So An Angel, The Devil and The King Of Hell Walk Into Jimmy Novak…

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If you recall, I barely survived last week’s Supernatural episode. And I absolutely LOVED it. I didn’t expect to be floored two weeks in a row (and possibly might not have survived…) but Hell’s Angel moved the story along quite a bit. And while it won’t go down in history as one of my favorite episodes, there was a lot to like.

1. Rowena! What a perfect scene, as we focus on Amara and an unknown person trying to heal her. I was unspoiled but hopeful, straining to hear whether there’s a bit of a Scottish lilt to the voice, and then the camera pulls up and YES!!! I might have screamed that out loud, I was so happy to see Ruth Connell on my screen again. I suspected she might return, though Ruth was alarmingly sneaky about giving any hints. (Excellent ploy, Ruth, just keep saying you’re too traumatized to talk about it!)

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Sliced, Diced, and Cut to Pieces – Fandom, That is. Supernatural ‘Red Meat’

Cap S_verasani
Cap S_verasani

I should have known we were in trouble when the THEN segment for this week’s episode included Dean’s emotional confession to Sam, “I couldn’t live with you dead” and then we started getting a montage of Winchester deaths. My head was still spinning with that when we launched right into the beginning segment, which I expect to be non-Winchesters. It’s supposed to be that few minutes of red shirted guest-of-the-week getting mauled or murdered or eaten or something, but it’s not Winchesters so I’m usually more or less calm. But NO. From the first frame, it’s Sam and Dean getting thrown around by monsters and fighting for their lives and OMG I have a very bad feeling about this! Why is it Winchesters in this first segment when people are usually getting killed???????????

My heart started beating triple time right about then. And it didn’t stop for 45 more minutes. No, not even during commercials, which time I used to take to Twitter and plead for someone to come bring me a warm blankie and a gigantic bottle of wine because I COULD NOT CALM DOWN!

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Right Where I Want To Be – Supernatural’s ‘Safe House’

WB/The CW - tweet Robbie Thompson
WB/The CW – tweet Robbie Thompson

The thing about Robbie Thompson episodes of Supernatural is that they feel like episodes of Supernatural. Or more accurately, they feel like an episode of Supernatural that fandom would conjure if left to our own devices. Maybe not as freewheeling as in fanfiction (okay, definitely not as freewheeling as in fanfiction), but as close as canon can get. So let’s just say I was pretty excited for this week’s episode – not only was it the end of mini hellatus, but it was a Robbie episode too!

Add to that the return of Bobby and Rufus and I was in fangirl heaven from the first frame. Flashbacks of Rufus and Bobby over the years set up the nostalgia and made me realize just how much I miss having Jim Beaver in my Show. Then, montage over, we’re immediately in the realm of a freaking scary beginning sequence – which, of course, is just as it should be.

That friggen’ hand grab!!!

Me: Crap, no sleep tonight.

Totally worth it though. Kudos VFX team.

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Newsflash! The Winchesters Have FUN in Beyond The Mat

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Nashcon delayed my episode review with its epicness, but here are a few thoughts on last week’s Supernatural episode before I get to posting a few con highlights. ‘Beyond The Mat’ was beautifully directed by Jerry Wanek, and was the first episode for writer John Bring (along with Andrew Dabb), and I really enjoyed it. Possibly not as much as Jared and Jensen enjoyed it, but still…

What’s to like? Well, we start out with the brothers in the bunker and an Ackles to Padalecki patented Sam n Dean toss and catch, which made me sit there grinning rather foolishly. I might have said “I love when they do that” to no one, but don’t judge.

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A Dose of Reality on Supernatural ‘The Vessel’

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From the first frame of “The Vessel”, with the gorgeous sets and haunting Edith Piaf soundtrack, this episode felt like a feature film. Not a rarity with Supernatural, but some episodes have that feeling more than others, and this was one. Every episode of Show is a collaboration, but on this one that collaboration was front and center. Robert Berens’ writing, John Badham’s directing, Jerry Wanek’s amazing sets, the VFX team’s magic, Nicole Baer’s tension-building editing, Serge Ladouceur’s evocative lighting, and of course the acting.

Show has been hitting it out of the park this season with guest stars, and Weronika Rosati was no exception. Her portrayal of Delphine made her courage and sacrifice believable; I bought her totally as a Woman of Letters, and that’s really saying something.

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