The Walkers ‘Defend The Ranch’ in Episode 13

The 13th episode of Walker’s first season was intended to be the season finale, and it felt like one. There was a whole lot of drama, twists and turns, and an ending that looked like a tragic tableau from a stage play. As usually is true for me and this show, the emotional aftermath is the part that’s most fascinating. But not always very easy to witness.

Sometimes the drama comes close to over the top for me with this show, but I’m starting to view that as a difference in the type of show it is, after digging deep into a show like Supernatural for so long. Walker paints with broader strokes and its tropes are broader too, from the way music is used to the characters’ dress and appearance (Clint even dresses in villainous all black, for example). There are the stereotypical car chases and shoot outs and rodeos and everyone has a gun and knows how to shoot it, and that sometimes seems just too expected for me, but that may be the point. Within that stereotypical set up, however, the show explores more personal and psychological themes with unexpected depth. And that’s the part of it that I’m really enjoying.

I guessed the major tragedy that was going to happen in this episode, though not how or when. I liked that the episode played out almost in real time, no jumping back and forth, which upped the suspense. I can see how this would have worked as a season finale – and in fact, it’s hard to imagine how they are going to continue with five more episodes after this one. It’s a hard script to pull off because so much happens, and there were a few times when it strained credulity to go with it. Again, that might be part of the fun, it’s just that I’m used to picking apart Supernatural and trying to make sure canon makes sense (as much as that was possible…)

At any rate, I enjoyed this episode. The episode picks up right where the previous one left off, with Liam shot and seemingly not alive, Cordell calling his name and trying to go to him but Clint warning him not to. Abeline comes out and sees her son on the ground and screams his name too, falling to her knees in the grass – Molly Hagan always makes me feel for her, all my own instincts as a mother pulled in because she makes it real.

Trevor follows his father’s instructions and yanks Walker’s holster and gun away from him. Clint is unconcerned about Liam, though Trevor is clearly upset and conflicted.

Clint: The attorney who helped put us away? Don’t matter, he’s dead now.

(Yes, there’s a gif of that last shot out there but I couldn’t find it to include…)

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Walker Episode 11 – The Price of “Freedom”

The CW’s ‘Walker’ aired a dramatic new episode last week, and ushered in some big changes that will continue to play out for the second part of the season. The episode is titled “Freedom” and in a sense, that’s what many of the characters got – sometimes in a way they absolutely did not want.

They also gave us Jared Padalecki in a white tee shirt and Jeff Pierre without any shirt at all, which is just a comment on the aesthetic beauty of this show like I comment on every week, honest.

An Awkward Welcome Home

The episode begins with Hoyt’s welcome home party at the Side Step, Cordell and Augie getting the place ready while Micki and Trey keep watch in the parking lot so they can surprise him.

Augie is making welcome home videos for Hoyt, attempting to tape his father’s message while Cordell is busy trying to figure out what to text Geri. He keeps typing and then deleting, increasingly anxious. The other video messages to Hoyt are heartfelt, including a clearly joyous Abeline and Geri saying that Hoyt deserves good things, which just makes Cordell feel more guilty and conflicted. When he finally tries to record his message it’s incredibly awkward, starting out calling Hoyt “my best friend, a brother to me” and continuing to something about him sparking joy in Walker’s life. He gives up in exasperation.

I’ve said it before – about Sam Winchester as well as Cordell Walker – but Jared Padalecki can pull off the comedic aspects of his characters so well. I appreciate that in a show that can be either suspenseful or angsty, as this one can.

Micki and Trey wait in the car for Hoyt and Geri to get there, Trey putting on her hat and teasing about how good it looks on him (it does). Micki reassures him that his TBI struggles haven’t made him unreliable or changed how she feels about him, reminding him that he can rely on her for a change.

Micki: You are the most reliable person in my life

Trey (grinning) Relationship achievement unlocked!

I like that they’re continuing to follow Trey’s TBI (traumatic brain injury) story line instead of magically wrapping it up too quickly.

Geri and Hoyt pull up, him assuring her that he’s “going legit” because she deserves more, and her clearly avoiding him, turning away and putting on lipstick before she goes inside. He senses something is wrong.

Hoyt: You got someone you’re trying to impress here?

As they walk in, he asks her again, did he do something? (Other than being incarcerated?)

She says no and he believes it (because he clearly wants to, and that’s what we all do when we just desperately want to believe something is true).

