Supernatural Rewatch – A Classic (and Scary) MotW Episode with Provenance

Provenance is a Phil Sgriccia directed episode, and it shows. It’s creepy and scary and memorable in multiple ways, starting out with a close shot of a decidedly creepy old painting in a giant antique frame. A young couple, for some inexplicable reason, just bought it – though the wife has the good sense to say it’s “kinda creepy”. The husband reassures her that he’ll keep her safe, so we’re fairly certain he’s about to die.

Wife: Maybe you’re the one I ought to be scared of…

He is actually kinda creepy and keeps pinching her, but she seems into it and heads upstairs. The old man in the painting turns his head and watches her go up the stairs and OMG that is super creepy!

The husband locks up, sets the alarm and turns out the lights while the wife lights some candles and gets into bed.

“Hurry up or I’m gonna start without you,” she teases, as someone makes their way up the stairs and slowly comes into her room. A gust of breeze blows out the candle and we see her husband just starting to climb the stairs and UH OH that’s not the husband in the room with her….   The clueless husband comes into the room telling her to get the lights, then pauses.

Husband: You smell something?

When the lights come on, his wife is dead on the bed, covered in blood. He falls to his knees, looks up at something we can’t see, and screams.

Cut to a bar and a band playing Steve Carlson’s “Nighttime”, which I wrote about in my recent look back article on some of my early chats with Mr. Carlson, so check those articles out here if you missed them.  Here’s what Steve had to say about how that song came to be in this episode:

I had seen my friend Chris, who co-wrote the song, one night at a birthday party and he was dancing using the drink as his prop and I was like, that would be a great beer commercial! We put the song together and I got back and played it for Jensen and he asked me to burn him a copy. He was playing it in his trailer one day and a producer was like oh, who’s that? He said it’s my roommate, Steve, and the producer said, that would be perfect for the bar scene in our next episode. Their people called my people and negotiated it and worked fast to get it in and sign a contract, and the next thing I know I was flying to Boston and it aired. I was on the phone with someone because I couldn’t watch it live and he was watching and telling me oh, it was loud (on the show) – I was going through security and the guy was like, you have to get off the phone, so I threw it in the Xray machine and then grabbed it back and was like, so it was loud? And he was like yeah, and it’s still on! I had it on Tivo but it sucked because I was in Boston and no one I knew had Tivo so I had to wait a week to watch it when I got home – that was the first thing I did!

You can read that full article here fyi:

Radio Company Vol 2! A Look Back at Steve Carlson and Jensen Ackles’ Musical History

Anyway, Dean’s flirting with a young woman (Brandy with a y or an ‘i’?) while Sam’s reading in the newspaper about a couple’s throats being slashed. Sam tries to call Dean over and he keeps ignoring him until Sam in exasperation says ‘Come ON’

Dean: I gotta go, be right back…

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The Music of Supernatural – Composer Jay Gruska on Scoring the Emotional Series Finale and More

I have long said that the music of Supernatural has had a significant impact on the show – making it memorable and especially giving it the emotional resonance that it had for all fifteen seasons. That’s not something that every genre “horror show” can say, and I’m not sure any can say it with as much pride as Supernatural. The music added so much to the emotional impact of the series finale, so I was excited to talk to composer Jay Gruska about scoring that episode and the emotional episode ‘Despair’, as well as his fifteen years working on my favorite show.

As with many of the  people working on SPN (and another thing that made it so unique and wonderful), the same two composers worked on the show for its entire run – Christopher Lennertz (now working with Eric Kripke on ‘The Boys’) and Jay Gruska. I’ve talked to Jay several times over the course of the show – he contributed to ‘Supernatural Psychology’ for the chapter on music in the show – so I know how insightful he is about how music is used on the show. Chris and Jay tend to alternate episodes, so Jay scored all the even numbered episodes of Season 15, including the final episode, ‘Carry On’, and episode 15.18, Castiel’s goodbye episode, ‘Despair’.

The week before we spoke, I had done a Supernatural music panel at the Southwest Popular Culture Association conference with two friends and colleagues devoted to the most recognizable musical theme in the show, ‘Americana’, which Jay composed. We had invited him to do the panel with us, but he was unable to make it due to a family party. Luckily he and I were able to coordinate our schedules for a phone chat afterwards though.

Jay: That’s amazing about the panel, and kinda flattering and sweet. I’m so bummed that I missed it, I would have loved to share my experience from my end.

