There was trepidation when ‘Walker’ returned because we left it up in the air whether Abeline would be okay after suffering a stroke – and we pick up right there, so the first part of the episode was full of terror as Cordell and August find Abeline on othe ground. Not sure it was the best thing to do, to pick her up and take her to the hospital in the truck instead of calling 911, but maybe out on the ranch that’s the quickest way to get help.
I’m never a huge fan of making everything into a music montage, but once they get to the hospital, the tension is palpable. And Bonham is beside himself – understandably. The tension between August and his grandfather is also hard to watch, but Cordell to his credit pulls his son in when he hugs Stella.
Turns out Abeline had a TIA and no lasting residual symptoms, but the doctor recommends stress management and aspirin and other preventive measures – which Bonham definitely takes to heart. Abeline hasn’t lost her sense of humor, and reminisces about the first time they came to the hospital – they were dating and Bonham tried to impress her with homemade spaghetti and meatballs, which were so undercooked that she got food poisoning. And they still ended up together!
Bonham doesn’t even want to talk about the past, feeling like she’s spending too much time looking back and refusing to look forward. He’s been scared so much by her near-miss that he doesn’t want to take any chances, while she wants to forget that it happened and carry on like nothing did. That puts my favorite couple in conflict a bit, Bonham insisting on compression socks and colloidal silver and tossing out all the high sodium laden foods in the kitchen, Abby bristling at being coddled.
The answer: Hell yes! Just about everyone is mad in this episode, especially Sheriff Beau Arlen. And with good reason!
(And it turns out, some people fit the alternate definition of that question too…)
Here’s a recap of the penultimate episode and all things Beau Arlen as we head into the season 3 finale! The episode is a tension-filled roller coaster from the very first moment. Sunny comes home to find bloody handprints on the wall, calling for Buck – but it’s Paige who responds, carrying a big knife. She accuses Sunny of siccing her psychotic husband on her.
Paige: I killed him, and I’m gonna do the same to you.
Sunny holds her off, then Jenny and Cassie show up and tell Paige to drop the knife, it’s over.
Meanwhile, our favorite sheriff is in his office, looking at a framed photo of Emily as a baby in a ‘Daddy’s Girl’ frame.
He calls to check on her and she answers as she comes back from the coffee shop, juggling coffees and banana bread.
Emily: Consider me checked. Talk later?
A typical father and teenage daughter interaction, but I love how nothing discourages Beau from being protective of his “little girl”.
Poppernak says they found out who the guy from the hotel was that Beau shot, and Beau expresses his anger at Avery for this whole mess, saying “that smug sonofabitch saw an opportunity to steal $15 million” without thinking about the consequences. Officer Madge interrupts them, and Beau asks hopefully if it’s breakfast burrito time?
Madge: I stopped serving men in 1999.
I love Madge. The quirky characters in this show are a big part of what makes it so good.
She tells them the news that Paige is alive, and Sunny is currently being held for questioning.
Jenny questions Paige in her hospital bed. She says Buck took her somewhere underground in the woods but she doesn’t’ know where. Paige insists Sunny was in on it, that’s why she went after her. When Jenny doesn’t seem to be taking it seriously enough, Paige gets upset.
Paige: That psycho tortured me! He had hearts in jars, human trophies!
That gets Jenny’s attention for sure. We knew it!!
Beau questions Sunny, saying she’d better start talking. She insists she doesn’t know anything about the bleeding heart killer no matter what Paige says, that she was trying to keep Paige safe from the people she took the money from. Beau advises her to get out in front of all this, that this is her one chance, but Sunny is more concerned about Walter – now that Paige was found alive, he should be released. Maybe, she says, he could help them find Buck.
I love that Jensen gets to do scenes with Reba McEntire. And though Sunny has been complicit in some not okay things, I can’t help but feel bad for her and relate to her love for her kids (even if she totally screwed that up too…)
Also, I may be entirely enthralled with Ackles in that faux fur collared jacket, especially in screencaps like that one. He looks like he maybe belongs in Game of Thrones and I would be here for that too.
