Emotionally Powerful, Just How I like It – Supernatural Byzantium

 

I watched last week’s Supernatural episode at a Supernatural convention in Jacksonville with my friend , YouTuber Alana King. That meant we recorded our reactions live for her video, much of which consisted of me making stunned faces and needing lots of tissues, which our helpful friend Christina kept tossing over from off camera. Alana and I were in shock half the time, so there are long stretches of us frozen with our jaws hanging open (which is not very attractive NGL) but when we did get animated, there was a lot to say.  I’ll link the video at the end if you’d like to laugh at us. Feel free!

Now that the con is over and I’ve had time to do a rewatch, I’ve got some deeper thoughts and some praise for pretty much everyone who had a hand in crafting this episode – and that makes me one happy fangirl!

The episode begins with Jack’s three dads sitting at his bedside, doing just what Rowena said – watching over him as he dies.  (Cue my first wobbly lower lip).  Sam is right there next to him, so much sadness in his expressive eyes. Dean is across the room, struggling to hold it together, hands gripping the sides of the dresser telegraphing all the emotion he’s trying not to show. Cas stands watching over all of them, blue eyes troubled.

Jack is the one dealing with his impending death the best, saying that maybe this is how it’s supposed to be and asking his dads not to be sad.

Dean: Don’t give me that meant to be crap.

Jack starts to cough, having trouble breathing, and Dean walks out, unable to watch someone he loves suffering. He’s angry, as he always is when life hands someone he cares about a raw deal.  He punches the wall like he did when  Bobby was dying, even as Jack asks Sam to tell Dean that it’s okay. The role reversal here at the end of Jack’s life is painful, Jack trying so hard to comfort the three men who are already grieving him.

Jack: Sam, what happens next, for someone like me?

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Three Men And A Nephilim – Supernatural Unhuman

 

Drive by review since I’m traveling with the family, so thematic stream of consciousness instead of scene by scene for a change. I watched last week’s Supernatural in an Air BnB in DC whose television set was large and impressive looking but weirdly distorted the picture so that the most beautiful cast in the world did not look like their beautiful selves. Boo.

While this won’t go down in history as one of my favorite episodes, there were some things I enjoyed, and the episode got me all thinky which I also enjoy.  On the other hand, there were also some things I didn’t like. While I was overjoyed to have Ruth Connell back on the show, I was totally confused that Rowena didn’t know seem to know that Jack was Lucifer’s son. What?? She goaded Lucifer with that when she was holding the portal open, saying that his three dads were more fathers to Jack that Lucifer himself. So why did she seem shocked when Sam told her about Jack’s father? I realize she didn’t actually know Jack, but she knew about him. Those kinds of things throw me out of the story and I don’t like that – I like to be immersed and engrossed when I watch my favorite show.

I also got thrown out of the story by Sergei the Shaman, who seemed like such an over the top villainous untrustworthy guy that I didn’t believe a word he said and didn’t expect Castiel to believe him either. Why did he? Cas has been oddly gullible recently, and that seems weird. I get that we all get a little gullible in desperate times, so I’m chalking it up to that. But, I mean, ‘He seemed honest.’ Did he?? Also Sergei had an accent that sounded just like Misha Collins when he’s doing his Indio-Russia thing, so I also half expected Cas to start talking the same way, which was neither here nor there but made me giggle when that wasn’t what the show was going for.

I do love Castiel’s had-it-up-to-here expression here though.

Considering Sergei, do we even believe that the grace he gave Cas was from Gabriel? (Was there a reason to take this at face value? Has Ketch’s word become reason enough?) Or was it really Michael’s grace, and the whole thing an elaborate plot to get Michael’s influence into Jack in the same way he’s been trying to influence other “monsters”? (Was that why Dean’s vision blurred out and his mind went a bit offline a few times there? Was that Michael coming to the fore to see how his plan is going or has he left something behind that allows him to do so?)  That did give us some nice close ups of Dean blinking those long eyelashes.

Gif whoeveryoulovethemost

But I will say THAT is chilling, the idea that Jack might be corrupted in some way. I don’t worry that Jack will die, because they clearly need him as a key player, but that doesn’t mean he will stay the innocent well-intentioned nougat loving son that he has been this season. And that does worry me.

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Supernatural ‘Optimism’ – Some Laughs, Some Feels and A Bit of Head Scratching

 

Last week’s Supernatural episode, hopefully titled ‘Optimism’, was one of those episodes that fandom didn’t agree on. And that’s okay. Like most episodes of this Show, there were things I liked and things I didn’t. I’ll get to the elephant in the room thing in time, but first, a look at some of the things that worked for me and what didn’t.

