It’s Almost Here! Episode 6 of The Boys Finally Arrives at Herogasm On Friday!

Episode 6 of The Boys Season 3 drops tomorrow (or tonight if we’re lucky) and has a lot of anticipation around it, simply because – as its title announces – it’s the Herogasm episode. It’s still amazing to me that the series was able to pull off the supe orgy event from the comics and put it on streaming video. Herogasm is every bit as zany as everyone expected, and surprisingly humorous too. I didn’t expect to laugh out loud when there were such … creative… things going on. Flying vibrators? Sex with a…. Okay, you have to watch. This show is good at that, though – mixing the sexual with the violent with the humorous with the occasionally touching. And not just the Herogasm kind of touching!

Herogasm comic cover by Darick Robertson

Here’s my non-spoilery teaser review of Episode 6, which everyone should watch when it drops on Friday (or Thursday night if we’re lucky). Stay tuned for a spoilery recap and in depth review this weekend once everyone has had a chance to watch.

I won’t give away what actually happens at the Herogasm bash, or who ends up being there to join in the fun (or pursue other goals while others have fun). Let’s just say that a lot happens, and it is both disturbing and darkly funny. I will forever appreciate The Boys for being able to combine all those things with a drug-fueled supe orgy that had so many pump bottles of lube on the set that many a hapless crew member apparently mistook one for covid-protocol hand sanitizer.

So yes, that happened.

Now that I’ve seen it, I can only imagine what it was like to be on the set that day. Jensen Ackles shared his own experience on set that day with us at a convention in Denver shortly after filming it.

Jensen: They had rented out this huge mansion, just gaudy and perfect, and I see the A camera operator, his mask down, eating a sandwich and he looks a little traumatized. I was like, hey man, what’s goin’ on, you good? And he just shakes his head nad says “I seen some shit, man. I seen some shit.” He was already PTSD and we hadn’t even gone to lunch yet. And he was right. I can’t unsee it, can’t put that toothpaste back in the bottle. There was the set dec stuff brought in by the art department and let’s just say there were a lot of sex toys all around, and in addition there were just like vats of lube. The problem was they looked very similar to the covid hand sanitizers that they had spread throughout the set, so every now and then you’d hear an expletive because somebody had done an entire pump of lube on their hand and was like oh crap!

Jensen to Supernatural costar Jared Padalecki standing next to him: I don’t know that you’re old enough to see this. (He then played it for Padalecki on their recent flight to another convention).

So, be prepared!

The underlying theme of the episode plays out before and alongside Herogasm — the slow but sure desertion of anyone who is truly “on his team” for Homelander. Because anyone who has watched Eric Kripke’s shows for a long long time knows he can bring the OMG and the OHMYHEART and the OUCH all in one episode.

Homelander is increasingly isolated, in one poignant and disturbing scene left with only himself to talk to – literally. He also talks back, which is never a good sign but makes for fascinating fictional media. It makes horrifying sense that it’s the persona created in childhood when John needed to dissociate, still with him after all this time – probably more and more present as the stress and isolation build up. It’s the ‘strong one’ who got him through the trauma that happened in the ‘bad room’, who at first tries to give him(self) a pep talk about being better than everyone and not needing anyone, then resorts to taunting him for the part of himself that still longs for love and approval. There’s the suggestion that he carve those parts of himself out, leave him pure, clean.

You get the feeling that’s exactly where Homelander is headed. Impermeable. Cold. Unfeeling.

Makes sense when you’re a helpless, traumatized child – shut off your feelings, make yourself like stone. Make the pain stop. My little bit of empathy for Homelander reappears briefly every time I hear about his horribly abusive childhood – his defenses make sense, but they are so far from helpful at this point, they’re likely to take everyone around him down. And there’s no justifying that, even if you can see how he got there. His lack of remorse when he kills, even innocent bystanders, is absolutely horrifying.

In contrast to Homelander’s coldness, Starlight in this episode runs hot and takes no shit. She’s increasingly fed up with everyone and their brother and sister who keep “telling me I need to be shitty in order to win.” You can tell she wants to give a big fuck you to all kinds of people in this episode, including Victoria Neuman, who is so damn pleasant even though you know she could pop everyone’s heads like a melon. That’s scarier than someone who actually looks scary! Annie January takes the spotlight in a different way in this episode, and I was cheering.

