Five or six years ago, I was standing in line at Wizard World Philly (as you do), wearing my Supernatural tee shirt (as you do), and another fangirl also waiting in line commented on it. We struck up a conversation, bonded as Supernatural fans, and soon realized we had a lot in common, including a fascination with fandom and the sociology and psychology of being a fangirl. Fast forward several years later, and Hansi Oppenheimer shared with me an exciting idea for her next film project – a documentary about fangirls. Would I want to collaborate with her?
You bet I would! That film became Squee! The Fangirl Documentary. We filmed segments all over the country, including at San Diego Comic Con. It was my first foray into being a producer as well as a co-writer, and I will never not be in awe of all that producers have to juggle again! We’re so proud to say that the documentary garnered all sorts of awards from film fests all over the world and, equally important, the reception from fans was overwhelmingly positive. We wanted to celebrate fandom and combat shame, and fans told us that the film did just that, with the help of some celebrity contributors too.
I’ve been a fan of the Hillywood Show since I discovered their parody videos with their first Supernatural video several years ago. Hannah and Hilly Hindi, the sisters behind The Hillywood Show, were kind enough to chat with me about that video and to also contribute some insights to the documentary film on fandom I co-wrote, Squee! I’ve been eagerly awaiting their second Supernatural parody with high expectations, but the reality surpassed them when it was released last week – Supernatural Parody 2 is a loving tribute to the show, its amazing cast, and its incredible fandom. As I took some notes on why I was enjoying it so much, I realized it’s because once again, they totally got it right – even for someone like me, who adores Supernatural and has written five books on the show and the fandom!
I was at the Supernatural convention in Denver last weekend, and there was quite a bit of talk about the new parody, which both fans and Supernatural stars Jared Padalecki and Jensen Ackles had high praise for. Jensen in particular was impressed with the production value and the professionalism of the set and the shoot, and especially with the realistic proton packs that he and Jared got to wear – they sometimes had to take them off between takes because Jared kept bumping into the door and other things. Jensen seemed excited that the blasters really worked too, which I think means they were having a lot of fun playing with them! I shared those reactions with Hannah and Hilly when we chatted.
Hilly: He did keep bumping into the door, we can confirm that one. Hannah: I just know that Jared really likes to push buttons!
Hilly: The pack, though, really was the coolest toy. They were like the real deal, so it’s the ultimate toy and Jared was like, yes! I could just see his eyes light up.
[There’s a great moment on the behind the scenes feature where Osric shows Jensen how to pull out his blaster, and he does. Then Jared pulls out his, with significantly more flourish, and Osric grins and whispers to the camera.
Osric: The gentle giant…
Jared makes the blaster light up and then asks, with his eyes all hopefully lit up, “do you want this on?”
Hilly: No, cuz that means you’re killing us…]
I laughed out loud at that.
Hilly: We haven’t been able to talk about it or hear from them since the shoot. They asked, “When can we mention it?” I told them you can’t until the video is out. So, weeks down the road now, it’s really cool to hear them talk about it.
Lynn: They definitely enjoyed it. So, after thinking about this a bit, I’ve identified ten things you got very right. I’m gonna go through them one by one, and you can comment, okay?
Number 1. One of the things that makes your parodies so brilliant and so loved by fans is that you really GET the show you’re parodying, maybe Supernatural more than even the other shows you’ve parodied. You were able to reproduce the show itself with the level of detail that fandom relishes – the kitchen set from Changing Channels, the library in the Men of Letters bunker, the proton packs with Dean’s little army man and the Colt and Sam’s with Ruby’s knife. Some of the scenes looked so eerily similar, like that iconic moment when Dean fires the Colt and kills Azazel in slow motion. How do you decide what scenes and what details to include and how much detail to put into it? It must take so much time!
I am loving the lead up to Supernatural’s Season 13 finale. With four episodes remaining, this week’s ‘Unfinished Business’ kept up the momentum and continued the work of bringing the team together who will try to save the world (from AU Michael or Lucifer or the both of them). We’ve now gotten rid of Asmodeus to clear off the playing field a bit, and by the end of this episode Castiel, Gabriel and Rowena will all be in the bunker with the Winchesters getting ready to save Mary and Jack (oh, and the world).
Richard Speight, Jr. directed this episode, which wouldn’t be OMG AMAZING in itself since he has already directed multiple episodes. What makes it OMG AMAZING is that Richard ended up directing an episode in which he also is the featured guest star! They assign the directing schedule early on, so originally they didn’t know Gabriel would be getting an origin story, or that this would be it. When I sat down with Richard earlier this year after his first directing foray for Season 13, he knew he’d be directing episode 20 but had no idea what it would be. Turns out it’s one that stars his own character, Gabriel! Not one to be easily discouraged, Speight opted to do it anyway. He must have worked his butt off, but he pulled off a tour de force performance as not one guest character, but TWO – Gabriel and Loki!
Two of Speight’s previous directing outings have been favorites of mine, especially Season 11’s ‘Just My Imagination’ and Season 12’s ‘Stuck In The Middle With You’. The latter was beautifully directed and scored, the title and the music and the directing choices a loving tribute to Quentin Tarantino’s films. That was writer Davy Perez who wrote the nod to Tarantino, but Richard told me in an interview at that time that he then knew he could pick up the momentum and roll with it.
