A Most Happy Review for Supernatural A Most Holy Man!

 

I really enjoyed last week’s Supernatural episode, which feels really good to say. I don’t like not loving episodes – it makes me feel like my entire universe is somehow tilted in a wrong direction – so it’s almost a relief when Show comes back with an episode that I can thoroughly enjoy. From the very first scenes, I loved the look of it – the dark and dimly lit, atmospheric quality that it had. In some ways, it was very much an old school Supernatural episode, dark (literally) and full of twists and turns and Winchesters on a hunt for something personally important to them. Struggling with conflicting ideas of what’s right and wrong and whether the ends justify the means and struggling with their own faith in the face of overwhelming odds and too many losses. All the while teasing each other in the easy way that brothers who know they have each others’ backs no matter what can do – and knowing when the other doesn’t need teasing, but listening and empathy, and giving it freely. All that was in this episode, together with a double-triple (quadruple?) game of Clue with the Winchesters in the middle. Thank you, Bob Singer and Andrew Dabb, for writing such a satisfying episode.

I’ve come to like Amanda Tapping’s directing very much – she doesn’t rush, allows us to revel in the gorgeous lighting and cinematography that Serge Ladouceur and his team invariably bring, and to savor the beauty of the actors onscreen too. Chris Lennertz added a unique score that underscored the feeling that we were back in time throughout the episode, giving it a surreal noir feel that made it both fun and quirky. I like fun and quirky.

With Castiel tracking down clues in Syria (did he have to fly there?) Sam is in research mode, which is also old school, and Dean tired of pizza and wryly noting that the internet is not just for porn, Avenue Q classic aside. So off they go to try to find the blood of a saint, which leads them to a lady named Margaret (Leanne Lapp) who also looks like she’s right out of another era. All the set dec reinforced that feeling, with old hotels full of potted palms and flocked wallpaper and sconces for lighting – I felt like we were in the Tower of Terror ride lobby at Disney! (That is a very positive association for me…I love that ride…)  Margaret definitely appreciates what a handsome man Sam Winchester is, for which I totally could not blame her – also Jared’s acting as Sam literally jumps when she unexpectedly (and pointedly) lays her hand over his on the table was A+. He quickly clues in and uses her attraction to his benefit. Also A+. Smart Sammy.  Dean, on the other hand, definitely does not appreciate Margaret’s blatant appreciation of his little brother, which of course Jensen conveys with just his facial expressions.  Eyeroll much, Dean?

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Supernatural 13.14 – Good Intentions!

 

It’s Monday morning and I’m still sitting here pondering the last episode of Supernatural. Make no mistake, my enthusiasm for the Show is as healthy as ever – otherwise I wouldn’t have spent the last three days thinking about it! This season has been uneven for me, with some wonderful episodes and some wonderful moments even in episodes I didn’t love, but when I get two in a row that don’t show me as much of the Winchesters’ perspectives as I need to see, I get impatient for more of what drew me into this show in the first place. This week’s episode was written by one of my favorite writers. Meredith Glynn wrote the incredible ‘Regarding Dean’, one of my favorite episodes of the entire series – so I went into this episode with high hopes after being disappointed by the last one three weeks ago. There were definitely things I liked about this episode, and it was indeed well written, but it didn’t leave me jumping up and down and screaming about my love of my Show, which is where I really like to be at the end of a new episode.

Someone on Tumblr wrote a provocative little post after this week’s episode about how Supernatural was never meant to be an ensemble show. The premise that drew me in was the story of these two brothers – two characters who have fascinated me for going on thirteen years. I enjoy Sam and Dean’s relationships with the other important people in their lives, which enriches my understanding of them, but Sam and Dean are my route in, and if I don’t have that route in, I feel too much on the outside instead of immersed like I want to be. The episodes that relegate Sam and Dean to more of a supporting role don’t have the emotional resonance for me that I’ve come to count on with this show. They may be good episodes in the sense of a self contained 42 minutes of drama, but they don’t give me that unique thrill that watching Supernatural does.  I’m the last person to suggest that anyone should keep up the sort of pace that Jared and Jensen have for the past twelve years because I care about them as human beings, but some have suggested that a shorter season would be a win/win alternative and I think I’d be down with that.