Anyway, it’s more than a little unexpected that I’ve ended up sympathizing with Walter (and even with Paige a little), but I was happy to see that Walter is indeed released from prison. Sunny arrives to pick him up and he reluctantly gets in the car with her. She says he was right about Buck and she should have listened to him, but Walter is angry and hurt that she didn’t and I don’t blame him. Of course that fire wasn’t okay, but the guy was abused and then lived in the woods his whole life so I’ve got a soft spot for him.
We’re finally getting back to the Supernatural rewatch after a break for life being too damn busy – oh OG Supernatural, I have missed you! We pick up with Season 2’s ‘Folsom Prison Blues’, written by John Shiban and directed by Mike Rohl, which aired in April 2007. I had fallen madly in love with the show earlier in Season 2, so by the time this episode aired, I was glued to my TV screen, probably with a piece of pie and a whole lot of excitement as I sat down to watch, having shooed the kids out of the living room so I could squee to my heart’s content.
This is a great episode – it’s Sam and Dean for the entire episode, something that seems like an absolute feast after Jared and Jensen needed to share the burden of constant filming in later episodes (understandably). It’s directed and filmed beautifully, the prison scenes darkly lit, spooky and gritty just like the show itself in these early seasons. Rohl plays with perspective throughout, using it to evoke the claustrophobic feel of being incarcerated, unable to escape or even see clearly the dangers around you. And of course, the acting is incredible. Jared and Jensen were so young, and already so damn good.
The Road So Far reminds us that Agent Henriksen is onto the Winchesters, telling Dean on the phone that he knows about the desecrations and the thefts, that he knows about Sam too, and about their dad. Mention of his family is what gets to Dean, as always.
Dean: You don’t know crap about my Dad.
And then we see Sam and Dean at the end of the job that saw Henriksen almost catching them.
Dean: We are so screwed…
Workers in a dark eerie prison, using a blowtorch to open up an old cell block. We see their breath come out as visible steam, and uh oh. Something invisible blows by them, freaking them out. The lights flicker. All of us experienced Supernatural viewers know that’s trouble. A prisoner calls to the guards, the lights flickering, the clock on the wall stopping at 10 o’clock.
The guard tells him to cool it and go to sleep, but he keeps calling, the guard ignoring Randall’s insistence that he saw something. The lights go out and the guard goes to walk away when suddenly something slams the door on his arm and he’s attacked by something invisible, Randall watching from his cell as the guard screams.
The title card appears, and we jump to three months later as Sam and Dean break into a dark building at the Arkansas Museum of Anthropology at night. It’s a beautifully filmed typical Supernatural scene, lit by the brothers’ flashlights. The brothers are not in agreement.
Sam: I hate this plan, Dean.
Dean: I got that the first ten times I heard it.
They walk right past a motion sensor, open up a glass case and take out an artifact or two – a dagger, an axe – then put them down as they hear a noise and the command ‘Freeze! Down on your knees now!’
As a viewer, it’s confusing because the Winchesters are never this careless, and they do make a half hearted attempt to evade capture, but then comply and get on their knees.
Sam is annoyed (which seems to make sense because who wouldn’t be annoyed while getting arrested) but Dean actually gives him a little smile, which… huh?
Sam is cranky doing mug shots too, and again, who wouldn’t be? Though he can’t help but look handsome anyway because that’s just Sam.
Dean, however, is almost enjoying himself in a scene which is now iconic for the series.
Dean: I call this one the Blue Steel.
He purses his lips and cocks an eyebrow, and somehow because he’s Dean Winchester he still looks hot.
Dean: Who looks better, me or Nick Nolte?
A little pop culture reference of the time there.
Dean stays cocky when an agent comes in who we recognize as Henriksen, asking for a cheeseburger with extra onions. (Dean does not recognize him, having not seen his face yet).
Big Sky returned with a bang last week – and with lots going on, including with our favorite sheriff, Beau Arlen. Here’s my Beau-intensive recap (which is in part a great excuse to post lots and lots of caps and gifs of Jensen Ackles making Beau Arlen the latest in a long line of ridiculously hot and complex and heartbreaking characters that we all fall in love with). So enjoy!
