Three In A Row for Supernatural with Prophet and Loss – and Yay for Season 15!

 

I said I was overwhelmed last week when there had been two excellent and emotional Supernatural episodes in a row, so I don’t know what adjective to use to describe where I’m at this week – because it’s now THREE episodes in a row that have been truly amazing!  Last week’s “Prophet And Loss,” penned by Eugenie Ross-Leming and Brad Buckner, who are not always my favorite writers, continued the show’s string of wins. I guess I have to amend my opinion and say that the duo sometimes do write a favorite episode, in fact. Thank you Brad and Eugenie! And thanks to Tom Wright for some beautiful direction too.

There was a great deal of anticipation going into this episode. First, it’s the episode before the 300th and the return of John Winchester. Second, at the last Supernatural convention I tweeted something ominous that Jensen Ackles said:

That tweet made the rounds yesterday since the episode he was referring to was finally about to be shown, and that meant we all knew that there was a heart-wrenching scene during which Jensen got emotional for real. That’s not an unusual thing, since both Ackles and Padalecki have often talked about the fact that they don’t need to think about something sad to bring the emotion to a scene – they just let themselves feel what the character they know so well is feeling, and the emotion happens organically. That’s what makes it so real, and why it’s impossible for me not to empathize when it happens. However, it’s not usually so intense that the seasoned crew is actually tearful! (If anyone can do that, though, it’s Ackles).

Third, we were all already feeling emotional after the last two episodes – at this point, most of us were traumatized in advance just thinking about Dean being locked in a sinking and slowly disintegrating box at the bottom of the ocean, trying desperately to stay in contact with Sam and knowing he’s trapped there with Michael. So when the episode began with that infernal box at the bottom of the ocean and Dean freaking out inside it, most of us freaked out too.

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Hellatus Is Over! Supernatural Returns with Stranger In A Strange Land

 

Full disclosure: I saw the season premiere episode for the first time two weeks ago at the Entertainment Weekly sneak peek screening in New York City. But somehow I was still entirely caught up in the excitement of Thursday as premiere day – there’s something energizing about an entire fandom all over the world all online and watching in some way, shape or form and all bouncing from anticipation! At the EW event, I got to watch the episode with Jared Padalecki, Jensen Ackles and Danneel Ackles, which was an amazing experience. None of them had seen the episode either, so I got to see them react at the same time as I was reacting – and at times got to see them react to the fans in the room reacting to them. It’s French Mistake levels of meta!

(You can read all about that experience here – Sneak Peek at Supernatural Season 14 in NYC)

That experience colored my rewatch when the episode aired live on Thursday night, and only made it better. There were things that didn’t 100% work for me in the episode, but those were largely overshadowed by the things that very much did. I’ve been waiting two weeks to be able to talk about the episode, so here goes!

The recap reminds us that last season saw Dean Winchester expressing a rare optimism about being able to actually rid the world of bad stuff – a tiny bit of hope that maybe they really could create a better world. That idea of “a better world” gets an entirely different spin in Season 14, beginning with the premiere. Meanwhile, recap music is blasting as we review all the incredible things that happened last season.

Me as the recap of the Road So Far plays: MY SHOW IS SO EFFING BADASS!!!

Supernatural is also creative; the opening music bleeds into an AC/DC song on the Impala’s radio, and a bearded stern-faced Sam Winchester turns it off. Nice touch, and it immediately lets us know that Sam Winchester is not in fact okay. That’s Dean’s music, and it must be incredibly painful to be driving his brother’s car and listening to his brother’s music when Dean himself is not there. Jared’s face also lets us know that Sam is very far from okay – the actor doesn’t need any dialogue to show us just how upset and how driven Sam Winchester is right now. (Make no mistake, I’d LOVE for him to have more dialogue that also shows us that though!)

Just the fact that Sam is alone driving the Impala was incredibly painful to see – I miss Dean Winchester like a missing limb.

We jump from Jared to Jensen, but not to Dean from Sam. Instead it’s Michael, interrupting a holy man’s prayers. This is the scene we saw at Comic Con many months ago, so it’s a familiar one, but no less chilling for its familiarity. Ackles invests Michael with so much quiet, understated menace, it gives you goosebumps. He’s soft spoken, the cadence of his speech slower than Dean’s, more deliberate. He pronounces every consonant because he’s in no hurry; he’s an all powerful being so he has all the time in the world. All those conscious choices make Michael an entirely new character even as he’s played by one of the lead actors we know and love.

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