Let me be clear – I really liked a lot of this episode. Just not fangirl-thrilled-jump-up-and-down-OMG-I-love-this-Show kind of like, but like nevertheless. I think the scenes I enjoyed the most were the ones in the AU. I realize that seems to contradict what I said before about Sam and Dean being my route in since they weren’t even in the AU, but it’s not just having them onscreen, it’s having an emotional and psychological focus on them, and that didn’t happen in the ‘real world’ portion of the past few episodes either. The AU story was well done, it just didn’t leave me squeeful.

I liked the opening scene with Jack dreaming of being back “home” with Sam and Dean, even if I recognized it as a manipulated image from the start. The glimpse of what Jack longs for — his fantasy of Dean saying “You, me and the kid, home safe where he belongs” was heartbreaking. It’s so much the theme of Supernatural, that longing for family, the ability to create those bonds both with blood and without, and I was reminded how young Jack is with that glimpse, and how much he does long for that sort of family love and acceptance. For whatever it’s worth, Jack has bonded with Sam and Dean. They are his attachment figures, the first people who protected him and nurtured him. That early bond is powerful, resistant to a lot of outside attacks (as Michael (Christian Keyes) and Zachariah (Chad Rook) are finding out).  Jack’s deepest desire is to do right by Sam and Dean, to save them as they have saved him – I wanted to cry when his cruelly manipulated dream took such a dark turn and he was unable to save them.

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What Is Happening?? Lynn and Nightsky Live on Supernatural ‘Devil’s Bargain’

Last week Lynn and Nightsky (from the Winchester Family Business) were at an academic conference on Popular Culture, giving carefully prepared papers on (what else?) Supernatural and moderating panels and generally working our butts off. So Thursday night was a welcome break to watch the new Supernatural episode with a room full of fellow acafans (academics who are also passionate fans). Oh, and pie. Lots of pie.  Being the resourceful women we are, we loaded up some plates with free conference food and then crowded into our friends Susan and Mandy’s room. Balancing overloaded plates precariously, we settled in to watch. Come along with us, if you will, to see what happens next…

The THEN came on and the room fell silent. For a minute anyway.

Lynn: KEVIN! Is Osric in this episode? Please let Osric be in this episode! (Alas, Osric was in fact NOT in this episode…)

The NOW begins, which repeats the scene we saw last week of Castiel and Lucifer having a tussle, and Lucifer full on lunging at Castiel and stabbing him in the stomach. Wait, what? Is that what we saw last week?

Nightsky: Hold on, when did that happen??

Lynn: He stabbed him last week but not like THAT, am I right?

Susan and Mandy (who remember things much better than the two of us) He did stab him last week, but he swiped high, it was a high slice not a gut stab!

Cas staggers through the woods, clearly way more injured than he seemed to be last week when he prevailed and stabbed Lucifer instead. He falls to the ground – to be found by the shocked teenagers of the week who of course do what? Poke him with a stick.

Everyone in the room: WHAT IS HAPPENING??

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Lynn and Kim talk Supernatural and its ‘Various and Sundry Villains’

I haven’t seen so much commentary on a Supernatural episode – and not just by the big outlets who routinely cover the show – in a long time. I’m talking fannish thinky thoughts – on Tumblr, on Twitter, on Facebook, even on LiveJournal! And that says something about ‘Various and Sundry Villains’ and the way Steve Yockey wrote the characters and the story arc this week. It was also the week to honor female directors and filmmakers, so having Amanda Tapping back to direct was wonderful – and she did an amazing job. Not only did the humor come through, but Tapping filmed the emotional scenes in a powerful way – often in ultra close ups, evoking the intimacy of the moment we were witnessing. (And also showing off our very beautiful cast…)

Ruth with director Amanda Tapping – tweet Ruth Connell

So here are my own thinky thoughts to add to the mix, and because everyone had something to say about this episode, here are some of Kim’s (my talented photographer friend) too. Amusingly, we agree passionately about some things and have a completely different take on others. But that’s how fandom should be! What we have in common is a deep love for this Show, which lets us disagree and still have lots in common.

