Supernatural ‘Unity’ Brings The Team Together – For The End!

Three more episodes of Supernatural to go before the show comes to an end, so my highly emotional investment in every episode continues. Everyone is different in their way of coping with the show ending – some are pulling away, trying to protect themselves from the impending loss. Some are more invested than ever, determined to savor every last moment with their favorite characters. Some are just trying to hang on until the end. I’m clearly doing a terrible job of protecting myself or pulling away, since near the end of this episode I ended up bursting into tears and simultaneously screaming at fictional characters on my television as though they were standing in my living room. With gun drawn.

I’ve never loved a show that I knew so well that I had different expectations for an episode depending on who its writers were – until Supernatural. I like Meredith Glynn’s writing a lot, so I was already emotional knowing this was her swan song episode for Supernatural (though I’m excited she’s joining the SPNFamily who are over at The Boys next season!) Of course it’s not the writer who decides where the story arc goes, though, especially at this point in the series. I guess all that is to say I went into this episode with both anticipation and trepidation – and came out with a lot of feelings (and also profoundly emotionally exhausted). Mostly the episode worked for me, even if I had to do a fair amount of thinking about it to be okay with all of it. But I used up a lot of tissues in the process.

The episode title (“Unity”) tells us what will happen in it, which was inevitable considering there are only three episodes left. On each side, those who were ostensibly on the same team but at odds needed to come together so we could go into those final episodes with the battle lines clearly drawn. Sometimes that means plot comes before character in order to get from Point A to Point B, and that never makes me the happiest, especially with a show that I watch for the characters more than for the plot. Ideally the two goals aren’t antithetical. So with the title, we already knew where we were headed – it was just a matter of how to get there and would I enjoy the ride?

The first scene was very pretty. Amara in a pool in Iceland (which according to Emily Swallow was filmed in frigid weather, so argh poor Emily). Shooting stars fill the sky, reflected in her eyes as she looks up, and she says softly, “Welcome home, brother.”

Supernatural really is a sibling story, and Amara’s feelings for Chuck are as deep and complicated as Sam and Dean’s for each other. She’s a sympathetic character in this episode, which made me feel very bad for her throughout.

Much of the episode unfolds simultaneously, so they used chapter title cards of ‘Dean’ ‘Sam’ and ‘Amara’ to let us know that – which hasn’t been done before, so it pulled me out of the story momentarily. I don’t think we needed them, but I guess I see what they were going for.

At the bunker, Sam calls Cas, both of them frustrated at running into dead ends as they desperately try to ‘find another way’. Sam gives Dean the cold shoulder, things between the brothers strained and chilly after their car argument last episode.

Dean: So this is how it’s gonna be, you giving me the silent treatment?

They fall right into another argument, Dean insisting that “this is the only way” and Sam snapping back, “Don’t you ever get tired of saying stuff like that? Our last chance, our one shot…”

He’s so angry he’s ridiculing Dean, making fun of him for his sincerity and insistence.

Although both have a point here,  really, since other times when they’ve let themselves be talked out of making a sacrifice, there have certainly been consequences, whether AU hunters being slaughtered by Michael or releasing the Darkness or Billie becoming Death or whatever. There are no simple answers on Supernatural.

Dean insists that they don’t have to like it – and he clearly doesn’t like it –  but “you and me, we gotta get it done.”

The “you and me” theme runs through the episode, for both pairs of siblings, as they struggle to get back on the same page. I really like Meredith’s examination of the bond between siblings and how deep it runs, and how complex it can be – something the show has always had as an underlying theme.

Amara interrupts their argument to let them know Chuck is back, and to ask how they’re planning to cage him (which of course, they aren’t.)

Amara: When God caged me, he had four archangels. Do you have four archangels?

Dean: No. We’ve got one Jack.

It was possibly the only humorous beat in the episode that made me snicker – much of the episode was more about reaching for the tissues than laughing. Emily Swallow can pull off both the snarky and the sad, and she does both in this episode.

