There’ll Be Peace When You Are Done – Thanks To All Our Incredible Contributors!

 

When Supernatural announced that it was ending, I was too caught up in my own grief for a while to even think about what might help all of us get through a loss of this magnitude. Then I thought about the many people who have told me that the inspiring messages in Family Don’t End With Blood written by the cast and fans of Supernatural had helped them get through difficult times. Would a book that gave us all something tangible with which to celebrate and remember the show be helpful now?  I had already been working on another book about the show – one that would trace its evolution in terms of representation, especially for the women of Supernatural, and including the voices of actors who hadn’t written for Family Don’t End With Blood. Now that the show was ending, I thought about expanding that book. Maybe a book that would celebrate all fifteen years of this incredible show and its legacy would be an inspiration and allow all of us to “always keep fighting.”  A book that would give us all something beautiful (inside and out) to hang onto so we can always remember this extraordinary show and fandom.

By the time I had this realization and called my publisher at Ben Bella, the date on which the last episode of Supernatural would air was little more than a half year away. Was it even possible to put a book together that quickly and actually have it be released in time for the series finale?

I think my wonderful publisher at first laughed, and then maybe asked, wide eyed: Oh wait, are you serious?

I was.

It felt important to pull together the cast and fans of this one-of-a-kind show one more time to celebrate the legacy that Supernatural leaves behind. But that meant we had almost no time to gather people together and ask them to write about their experience with Supernatural at a time when they were already emotionally raw from the news of it ending (both the actors and the fans). It meant asking them to write something very personal very quickly. That’s asking a lot, especially when many of them were already over-the-top busy. It’s a real testament to just how important this show is to both cast and fans that 20 actors and 18 fans managed to contribute something to There’ll Be Peace When You Are Done. Or, as my publisher has said, it’s a miracle.

But then again, Supernatural always has defied the odds, hasn’t it?

This is my thank you to all the talented people who contributed to There’ll Be Peace When You Are Done, both fans and actors.

A big giant shout out to Tedra Ashley-Wannemuehler, Michael Banh, Patty Barbera, Allison Broesder, Tanya Cook, Tara Coste, Dawn Gray, Amy Hutton, Kaela Joseph, Alana King, Gail Martin, Jessica Mason, Joelle Monique, Dmitri Novak, Emerson Lopez Odango, April Vian and Sarah Wylde for sharing their powerful stories. Each one of their chapters was a labor of love, and it shows on every page. I think every fan of Supernatural, no matter why you watch or how you watch or how long you’ve been watching, will find something to relate to in these amazing chapters.

Fans not only wrote this book; they also made it beautiful. A special shout out to my partner in crime, the uber talented Kim Prior, who not only contributed many gorgeous photos but also coordinated the other talented photographers who contributed (and kept me mostly sane throughout this entire process). Those photographers, all fans of the show and the cast they focus their lenses on with so much talent, also came through with a tight deadline. Thank you to Monica Duff, Liz Madsen, Krista Martin, Suzanne McLean, Hansi Oppenheimer, Melissa Rothman and Chris Schmelke for contributing your beautiful photos. We also were incredibly fortunate to have the talents of three amazing artists – Christine Griffin once again created the breathtaking cover art, and Sherri Dahl and Mary Twist contributed sketches that bring the chapters to life. The talent in this fandom is almost unbelievable.

 

As is the talent onscreen – the actors who bring Supernatural’s characters to life. Another big giant shout out to the cast members who took time out of very busy schedules to contribute to the book (and who didn’t run away screaming when there was yet another nudge from me in their inbox…)  Jensen Ackles (Dean Winchester), Jared Padalecki (Sam Winchester) and Misha Collins (Castiel) all contributed even though they were in the midst of dealing with their own strong emotions about Supernatural ending after being such an integral part of their lives for so long, and in the midst of still filming that show we’re trying to celebrate. Jared and Jensen both wrote chapters in Family Don’t End With Blood also. Misha has written substantial chapters for not one but two of our previous books. He was in the midst of about a dozen projects (most of which are helping to save the world), yet still contributed a briefer but heartfelt special message. (Most importantly, we’ve partnered with Random Acts once again — this book, like our previous one, benefits Random Acts – to help Misha keep saving the world!)

So many other actors also contributed chapters. A big shout out to Hugo Ateo (Cesar), Andrea Drepaul (Melanie the werewolf), Adam Fergus (Mick Davies), Carrie Genzel (Linda Berman “with sparkle on her face”), David Haydn-Jones (Arthur Ketch), Chad Lindberg (Ash), Lee Majdoub (Hannah), Julie McNiven (Anna Milton), Tahmoh Penikett (Gadreel), Lee Rumohr (Jesse), Richard Speight Jr. (Gabriel/Loki), Todd Stashwick (Dracula), Shoshannah Stern (Eileen Leahy), Gabriel Tigerman (Andy), Brendan Taylor (New Doug), Lauren Tom (Linda Tran) and Rick Worthy (Alpha Vamp), and to writer Davy Perez. Despite all the other projects these talented creators are juggling, they managed to write with genuineness and candor about this show and this fandom that has had such an impact on them.