Like most, I loved a lot about the episode, or at least I loved the overwhelming majority of the episode. The two very emotional scenes were award worthy, no question.  There were some times when the episode felt like a roller coaster though – or more accurately a Wild Mouse – because every so often it would lurch to a stop and leave me hanging onto the lap bar going wait, what? There was an unnevenness to it that was jarring at times, and that was confusing – perhaps because there was a TON happening. We’re back to multiple story lines, and that switch back and forth never sits entirely well with me. Every time I get deeply invested in what’s happening we switch to the other story line and I have a moment of irritation before I can make that mental switch too. It’s a common thing on Supernatural, but I don’t entirely enjoy it. My brain likes to go deep and then stay there, especially when my emotions are deeply engaged, as they were in much of this episode.

Kim is much more forgiving. At least she thinks she is…

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Five Things To Love about Supernatural ‘Breakdown’ (Okay, maybe 6…)

 

I have to teach on Thursday nights this semester, which means I can’t watch Supernatural live. This makes me very cranky, which should surprise no one. But this week, I think it might have been a blessing in disguise. I came home and jumped on twitter to ask the SPNFamily whether I needed tissues at the ready to watch this episode. What came back was a barrage of suggestions, and not just for tissues:

Tissues and a security blanket….Tissues and a teddy bear… Tissues and a stiff drink….Tissues and a heart rate monitor…

Wait, a what? It was clear this episode was not going to be easy to watch. But because I’m a long time Supernatural fan, all that did was ramp up my excitement! Sure, I gathered my tissues and blankie and a glass of wine, hoping my heart would hold out without the monitor, but I was jumping with anticipation more than dread. It’s been 13 seasons of Supernatural scaring me and disturbing me and breaking my heart and I’m still watching, after all. (It makes those rare times we get affection and triumph and saving the day all the sweeter).

Breakdown did not disappoint. So instead of a recap, here’s what I loved about this episode. In no particular order other than I’m saving the one I really want to go on and on about until last. Read more

Supernatural 13.10 – Wayward Sisters!

 

Last Thursday was a day full of anticipation for the Supernatural fandom – it was the day we finally got to see the Wayward Sisters episode. Wayward Sisters was not only an episode of Supernatural, but a backdoor pilot for a possible spinoff starring instead of two brothers, six women! That fact alone, unfortunately, is pretty unusual on television, let alone on the CW. Women’s voices are finally being heard a bit more both in media and in the world in general, so the Wayward Sisters pilot is coming at a good time. Perhaps not only the Supernatural fandom but a whole lot of viewers are ready for a show whose leads are all female.

At least I hope so. Don’t get me wrong, I love Supernatural and I love it just the way it is. The show has had some amazing female characters over the years, including the ones who star in Wayward Sisters, and it has evolved from the days when a female character was in danger of being ‘fridged’ to inspire a male character to start hunting.  I love Sam and Dean and Cas to the moon and back and always will. The wonderful thing about Wayward Sisters is that it can be its own thing, an extension of the Supernatural universe just like fanfiction and fanvids and fanart are, which can be beautiful and important in its own way while Supernatural itself goes on (and on and on and on, as far as I’m concerned…)  Not all fans were on board with the possible spinoff, and that’s okay – we all like and love and want different things, and nobody has to love the same thing as I do or you do. But for many fans, the idea of ‘Wayward’ had become very important, even beyond the possibility of a spinoff.