We also get more backstory of Frenchie’s childhood and how much it messed him up, which is for sure the theme of this entire show. We get more backstory on Mother’s Milk too, including exactly what happened with his family and Soldier Boy back in the day, the origin of his OCD and his current obsession to confront Soldier Boy and get some kind of revenge. For many of the characters, revenge seems like the only way to end that kind of obsession. Mother’s Milk is looking for that with Soldier Boy, Hughie is looking for that with A Train, and A Train is looking for it with Blue Hawk. Round and round and round we go.

And that brings us to Soldier Boy and Butcher. Butcher’s looking for that with Homelander; Soldier Boy is looking for that with the team who abandoned him. The utilitarian partnership between Butcher and Soldier Boy, with Hughie along for the ride, is a lot more fascinating than I expected it to be. Soldier Boy’s return shakes everything and everyone up, supes included. Having someone else on the playing field with at least as much power as Homelander is a game changer, but while there are plenty of similarities between the two, there are also differences.

I was thrilled that we get to know Soldier Boy better in this episode. Ackles brings unexpected depth to his character once again, much to my distress – he’s a jerk who’s stuck in the racist misogynistic homophobic ideas that were so common in his time, and that have clearly always worked just fine for him so why would he change them? They’re beliefs that have probably hurt countless people over the decades and he remains uninterested in changing them.  But he’s surprisingly open in sharing his feelings and how lost he is in this new world. A world that, as he says, forgot him.

Gif abordelimpala

He doesn’t seem interested in causing harm to anyone except the team that betrayed him.  Like Homelander, though, he’s also a man who has nothing and has lost everything; and that, as we’ve seen before, is a dangerous man. Especially when they have great power. He may not be out for revenge against anyone but Payback, but he also can’t control his explosions that destroy city blocks and he’s not very concerned about collateral damage.  Not exactly a caring, compassionate chap.

The rest of the original Payback team better be on the lookout…

The underlying theme of this episode is how much blame to give other things – whether outside influences or substances like V – for when people do bad things. Is it the V who turns people evil, corrupting them, or does it just bring out who they really are? It’s a metaphor both for the power and privilege someone gains and what that allows them to do, and also for the ways in which we absolve ourselves of blame for the things we do that hurt others – it’s not my fault, it’s the people who hurt me in the past. It’s the drugs. It’s the V. Or is it?

The episode is also very much about the mantra of Eric Kripke’s earlier show, Supernatural. Saving people, hunting things. What does it mean to be saved and what does it mean to be the one doing the saving? There are some pivotal choices made in this episode around that question. Mother’s Milk, Starlight, Kimiko and Hughie all make decisions about what’s most important to them, confronting some hard truths about themselves.

This is perhaps the most powerful episode yet of Season 3, with every actor stepping up with compelling performances, and twists and turns to make your head spin. One of the things I love most about this show is that I almost never know what’s coming. I don’t like it when things are predictable, and that is one thing The Boys has never been.

And just so you know, there are two episodes left of this season, and you can count on that unpredictability to remain. And then some!

Tune in tomorrow (or later tonight if we’re lucky) for Herogasm – and then check back here on the weekend for our spoilery review and recap!

– Lynn

You can read the books with chapters from the

Supernatural actors, including Jensen Ackles,

all about fandom and how their characters alo

change their lives, links here or at –

 

 

 

Walker’s ‘A Matter of Miles’ Amps Up The Family Feud

Walker’s penultimate episode ‘A Matter of Miles’ was an uncomfortable one to watch – intentionally so. The gulf between the various ‘sides’ feels pretty much uncrossable now, many characters feeling like their backs are against the wall after coasting along without expressing things like anger, resentment, guilt and suspicion for too long. There’s a sense of desperation that pervades all the tenuous relationships, amping up the tension for pretty much the entire episode. I found myself feeling like I needed a break mid episode from all that tension, so I could imagine how the characters were intended to be feeling!

