Supernatural Brings Some Laughs with ‘Peace of Mind’

 

I watched this episode of Supernatural from an unusual perspective (for me, at least). I wasn’t able to watch Peace of Mind live, nor was I able to watch it for almost an entire week thanks to being on family vacation. (Despite what most people would probably assume, I actually do prioritize the kids over my favorite show. Okay, maybe I did sneak off and try to watch a bit of the episode on the CW app on Sunday, but that lasted about five minutes, so I gave up after only a single attempt. Pretty respectable, I think.)  This meant that I was partially spoiled for the episode, but more importantly, that I already knew what most of my social media timelines thought of it. I intentionally have a wide range of friends and acquaintances on various platforms, and they have a wide range of reasons why they love Supernatural, so it’s not surprising that some people loved the episode and some people hated it.

If you really needed a break from the angst and a good laugh, you probably loved it. If you watch for quality Misha Collins content, you were pretty pleased. If you ship Sastiel or are amused by Misha Collins and Jared Padalecki’s real life (adorable) teasing friendship, you got way more than you ever dreamt you would and were probably over the moon. If you watch for Sam and Dean and expect them to be interacting alot, maybe you weren’t. In other words, as in most things fandom, your mileage may vary.

When I tweeted that I hadn’t been able to watch and had no clue whether I’d like it or not, I had a lot of predictions from people in all those contingents about how I’d feel when I finally sat down to watch, which was also really interesting to hear. That watching thing finally happened last night, and guess what? Even I didn’t predict my reaction very accurately!

I didn’t have a strong emotional reaction in either direction, perhaps because I was already prepared for what the episode would contain. That allowed me to look at it with two different lenses, which is not the way I would usually do a review, but I think it’s helpful here. As a 42 minute piece of episodic television, I think Peace Of Mind was well done – and very enjoyable. Collins and Padalecki together in Charming Acres were comedy gold, both of them hitting just the right notes, and Meghan Fitzmartin’s teleplay giving them all the right dialogue to play with. They looked like they were having the time of their lives and that enthusiasm carried right over onto the screen. That story line – let’s call it the A story line – was particularly well done.

Misha shared at the Nashville Supernatural convention last weekend that there had been a scene where Sam lands on top of Castiel, and that Jared had way too much fun with that, including making “an impact”. That little tease primed me for the scene, and when it actually happened I laughed out loud, imagining all the fun Padalecki must have had with a trapped Collins who’s trying to stay in character. I’m crossing all my fingers and toes for lots of gag reel content from that one, because Phil Sgriccia was directing and he definitely knows when to let the cameras keep rolling!

I loved the set dec and locations that transformed a part of Vancouver into the idyllic and picturesque (according to Cas) Charming Acres, and the campy music and back-in-time costumes. Supernatural never cuts corners and it shows.

The B story line, as Dean tries to figure out if Jack is in the angel or devil camp (at times with a Twinkie choice test), worked less well for me, but perhaps that’s inevitably colored by having expectations for how these characters would be feeling after recent canon events. There was humor there too, but it didn’t work as well for me in the B story line. That may be because there just wasn’t as good a reason for the departure from the Show’s usual angst and darkness, like there was in the A story line. Alex Calvert and Keith Szarabajka (Donatello) had some lovely scenes together, but I think the back and forth between what was happening in Charming Acres to Cas and Sam and then to what was happening with Jack and Dean kept jarring me. I was more invested in the Sam and Cas story and didn’t want to keep being yanked away, which is a recurring problem with me and Supernatural when they have two separate story lines running.

From purely the perspective of an episode of television, the bookended brief Winchester brothers moments at the start and end were a separate thing too. They worked for me, and I was glad they were there, but perhaps that’s largely because I was waiting for them as a Supernatural fan.

So that’s the first perspective. Congrats to Meghan for her first episode as a writer and to Steve Yockey for his co-writing, especially for the entire Charming Acres story line. I literally laughed out loud – more than once!

The second perspective is of someone who has watched Supernatural since the beginning and is emotionally invested in this season’s story line as well as in the individual characters. From that perspective, I wasn’t quite as happy with the episode. Did we need a break from the angst? I know some people did, but I was in my happy place after the emotion-drenched episodes we had in the middle of the season and craving nothing more than a continuation of that angsty Winchestery goodness. I do enjoy the “funny” episodes, and I did enjoy this one, but I was also a little frustrated that it popped into the middle of a pretty serious overarching story arc.

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Rowena is Back, Eyeballs Ewww and Other Thoughts on Supernatural ‘Ouroboros’

 

Supernatural was back from its mini-hiatus last week finally. I absolutely loved the last few episodes, so “Ouroboros” had a tough act to follow. It turned out to be an episode with some excellent moments and it definitely held my interest throughout, but there were a bunch of head scratching moments and we all know I don’t like those. On the other hand, I was thrilled to have Rowena back on my screen, so that combined with some great emotional scenes left me at least intermittently happy.