The idea for Wayward Sisters began over two years ago – and it began in the fandom. That’s not where ideas for pilots usually come from. Fandom has all sorts of fabulous ideas, as anyone who’s been in a vibrant creative brilliant fandom like the Supernatural fandom knows. But those ideas don’t get heard, and even if they do, they certainly don’t get taken seriously to become reality! Wayward Daughters, as it was first called, was an idea that fans had – not just for a spinoff, but as a rallying cry for some of the things I write about in my books on fandom and Supernatural. For finding the courage to be yourself and proud of it – for being “Wayward As F—k.” That ‘WaywardAF’ slogan ended up on tee shirts and pajamas and all sorts of things proudly worn by fans who were tired of not being real and ready to be wayward. Actresses Kim Rhodes and Briana Buckmaster were on board from the start, adding to the empowering message. They wrote chapters in my book about the power of Supernatural and the SPNFamily (Family Don’t End With Blood) all about being WaywardAF, and so did the two women who started the Wayward Daughters movement, Riley and Betty.  Eventually the rallying cry was so loud that The Powers That Be heard it. Writer Robert Berens, who had penned some of the pivotal episodes introducing these characters, hopped on board to write the episode, now known as Wayward Sisters. And that? Is a big thing.

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Director Richard Speight Jr. Helms a Wild Ride in Supernatural’s War of the Worlds

There was a new Supernatural episode last week even though in the US that day was the Thanksgiving holiday, which meant I was at a big family gathering and not in charge of what was going to be watched at 8 pm. Lucky for me, I have really considerate family members, because most of us ended up watching my favorite Show. However, I couldn’t exactly tell people not to make a sound (which is how I like to watch Supernatural. I mean, I make a lot of sounds, but the rest of the family should be quiet. What?) I kindly said “oh no, please feel free to keep chatting” when asked, even though I might have been gritting my teeth.

But it turns out that the episode was engaging enough that everyone ended up watching instead of chatting – thanks, I think, to Richard Speight Jr.’s directing. I’ve loved every episode Richard has directed, especially the last two, and especially especially ‘Just My Imagination’.  ‘War of the Worlds’, is not going to go down in history as one of my favorites, but thanks to Richard’s directing there was never a dull moment and I definitely wasn’t bored. It’s just that my favorite episodes have an emotional arc for the Winchesters, some of the brother moments I live for, some psychological insights into the main characters who I care about – something that grabs me and reminds me why I love this show. This episode didn’t have those things, but what it did have is excitement and surprises and reveals and some pretty epic fight scenes. Speight made sure all of that came through and kept me riveted.

We start out with strikingly beautiful images, which were so serene they didn’t look like they belonged on Supernatural. But it’s only Michael invading Lucifer’s brain to see what Earth is all about. Michael is not nice at all, which should be no surprise because angels on Supernatural are just about the most deplorable beings ever. Except for Castiel, who (as is pointed out in this episode) is truly a renegade. This fact about angels was quite confusing to the extended family members who decided to watch with me.

Michael locks Lucifer in an iron maiden and brutally tortures him, Lucifer screaming plaintively.

Family: Uh, I thought you said that guy Michael was an angel.

Me: Oh yeah, he is. Typical.

Family: Typical? And who’s that poor guy screaming and bleeding?

Me: Lucifer.

Family: Wait, the Devil? An angel is torturing the devil??

Me (silently) This was such a bad idea…

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Five for Five? Supernatural Advanced Thanatology

I was once again at a convention for last week’s Supernatural episode, so that meant trying frantically to set up the Family Don’t End With Blood vendor table and then running upstairs to borrow a friend’s hotel room to watch the episode. But this time, the hotel actually had the CW – yay!! So I was sitting perched on my friend’s bed watching all by myself, which didn’t stop me from making a lot of noise at times. Sorry, neighboring hotel rooms!

‘Advanced Thanatology’ is an unusual title for an episode, so I wasn’t sure what to expect from this one. Season 13 has been making me pretty happy so far, which means I now go into every episode with all my fingers and toes crossed because I desperately want them to keep the quality up. It’s nervewracking to be a fangirl, what can I say? This episode was written by one of the newer writers, Steve Yockey. And guess what? My finger and toe crossing worked! This is the fifth episode of the season, and the fifth one I liked. Woohoo!