But first, the story. The episode picks up just where it left off, Jenny finding her mother in her house bloody and roughed up and frantic, saying she messed up and needs her help, insisting the 30 grand she stole is gone and she grifted the wrong guy. Jenny is at the end of her rope, saying she can’t do this anymore, tying her mother’s hands and preparing to take her to jail, Gigi insisting they have to get out of there, it’s not safe. And sure enough, the bad guys break down the door, taking Jenny down in the process – and drag her mother out.
And where’s our favorite sheriff? Curled up on his deck chair outside under a blanket while Carla and Emily sleep in his trailer. Keeping watch, a rifle at his side ala Dean Winchester with his knife under his pillow.
Emily joins him, saying she can’t sleep, and he gives her his blanket. I love Dad Beau.
He tells her that Avery isn’t a good guy, that he tried to steal $15 Million, that he put Carla and Emily in danger.
Beau: What does she see in him?
Then he thinks better of that.
Beau: Sorry, I shouldn’t say that to you.
I love that even in the brief glimpses we get of him, we see that Beau tries hard to be a good parent to his daughter. He’s not perfect, and he knows it, but he tries. His conflicted character, pulled by his anger to say things he shouldn’t and not keep the right boundaries with Emily, feels realistic, and we relate to his struggle to do the right thing even though what he really wants to do is badmouth Avery from one side of the world to the other.
Emily says maybe Avery’s afraid of losing Carla if he doesn’t have money.
Then she asks a serious question that has apparently driven a wedge between Beau and his family for quite some time – what happened in Houston with his partner?
Beau deflects, saying she knows what happened, but Emily calls him on it, saying he never talked about it.
Beau: Not much to talk about.
It’s painfully clear that’s not true, to us and to Emily, and Ackles lets us see every bit of the pain Beau is still in after the loss of his partner even as Beau tries to deflect. Sometimes when people are grieving, it cuts them off from the other loved ones in their lives, and it seems like that happened with Beau after he lost his partner, perhaps out of the guilt he feels about it. That’s pretty tragic, because then it’s loss on top of loss, and that’s hard to get through. Beau is still suffering from both those losses – his partner and his family. Damn it, I’m caring way too much about this character who is most likely a one season addition to the show, but I just can’t help it!
Emily: Mom never needed you to be perfect, she just wanted you to let her in more.
She leaves and goes back inside, leaving him looking so sad it broke my heart. Jensen Ackles can make you feel every bit of what his character is feeling, and it HURTS.
And damn it, he looks so good while he’s hurting and it’s all confusing as hell and please give me more of it.
Welcome to Part 2 of our Nashcon coverage with lots of pretty pretty pictures courtesy of Prior Studios. I was so happy to have Kim, my partner in crime, back with me at a con. And we all benefit from the photos she was able to take. I had to have a cold drink beside me to post this article, and it’s winter on the East Coast of the US…
So here we go with Part 2, starting with Sunday, J2 day! The boys looked fine fine fine at the morning gold panel in gray (Jared) and ivory over plaid (Jensen) and those long long legs.
They wasted no time in getting to the banter that we all enjoy so much.
Jared said that he had been excited to wear a scarf yesterday.
Jensen: You live in a bad place to have a scarf fetish…
They love to reminisce about their time on Supernatural and I am unspeakably grateful that they want to keep talking about it as much as I want to keep hearing about it.
Jensen: We were full on kleptomaniacs on Supernatural.
Jared: We got little gift packages from Props…
I don’t think we STILL know everything that they ended up with when the show wrapped – and good for them! Look how joyously unrepentant they are.
Jared: I stole…uh, that is, two things went missing from Bobby’s house. I have the Samulet, and an army man from the car.
Jensen: Jared and I snuck in and went full Sam and Dean…
I love it. Can you just imagine the two of them being all sneaking, channeling their inner Sam and Dean? Good for you, boys! I am so glad that Jared has the Samulet, that warms my heart.
They also were remembering the early episode Wendigo, when the actor who was playing Roy was all gung ho to be set on fire and then was suddenly screaming “Put me out!”
Jared and Jensen at the time: What have we gotten ourselves into?