Cordell sneaks up behind them and knocks Hoyt’s hat off, then tackles him to the ground, saying it’s payback (for that scene we saw in one of the first episodes).  They laugh, because wrestling is clearly a thing for them (ala the Winchesters), and then they hug (also ala the Winchesters).

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Happy Birthday Danneel Ackles!

It’s Danneel Ackles’ birthday, so we thought for our continuing celebration of Supernatural Spring Break week, this was a good time to both wish her a happy birthday and share the rather amusing story of one of our first times meeting her.

There have been a few memorable times since, including the party celebrating ‘Supernatural Day’ in Austin with Mayor Adler, which was just plain fun and an opportunity for some real conversation.

Photos: Prior Studios

And I’ll be forever touched that Danneel wanted a copy of Family Don’t End With Blood (and how incredulous she was that Jensen actually had a chapter in it!) and that she has read our other books too.

The actual first time we met Danneel was a long time ago – at the after party following the premiere of indie movie Ten Inch Hero, which was at a club in LA back in, I think 2008. We all left the premiere and walked over to the club, invited by director David Mackay – the cast and the audience all together.

We had a lovely little chat with Danneel there about the film, met screenwriter Betsy Morris who’s still a friend today, and asked actor Matt Barr (now of Walker) to watch the rest room door while I in desperation used the men’s room because there was a huge line at the women’s. (He was lovely about it and it makes me laugh now every time I see him as Hoyt).

It was a momentous party, what can I say?  After that, my co-author Kathy and I interviewed David over a three hour brunch in Vancouver for the first book we were working on, and mentioned that we’d love to chat with Danneel  too. To be honest, we didn’t really think that would happen. But a few months later, while we were in LA for the Supernatural convention, we got a call from David.

I’ll let some excerpts from our second book, Fangasm! Supernatural Fangirls, take it from here…

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Walker Can’t Side Step His Emotions in ‘Bar None’

So much happened in this week’s episode of Walker, “Bar None,” that it feels impossible to recap it all. So instead, I’ll try to trace the twists and turns that the main characters – and the plot – took in 42 jam-packed minutes of television.

The main evolution belongs to Cordell himself, and it’s an evolution I’m enjoying tremendously.  He starts out the episode defensive about the accusations of use of excessive force against him and the upcoming evaluation he’s set to undergo. He’s still falling back on the rationalization that the guy he attacked provoked it, as well as the privileged assurance that “everyone knows” that judges protect “the white hat”. He shrugs off the systemic bias with a “that’s how the system is” comment.  This is all familiar from discussions we’ve all been having in the real world about qualified immunity and racism, but it’s powerful to see the white male law enforcement lead embody the problems we’re actually facing – and over the course of the episode, not only evolve and adopt a different perspective but also challenge some toxic masculinity tropes along the way.

I think a lot of people are surprised that ‘Walker’ is doing what it said it would, and isn’t afraid to go there. Showrunner Anna Fricke and Jared Padalecki have both said this is what they intended, but the show actually making it happen is satisfying to watch.

The other evolution we see in Cordell is his slow and painful progress in accepting Emily’s death and feeling the conflicting emotions that loss has brought. His struggle plays out against the metaphor of the Side Step itself, Emily’s favorite place that holds so many of Cordell’s fond memories of her. Walker stayed away from it and his family and friends to avoid those painful memories, as many of us are tempted to do when a loss feels overwhelming. At this point, the structure is failing, the foundation unsteady and unable to be an effective support – just like Walker’s coping strategies. He’s just not ready, at the start of the episode, to see it.

In the opening scene, Walker makes a flippant toast to a stuffed boar head on the wall of the Side Step, which takes us on a flashback to six years ago and Emily (Gen Padalecki) gifting him the boar’s head as the world’s strangest birthday present.

Hoyt (Matt Barr) in the past: Denise the deer.

Cordell (deadpan): It’s a boar.

You get the feeling Emily really was a bit crazy – and also that was something Cordell loved about her. I’m not a big fan of stuffed animal heads, let alone on walls, so this was not my favorite part of the episode, but I have to give the show points for being a little quirky. Quirky is good.

In the present, at the Side Step, Geri (Odette Annable) gives Cordell his mail, including the life insurance check from Emily’s death. They all realize it’s been a year, but Walker is determined to ignore that significance, although Stella and August want to honor their mother by doing her favorite thing – going camping. Cordell is planning to do it, for them, but refuses to acknowledge the emotional impact the anniversary is having on him.

Walker: It’s just a normal day, no different than any other day.

Denise the boar’s head: Falls off the wall.