We start with an unusually long opening sequence, in which a few foolish kids play out the horror film genre stereotype of ‘never do this unless you want to die’ behaviors. It was scary as hell, so I appreciated that, even though I admit that part way through I started mumbling ‘where are Sam and Dean, come on!’ I know, spoiled Supernatural fan. I just want my boys!

The actor playing Shawn, Seth Isaac Johnson, did an amazing job portraying his character’s terror though – and Alisen Down as his mom totally broke my heart. Someday I really am gonna send a gigantic fruit basket to Supernatural’s casting agency, because not only are the regulars incredible, most of the guest cast is too! The mom and son pair who were this week’s side characters served as the emotional push for Dean’s building sense of failure to go over the edge, because they portrayed fear and grief and loss so vividly. Shawn initially escapes, but he makes the other stereotypical horror film mistake of bringing home one of the creepiest things I’ve ever seen – a plague mask from the haunted house of a deceased demented doctor. I was honestly afraid I’d have nightmares that night! Kudos props department, kudos.

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Lucky Season 13 Kicks Off for Supernatural!

 

Supernatural season premiere days are special. There’s so much anticipation and excitement, I swear it must be visible from space! In the early years of the Show, there was a much smaller group of fans who squeed together on the internet, but even then we were all so passionate that the feeling was incredible. Now the rest of the world has caught up – now there’s a special issue of Entertainment Weekly, there’s Jensen on Live, there’s Jared on Kimmel, there are interviews and videos and even the network tweets about the show coming back! That excitement that has always been there is magnified, but the sense of shared passion that has always been there is just the same.

Not every season premiere has been one of my favorite episodes, but this one I loved. The opening montage was excellent, set to the melancholy ‘Nothing Else Matters’ by Metallica as we remember how desolate and alone the Winchesters are as the season begins. (Also, Metallica!) The new title card is equally awesome – I actually gasped out loud when I saw it. (I watched with two kids and a dog, all with strict instructions to be totally silent, so they all grumbled every time I made involuntary noises. Oh well.)

She’s totally a fan

We open on Dean standing over Cas’ body, and Sam trying to communicate with Jack. In other words, right where we left off. Which made me very happy indeed. The times when the season premiere has started with a time jump have never sat well with me. I want to see EVERYTHING, Show, I don’t want you to cut things out!

This should be a surprise to no one at this point, but the cinematography was gorgeous. An early shot of the boys racing down the road in the Impala is especially beautiful and probably as complex to film – the camera behind then beside then finally in front of the car. I’m sure that wasn’t easy to pull off, but it really really worked. Sometimes Supernatural looks more like a feature film than a television show on the CW, which is a credit to all the talented crew members who make that magic happen. And especially to Serge Ladouceur and director Phil Sgriccia, who I am beyond grateful to still have with the show after all these years.

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The British Invasion Indeed – Supernatural 12.17

Here’s one thing you cannot say about last week’s Supernatural episode: “Eh, not much happened…” A lot happened, that’s for sure. Some of it was a shock, some of it wasn’t; some of it I liked; some of it I most definitely did not. It’s a beautiful spring day on the East coast, so let’s start with the good stuff.

1. The return of hunter Eileen Leahy (and actress Shoshannah Stern). I loved the character in her debut episode, as did just about everyone in the fandom, and miracle of miracles, Eileen actually survived the episode, so I was hopeful she’d be back. Eileen is seamlessly integrated back into the narrative, giving the boys some intel that intersects with their current search for Kelly Kline. I loved watching Sam and Dean’s frank appreciation of Eileen and her hunting skills – the genuine pride on their faces as they both said ‘Nice work, Eileen’. I also loved the care they both took to be sure she could see them when they were talking with her via iPad or in person – it’s those little touches that only happen on a show when someone cares. I interviewed Shoshannah after her first episode, and she talked about her choice to have the character read lips as well as she does.

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