A special thank you to Eric Kripke, who created this show and these characters that have changed all our lives. Without Kripke, there would be no Supernatural. I am beyond honored that he contributed a cover blurb for There’ll Be Peace When You Are Done that captures his love for the show and the fandom.

The book includes its original theme of exploring the evolution of Supernatural over the past fifteen seasons in terms of representation and the emphasis on family of all kinds. Both actors and fans wrote from diverse perspectives themselves in terms of race, sexuality, gender and disability. They are people of color, Indigenous people, deaf persons, gay and lesbian and bisexual and trans persons and all sorts of other persons. Some trace the evolution of the show in terms of representation as they themselves have searched for it. The book is also a celebration of Supernatural for all that it has brought to its fans and its cast, and of the important legacy it will leave behind. Some relate a powerful personal story of how this show and this fandom changed their lives, supported them through a tough time, or even helped them survive. Every chapter – and every author – is different. What ties them, and all of us, together, is Supernatural.

We all hope that when you read There’ll Be Peace When You Are Done that it will be a permanent way of remembering just how special Supernatural is, and will always be. Something beautiful and heartfelt to hang onto, to help with the inevitable grieving – and at the same time a joyous celebration of the Little Show That Could.

Every purchase benefits the important work of two charities that were created out of the show and the fandom: Random Acts, a partnership between Misha Collins and the SPNFamily, and SPNSurvivors, a non-profit organization started by fans of the show to bring to life and spread the “always keep fighting” message.

–Lynn

You can preorder now at

Peacewhenyouaredone.com

and get bonus goodies too!

If you missed Family Don’t End

With Blood, there are links on

the home page.

 

There’ll Be Peace When You Are Done

 

Fifteen years. Two brothers. Angels and demons. A story like no other. And one of the most passionate fan bases of all time.

That’s Supernatural.

When a show you love ends after changing your life in countless ways, saying goodbye is hard. When characters are as richly written as Sam and Dean and Castiel and so many others, they become as real to us as our own family. When the actors who portray them are as inspiring as the characters they play and surprisingly accessible, they also become important parts of our lives. And finally, when you find a group of people who share your passion for something – and then discover you share all sorts of other things too – you build a community that supports you through the toughest times. All that, from a little television show on the CW.

We’ve cherished having all this for fifteen years, and that makes it difficult to know we’ll be saying goodbye to the show itself in a few short months. At the same time, I think we all feel indescribably grateful to have had these wonderful things for so long — these characters, this cast, this SPNFamily. It’s been lightning in a bottle since day one, and I honestly don’t think there will ever be another show and family like this.

There’ll Be Peace When You Are Done: Actors and Fans Celebrate the Legacy of Supernatural is an emotional look back at the television show Supernatural as it wraps up its final season after fifteen unprecedented years on air.

We’ve put this book together so we can all remember how special Supernatural is, forever. So we can celebrate the way the show has evolved in terms of diversity and representation, and the way the characters have inspired us. So we have something to hang onto and revisit every time we want to immerse ourselves in all things Supernatural once again, with heartfelt words and breathtaking pictures and art. The actors who wrote chapters are every bit as emotional about the importance of the show and the legacy it leaves behind as the fans who wrote chapters are.

Supernatural has changed all of us, and made us all SPNFamily.

You can preorder now at the link below, with special bonus content for the first 100 preorders. #SPNFamilyForever.

Both a celebration of Supernatural and a way of remembering what made it so special, this book is a permanent reminder of the legacy the show leaves behind and a reminder to the SPN Family to, like the series’ unofficial theme song says, “carry on.”

Including contributions from Jared Padalecki, Jensen Ackles, Hugo Ateo, Andrea Drepaul, Adam Fergus, Carrie Genzel, David Haydn-Jones, Chad Lindberg, Lee Majdoub, Julie McNiven, Tahmoh Penikett, Lee Rumohr, Richard Speight Jr., Todd Stashwick, Shoshannah Stern, Brendan Taylor, Gabe Tigerman, Lauren Tom, Rick Worthy – and a special message from Misha Collins.

 

There’ll Be Peace When You Are Done is the ultimate send-off for this iconic show that has touched and changed the lives of so many fans across all walks of life.

Pre-Order your copy now at this link (peacewhenyouaredone.com)!

–Lynn

 

MidSeason Finale Time for Supernatural with The Spear!