Richard Speight Jr. directed the episode, and I tend to really enjoy his directing, so that was a point in this episode’s favor. I like his pacing, and his editing, and I really really like the way he embraces the quirkiness of Supernatural that has always been one of my favorite parts of the Show. Writer Steve Yockey is a good partner for that quirkiness and the two worked well together here. From the first frame, the weirdly upbeat music presents the small town as too-good-to-be-true, including Harper the perky town librarian. She’s got at least two quirky suitors, one of whom seems dangerously jealous and slightly unhinged, so we immediately are suspicious that something bad is going to happen to too-good-to-be-true librarian.

Sure enough, it does. Winston, the nice guy suitor who Harper clearly isn’t into, saunters down the street feeling good about himself after Harper agrees to dinner, and the familiar strains of Stayin’ Alive start to play. Speight mimics the view of John Travolta’s iconic walk in the opening of Saturday Night Fever, which comes off as amusingly ironic when applied to Winston.

And also announces to us that poor happy Winston is probably not long for this world. Yep. Splat.

I loved that whole opening, and it had Speight’s directorial touch all over it.

Back to the bunker, where Jack is piling a ton of sugar into his coffee (ewww) and Dean is looking for Sam. We find out that Sam and Charlie have gone off on a stakeout because Dean was somewhere else and that means we’re not getting Sam and Dean hunting together for a little while. Not something that makes me particularly happy, but I’ll roll with it.

Jack about Sam and Charlie: They’re probably doing something really exciting…

Cut to Sam and Charlie, sitting in a truck and looking bored to death.

These are the edits that Speight is excellent at, the juxtaposition and Jared and Felicia Day’s acting skills making just that little bit hilarious. It was the first time I laughed out loud during this episode but not the last.

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What The Hell Did He See In Dean’s Head? Supernatural 14.05 Nightmare Logic

 

This week’s Supernatural episode didn’t leave me jumping up and down and squeeing to the rooftops – but that’s not actually a complaint. Instead it left me scratching my head and wondering where the hell we’re going from here and what the hell the Djinn saw in Dean’s mind. That’s a feeling I often had in the early seasons of Supernatural, so once again, that makes me a happy fangirl. (Not that I don’t have things to critique, of course…)

The episode started out slow, and at the first break I was feeling a bit meh about it. This surprised me because I usually enjoy Meredith Glynn’s writing quite a bit. It took me a little while to realize that the pace was slower than I’ve grown used to – but once again, that turned out to be a good thing. Instead of ten different plot lines zigzagging through the episode, Glynn and director Darren Grant took their time, following each scene and letting the anticipation or suspense or fear or whatever emotion build before bringing it to a climax. The pace was slower, so you could savor moments like Dean and Sam exploring a dark and scary crypt or Sam fearlessly going up to the attic or Dean quietly bonding with Sasha. I just have gotten used to a faster pace on this Show, so it took until the halfway point for me to realize I was actually appreciating the Show taking its time for a change.

The beginning scene is Maggie, whose name half of my timeline can’t remember, which says something that isn’t good. She’s hunting alone for some reason, and not very competently. Sure enough, she’s attacked and taken down by something that looks like a ghoul. I scratch my head. That’s not the reaction Show was going for most likely, but I honestly cannot manufacture much feeling about the AU hunters. There are way too many of them and I don’t like them in the bunker and that all translates into me just not caring very much what happens to them. Maggie has never seemed like someone who should be a hunter, and we haven’t been given any reason to care about her. It’s like she’s the only one of the random AU people who has a name, so she keeps getting tossed into the story. Sorry, Maggie. At least I’m remembering your name.

Then we’re in the overcrowded bunker, Chief Sam briefing a bunch of AU hunters. He’s all awkward when Dean walks in, which is telling – Sam is clearly not comfortable being the leader when Dean is around. I’m not sure I’m all that comfortable with this new dynamic either, but Dean seems more at ease than either me or Sam.

Dean: You kids have fun out there.

He teases Sam to break the awkwardness, telling him that he did a great job with the whole camp counselor vibe and offering to get him a whistle.

Dean: And they’re checking in? That’s adorable.

