Tag: Kim Manners

Supernatural’s Powerful Season 2 Finale: All Hell Breaks Loose Part 2

Supernatural’s Powerful Season 2 Finale: All Hell Breaks Loose Part 2

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We have finally made it through the second season of the best show of all time (imho) in our Supernatural rewatch! Settle in as we revisit one of the most emotional episodes of the entire series – and one that stands up remarkably well to the test of time. As in, it still made me cry and I still think it’s one of the best hours of television ever as I write this almost exactly sixteen years later. Buckle up!

The season finale of the second season of Supernatural was a two parter that almost destroyed me.

Being uncertain whether Sam Winchester would survive – and whether the brothers and the show I’d fallen in love with would survive too – was excruciating. The level of emotionality I felt watching this episode broadcast live back in May of 2007 was off the charts. Remembering it today, and rewatching it all these years later, I still found myself tearing up. I bet you will too.

The Road So Far recap is a surprise to anyone watching now, who would expect Kansas’ ‘Carry On Wayward Son’ to be played for the penultimate episode instead of the finale, but in Season 2 it first graced our screens in this season finale. The voiceover reminds us that back in 1835, Samuel Colt made a special gun… and then there is such a badass recap OHMYGOD. The Impala screeching, a reminder of the crossroads and what desperate people do there, the Yellow Eyed Demon trying to recruit Sam. Andy’s bloody horrifying death, Jake and Sam’s fight, and then Dean screaming “Sam, look out!”

We see once again Sam fall, Dean holding him as the lyrics reach “Don’t you cry no more” and Dean yells out desperately, “SAM!”

And then, it’s NOW.

Sam lying dead on an old mattress, the camera slowly spinning to show us Dean staring at his brother, his face flat, almost frozen. As lifeless as Sam’s body.

Bobby comes in with food, encouraging Dean to eat something, but it’s clear Dean could care less about nourishment – or living.

Dean: I said I’m fine.

It’s striking how he can barely tear himself way from staring at Sam’s body, perhaps a little Ackles added touch that makes it crystal clear how far away Dean is from acceptance or letting go.

It’s also striking how otherwordly beautiful both Jensen Ackles and Jared Padalecki are in this episode. It quite literally takes my breath away.

Bobby: Dean, I hate to bring this up, I really do. But don’t you think maybe it’s time we bury Sam?

Dean is so full of rage at that suggestion that he looks like he could kill Bobby on the spot.

Dean: No.

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Supernatural Rewatch: The Season 2 Finale That Left Me Reeling – All Hell Breaks Loose Part 1

Supernatural Rewatch: The Season 2 Finale That Left Me Reeling – All Hell Breaks Loose Part 1

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I still remember how shaken I was by this episode. It was Season 2, the show was on the verge of being cancelled constantly. We didn’t know for sure what its future was, and that made the ending of this episode unbearable as Sam died in his brother’s arms. I remember just sitting on the floor and sobbing, and then being unable to stop thinking about it all week as we waited for Part 2, the season finale. It wasn’t the first time the Show ripped my heart out, but it was the first time I couldn’t shake it off with a reminder that this was a television show and not real life, that Jared Padalecki was out there living his best life in spite of just having watched Sam Winchester die, and everything would be fine. It didn’t feel that way.

And that is damn good story telling.

This is a Sera Gamble penned and Kim Manners directed episode, which should tell you alot about how incredible it is. The THEN reminds us of the Winchesters’ tragic history, Mary burning on the ceiling setting her boys off on this dangerous road they’re still traveling. The Yellow Eyed demon and the special children that were chosen for something still unknown – Andy, Ava. The warning that there’s something big brewing, enough to frighten a scary man like Gordon. Bobby’s warning that a storm is comin’ and Sam and Dean are smack in the middle of it.

Sam’s scared, wondering if maybe this is the YED’s plan, that they’re all…

Dean: What? Killers? Give me a break!

Refusing to believe that about his little brother.  They find sulfur at Ava’s house, know that the demon has been there.

Sam: You can’t run from this — and you can’t protect me.