Walker: Denise! You just had to make this about you…

The metaphors in this show are a tad on the nose, but Jared’s delivery of that line was so funny, I laughed out loud.

Geri informs Walker that she’s selling the bar, that she’s had a million offers from developers and it needs more work than she can do. He protests, but she says “it’s time.”  Selling the bar equals moving on for Geri too. She’s ready, but Cordell is not.

Despite Walker’s insistence that it’s just another day, his level of upset at the thought of the bar being sold is a pretty good indication that he’s far from chill about it. Anniversaries of loss are always difficult. One of the things I’ve learned as a therapist is that sometimes we’re not even consciously aware that it’s a loss anniversary, yet we feel the impact anyway. Feeling raw emotionally is sometimes a clue that it’s the anniversary of losing someone or something, because we’re unconsciously aware of that loss. Walker goes so far as to declare the place a crime scene to get rid of a developer interested in buying it. Geri is pissed, accusing him of being in denial – and not just about the bar. She says she needs a fresh start, implying that maybe he does too.

Walker won’t hear it though. He insists he’ll fix up the place himself.

The metaphor holds, Walker wanting to throw his time and energy into constructing even sturdier walls against the awareness of his loss, telling himself that he can do that and have them hold a while longer. Maybe forever. Geri is skeptical.

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Walker Walks the Line with ‘Bobblehead’ – and Gets Season 2!

Third episodes of new television shows are often the times when the narrative takes off in a slightly different direction, which is a bit of what happened with last week’s episode of the new Walker on the CW.  I enjoyed the episode – and there were quite a few people on my timeline who liked it even better than the first two – but there were also some parts that didn’t work quite as well for me. Part of that is because I was so impressed in the first two episodes with how realistically the show portrayed the Walker family’s grief over Emily’s death, making that the centerpiece of the family drama in the show. This episode still touched on that theme, but also took the show in a slightly different direction and introduced a new guest character.

Leading up to the episode, the network did a great job with promotion once again – including celebrating the good news that the show has already been renewed for Season 2! That’s an impressive accomplishment after only two episodes have aired, and a testament to the fan base that these actors bring with them, including many from my ‘home’ fandom, Supernatural.  The cast all tweeted their celebration, and so did many of Padalecki’s former Supernatural castmates. It felt good for the still-new Walker fandom to already have something to celebrate!

On Thursday, Jeff Pierre took over the Walker Instagram for the day, which made for more fun and some cameos from the other actors. Jeff Pierre is already a fan favorite thanks to his sense of humor and easy way of interacting with fans – and he and many of the show’s cast are clearly comfortable with social media.

Jared Padalecki live tweeted the East coast airing of the episode, so I watched and did a little tweeting and also enjoyed Jared’s commentary, some of which was cheeky and hilarious. Live tweeting used to happen every now and then for Supernatural, but it’s been a long time, so it felt really good to know that he was enjoying the episode right along with us. The last year of SPN fandom was contentious to say the least, and it felt especially good to feel like we were all just there to have fun together. I really hope that atmosphere sticks around – not that I won’t critique the show, because that’s what episode reviews do, but make no mistake, I have always enjoyed the shows I review. Otherwise I wouldn’t be watching!

So, Episode 3.

There was quite a bit to enjoy about that new character they introduced — Hoyt (Matt Barr), who high kicks his way back into the Walkers’ lives after a lengthy absence. We first meet him bare chested in short shorts and chaps, covered in sweat and glitter and dancing in a strip club. I am trying mightily not to compare Walker to the show that preceded it in this time slot on the CW, my all time favorite Supernatural, but Jared Padalecki just being in both keeps tying them together in my mind. So I laughed out loud when we got a male exotic dancer because yes, there are a fair number of Supernatural fans watching, and yes, some of us would have appreciated a similar scene at some point in that show’s 15 years. Sam and Dean go undercover at strip clubs on the regular in fanfic, why not in canon?

Anyway, points for that, Walker. Not what we expected from Walker’s best friend from childhood, and I like being surprised.

Gif bilosan

I continue to enjoy the fact that I don’t enjoy all the characters in this show, at least not all the time. Give me shades of gray instead of black and white, and characters complicated enough to sometimes inspire empathy and sometimes annoyance, and I’ll be happy. Hoyt was annoying more often than not, but we also learned enough about his backstory to come up with some explanations of why. In some ways, he’s the stereotypical con man, which isn’t necessarily all that interesting – smooth lies underneath equally smooth charm. He’s manipulative and smart enough to be good at it, which Walker both expects and doesn’t want to believe.

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