The episode, written by Steve Yockey and directed by cast favorite Amyn Kaderali, starts with a memorable scene (perhaps not for my preferred reasons, but…), a mostly shirtless barefoot dude cooking with some good music playing. I love the way it’s filmed and directed, almost like a sorta sexy version of a cable tv cooking show. Except, because this is Supernatural, it turns out barefoot dude is cooking a recently murdered man and slicing and breading and frying his organs and popping out his eyeballs for a snack. I literally said “ewwww” out loud. A new high for Supernatural’s enjoyment of making its fans have to stop eating their traditional pie slices. It was a well done opening, though, and I’d sort of like Noah (very well played by Phillippe Bowgen) if he wasn’t so busy eating people.

The CW/WB

Team Free Will Plus (TFW+) arrive too late and are understandably frustrated. Rowena gives Cas a flirty “Hello, Castiel”, and gets a puzzled look in return, which was sort of adorable. Then we unfortunately get our first head scratching moment. Rowena is the only one who notices that the corpse (and apparently the other similar corpses they’ve found) has black around his lips and really, the Winchesters didn’t notice that??? Too busy focusing on the cannibalism to, what? Be hunters??

Head scratch. Grrrr.

Rowena dispenses some wisdom to Jack when he asks if the black around the lips means something.

Rowena: Dear boy, everything means something.

She’s right, and Sam and Dean and Castiel know that, Show. We ALL know that!

There’s an overt (maybe too overt) theme running through the episode of “I’m fine, everyone’s fine” which starts with Rowena and Sam in the next scene as they research who this monster might be and why he always knows they’re coming. As they work, Rowena questions how Jack is okay and what kind of magic they used, and Sam just says ‘he’s fine’. She also wonders how Dean is managing to keep an Archangel locked up in his head.

Sam: Because he’s Dean. And Dean is…. Dean. He’s fine.

Of course he isn’t, but that’s sort of the point.

Meanwhile, Dean and Castiel have a diner chit chat while Jack is in the bathroom coughing up blood ominously. Cas is empathic with Dean, saying he can’t imagine the willpower it’s taking to keep Michael locked up, but Dean insists he’s fine.

Dean: That’s what I’m supposed to say, right?

Me: In this episode, yes, definitely.

Dean insists that it’s on him to keep it up, even if it means no sleep, but Cas protests.

Dean: It’s on me.

Cas: No, it’s on us. We’re here to help you.

Gif justjensenanddean

It’s a nice gesture, but Sam and Cas actually can’t do a damn thing to help Dean other than let him keep hunting to stay distracted. But as Castiel rightly notes, it’s not sustainable.

Jack uses up some more of his soul in the bathroom to heal himself and returns to the table, also insisting he’s fine.

Dean: See? Everyone’s fine.

Me: Everyone is so not fine.

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Back to Happily Squeeing – over Supernatural ‘Nihilism’!

 

I spent Supernatural’s mid season hiatus guardedly optimistic about the second half of Season 14 after feeling less than elated about the end of the first half. Then I was out of the country last Thursday when my favorite show returned and couldn’t watch until now – so imagine my absolute joy when I finally sat down to watch ‘Nihilism’ and sat there riveted the entire time. I might have yelled “YES!” and “That’s my Show!” more than once, and I might have had a big grin on my face at times that probably weren’t even appropriate for big grins, but I was just so happy to have my Show back! Thank you, Steve Yockey, for that beautiful story, and Amanda Tapping for that beautiful direction.

It’s already Thursday again so this is less a review or recap and more a few emotional reactions and thoughts as we gear up for tonight’s new episode and get closer to the 300th episode that I’m so anticipating.

‘Nihilism’ had some nostalgic touches, which almost always puts a smile on my face. I’ve been watching this Show for 14 years, and it feels good when the Show remembers its own history and acknowledges its own fandom. Dean’s fantasy world in his own head where Michael has trapped him is full of those touches – it’s Rocky’s Bar, complete with a stuffed squirrel wrapped around a Margiekugel’s beer bottle, a tap from “FB Beer Company” and references to “an IPA from Austin”.  The little in-group nods to Dean’s nickname of ‘Squirrel’, a Scoobynatural nod with ‘Daphne Loves Fred’ carved into the bar, and Jensen’s real life (Family Business Beer Company) brewery in Austin were happy making.

Although that taxidermied squirrel kinda brought back some unusual con memories….you know what? Never mind.