Richard: …I decided oh, I can totally go stylized with this, we’re gonna go cinematically stylized, and I can dive in and keep fanning the flames in that direction. So that led to a lot of Western themes that I put in there, and to a Western score that got put in…. I’m a big Sergio Leone fan, and it felt like there was a lot we sort of pulled from that.
‘Unfinished Business’ also lent itself to being cinematically stylized, from some of the filming choices to the set dec to the awesome music score by Jay Gruska that really set the episode apart. Gruska apparently composed original music even for Gabriel’s kazoo solo, which was perfect for the alley fight scene – and also worked as an homage to Supernatural actor and Richard Speight good friend Rob Benedict’s band, Louden Swain (fans who love the band join in with a kazoo chorus on one of their best-loved songs). Gruska’s score was integral to the cinematic styling of this episode, making some of the pivotal scenes more memorable.
In some of the previous episodes he has directed, I’ve been impressed with the beautiful cinematography and lighting and asked Richard about it. His appreciation for director of photography Serge Ladouceur’s talent makes their collaboration a particularly striking one. In War of the Worlds, for example, he said that he’d almost over-shot the sequence with Lucifer in the hanging cage being tormented by Michael because it just looked so cool! Read more →
Vegascon is one of my favorite conventions – it’s four days of craziness, tons of my favorite fangirls and fanboys, a thousand miles of walking, and Jensen Ackles singing at the Saturday Night Special. What’s not to like? (Except maybe the thousand miles of walking part…)
This year was even crazier than before, since I was also working in the vendor room to sell Family Don’t End With Blood and our other books. But in between meeting tons of awesome fellow fans and signing lots of books, I managed to take in a bunch of panels. So I thought I’d share some of my favorite moments and photos below.
Day One: Thursday
I had to work late on Wednesday teaching, so I couldn’t fly in until Thursday afternoon. I was trying very hard to get there in time for Richard and Rob’s kick off, but the shuttle I booked to save money took its sweet old time winding its way through Vegas before finally stopping at the Rio – which was, predictably, the very last stop. That means I missed Gil and Osric onstage together, which made me very sad, and caught only part of Jeffrey Parise’s inaugural con panel. I have to say, I was taken aback by what a nice guy he is – and how attractive! Let’s just say Asmodeus is neither of those on the show, so that was a pleasant surprise. He’s also very amusing. And he spells his name the same way as my son, so of course that’s a point in his favor too. Also, he looks sort of familiar…
@Kreespa: Have you and Tim Omundson ever been seen in the same place?
I’ve known Richard Speight Jr. for a long time – a decade in fact! I loved his portrayal of the Trickster and Gabriel on Supernatural, and I’ve always loved talking to him. About the show, about the cons, about the fandom, about the business – Richard has always had the most fascinating insights. He wrote a chapter for our third book, Fan Phenomena Supernatural, which I love. And it’s always just plain fun to sit down and chat with him, especially as a wonderful way to end a hectic but fun con weekend. Richard talked about wanting to direct early on, so it’s been truly awesome to watch him pursue that dream and be successful thanks to determination, talent and lots of hard work. We don’t get to sit down and chat at the end of cons nearly as often as we used to, but we did in San Francisco. And yes, Richard still has the most fascinating insights – this time all about directing his most recent episode of Supernatural, and the incredible collaboration with cast and crew that has ensured the show’s success.
Lynn: War of the Worlds was a huge episode – It seems like (writers) Eugenie Ross-Leming and Brad Buckner often get these episodes where they tie all these plot lines together.
Lynn: What is it like directing an episode like that, with three big reveals and so much plot movement? Does it feel as unmanageable as it sort of seems?
Richard: Well, it’s interesting, there’s a double whammy. I mean, Eugenie and Brad write phenomenal scripts, I think they’re very smart writers and they’ve been doing it a long time, they’re very experienced writers in the field.
Lynn: Which may be why they give them these complicated episodes.
Richard: Yeah, and I dig what they do so I was intimidated by getting one of their scripts. I’m intimidated by all scripts, to be honest…
Lynn: Well you haven’t been doing this that long!
Richard: Exactly, so everything intimidates me. But especially since Bob Singer is a mentor of mine, they’ve been together for a long time doing great work, so that’s intimidating. And the size of the script was huge in terms of what was involved. This was very challenging because every day was chock full and we moved like a freight train, but I felt like the story was in great shape when I got the script. We didn’t have to have a lot of conversations about ‘what about what about what about’. It didn’t need much massaging, it was kinda ready to go, so I could start working right out of the gate on what I thought the show should be from a shooting standpoint.
Lynn: That makes a lot of sense yeah.
Richard: And so to me it was as daunting as anything else is, but I think the thing that was most daunting were the fight scenes, because I had several. I had Castiel in the park and then I had the big fight scene in the bar, so those are the ones I kinda obsessed about alot – especially when I had the boys being thrown around in the bar, and Asmodeus throwing Lucifer and Castiel around in the bar. So those massive moments take a lot of energy and time and stunt work.