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Supernatural Returns For Its Final Run with Galaxy Brain 15.12

 

I’m in an entirely new headspace for watching the last episodes of Supernatural, which is making writing a recap and review an entirely new challenge. There’s a big part of me that just wants to watch and drink it up, absorb every last morsel of experience with my favorite fictional characters and savor it, no matter what. I am acutely aware, every single second that I’m watching, that my last minutes with the Winchesters and company are ticking down. The other part of me is aware of the same thing but reacts instead with “omg please don’t waste a single moment of these last minutes!” That part is more likely to get frustrated when it seems like those precious moments are indeed wasted.

That’s complex enough, but I am also acutely aware that there are competing motivations here. As a fan, I want the last eight episodes to be satisfying – to continue the story that has meant so much to me and to wrap it up in a way that makes sense and honors the characters I love. For the people who actually make the show – the cast, the crew, and the writers – the motivation is different; more personal, more idiosyncratic. I value the fictional story and characters; they value their workplace and their colleagues and perhaps their legacy with this show. I’m most concerned about wrapping the story; they may be most concerned about saying goodbye to friends and coworkers, or about wrapping their own part of the story instead of the holistic one. Nobody is right or wrong, but it means we’re going to want different things and respond to things differently as we head toward the end.

And as if all that wasn’t complex enough, COVID19 has changed the entire landscape of the world and made Supernatural ending even more emotional than it already was – and much more complicated. Some days, it seems like the world is crumbling around us, and I realize that I need Supernatural more than ever. Yes, I know it’s “just a television show”, but it has been a lifeline for many fans for a decade and a half. I don’t know when we’ve ever needed that lifeline more than right now, in the grip of a global pandemic that is attacking people’s health, safety and livelihoods. When this beloved show is gone, the world will seem that much colder and scarier. I think we’ll make sure the lifeline is still there in terms of the fan community and continuing to engage with the cast in whatever they’re doing, but we won’t have the ongoing story itself to immerse ourselves in. That just means my emotions are running higher than ever about Supernatural ending!

And finally, the ending itself is all up in the air right now. Filming was suspended at the end of last week, as it had just begun on the penultimate (I know, nobody says penultimate…) episode, 15.19. The last one to finish filming was 15.18, which likely left us in a cliffhanger situation without an end. Yesterday producer Jim Michaels reassured a worried fandom that once it was safe to resume, they would “finish what we started” but the uncertainty just adds to the anxiety of impending loss. Will the crew who has been a part of this family since the start be able to be there to resume too? I’m trying to take heart from what Michaels said and not worry, but it seems like worry is a lot of what I’m doing right now!

That said, I was glad to have Supernatural return on Monday night with episode 15.12, Galaxy Brain, written by Robert Berens and Meredith Glynn, and directed by Richard Speight, Jr. It wasn’t a keep-you-on-the-edge-of-your seat episode by any means, but its last scene did set up the foundation for how the rest of the series will go. I didn’t jump up and down and scream about how much I love this show as I was watching, but it had its moments that were satisfying – as well as a few head scratchers.  Mostly, it made me aware that we all participate in this show for different reasons and have different motivations, so for some, this episode satisfied, and for others, it frustrated.

I had a few emotional moments, so I always count that as a win.

Rob Benedict returns as Chuck on ‘Earth 2’ as the episode begins, in a Radio Shed with a hapless and very relatable employee trying to sell him a universal remote. I had to laugh at how right they got it, memories of once-beloved Radio Shack stores making me all kinds of nostalgic.

I enjoyed the nod to Rob’s actual band, Louden Swain, as one of their songs plays in the store – with a lyric that includes “I had a dream that I ate your heart” that is just too perfect considering Jack’s charge from Billie this season. In fact, the fake store was so well done by Jerry Wanek and his amazing crew that director Richard Speight, Jr. tweeted that a few people came in off the street to try to buy a phone!

Chuck then goes full on meta – a little too on the nose for me at this point, even though I usually enjoy the meta. I enjoy it less now that we have so little time – I just want episodes that focus on saving people, hunting things, the family business. And I find myself wanting to stay ‘in the story’ more, knowing I have so little of it left.