There are two main story lines running in parallel throughout – the return of Miles and the mystery of what he and Fenton were really up to and who is/are the bad guy(s) here, and the escalating feud between the Walkers and the Davidsons. I don’t like black and white anything, I’m always here for the nuance, but this episode painted the Davidsons with a much darker brush. I’ve been expecting that to happen, since they’ve been set up to be the ‘bad guys’ all along and obviously the Walkers have to turn out to be the ‘good guys’. But there were only a few characters who I could say I actually liked in this one – the rest, on both sides, were just plain unpleasant. I get where the Walker family’s anger is coming from – who could not be angry at people who literally took your home right out from under you? But the show did a good job early on of showing the Davidsons as people who’ve endured as much loss and tragedy as the Walkers – including all their land – so there’s anger and bitterness and now a drive for revenge on both sides of the fence. Understandable maybe, but stressful to watch!

Walker — “A Matter of Miles” — Image Number: WLK219b_0148r — Pictured (L-R): Jalen Thomas Brooks as Colton Davidson, Kale Culley as August Walker, Dave Annable as Dan Miller, Amara Zaragoza as Denise Davidson, Molly Hagan as Abeline Walker, Paula Marshall as Gale Davidson, Mitch Pileggi as Bonham Walker, Keegan Allen as Liam Walker, Odette Annable as Geri Broussard, Jared Padalecki as Cordell Walker and Violet Brinson as Stella Walker — Photo: Rebecca Brenneman/The CW — © 2022 The CW Network, LLC. All Rights Reserved.

Gale and Denise in this episode are much more the stereotypical villains, saying one seemingly reasonable thing to Geri and then snarking about the real reason they’ve agreed to dinner with the enemy behind her back. I half expected them to do an evil cackle at some points, enjoying that they have the power to wreck anything that was the Walkers – especially Abeline’s. Tearing up her vegetable garden even if it means no more nice fresh vegies was a petty, purely vengeful thing to do. Abby is right – no matter how much Gale takes from them, it’s never going to heal for her the rage she feels about Abilene having Marv’s love and the Walkers having all the land and her not getting to raise her child (even if most of that was probably Marv’s mistakes, not the Walkers’ fault). It’s impossible not to dislike Gale and Denise heartily in this episode.

Unfortunately it was also impossible for me not to dislike how some of the other characters who I usually like a lot were acting. Bonham is a barely contained boiling-over pot of anger throughout the painful dinner, tossing barbs at the Davidsons any chance he gets. Probably it was putting the Walkers in an impossible situation, asking them to come back to the house that was theirs and still feels to them like theirs (witness Cordell walking in without knocking and almost tossing his hat on the peg he expects to still be there) and expecting them to sit down and make nice.

Read more

Last Week’s Walker Goes on Multiple ‘Search and Rescue’ Missions

Last week’s Walker was titled ‘Search and Rescue’ and it was appropriate for multiple story lines. Directed by Austin Nichols (who was on the show in the last season), it was a fast paced episode that didn’t have any down time. As Jared Padalecki recovered from a serious car accident, Cordell’s role was light, but there were plenty of powerful performances by the ensemble cast.

The main rescue is of Stella and Colton, after their first date hiking in the state park goes south. They split up with Augie and his new hiking partner, who is striking enough to make August forget all about the sunscreen he was so worried about. Augie, I know your mother taught you better than that!

Walker — “Search and Rescue” — Image Number: WLK218b_0414r — Pictured (L-R): Kale Culley as August Walker, Jalen Thomas Brooks as Colton Davidson and Violet Brinson as Stella Walker — Photo: Rebecca Brenneman/The CW — © 2022 The CW Network, LLC. All Rights Reserved.

Stella and Colton have a teasing competitive dynamic that works to make the relationship believable, but it sends Colton scrambling up a cliff side to try to get to some flowers after Stella sets it up as a race. He hits his head on a rock on the way down and is disoriented and bleeding – and for most of the rest of the episode it’s a race of a different kind to keep him conscious and get them some help.

Stella manages to call Liam and leave a seven second message before her phone battery dies (poor planning for a hike, Stella, and I feel like your hike-loving mom taught you better than that!). So everyone knows they’re in trouble and the feuding families temporarily put aside their differences to try  to find them. Earlier in the day the feud was going full force – Liam went to the Davidson ranch to confront Denise and Dan, accusing them of cutting Cordell’s saddle strap. Bonham’s leather detailing knife went missing about that time, and they’ve finally caught up to what viewers have assumed for a long time. I’m still not sure why it wouldn’t be obvious that the saddle strap was cut immediately when they examined it, but at least they finally got there. Dan is furious at being accused, insisting he didn’t do it, but Liam storms out.  Dan and Bonham had been working well together, but the accusation ends that relationship, Dan saying “It means a lot, what you’ve done for the ranch, Bonham.”

cap whatsinaname7

He holds out his hand to shake and Bonham doesn’t take it.