That, right there, is Dean’s worst nightmare.

Dean: Damn it Sam, this whole thing is spinning out of control!

NOW

The impala pulls up to a café in the middle of nowhere, an example of the brilliant location scouting of Russ Hamilton and set dec of Jerry Wanek and the amazing collaboration that Supernatural was. Most of this episode’s outdoor scenes (which is most of it) are filmed on dark rainy nights, puddles and mud on the ground and raindrops glistening on Baby’s sleek black metal. It sticks in the boys’ hair, on Bobby’s battered cap. It’s beautiful, but it adds to the sense of tragedy that’s coming, and Kim Manners takes advantage of every moment of it.

Sam goes inside the diner and Dean reminds him not to forget the extra onions. It’s a few glorious moments of the brothers being brothers, Sam arguing that he’s the one who will have to ride in the car with Dean’s extra onions and Dean grinning smugly.

Dean: Hey, see if they’ve got any pie – bring me some pie!

He settles back in the seat, murmuring what will become a Supernatural-ism – “I love me some pie”

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Sam scoffs as he goes inside. A few of the simple pleasures that the brothers enjoy on those long drives, a random cafe in the middle of nowhere that might have some home-baked pie. An opportunity to annoy your brother by eating lots of onions on your burger, or an opportunity to bitch at him if he does.

Supernatural excels at setting you up with a feel-good scene, all warm and cozy, and then suddenly turning everything ominous and dark in a heartbeat. There’s static on the radio suddenly, the rainy night now seeming dangerous – and when Dean looks up at the diner, he can’t see anyone inside now.

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Supernatural Breaks All Of Ours with Season 2’s Powerful “Heart”

Supernatural Breaks All Of Ours with Season 2’s Powerful “Heart”

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The 17th episode of the second season of Supernatural is one of the best, most emotionally impactful episodes of the series. That’s no surprise when you realize it was written by Sera Gamble and directed by Kim Manners. Together, Manners and Kripke and Gamble shaped Supernatural in essential ways, and the team of Gamble writing and Manners directing was bound to be incredible. Add to that Ackles and Padalecki knocking it out of the park and guest star Emmanuelle Vaugier keeping pace with them every second and you have one of the episodes that fans often use to lure unsuspecting new fans into the Supernatural fold. I’ve seen this episode many times, and it still brings tears to my eyes and breaks my heart a little every time. That’s good television!

The episode begins in San Francisco, an attractive woman named Madison (guest star Emmanuelle Vaugier) laughing in a bar with friends. She blows off some guy Nate who wants her to come back to the office with him, and then sees an even more creepy looking guy staring at her through the window. It understandably freaks her out and she leaves – though walking out into the dark alley to get to her car seems like a bad idea to me, but what do I know? I would have at least had someone walk me to my car!

Nothing happens, though, other than the creepy guy watching her drive away. And some gorgeous Kim Manners mirror shots.

The next morning Madison makes coffee in her office when she notices a smear of blood on the wall – and then more on the floor. She walks with trepidation toward Nate’s office, and we see his hand covered in blood before we see him. When she rounds the corner, Nate is lying dead on his desk, torn apart. She drops the coffee pot, screaming. The pot shatters.

All of us: Now that’s a Supernatural opening if I ever saw one!

It’s pure Kim Manners brilliance, from the way Madison at first sees just a small smear of blood and isn’t sure what it is, to the tentative way she comes closer. The shot of just Nate’s arm and hand, bloody, all she can see as the realization of what this is slowly sinks in, and then the full on shot of Nate very very dead, torn apart and bloody. The close up slow mo shot of the coffee pot dropping and shattering is just perfect. Chilling.

Teaser ended, we cut to the boys, as we always did especially in the early seasons. They view poor Nate’s corpse in the morgue, Sam using his puppy dog eyes to charm the attendant into saying that off the record it looks like Nate was attacked by a wolf.

Attendant: But unless I know that the zoo is missing one of their lobos, I’m going with pit bull. I like my job.