Lynn: I don’t think that many composers get an entire panel devoted to one single piece of music at an academic conference – but that’s how important ‘Americana’ is to Supernatural fans.

The Emotional Rollercoaster of ‘Carry On’

Lynn: I know you read my review of the series finale so you know that I loved the barn scene even though it was incredibly painful to watch, but it was such a masterful scene. I was talking to Jensen about it recently and said that he and Jared killed it, and also that the music makes it so much more emotional. That whole piece, the piano then the strings, and then the most familiar part of Americana in the middle…

Jay: Right. As you know more than anyone, I try my best to not use Americana just at the drop of a hat. I try to really respond to when a scene is asking for it. I’ve probably made a misstep or two along the way as far as some fans are concerned – I used it once with Jack, but boy, I heard from people right away like hey, he’s not family! And I was like well yes he is to me! But don’t mess with the Supernatural fandom.

Lynn:  So true. We’re passionate, that’s for sure. And some people would definitely agree with that and some wouldn’t.

Jay: But let’s start with those performances (Jensen and Jared). Because I’m gonna be crude right now and say that without performances like that, which don’t come along often, if there’s a scene where someone is not pulling it off? You’re basically polishing a turd with the music.

Lynn: lol

Jay: My job and particularly that scene, which I count as in the top two or three if not the most emotional, well acted, just hearts-on-their-sleeves as actors and as humans moments in the whole run of the show…

Lynn: I agree!

It’s okay, Dean, you can go now.

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Walker Brings the Heartbreak with ‘A Tale of Two Families’

Last week’s Walker episode (‘A Tale of Two Families’) was hard to watch at times. That’s not a criticism though – the show has explored grief since its start, and the reason I appreciate that exploration is because it’s done well enough to feel real. This episode, thanks to some stellar acting by Jared Padalecki especially, felt very real. And that was hard to watch.

There were a few scenes that were hard to watch for a different reason that wasn’t quite as welcome, but mostly I came to the end of the episode feeling gobsmacked but like that’s exactly how I was supposed to feel.

The episode was a little more innovative than the show has been so far, starting out with a beginning sequence that picks up where the last episode left off, Walker and Stella returning to the ranch. We see in little flashes a sequence play out of Clint and Trevor driving up, Clint holding a gun on Cordell as Stella screams ‘Dad!’. Liam runs out of the house to help, Cordell yells ‘Liam!’ – and Clint shoots him!

 

 

That was quite a beginning!

We then get a flashback to 13 months ago, to the day that kicked off the trauma and loss we’ve seen the characters struggle with ever since. Emily loads up her car with bottles of water to take to the border. Augie asks if he can use her camera and she says she was hoping he’d pick it up – and we immediately realize why he’s followed up on that hope. It was one of the last things she said to her son, and the last wish she expressed for him.

Augie: What should I take a picture of?

Emily: (striking a pose): Something to remember me by!

Of course she has no idea how poignant and prophetic her words are going to be.

Emily also kicks a ball around with Stella (Gen Padalecki putting her real life sports skills to good use), asking her if she’s sure about playing basketball since she’s so good at soccer. Stella, too, has tried to follow her mother’s last expressed wishes by doing just that.

Emily and Cordell talk on the phone and she reminds him of game night and they trade ‘I love you’ ‘I love you more,”

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Supernatural Rewatch – Something Wicked (And Heartbreaking)

This episode, number 18 in the show’s first season, takes place in Fitchburg Wisconsin, which is now familiar to me not because I’ve ever been there or am likely to ever go there, but because this is a pivotal – and painful – episode.

We start out with a child saying their prayers, the dad tucking the little girl in with an affectionate “goodnight, monkey puss.”  The little girl asks if her mommy is coming home and the dad says no, she’s at the hospital – with her sister. The dad leaves and turns out the light, and from the little girl’s perspective as she looks around her room, it’s like every time you’ve ever woken up at night in the dark and heard odd noises and your imagination has run away with you.

Sometimes this show does the scary and the horror so damn well, showing you just enough and not too much.

The wind howls, blowing at the window, lashing shadows of tree limbs against the glass as the little girl watches, frightened. She leaps out of bed and throws the curtains closed, but they’re transparent unfortunately. The tree branches almost look like hands as they creep along the glass…and then we see one branch actually IS a hand! It’s incredibly creepy and scary as it opens the latch on the window and the wind chimes in the bedroom rattle in the breeze. A shadow looms over the bed as the little girl hides under the covers. She screams, and the shadowy thing opens its gaping mouth…

Rock music plays as the Impala races down the road, and I remember in these early episodes, I’d just sit and grin every week when “the boys were back.”