Bonham: Mr. Walker’s fine.

He angrily embeds the ax in a block of wood and walks away.

Dan rarely gets a break even when he’s trying, honestly.

Now that the kids’ lives are at stake, however, the feuding families manage to work together to find them.

Walker — “Search and Rescue” — Image Number: WLK218b_0162r — Pictured (L-R): Molly Hagan as Abeline Walker, Keegan Allen as Liam Walker and Mitch Pileggi as Bonham Walker — Photo: Rebecca Brenneman/The CW — © 2022 The CW Network, LLC. All Rights Reserved.

Read more

Back To Where It All Began – Supernatural Chicago 2022!

Chicago was the very first Supernatural convention, way back in 2007. I was there, overcome with anticipation to see both Jared and Jensen together and to be in a room full of my fellow Supernatural fans. Kathy and I, along with our friends Laura and Karen, had stalked the Creation website for weeks to get the best possible seats, and we couldn’t wait to all be together to celebrate the show that was already changing our lives.

It’s 15 years later, and so much has changed. Kathy, my partner in crime who I went to all the early cons with, and to the Supernatural set, and who I wrote the first four books with, passed away unexpectedly several months ago. Going back to Chicago, where this unlikely fifteen years and counting adventure began, without her was emotional. I felt lucky to have so many of my friends there to remind me how much love I have in my life and what incredible friends I have still here with me. I’m so grateful.

Chicago con always seems special because it’s the site of so many memories. Even though this year’s was in the convention center instead of the familiar hotel where so many cons have been held, I still stayed in that hotel so the nostalgia was real. It’s also the con where I met or became closer to some of my best fandom buds, and making new memories with them this year felt extra special.

Also Jared was back and that was something to celebrate for sure – he missed the last convention in New Jersey after his very serious car accident. He’s still on the mend, but it was wonderful to see for ourselves his smiling face and have his banter with Jensen back to normal. It felt healing to all of us, I think.

Chicago had a great line up of guests, and I caught most of their panels since I flew in at a ridiculously early hour. Free shuttle to the hotel, yay!

DJ Qualls was back for the first time in a while – I always enjoy his panels, and he’s incredibly friendly. All weekend long, every time I walked by his autograph table in the vendor room to get to my book table, he was happily chatting and selfie-taking with fans and enjoying it immensely.

DJ: Jensen is good at everything. For the dance number that we did, he had like a 15 minute head start and knew it all.

A fan asked what his craziest dream was, and DJ started to laugh.

DJ: Heh heh, no. I had one after Jared’s accident…I think I was worried about him… and it was like fan fiction…

So no, he didn’t share it!

I enjoy hearing DJ talk openly about things like gender roles and the pressures of masculinity. He said that he got hurt every single time he did some stunt work on Supernatural, but the expectation was that you just “walk it off” so he did.

Next we had what for me was a real treat – a panel with Katie Sarife and Joy Regullano, who played Marie and Maeve in the Supernatural 200th episode, Fan Fiction. It’s one of my favorite episodes and they were brilliant in the parts. I had coffee with Joy in Vancouver years ago and so enjoyed our chat – it’s linked below if you want to get to know her a little.

Joy identifies as a fangirl herself, wanting to represent fans as “smart people with a passion”, and Katie said that her ex-boyfriend was a huge Supernatural fan. He’s the reason she already knew “Carry On”, in fact.

Since they are Vancouver based actors, they knew the show – and Joy had auditioned before.

Joy: The first role I auditioned for was K Tran – which became the character of Kevin!

Both said they loved the episode and the way it ended, except that they would have loved to come back. Understandable.

What was the most fun working on Supernatural?

Joy: Well, Jared is like 6 foot 15, so it was fun being able to boss him around and like, be mean to him.  (In the show!)

She also had a scene in which she adlibbed to Jared (Sam): “Look with your eyes and not your mouth” but unfortunately it got cut. I would like to have seen Jared’s response!

