Walker Walks the Line with ‘Bobblehead’ – and Gets Season 2!

Third episodes of new television shows are often the times when the narrative takes off in a slightly different direction, which is a bit of what happened with last week’s episode of the new Walker on the CW.  I enjoyed the episode – and there were quite a few people on my timeline who liked it even better than the first two – but there were also some parts that didn’t work quite as well for me. Part of that is because I was so impressed in the first two episodes with how realistically the show portrayed the Walker family’s grief over Emily’s death, making that the centerpiece of the family drama in the show. This episode still touched on that theme, but also took the show in a slightly different direction and introduced a new guest character.

Leading up to the episode, the network did a great job with promotion once again – including celebrating the good news that the show has already been renewed for Season 2! That’s an impressive accomplishment after only two episodes have aired, and a testament to the fan base that these actors bring with them, including many from my ‘home’ fandom, Supernatural.  The cast all tweeted their celebration, and so did many of Padalecki’s former Supernatural castmates. It felt good for the still-new Walker fandom to already have something to celebrate!

On Thursday, Jeff Pierre took over the Walker Instagram for the day, which made for more fun and some cameos from the other actors. Jeff Pierre is already a fan favorite thanks to his sense of humor and easy way of interacting with fans – and he and many of the show’s cast are clearly comfortable with social media.

Jared Padalecki live tweeted the East coast airing of the episode, so I watched and did a little tweeting and also enjoyed Jared’s commentary, some of which was cheeky and hilarious. Live tweeting used to happen every now and then for Supernatural, but it’s been a long time, so it felt really good to know that he was enjoying the episode right along with us. The last year of SPN fandom was contentious to say the least, and it felt especially good to feel like we were all just there to have fun together. I really hope that atmosphere sticks around – not that I won’t critique the show, because that’s what episode reviews do, but make no mistake, I have always enjoyed the shows I review. Otherwise I wouldn’t be watching!

So, Episode 3.

There was quite a bit to enjoy about that new character they introduced — Hoyt (Matt Barr), who high kicks his way back into the Walkers’ lives after a lengthy absence. We first meet him bare chested in short shorts and chaps, covered in sweat and glitter and dancing in a strip club. I am trying mightily not to compare Walker to the show that preceded it in this time slot on the CW, my all time favorite Supernatural, but Jared Padalecki just being in both keeps tying them together in my mind. So I laughed out loud when we got a male exotic dancer because yes, there are a fair number of Supernatural fans watching, and yes, some of us would have appreciated a similar scene at some point in that show’s 15 years. Sam and Dean go undercover at strip clubs on the regular in fanfic, why not in canon?

Anyway, points for that, Walker. Not what we expected from Walker’s best friend from childhood, and I like being surprised.

Gif bilosan

I continue to enjoy the fact that I don’t enjoy all the characters in this show, at least not all the time. Give me shades of gray instead of black and white, and characters complicated enough to sometimes inspire empathy and sometimes annoyance, and I’ll be happy. Hoyt was annoying more often than not, but we also learned enough about his backstory to come up with some explanations of why. In some ways, he’s the stereotypical con man, which isn’t necessarily all that interesting – smooth lies underneath equally smooth charm. He’s manipulative and smart enough to be good at it, which Walker both expects and doesn’t want to believe.

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‘Walker’ Gets Back In The Saddle with Episode 2

After a pilot that caught my interest in some surprising ways, the second episode of the new CW show ‘Walker’ managed to sustain that interest, mostly by continuing to explore the characters’ psychological reactions to loss as well as give us more insight into their relationships. There was also a case-of-the-week, which gave us some exciting moments, and a little progress on the main mystery of what happened to Walker’s wife, Emily (Gen Padalecki), but what sticks with me most are the emotional beats.

And an odd craving for queso.

There was again a flurry of articles and interviews about the new show, including Keegan Allen (Liam) taking over the CWWalker Instagram account for the day. He clearly had a lot of fun doing that, with many of the cast also getting into the act, and even including some fanart. I’m only including one because I saw @StabGigi say she was thrilled to have her awesome art included. It’s clear the cast and crew are getting along great, and the same sort of cooperative atmosphere that Jared and Jensen established early on for Supernatural are something that Jared has clearly taken to Walker.

Art by @StabGigi

 

Before we get to the emotional moments of the episode, a brief case-of-the-week synopsis: A man is killed by a falling beam in a raging horse barn fire, along with some hapless horses, which Micki (Lindsey Morgan) is assigned to investigate (interrupting her romantic interlude with boyfriend Trey (Jeff Pierre), alas). She pulls her partner in, though we quickly find out from Captain James (Coby Bell) that Walker is technically not a Texas Ranger at the moment, since he needs to be re-certified. Walker (Jared Padalecki) and Micki ace the shooting range part of the partner recertification, but Walker freezes when it’s time for the riding portion, spiraling into memories of Emily gifting him with a custom tooled saddle and saddlebag with their initials carved into the leather. Despite Walker being ‘off the case’, he and Ramirez have already begun to think of each other as partners, so she consults with him on the case anyway. They eventually figure out that the stable owner burned it down to kill his injured racehorse for the insurance money before anyone knew Texas Nightshade was hurt and losing value. The jockey, however, couldn’t go through with it and let the horse run free to save it. Walker is able to find the horse and overcome his hesitation just in time to ride in to save the day, pulling Micki up behind him so the two of them can stop the bad guys from getting away. Captain James counts the heroics as Walker passing his riding test, which I have to agree with. Pretty impressive!

Meanwhile, in the emotional part of the episode, Walker is still having frequent flashbacks to happier times with his wife, remembering when she gifted him with the beautiful saddle that he can no longer bring himself to use. It’s poignant and painful that he carries it around in his pickup truck but can’t bring himself to ride with it. When he goes back to the house that he and Emily shared, he pictures them there as a family when the kids were young, establishing a home with the kids’ handprints in the concrete on their front walk. The handprints are still there today, but much like the saddle, it now brings Walker more pain than joy.

The CW

Once again, I appreciate the way this show explores grief. It is painful, and while we want to hang onto the things that help us remember our loved ones, it also hurts to do so. I get the feeling that Walker’s past year has been spent mostly avoiding those memories and the feelings they bring, so now that he’s back, he’s finding them all fresh and raw and overwhelming. I feel for him, even when he’s screwing up and hurting other people with his not-so-healthy coping mechanisms. He’s suffering, and Jared Padalecki shows us that vividly.

Walker’s ongoing struggle to reconnect with his family continues to be excruciatingly slow and difficult – which also seems realistic. The fact that he’s constantly distracted by his own emotional turmoil and thoughts of the past means that he’s not very good at being present for his children – which is exactly the problem they’ve had with him for the past eleven months. Instead of joining the family for breakfast, he goes to his old home first (finding beer bottles and a window pushed out, evidence of Stella’s propensity to come back and party there in an effort to deal with her own grief) so he arrives late to family breakfast. He hasn’t been there to be part of their established routines – which are so important to children who’ve experienced loss and trauma – so his parents and brother have stepped into all those roles. Liam is the one who knows that Stella has a game that day and the one who takes the kids to school. It’s clear that Walker wants to do those things now that he’s back, but he’s still not paying the kind of attention that those responsibilities require, and the kids are reluctant to trust him and depend on him.

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