Chuck: It’s monologue time.

Me: Okay, Show. We get it.

Employee: Sir, this is a Radio Shed.

That was one of the best lines in the episode and it made me laugh out loud. Kudos to Nicco DelRio for that delivery and Speight’s directing.

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Supernatural Wins with ‘The Gamblers’ 

 

It feels SO good to sit down to write a review of my favorite show and be overflowing with love for it, like I’ve been so many countless times over the past fifteen years. We have nine episodes left of Supernatural, and all I want is to feel like this – grateful, inspired, in love, dreading the end. The relief is like a physical thing, to feel this way right now, as melodramatic as that might sound.

So, let me do some squeeing, because I’ve missed it!  I enjoyed this episode by Davy Perez and Meredith Glynn so much that I just want to go scene by scene and savor it all over again.

THEN:  (Moment of inappropriate giggling because they actually used the vampire Dean hiss in the ‘Then’ montage. Ahem. Okay, sorry.)

The opening is another musical montage, which seems to be a thing now for the Show, but it works especially well because the song is so damn fitting. “North to Alaska” is exactly where Sam and Dean are headed, and the song actually starts off with the lyrics “Big Sam left Seattle…” and something about his brother, and how perfect is that? Meanwhile, some poor guy named Leonard is losing at pool and losing his cool and clearly about to die. He loses, gets kicked out of the pool hall, falls in the dirt and can’t find his now-broken glasses ala the Lord of the Flies scene I’ve never gotten over and then gets run down by an 18 wheeler. In other words, quintessential Supernatural beginning.

As Sam and Dean make their way to Alaska, Sam texts with Eileen and Dean snarks about turning off the sound. Eileen is skeptical about this trek they’re on and so is Sam, but Dean insists they need to try, and is hanging onto hope.

Dean: It’s there, it’s gotta be. Chuck wants us weak, because he’s coming for us, Sammy.

So on they go (Baby might be down on her luck but apparently she can still drive all the way to Alaska, and the Winchesters are a whole lot better at getting through those Canadian border stops than I am most of the time even with their currently shitty luck!)

Sam’s asleep in the car like he often is in the best fanfic, and Dean of course wakes him like any big brother would, with a slap and a ‘Hey!’

Brothers.

Dean’s stopping for food, because he ate everything they had in the cooler while Sam slept.

Sam: (affronted) We’re on a budget!

Gifs sasquatchandleatherjacket

Jared Padalecki has such a knack for making even a simple line so funny and so Sam, and I laughed out loud at that. The Winchesters are down to their last $4.60, so all they can get is a cup of coffee and a slice of pie.

Dean: Two forks?

I laughed again, realized I was thoroughly enjoying the episode, and became practically euphoric at the realization.

Gif sasquatchandleatherjacket

Sam gives Dean grief about not being able to have cheese and Dean gives him an affronted look right back.

Dean: Dude, Lactaid!

Me: This episode is everything!

Much of the episode – dialogue included – really did read like fanfic, and that is my highest compliment. It means the writers get the characters as well as we do, and that feels incredibly good. Sam and Dean and Cas and Jack were Sam and Dean and Cas and Jack!

Dean turns his 1000 watt smile on the waitress and they find out there’s a “magic pool hall” in the middle of nowhere and that people like poor Leonard don’t come back from it.

Sam: Now we know the down side – it might kill you.

Dean is much more optimistic.

Dean: This is my game – hell, our game!

He reminds Sam of all the memories they have of playing pool.

Sam: (frowning) Yeah, because we had to eat!

Me: Yep, definitely have read that fic.

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Our Heroes Find A Little Hope with Supernatural 15.06 “Golden Time”

I didn’t get to watch last week’s Supernatural episode live since I was on a plane flying to Jacksonville for a Supernatural convention when it aired. That meant avoiding spoilers until I finally had a chance to watch, which was well after midnight after the Saturday night concert at the convention, on a friend’s laptop in her hotel room. While we also lettered a sign for a photo op the next day. (Just a typical 2 am at a Supernatural convention…)  This was a bit of an unusual episode and not a very emotional one for the most part for us, but it had some lovely moments. Maybe this review won’t be ten pages long like my usual ones though – I hear sighs of relief from out there!