 

After watching the previous week’s Supernatural episode at a Supernatural convention with some fellow fangirls, I missed this week’s episode entirely due to family obligations and watched it on the CW app on my phone a few days later once everyone had gone to bed. A very different experience, to say the least! That also meant I was somewhat spoiled thanks to a few twitter forays in the interim, which always makes my viewing experience muted. It’s hard to say how much more I would have liked this episode if I was 100% unspoiled, but I don’t think it would have been night and day.

The THEN segment was about ten minutes long, which usually means there’s going to be way too much going on in the upcoming episode. Uh oh.

But then I hear Rockin’ Around the Christmas tree, one of my favorites, and there’s lots of pretty Christmas décor, so that’s nice….and then, in true Supernatural fashion, broken things and lots of blood and a hapless guy screaming “No please no!”  One of the crazy-toothed werewolf guys (in a Santa hat) confronts him and grabs him by the throat. Cut to mistletoe above them, so werewolf guy leans in for a kiss – and snaps the guy’s neck. Ah, Supernatural.

I enjoyed that irreverent beginning – nice touches by writer Robert Berens.

Even if I hadn’t been spoiled, it wouldn’t have been a shock to see Michael in a new vessel in the next scene – this one a beautiful woman. Michael sure has good taste in vessels! I thought Felisha Terrell did a good job of channeling Michael’s low key but confident mannerisms. I was happy to see Melanie (Andrea Drepaul) return, and I was also spoiled for the return of D J Qualls as Garth, so no surprises yet for me.

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Melanie Takes On Michael: Andrea Drepaul Talks Supernatural!

One of the scenes that really crackled in last week’s Supernatural episode was the intense power-struggle-disguised-as-flirtation scene between Michael and the beautiful but dangerous werewolf Melanie. Although it was a relatively brief scene, Andrea Drepaul managed to bring Melanie to life and make me even care about her a little (despite the fact that she was intent on eating Michael and therefore Dean Winchester!) Okay, maybe I don’t care all that much…

Andrea had shared a few enthusiastic posts about her experience on the show, so I was eager to ask her about her guest role and her take on Melanie the werewolf. But before we go there, in case you’ve forgotten (which is highly unlikely), here’s a brief reminder of the scene.  Michael is dressed to the nines, charming as he offers Melanie a glass of wine.

Melanie: Mmmm, very elegant. But then, so are you.

Everyone watching at that moment: (nodding enthusiastically)

They banter, and Michael tells her that Duluth is nothing like his hometown, which is windswept and barren and oh, there are lots of dead bodies lying around.

Melanie, instead of running away like I would have in about two seconds flat, giggles.

Melanie: You’re so funny…what a nice surprise meeting you.

Not what my reaction would have been, but then again, this is Jensen Ackles in a tux.

Their banter takes on a darker tone as it goes on, Michael’s cruel streak coming through as he assures her with a hint of derision that he most certainly does know why she was in that bar alone. They each think they’re playing the other, but Michael has the upper hand – he knows she’s a werewolf, but she has no idea she’s planning to eat an Archangel.  Nevertheless, nothing he says discourages her or frightens her – this is one badass werewolf.

Melanie (still seeming delighted) You’re terrible!

Michael: You have no idea…

Melanie shows her (rather substantial) teeth, and Michael picks her up by the throat like she’s nothing and tosses her across the room, coolly ordering her to summon her master.

So much for the power struggle!

I had a few questions for Andrea about her portrayal of the fearless werewolf and her experience on Supernatural.

Lynn: You were able to make Melanie a memorable character even with the short amount of time she had onscreen – it was a well written scene but you also invested her with a great deal of personality. How was the character described when you auditioned for the part?

Andrea: This scene was my audition piece. From the first moment of reading the scene I felt very connected to Melanie. The character description was very limited. I believe they do this to see what the actor will bring in the room. It made no mention she was a werewolf, or monster of any kind. The one thing that stood out for me was they had mentioned she “Seemingly had an ulterior motive.” As I dug a bit deeper, the writer mentions in the screen direction that she was sophisticated, and the location was a high end hotel. I saw right from the the get go she was a very complex woman. This scene was in fact a ruse. A tactic that Melanie was using to get what she really wanted. As a performer, I find leaning into the strength of the character is really what makes her exciting. Also because she loses in the end of the scene, I wanted her to be in control until the end. So in fact the scene becomes a dark twisted power struggle between Michael and Melanie.

Lynn:  Yes, that’s exactly what came through in the scene! I loved how sassy and confident Melanie was (even if she was wrong about being the baddest monster in the room). Was your personal take on the character that she was attracted to Michael (even if she planned on eating him…)? I mean, it is Jensen Ackles we’re talking about…in a tux no less…

Andrea: Oh definitely yes! But I feel that her attraction came from feeling his power. In a sadistic type of way. Because Melanie is always in control, always in power, she relishes in a man who can hold the same power as her. Her sass and confidence comes from the fact that she believes she is stronger than humans.