Sam and Dean  disagreeing about their dad like they often do – John threw a wedge between them again and again just by being John and raising them differently.

Dean: Are you sure you got the coordinates right? Dad wouldn’t have sent us coordinates if it wasn’t important, Sammy. Maybe he’s gonna meet us there.

Sam: Yeah, because he’s been so easy to find.

Dean: You’re a real smartass – I’m sure there’s something there worth killing.

When Sam continues to protest, Dean insists that he’s making the decision.

Sam: Why?

Dean: Because I’m the oldest, that’s why!

He smirks, unseen by Sam, but we all can see that he’s well aware of what he’s doing and that it’s not really valid. As much as Dean knows he’s the older brother and puts stock in that, he always respected Sam’s intellect and skills. And Sam’s little smile shows he kinda knows that too.

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Walker Episode 11 – The Price of “Freedom”

The CW’s ‘Walker’ aired a dramatic new episode last week, and ushered in some big changes that will continue to play out for the second part of the season. The episode is titled “Freedom” and in a sense, that’s what many of the characters got – sometimes in a way they absolutely did not want.

They also gave us Jared Padalecki in a white tee shirt and Jeff Pierre without any shirt at all, which is just a comment on the aesthetic beauty of this show like I comment on every week, honest.

An Awkward Welcome Home

The episode begins with Hoyt’s welcome home party at the Side Step, Cordell and Augie getting the place ready while Micki and Trey keep watch in the parking lot so they can surprise him.

Augie is making welcome home videos for Hoyt, attempting to tape his father’s message while Cordell is busy trying to figure out what to text Geri. He keeps typing and then deleting, increasingly anxious. The other video messages to Hoyt are heartfelt, including a clearly joyous Abeline and Geri saying that Hoyt deserves good things, which just makes Cordell feel more guilty and conflicted. When he finally tries to record his message it’s incredibly awkward, starting out calling Hoyt “my best friend, a brother to me” and continuing to something about him sparking joy in Walker’s life. He gives up in exasperation.

I’ve said it before – about Sam Winchester as well as Cordell Walker – but Jared Padalecki can pull off the comedic aspects of his characters so well. I appreciate that in a show that can be either suspenseful or angsty, as this one can.

Micki and Trey wait in the car for Hoyt and Geri to get there, Trey putting on her hat and teasing about how good it looks on him (it does). Micki reassures him that his TBI struggles haven’t made him unreliable or changed how she feels about him, reminding him that he can rely on her for a change.

Micki: You are the most reliable person in my life

Trey (grinning) Relationship achievement unlocked!

I like that they’re continuing to follow Trey’s TBI (traumatic brain injury) story line instead of magically wrapping it up too quickly.

Geri and Hoyt pull up, him assuring her that he’s “going legit” because she deserves more, and her clearly avoiding him, turning away and putting on lipstick before she goes inside. He senses something is wrong.

Hoyt: You got someone you’re trying to impress here?

As they walk in, he asks her again, did he do something? (Other than being incarcerated?)

She says no and he believes it (because he clearly wants to, and that’s what we all do when we just desperately want to believe something is true).

Cordell sneaks up behind them and knocks Hoyt’s hat off, then tackles him to the ground, saying it’s payback (for that scene we saw in one of the first episodes).  They laugh, because wrestling is clearly a thing for them (ala the Winchesters), and then they hug (also ala the Winchesters).

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Relationship Complications and Renovations in Walker’s 10th Episode ‘Encore’

The tenth episode of the CW’s ‘Walker’ starts with Jared Padalecki (Cordell Walker, that is) looking right into the camera, which was unexpected – and I almost always like unexpected. I thought for a second he was about to break the fourth wall, but instead he asks,”Ready to get to work?”

(I may have answered “yes!” out loud before I even understood the question, because … Jared Padalecki!)

Walker puts on his safety glasses and he and the kids and Liam and Bonham start breaking down walls and hammering and sawing things.

The renovation of the Side Step has begun.

Bonham opens a can of strategically featured Benjamin Moore paint while music plays and Cordell looks at him skeptically.

Bonham: Are you questioning my palate? (pallette?)

Damn it, are we talking taste or color range here?

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Celebrating Radio Company Vol 2 – Steve Carlson and Jensen Ackles Part 2!