The episode opens with a music video-esque montage of someone we don’t know breaking into Rowena’s apartment and trying to steal her magic supplies. It was well done but it wasn’t Sam or Dean or Cas and it’s the last season so time with them is precious and it went on way too long. At some point my friend Alana announced “oh, she’s gonna die” – and sure enough, she did.  Just not quite quickly enough.

Cut to the bunker, Sam on his laptop, wondering if he’s hearing things. Dean in his dead guy robe – and hot dog pajamas because Dean Winchester.

Apparently Dean has been hiding in his room again, this time eating his feelings (and cereal) and escaping by watching the show that reminds him of his childhood, Scooby Doo. He’s still feeling pretty hopeless, locked into what he calls Chuck’s story of “Cain and Abel 2.0” and feeling like he’s just waiting for God to find them and make them kill each other. No wonder he feels so depressed and helpless, when you think of it like that. Sam, on the other hand, keeps researching and keeps trying.

It’s the dynamic of the entire season so far – the Winchesters take turns, one of them hopeless and the other trying to pull them out of it. It’s been the dynamic of the show as well, but now it’s intensified, alternating episode to episode in a way that sort of makes me dizzy.

Sam goes out for a jog (in the beautiful rainy Vancouver weather) and Alana and I stop what we’re doing to appreciate Jared Padalecki’s grace when he’s running.

My friend Alana: It’s like he’s floating!

Seriously, it’s a beautiful thing.

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Winchesters Caught In The Mousetrap – Supernatural ‘Game Night’

 

Twenty three more Supernatural episodes to go, and counting. Last week’s ‘Game Night,’ written by Meredith Glynn and directed by John Showalter, was the first episode I watched knowing that the Show was coming to an end, so I think I was even more attentive than usual. As in, nobody should say a word to me while I’m relishing every last second of my favorite show for the next solid year! It wasn’t a perfect episode, but it was a wild rollercoaster of both action and emotion, and that means I enjoyed it – and was grateful to be able to see a new episode. That’s going to be the case from now on in, but I’ll probably still find things to quibble about in the midst of my relishing. Okay, make that definitely.

The ‘Then’ includes Nick, which made me groan because I’m just over that story line and the inevitable tie-in to Lucifer (as is about 99.9% of the fandom, but apparently that news has not reached the network). The ‘Now’ begins with someone baking cookies and for a split second I thought it was Dean doing some nesting in the bunker, but nope, it’s Donatello humming and baking in his cozy kitchen. I really like Donatello so when the doorbell rang I started shaking my head immediately, even before he wound up tied to a table with a gigantic hypodermic needle poking into his neck. (I closed my eyes but his screams were still audible). Ouch.

Back at the bunker, it’s Winchester Game Night. Dean is fixing his favorite childhood game, Mousetrap (aww), Jack is making Jiffy Pop on the stove and Mary’s got the beers. Sammy’s out picking up the pepperoni meat intensive pizzas and one with pineapple for Jack, over Dean’s objections. It’s a nice domestic scene which means things are about to go south in a big way.

Sure enough, Dean gets a phone call pleading for help from Donatello.

Dean: So much for Winchester Game Night…

He tries to call Sam but there’s conveniently no signal – that’s Show’s favorite way of splitting characters up, oops, no service suddenly – so he and Mary head off with instructions for Jack to fill Sam in. (I do love that Sam’s voicemail says if you can’t reach him to ‘call my brother’ just like John’s always said ‘call my son Dean’.)

Once Sam gets back he says what I’m thinking – I should be there with you!

Dean assures him it’s okay, and Sam takes issue (me too, Sam).

Sam to Dean: Watch your back.

Dean: That’s the plan.

Winchester for love you, be careful.

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