It’s not, however, adorable that Sam isn’t getting enough sleep. Protective big brother Dean gets on his back about it, clearly worried. Dean stays in this mode when Sam gets upset that Maggie (Katherine Evans) didn’t check in, trying to reassure Sam that she might still be alive. Poor Sam, his reserves clearly on zero and feeling the burden of responsibility, immediately starts catastrophizing and falling into hopelessness, so it’s a good thing Dean is back to pull him out of it. The brothers are always a good team when they’re together, always knowing what the other one needs to hear in order to keep going. There was a lot of that in this episode, and I appreciate every moment.

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A Supernatural Joy Ride with ‘Mint Condition’

 

There are few things more satisfying than watching a new episode of your favorite show with a bunch of people who share your passion. I was in Minneapolis for a Supernatural convention last Thursday, so of course I was looking forward to watching the show with fellow fans. After a few minutes of panic upon finding out that my hotel didn’t even carry The CW, I took to twitter to see if anyone would take pity on me and invite me over to watch. In a city full of fans, that took about ten seconds, so when 7 pm rolled around I was happily curled up on the sofa in the honors floor suite of some friends’ hotel. We had crackers and cheese and wine and soda and the free buffet that nobody else was apparently interested in – and then the lovely man in charge of the suite kept making us sandwiches and bringing them in for us to try! Ever have those sort of moments when you’re sure that life is too good to be real? This was one of them.

Davy Perez is one of my favorite Supernatural writers, and the previews for ‘Mint Condition’ suggested it would be a fun Halloween-horror-movie-themed episode, but you never know. It turns out, this episode was even more fun than I expected, and an especially good episode to watch with fellow fans. The episode also had some underlying messages that weren’t just there for the fun, which made it a multllayered and sometimes surprisingly meta episode as well.

Perez knows his horror movie tropes, that’s for sure. The episode opens in a comic shop, jam packed full of superhero lunchboxes and action figures and posters, including one for “Hell Hazers”, the film being made in one of the show’s first meta episodes, Hollywood Babylon. I adore when the show references its own history, so that made me squee out loud for the first time in this episode but definitely not the last. The television in the comic shop is tuned to Shocker TV. On screen, Hatchetman says his signature line “time to slice and dice” and then the young guy working at the shop turns it off – and proceeds to stuff a brand new Thundercats Panthro figure into his backpack.

Everyone in the room: Uh oh.

We quickly learn that Stuart isn’t exactly a model employee and in fact is given to angry outbursts and ugly and stigmatizing name-calling. Especially when someone accuses him of being weak, as in not being able to beat up Superman.

When I watched this episode live, it was like being taken on a rollicking roller coaster ride along with my friends, and it was pure joy. On rewatch, the darker themes came through, including some commentary on troll-infested internet culture and the messages about masculinity that can end up being so toxic. Stuart’s barely contained rage when someone threatens his ideas about masculinity (ie, you should be strong enough to beat up Superman or you’ll be a virgin for your whole life) is scarier than most horror tropes in the midst of so much real life violence springing from similar fears and rage. It comes out in Stuart’s treatment of a customer, his outburst at a delayed pizza delivery, and even in his berating fellow players and storming off in the midst of a Fortnite game online.  Stuart, for me, hit a little too close to reality for me to stomach him easily. Or feel much sympathy!

But back to the show. Angry Stuart, kicked out by his roommate and back to living in his mother’s basement, regards his stolen Panthro figure. And then it TURNS ITS HEAD!!!! I legit screamed – look, I admit I have a bit of a thing about dolls and figures coming to life. Too many horror movies as a kid perhaps, but OMG there is nothing more horrifying than thinking that’s a possibility. Following the classic horror movie protocol, Stuart leans in close and ASKS the Panthro what it’s doing.

Everyone in the room: NOOOOO! RUN AWAY!!

Of course he doesn’t, and the fierce little (possessed) Panthro beats the crap out of him with its little nunchucks.  SO creepy!

Back to the bunker, where Dean Winchester is sprawled out on his bed, socked feet up on the nightstand, head on a pillow watching television and eating pizza. Let me repeat. Dean Winchester is sprawled out on his bed. The camera doesn’t exactly do a slow pan as in that early seasons episode (you know the one, black boxers, tee shirt…) but it’s a nice visual, just saying.

 

There’s a Hell Hazers III movie ad, which again makes me squee with continuity joy, and then Dean’s Hatchetman marathon continues. Dean repeats the tag line along with the film: “Time to slice and dice”.

Everyone in the room: Fanboy Dean!!

One of my favorite flavors.

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