We left off in Part I of our look back at the history of Steve Carlson and Jensen Ackles’ friendship and musical collaboration somewhere around 2009. We saw Steve play a few times in between – once at a con in New Jersey, if I’m remembering correctly, where I actually took a picture for a change!

In 2011, Jensen and Steve did a little jam session that was one of the highlights of the Nashville convention. Jensen was still clearly nervous about playing and singing in front of people (but not as nervous as he was for his first jam with Jason Manns). Here are a few of my recollections about that first ‘public’ performance of Steve and Jensen:

Steve shared more backstory to how the two friends ended up playing together, and even doing some recording. Whenever they were both in town they’d get together at Steve’s house and the guitars would come out. Apparently wherever Steve is living, something gets turned into a makeshift studio – when Jensen and Steve lived together, it was the hall closet, wired up and soundproofed with foam, and probably looking very …. Interesting. In Steve’s place before that, it was the garden shed, similarly outfitted but alas, sans air conditioning. Steve would lure friends out to record there and they’d emerge sweat-soaked and bedraggled, asking plaintively, “was that okay?” (And hoping it was so they could come out of the garden shed!)

Photos Lizz Sisson

I remember they played a really haunting version of “Knockin’ on Heaven’s Door,” full of emotion – if I heard that one now it would be even more emotional, post Supernatural finale. They also played the first song that Jensen had learned to play, “If I Had a Million”, which they actually recorded at one time with Steve on mandolin, but there’s some backstory there so they swear no one will ever hear it.

Steve and Jensen also played “Bad Company,” one of my favorite songs. Jensen said that the crew had asked The Impalas (the cast and crew band) to learn that one because it was so perfect for the show – “I was born, six gun in my hand…”   He should totally sing that again one day.

Stage It

I also remember that Jensen asked the fans to excuse the mistakes. And then didn’t make any.

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Osric Chau Works Out and Catches Us Up on ‘Get Ripped Get Tipped’

Kicking off the book birthday month for both Family Don’t End With Blood and There’ll be Peace When You Are Done  by catching up with some of the contributors who wrote chapters in those books. First up, one of our favorite people, Supernatural’s own Kevin Tran, Osric Chau! Osric wrote a candid and personal chapter in Family Don’t End With Blood about his experience on the show and with the fandom and what it meant to play a character like Kevin. Osric (and Kevin) returned for an emotional goodbye in Season 15, but he has all sorts of other exciting projects that have been keeping him busy.

Photo Karen Cooke

Most recently, filmmaker and comedian Milton Ng welcomed Osric as a guest on his YouTube show ‘Get Ripped, Get Tipped’ and caught up with everything he’s been up to.  This is the only show I know that does its interviews while both the host and the guest are working out – the entire time! I’m tired just watching, but also impressed. (Video link following article)

I asked Milton how he got the idea for such an unusual show, and why he thought of Osric as a guest.

Milton: I made the workout show after doing planks and having a friend call me — trying to maintain a conversation was super hard but I found it hilarious. Flash forward a year later, Get Ripped, Get Tipped!

Osric came on the show because I asked him as a friend lol. We met way back in 2013 in an acting/directing workshop, then I directed him in a 2014 short film, “Next Like”. Knowing he was so busy with setting up restaurants while still auditioning and starring in shows, he was a machine — knew we had to get him on the show as a guest, knowing he could bring a lot of aspiring actors value.

They had a great discussion about all kinds of things, so check out the video below – here are a few tidbits. Also I’m very impressed at how articulate Osric is while doing all kinds of contortions!

He has a bunch of short films and features in the works, including one that’s coming out soon on Shudder that’s a horror film about an Air BnB reviewer (which honestly does sound scary…) and a new one he’s about to start called “Good News”.  Osric has learned a lot from undertaking all aspects of filmmaking – he’s been actor, writer and producer, and is about to try his hand at director. What has he learned?

Osric: Filmmaking is a collaborative process, and understanding all the roles helps – writer, camera operator, producer, actor, sound, etc – you have to learn how to collaborate with a team.

In his chapter in Family Don’t End With Blood, Osric writes about his widespread interests. When he was on Supernatural, it was very on and off, he said — he would do the thing and then when his episode was done, he’d focus on the next thing.

That hasn’t changed, because he’s involved in multiple things now too – including a restaurant he recently opened in Vancouver, with a second one opening soon.

Osric: You sow as many seeds as you can and hope for one thing to grow.

That has certainly happened for Osric.

At his new restaurant under construction

The films that he’s worked on have all been something he was drawn to, Osric says.

Osric: A good story, a captivating character, something I want to tell.