Lynn: That definitely comes through, even when confronted by the likes of Michael. Melanie and Michael’s interactions were very flirtatious. Was that a fun vibe to play or is it challenging to enact that sort of vibe with another actor who you may not know very well?

Andrea: It’s a funny thing when a scene is written in a certain way. Because I would say that it reads flirtatious but I definitely didn’t feel that way when we were shooting. I was more locked into the certainty that I could have some fun and eat him too! Boy oh boy was Melanie wrong! Jensen is an incredible actor — he was very generous in his performance so I felt completely comfortable working with him. There’s definitely a salt of the earth quality he has that allows a performer to feel safe.

Tweet @AndreaDrepaul, Photo by Richard Speight Jr.

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Director Dick Returns to Supernatural with ‘Gods and Monsters’!

 

After a season premiere that kicked up conflicting emotions for me, the second episode of Season 14 of Supernatural was a different kind of episode – but once again, it kicked up some conflicting emotions. I had a lot of anticipation for this one because I enjoy Richard Speight’s directing and always look forward to hearing his thoughtful take on how he brought a script to life. On the other hand, my track record with enjoying the episodes from these particular writers is spotty. So I guess I went into this with conflicting emotions!

Speight is proficient at juggling the back and forth story lines that Supernatural sometimes serves up, and he did an admirable job here, but I tend to get whiplash if we’re bouncing back and forth between too many stories no matter how proficient the directing is. That was the case here to some extent, though Speight managed to keep the transitions smooth enough that I didn’t feel too jarred. Because there are so many story lines going on, I’ll touch on each scene briefly here, but with the through line of what worked and what didn’t in each one.

I pay more attention to the “Then” montage than ever before these days, because it usually gives a clue to what will be foregrounded in the episode, or at the very least what they don’t trust us to remember (of course we all do) or what they think a viewer who has somehow avoided seeing Supernatural for 14 years would need to know to just step right in and pick it up (totally and completely impossible at this point, give it up, Show!)  The “Then” this week features the final showdown with Lucifer and the moment of Dean’s possession, and a reminder of Jack’s trauma and his hatred of both Michael and Lucifer. With that frame set, we enter the episode through Michael and what he’s up to now – no disposable characters or case of the week for the beginning minutes. The opening scene is visually striking and sets the tone for who Michael is and how we should feel about him. Speight likes to set up close up shots that are like works of art and emotionally evocative – this time it’s done in flashes, like there’s a thunderstorm outside, and the fact that you only get glimpses adds to the feeling of trepidation. A flash of heavy chains, broken statues, a church organ covered in cobwebs, light filtered through age-dimmed stained glass windows. A church defiled. The last close-up shot is of blood slowly dripping from the cut throat of a restrained man, leaning over a chalice that’s  slowly filling as he’s drained. The musical score is full of foreboding, fear mirrored on the faces of the chained up people waiting their turn. (The slow drip of blood will be a recurring image in this episode).

It was a strong opening, and a fitting frame for Michael, still dressed impeccably and as implacable as he was last week (though he has donned an imposing leather apron because clearly he loves his nice suits staying impeccable). It makes him look like a butcher, the leather and straps both terrifying and (perhaps because this is Jensen Ackles) also an oddly sexualized image. Michael seems to pull for objectification, a fact not lost on fandom.

Michael heals the vampire’s slit throat and adds a pinch of archangel grace to the blood.

Michael: A little of this, a little of that…

He then grabs the vampire’s head and forcefully makes him drink. When the vampire acquiesces, Michael does nothing to reduce the erotic vibe of the scene by crooning, “Yes, good boy” as the bound vampire follows his orders.

Unfortunately for the compliant vamp, no sooner has he done so than he burns out and dies, much to the other vampires’ horror.

Michael remains unemotional.

Michael: Huh. Too much that…

It’s our first glimpse of Michael having a sense of humor, albeit a twisted dark one. Ackles did flesh out the character a bit more in this episode, which at first threw me a bit. Last week he was so unemotional he was almost flat, disturbingly so. This week, he showed some humor and some other emotional notes, including pride and a sadistic enjoyment from wielding his power over others. I felt like that was consistent with Christian Keyes’ portrayal of Michael, but it was more personality than Michael showed last week.

There’s another visually effective shot of the dead vampire’s feet dragging across the floor as Michael pulls him over to a pile of other dead vampires; the camera pulls out to show just how many, with lots of impact.

Michael flips the curved blade he’s holding, cocky.

Michael: All right, who’s next?

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I might have needed a cold drink at that moment. There’s something hot about the cocky expression and the facile skill with which he flips that blade. Actually the same thing happens when Ackles flips his mic onstage with equal agility, which he has a habit of doing quite often. But I digress.

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