And who’s Dean’s partner in his dreamt up ideal world? None other than Pamela Barnes, the woman who unapologetically appreciated both Winchesters’ assets and always told it like it is (threesome, anyone?). I can see Dean appreciating a woman like that, and I have always appreciated her too.  I also love Traci Dinwiddie, who was a guest at some of the first Supernatural cons, and was so happy to see her back on the show.

The fact that Dean’s fantasy world has him being a badass brawling bar owner (who’s famous…) repeatedly beheading attacking monsters was so perfect – so very very Dean.  Of course he’d still be hunting monsters and saving people, even in a dream world! Also that gives us interesting shots like this…

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Supernatural ‘Optimism’ – Some Laughs, Some Feels and A Bit of Head Scratching

 

Last week’s Supernatural episode, hopefully titled ‘Optimism’, was one of those episodes that fandom didn’t agree on. And that’s okay. Like most episodes of this Show, there were things I liked and things I didn’t. I’ll get to the elephant in the room thing in time, but first, a look at some of the things that worked for me and what didn’t.

Richard Speight Jr. directed the episode, and I tend to really enjoy his directing, so that was a point in this episode’s favor. I like his pacing, and his editing, and I really really like the way he embraces the quirkiness of Supernatural that has always been one of my favorite parts of the Show. Writer Steve Yockey is a good partner for that quirkiness and the two worked well together here. From the first frame, the weirdly upbeat music presents the small town as too-good-to-be-true, including Harper the perky town librarian. She’s got at least two quirky suitors, one of whom seems dangerously jealous and slightly unhinged, so we immediately are suspicious that something bad is going to happen to too-good-to-be-true librarian.

Sure enough, it does. Winston, the nice guy suitor who Harper clearly isn’t into, saunters down the street feeling good about himself after Harper agrees to dinner, and the familiar strains of Stayin’ Alive start to play. Speight mimics the view of John Travolta’s iconic walk in the opening of Saturday Night Fever, which comes off as amusingly ironic when applied to Winston.

And also announces to us that poor happy Winston is probably not long for this world. Yep. Splat.

I loved that whole opening, and it had Speight’s directorial touch all over it.

Back to the bunker, where Jack is piling a ton of sugar into his coffee (ewww) and Dean is looking for Sam. We find out that Sam and Charlie have gone off on a stakeout because Dean was somewhere else and that means we’re not getting Sam and Dean hunting together for a little while. Not something that makes me particularly happy, but I’ll roll with it.

Jack about Sam and Charlie: They’re probably doing something really exciting…

Cut to Sam and Charlie, sitting in a truck and looking bored to death.

These are the edits that Speight is excellent at, the juxtaposition and Jared and Felicia Day’s acting skills making just that little bit hilarious. It was the first time I laughed out loud during this episode but not the last.

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Things Get Serious with Supernatural ‘Funeralia’

The ominously titled “Funeralia,” written by Steve Yockey and directed by (one of my favorite directors) Nina Lopez-Corrado, kept the momentum going as Supernatural nears the end of Season 13. I had a few quibbles with this episode, but there was quite a bit that I loved a lot.

This episode had only two story lines going, which made the back and forth feel less overwhelming than it sometimes does, and I appreciated that. It let the emotional impact of both story arcs come through much more clearly, and honestly, that’s usually my favorite thing about an episode of this show. Adventure is good, but I watch for the emotional resonance, for the characters who are so real that they feel things – and I can feel with them.

Story line number one was Castiel and the fate of Heaven and the Angels. I am not always very adept at following the angelic story lines because they seem to shift from time to time when I’m not paying enough attention (or maybe that’s why I don’t pay enough attention). In this episode, Naomi reminds Cas (who apparently already knew) that Heaven is powered by angels, and without angels, all the souls housed there will fall to earth as ghosts. Huh? Weren’t there whole seasons when no one – Cas included – was at all concerned about the angel population and everyone seemed very willing to lead armies against other angel factions and kill lots of angels? Was nobody worried about Heaven being out of power as a result?? There was a time when Metatron ejected all the angels from Heaven, so I’m not sure how it kept being powered up then (or maybe he left a few dozen up there?) I also didn’t think it was powered by angels in the first place – wasn’t it powered by souls? And that’s why everyone wanted them from Purgatory? And then there was also the reapers are actually angels thing, which nobody mentioned this time, but I think that went away rather quickly which is probably for the best.

At any rate, I was a bit confused by all that new information about Heaven. Angel and Heaven canon in this Show tend to be a bit flexible, which is not my favorite thing. I was also confused about why no one told Cas that Lucifer was actually in Heaven – and where is he, for that matter? Or Jo?

Those quibbles aside, Misha Collins and Amanda Tapping made the Heaven story line compelling anyway, because they were both so damn good.
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