Sam: (smiling) Yeah, I hear you.  One more thing – was this guy’s heart missing?

Attendant: Yeah, how did you know that? I haven’t even finished my report.

Sam: Lucky guess.

These boys though, who could resist giving them the information they’re after? I mean, look at them!

Then we get a little glimpse of Winchesters on the road, iconic in its simple familiarity. Early seasons Supernatural life in motel after motel, sleeping in the Impala in between, is the stuff that fanfic is made of. It warms my heart today, fifteen years later.

Dean cleans his guns as he and Sam discuss a new case – “hookers” murdered in the week leading up to the full moon, their hearts missing.

Dean: Awesome.

Sam: Could you be a bigger geek about this?

Dean’s excited about the prospect of “badass” werewolves, which they haven’t seen since they were kids.

Sam: Okay, Sparky. And you know what? After we kill it, we can go to Disneyland.

Gamble was so good at exploring the dynamic between the brothers – the affection beneath their bickering and teasing especially. Sam and Dean are very different, but at this point in the series, they’re accepting their differences and starting to appreciate each other’s strengths more. Most of the time anyway.

Rewatching this episode now in 2022, we all started giggling as soon as this scene began – because it is also one of the iconic gag reel moments, as Jared and Jensen start bickering just like their characters while Jensen has trouble with the prop gun.

Jensen: I’ve got a line, you moron!

The truly wonderful thing is that there’s just as much affection beneath Jared and Jensen’s teasing as there is Sam and Dean’s. At this point, they had already become brothers on and off set. And that chemistry powered the show for 13 more seasons!

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Happy 44th Birthday, Jensen Ackles!

Happy 44th Birthday, Jensen Ackles!

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I can’t let March 1 go by without wishing a happy birthday to Jensen Ackles, who has made a significant impact on so many people’s lives, including mine.

I love so much about Supernatural, but I don’t think I would have been as captivated by Dean Winchester as I was 16 years ago if someone other than Jensen had played him. The way he cared about that character, making him nuanced and complicated, imperfect and heroic, and achingly real, made all the difference. Add to that, the way he and Jared Padalecki became brothers on set and off brought the Winchesters to life and created a relationship and a story so unique and powerful that I will literally never get over it.

It’s been a rough few years, and a really rough last month – I recently lost my OG partner in crime Kathy, who fell into Supernatural with me way back in 2006, so I’ve been thinking a lot about those early days that we wrote about in ‘Fangasm Supernatural Fangirls’. We were both ‘Dean girls’ which means that Kathy and I spent a lot of time appreciating one Jensen Ackles.  We spent whole weekends binge watching Jensen’s earlier shows and movies, rewinding (yes, it was that long ago) favorite scenes from Dark Angel and Dawson’s Creek and Blonde and even Devour (yes, you know the one), sipping cold drinks and occasionally swearing or slapping each other on the knee because DAYUM.

We loved all of his performances, but he drew us in with his brilliant portrayal of Dean Winchester, and that ended up changing both of our lives. Half of our story in ‘Fangasm’ was the two of us propelled by some permutation of “how can we meet Jensen Ackles” into roadtrips and flights and online communities and all kinds of unlikely adventures. How do you thank someone for inspiring something like that??

Over the past 16 years, my appreciation for Jensen has evolved –not that I’m not still a Dean girl, because that is FOREVER, but I also have a lot more genuine appreciation for how hard Jensen works and how much he cares about what he does. Because I care so much about Dean too, I am incredibly grateful for that. I’ve been fortunate enough to be on the set and watch him work, and to talk with him about the show and the character many times over the years (and to play an ongoing game of guess-what-was-an-adlib which even he will admit I got frighteningly good at). Dean fascinates me as a psychologist, and I have loved discussing what makes him tick with Jensen – who invariably gets him better than I or anyone else ever could.

I’ve seen how much he puts into a performance, and witnessed firsthand how emotional he is when he’s just gone through something traumatic as Dean. It’s striking, and for me as a non-actor, frightening in how much it clearly takes out of an actor who embodies a character like that. I’ve seen how much he cares, and how much he puts into trying to make a scene ‘right’ – for Dean. I’ll appreciate that always.

