Walker Turns A Corner with ‘Four Stones in Hand’

I really enjoyed last week’s gentler, slower paced Walker episode, Four Stones In Hand.

The title refers to the hypervigilance that comes from being accustomed to being on the defensive, which is the position many of the show’s characters find themselves in after the events of the last year. As we’ve gone through Season 1, most of the characters have been slowly fleshed out, their complexity and emotional reactions to the stress of losses and trauma becoming more and more obvious. With this episode, many of the characters seem to turn a corner, dropping enough of their defenses to start on the bumpy road to healing. Fifteen episodes in, that feels like the right timing, because in real life when we humans are hurt, we hang onto those defenses for a long time – sometimes longer than we need to, just to make sure. I like that ‘Walker’ hasn’t rushed to sweep the traumatic events of the past onscreen year under the proverbial rug, but instead has allowed us to watch the characters struggle and now try to deal with the messy aftermath.

This episode is nicely framed, beginning with Liam’s challenge to his big brother – and ending with the Walker brothers in a slightly different, less defended, place. And they’re not the only ones.

Cordell is pretending to go over paperwork for the Side Step when he’s joined by Liam.

Cordell: I’m worried about you (as Liam heals from his gunshot wound).

Liam: I’m worried about YOU.

And rightly so. Cordell is listening to a police scanner, unable to let go of his motivation to keep solving crimes (I’m tempted to say, saving people hunting things…) although he knows he’s on leave. He tries to BS Liam about that, but it doesn’t work; the brothers know each other. And Cordell is not okay, still flashing back to the violent death of his best friend.

Liam: You chose to take a breather, but it feels like you’re not breathing.

Cordell insists he’s going to, and Liam challenges him to prove it.

Liam: Keep your mind on something other than solving crimes for one day.

He hands Cordell a Rubik’s Cube and challenges him to solve it.

(I confess to never having had the patience to do that, but Cordell accepts the challenge.)

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‘Tracks’ Is an Explosive New Episode of Walker

Last week’s episode of Walker, titled “Tracks”, was written by the same duo who penned the previous excellent episode, Casey Fisher & Paula Sabbaga, and directed by Bola Ogun. Both the writers and the director delivered an episode with heart and more of those twists and turns that this show is perhaps becoming known for. Because so much happened in each of the storylines, I’ll try to break this up and follow each subplot. First up, Cordell and Micki and their deepening partnership (and their ongoing family relationship challenges).

Walker and Micki and Micki’s Mom: Love, Protection and Partnership

Cordell seems to be finally settling into being a dad to his kids, Augie cooking breakfast and Walker taking the time to tease both his teenage children (Stella and her dad imitating each other was adorable – I’ve said it before but it bears repeating, Jared Padalecki is talented at comedy).

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Totally shallow gif of Walker’s back as he heads to the kitchen for breakfast with the kids. Sorry not sorry.

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His skepticism about his kids’ romantic interests seems on point, including being skeptical about Ruby as the one who told Augie to crash the undercover operation. (I’m glad that isn’t being forgotten, because that was not a smart thing to do for a teenager who should have known better.)  Stella is more concerned with texting Trevor and scheming to get him to come along on the soccer trip, diverting her dad with suggestions that they talk about something simpler — like gun control or his hearing. Touche, Stella.

Walker manages to burn his hand on the hot skillet (he’s a bit accident prone for a Ranger, but it humanizes the character so I don’t really mind). When he stops by Micki’s, Trey notices the bandage.

Trey: You hurt your hand again? You’re a little too committed to that bit…

I love the dynamic between these two.

Trey heads out to chaperone the soccer trip and Walker realizes that Micki is reeling, worried about her mother because a DWI hit and run doesn’t add up for Adriana, who Micki points out doesn’t even drink and whose “MO is accountability.” Micki hypothesizes that maybe her mom was falsely accused because she was “a Mexican American driving a fancy car”. I like how the show continues to put those possibilities out there, and that we see Micki’s resentment.

Walker and Micki’s partnership really solidifies in this episode. Walker offers to come with her to bail out Adriana (Alex Meneses), making it an official case, and Capt. James says take all the time you need. (Because James and Liam are headed to Mexico to investigate Geri’s disappearance and the art gallery where the money ended up. They’re both feeling terrible about lying to Walker.)

To Micki’s shock, her mother is not exactly relieved that her daughter bailed her out, saying that she shouldn’t have done that and that she’ll “take care of this myself.”

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