Katie: I learned a cool trick from Jensen, of crossing my eyes and the moving just one of them.

(This made me cringe because Jensen has done that to me to tease me and it’s the only time I have ever run away from him lol)

They also enjoyed the comedy in the episode, right down to the “you can’t spell subtext without S-E-X.” Classic Robbie Thompson.

Joy and Katie were asked if Jared and Jensen pranked them, but they said no.

Katie: I think because we were playing teenagers, there were no pranks. Jared and Jensen were really sweet. And not creepy.

I love that everyone who ever worked on the Supernatural set has nothing but praise for the main cast.

Joy: It was like a master class in acting, watching the experienced actors just snap into character like that.

(I’ve witnessed it too, and to a non-actor it is nothing less than amazing!)

Friday also had a great trio panel of Gil McKinney, Adam Fergus and David Haydn-Jones. They joked that it was the “grumpy old men of letters panel”!  It was Pride month, and David had on his Yasssss Queen shirt given to him by a fan and some truly awesome rainbow socks.

Read more

A Supernatural Homage to The Sixth Sense in ‘Roadkill’

Written by Raelle Tucker and directed by Charles Beeson, Roadkill wasn’t initially one of my favorite episodes, but on rewatch I was struck by how good it is. It’s not a feel good episode – it’s sad, tragic – but that is so well done. I feel for Molly, so it’s not an episode I tend to want to rewatch, but damn, the acting and writing are top notch. It’s a little bit of a Sixth Sense homage too, which always makes me happy since I was in that movie. (And it’s a great film, of course). Sure, I have zero lines and I’m just sitting in the auditorium audience but hey, I’m still in it.

Anyway…

THEN

The THEN reminds us that our boys are “smack in the middle of” the storm that’s coming, and that Dean especially is focused on “saving people, hunting things”. But we’re also reminded that the brothers are not entirely on the same page, as they both struggle with how to interpret their father’s mission and how much of it they want to take on.

Dean: If it’s supernatural, we kill it – that’s our job.

Sam: No, Dean – our job is hunting evil.

Well done THEN sequence, because that’s the crux of what Sam and Dean are trying to figure out right now, and they’re having a pretty epic brotherly tussle as they do it.

NOW

In a memorable opening, a car drives along a dark road at night as House of The Rising Sun plays on the car radio and the couple argue about being lost and turning around, the guy looking at the map (remember maps? I remember maps….and the days before your phone could just helpfully direct you where to go).  Their arguing is good natured, and the guy offers to make it up to the woman, kissing her neck although they’re driving and uh oh, this is not a good idea when you’re in the opening sequence of a Supernatural episode.

The woman, Molly, pushes him off, which takes her eyes off the road just as a man appears on the road. She tries to avoid him and ends up crashing into a tree, the windshield shattering. Uh oh.

Molly wakes up, the car smoking, David nowhere to be found. She crawls out of the car, calling for him, walking through dark and creepy woods as we all hold our breath, waiting for the other shoe to drop.

She finally sees a house with a light on in the woods and though it seems like a bad idea once again, she knocks on the door and then goes inside. There are knives on the wall and blood on the counter, and a man with his back turned.

Molly recognizes the man she almost hit, reaching out to see if he’s okay, though we as viewers can see that he’s not – his stomach is impaled and bleeding way too much to actually be alive, in fact.

Molly: Sir, are you hurt?

He turns around and opens his mouth – and his teeth start to fall out, mouth bloody, stomach wound gaping. It’s a Sixth Sense like reveal, and it’s so well done that it’s super creepy and scary. Season 2, Supernatural really was a little horror movie every week – so good!

The SUPERNATURAL title card pops up and lets us know our boys will be appearing soon. Perfect time for the logo of that season.

Molly screams and runs through the woods, terrified. It’s filmed in slow motion, adding to the terror of will the dead guy catch her or won’t he, and then she runs right onto the road. A car is coming as she yells Stop! Stop! The car skids to a halt – and we see that it’s the Impala.

Dean: Holy–  (The ‘shit’ is silent because CW)

Molly is totally freaked out, banging on the window and asking the boys to help her. Sam and Dean exchange a glance as she explains about the scary guy.

Dean: Did he look like he lost a fight with a lawn mower?

Molly: How did you know that?

Dean: Lucky guess…

Read more