talented and committed actors and writers who worked so hard to make this happen. I do know that it’s not over. Whatever form Wayward will take going forward, the movement is very much alive – and the evolution that Wayward is a part of is not stopping. So put on your tee shirt and take a page from Briana and Kim because we’ve still got work to do – and don’t let this discourage you from the message. Stay Wayward.

–Lynn

Family Don’t End With Blood info

at the links on our home page header

 

 

Supernatural 13.10 – Wayward Sisters!

Supernatural 13.10 – Wayward Sisters!

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Last Thursday was a day full of anticipation for the Supernatural fandom – it was the day we finally got to see the Wayward Sisters episode. Wayward Sisters was not only an episode of Supernatural, but a backdoor pilot for a possible spinoff starring instead of two brothers, six women! That fact alone, unfortunately, is pretty unusual on television, let alone on the CW. Women’s voices are finally being heard a bit more both in media and in the world in general, so the Wayward Sisters pilot is coming at a good time. Perhaps not only the Supernatural fandom but a whole lot of viewers are ready for a show whose leads are all female.

At least I hope so. Don’t get me wrong, I love Supernatural and I love it just the way it is. The show has had some amazing female characters over the years, including the ones who star in Wayward Sisters, and it has evolved from the days when a female character was in danger of being ‘fridged’ to inspire a male character to start hunting.  I love Sam and Dean and Cas to the moon and back and always will. The wonderful thing about Wayward Sisters is that it can be its own thing, an extension of the Supernatural universe just like fanfiction and fanvids and fanart are, which can be beautiful and important in its own way while Supernatural itself goes on (and on and on and on, as far as I’m concerned…)  Not all fans were on board with the possible spinoff, and that’s okay – we all like and love and want different things, and nobody has to love the same thing as I do or you do. But for many fans, the idea of ‘Wayward’ had become very important, even beyond the possibility of a spinoff.

The idea for Wayward Sisters began over two years ago – and it began in the fandom. That’s not where ideas for pilots usually come from. Fandom has all sorts of fabulous ideas, as anyone who’s been in a vibrant creative brilliant fandom like the Supernatural fandom knows. But those ideas don’t get heard, and even if they do, they certainly don’t get taken seriously to become reality! Wayward Daughters, as it was first called, was an idea that fans had – not just for a spinoff, but as a rallying cry for some of the things I write about in my books on fandom and Supernatural. For finding the courage to be yourself and proud of it – for being “Wayward As F—k.” That ‘WaywardAF’ slogan ended up on tee shirts and pajamas and all sorts of things proudly worn by fans who were tired of not being real and ready to be wayward. Actresses Kim Rhodes and Briana Buckmaster were on board from the start, adding to the empowering message. They wrote chapters in my book about the power of Supernatural and the SPNFamily (Family Don’t End With Blood) all about being WaywardAF, and so did the two women who started the Wayward Daughters movement, Riley and Betty.  Eventually the rallying cry was so loud that The Powers That Be heard it. Writer Robert Berens, who had penned some of the pivotal episodes introducing these characters, hopped on board to write the episode, now known as Wayward Sisters. And that? Is a big thing.

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