That was certainly true on Supernatural and in his recent film ‘Empty By Design’, so I have no doubt that will be the case with his new projects too. And if you’re in Vancouver, check out some of Osric’s restaurant food!

In the meantime, enjoy this entertaining (and kind of adorable) video workout and interview combo!

Get Ripped Get Tipped!

— Lynn

You can find Family Don’t End With Blood

at the links on the home page here or at

Peacewhenyouaredone.com

Radio Company Vol 2! A Look Back at Steve Carlson and Jensen Ackles’ Musical History

Most of my fandom friends and pretty much my entire twitter timeline have been listening to the new Radio Company album on repeat since it dropped last night — shortly after midnight here on the east coast U.S.  (Yes, I ended up staying up far too late doing that same thing).  I love the new CD so much, and it reminded me of not just how much I love Jensen Ackles’ voice and singing, but how much I also love Steve Carlson and the way the two of them harmonize together – and have for a very long time.

So I thought I’d share some chats I’ve had with Steve over the years about his music and making music with Jensen, as we all enjoy their latest collaboration.

I was introduced to Steve’s music way back in 2007, when my friend and Fangasm co-author Kathy and I fell head over heels in love with Supernatural and Dean Winchester, and impulsively flew to Fort Worth Texas to see Jensen Ackles in a community theater production of A Few Good Men. We met and bonded with other fangirls there, and somehow ended up driving around listening to music in someone’s jeep and singing along – to a song called ‘Wasted Jamie’ by Steve Carlson, with Jensen singing backup vocals. I was hooked on Steve’s music from that memorable day, and also on Jensen’s surprising ability to do yet another thing really well – go figure!

Steve used to come to many of the early Creation Supernatural cons, so we often were treated to a Carlson concert as the precursor of the Saturday Night Special. (Jensen never got onstage to sing with him like he did at Asylum with both Steve and Jason Manns, but oh well). My LA friends often went to hear him play at the Hotel Café, and sometimes we joined them, always a little dismayed we lived on the ‘wrong coast’ so we couldn’t be there more often. One of my favorite Steve concerts was in Vancouver, during one of the very first Creation cons there. Back in the day, we often enjoyed the shows alongside Danneel and Jensen, and pretty much every show was amazing. I am SO hoping Radio Co. starts touring because it’s been too long since I’ve been treated to a live Steve performance!

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Winchester Prank Wars – Supernatural Rewatch with Hell House

Hell House is notable for its introduction of the duo who would eventually become the Ghostfacers, and the comedy chops that guest stars Travis Wester and A.J. Buckley brought to the episode. It’s also notable – for me at least – for how many times Sam and Dean get to laugh and smile and have fun, which warms my heart.

The episode starts, as so many horror movies do, at an abandoned allegedly haunted old house – in Richardson, Texas, which I think is where Jensen Ackles grew up, so nice little shout out in the seventeenth episode of Season 1.  Teenagers with flashlights dare each other to go in, the one young woman saying she’s not going, but caving when one of the guys offers to hold her hand – or any other part of her. She slaps him, but for some reason she also goes in. There’s a ghost that is said to go after girls and string them up in the root cellar, which is of course exactly where they go.

Cocky guy: I don’t see anything scary, do you?

Right behind him, in perfect horror movie style, is a young woman strung up. Scream!

Cut to the Winchesters on the road, rock music playing, Sam asleep in the passenger seat. This is the episode where Sam and Dean are having an escalating prank war, so Dean slips a plastic spoon in Sam’s mouth, pulls out his flip phone and takes a picture, grinning happily after.

He turns the music up loud and starts singing to wake poor Sam up, and as he spits out the spoon, Dean slaps the steering wheel happily.

Sam: Haha very funny. Man, we’re not kids anymore Dean, we’re not gonna start that prank stuff up again.

Dean: Afraid you’re gonna get a little Nair in your shampoo again, huh?

Sam shakes his head, warning Dean to remember that he started it.

Dean: Aww, bring it on, Baldy!

As ridiculous as their little prank war is (and as quickly as it’s abandoned), I love it for the part it plays in getting Sam and Dean back to being brothers again. It evokes their childhood, when they only had each other to get through long car rides and lonely motel rooms and nobody to play a game of catch with. There’s an edge of cruelty that’s often there between siblings, a jockeying for position of who’s going to get the upper hand, but it’s also a way of finding things to laugh about in the midst of a frightening and stressful time – even if it’s sometimes at your brother’s expense!

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