I’ll be over here mourning Supernatural forever, which will surprise exactly no one reading this, but as I write this in 2022 I’m also so excited for all the amazing new things Jensen’s doing – if anyone thought all the Supernatural actors wouldn’t be a success after the show ended, they were certainly wrong! I can’t wait to see him bring a new character to life on The Boys, reunited with Eric Kripke on a show I’ve been watching since the start and loving (and enjoying dissecting of course).

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Supernatural’s First Mention of Angels in Season 2’s Houses of the Holy

Supernatural’s First Mention of Angels in Season 2’s Houses of the Holy

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The unlucky number 13 episode of Supernatural’s Season 2 is actually another iconic one. It’s one that was striking at the time because it was so beautifully directed and filmed (by Kim Manners) but it’s even more striking now as we’re doing a rewatch in 2022 because it’s the first episode to mention something that will become integral to the show – angels. Kripke famously didn’t want to include actual angels in the show originally, thinking that would be too much of a stretch and a venture into religious territory the show wanted to mostly avoid, but the writer’s strike changed the ending of Season 3 and Dean went to hell and they needed something to quickly pull  him out – voila, an angel! That decision changed the course of the show, but at this point in Season 2, angels were still something outside the realm of Supernatural.

Of course we don’t know that for most of this episode, which makes it a nice tease – and then a crushing disappointment for Sam. Knowing now, post series, that the God who Sam desperately wants to have faith in turns out to be a real dick, makes young Sam’s desperation to find something good to believe in even more heartbreaking. Sam is just plain good himself throughout the show, but he can’t see it, and religion/God/angels bring him some hope. Unfortunately that hope is misplaced – it will take Sam and Dean a while to realize that they need to put their faith in each other instead.

The opening segment is scary, a young woman watching television alone, smoking a cigarette (which was probably a little more common on network television in early 2007 than it is now). I’m not very observant because I didn’t realize she was supposed to be a sex worker, but I guess the heavy makeup and smoking a lot were supposed to convey that?

In typical Supernatural uh oh something’s wrong fashion, the lights start flickering. The woman changes the channel to a televangelist proclaiming that “the Lord is with you, look up and see the light” and even when she turns the TV off, it comes right back on. That is never good!

We see her alarm through the angel figurines in her apartment, in one of many striking Manners shots.

“The lord is talking to you right now, you have a purpose, it’s time to receive the message he’s sending,” the TV says. The camera pulls in closer and closer as everything starts to shake, furniture falling over, lamps crashing down. An angel figurine on the end table spins around madly as the woman becomes more and more terrified. Suddenly there’s a bright light, and then a figure appears in the light. The woman’s mouth falls open in awe.

And then it’s some time later, the same woman sans makeup and cigarettes sitting on her bed and reading a bible. The psych tech in very attractive white scrubs (aka Sam Winchester) comes in to ask her some questions, and she asks if he wants to know if she’s stark raving cuckoo for cocoa puffs (which is a reference some people watching the show now might not even get!)

Sam’s empathic.

Sam: I didn’t say that.

His empathy (and that adorable shy smile most likely) allows her to open up, and she says that she thinks that what she saw was real. Sam closes the chart and makes eye contact instead of writing notes – he’s so good at making people feel at ease so they’re comfortable confiding in him – and says he’d like to know what she saw. Did God talk to her?

She says no, but he sent someone – an angel.

Sam is skeptical, but he listens.

The woman insists that what she did was important, that she helped the angel smite an evil man (who she stabbed to death). That even though the angel didn’t give her the man’s name, he told her to wait for a sign – and then she saw it.

Sounds like a very dangerous way to go after evildoers!

Sam goes back to the motel and finds Dean enjoying the bed’s Magic Fingers. He’s lying on his back looking super happy, trembling all over with the vibrations and listening to his iPod, mouth gaping a little because, as always, Ackles is very good at conveying what Dean’s feeling. In this case, pleasure. Mmm.

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