Soldier Boy Returns (Sort of) in Gen V – And Inspires A Million Priceless Gifs!

With two more episodes to go in its first season, Episode 6 of Gen V is a standout for more reasons than one.

SPOILERS AHEAD FOR EPISODES ONE THROUGH SIX OF GEN V!

We pick up in the sixth episode (“Jumanji”) with a repentant Cate restoring all her friends’ memories. They’re shocked, pissed, betrayed, everything you’d expect. Emma immediately heads out to find Sam, but not without a parting shot.

Emma: Also? You’re a cunt.

Cate insists she thought she was doing the right thing. Andre is especially furious, wondering if Cate’s manipulations were what made Luke kill himself and afraid to even consider that what she did was okay because then he’d just forgive her. His feelings for her make her betrayal a personal one.

They all feel (understandably) mind raped. Marie is the voice of reason though, saying it’s God U who is fucking them over, not Cate – that Cate was fucked over just like the rest of them.

The strain on Cate from restoring their memories and the trauma of realizing how she’s betrayed them makes her collapse, her heart rate slowing dangerously. Marie manages to save her (since apparently none of the others learned CPR at superhero school).  Marie slowly learning to use her formerly horrifically destructive powers for good is a nice little story arc running beneath the surface, though it will certainly not go smoothly. This is The Boys universe, after all.

At times this show reminds me of Buffy (which I loved) as it uses metaphor to tell stories about real life issues, in this case one of the challenges of growing up. We all have to learn how to harness our destructive impulses, how to recognize our own power but not mis-use it. We all have missteps we feel guilty about along the way, that can keep us afraid of speaking up or calling out injustice when we see it. That’s been part of Marie’s journey all along.

She does manage to save Cate, who wakes up and then abruptly bursts through the wall of the house they’re hiding at.

They follow, but when they all go through the break in the wall, what’s outside is…the woods. Well, not THE woods, but actual woods. Suddenly everything has gone surreal, and I love it, not knowing what’s actually happening and what isn’t.

They see a hysterical woman, sobbing and calling for Caleb and realize that’s Cate’s little brother who disappeared – we see young Cate distraught, telling her mother she didn’t mean it, not understanding what’s happening. Her mother looks at Cate not with love or concern but with terror, telling the cop she doesn’t feel safe with her daughter.  Bits and pieces of the landscape start to come apart in some truly eerie special effects…

They’re in Cate’s head, they realize.

The Boys universe excels at finding ways to get into its characters’ heads (often literally) so we can truly understand their back stories in a way that makes them very real and very compelling. We often don’t just hear about it, we see it. It makes all the characters a lot more sympathetic, as the scenes of Cate’s past do in this episode.

*             *             *

And then I admit to gasping out loud, because even though I knew it was coming, seeing Soldier Boy striding out of the woods took my breath away.

I know it’s wrong, but I’ve missed him! Welcome back to my screen, Jensen Ackles!!

And then begins a scene that will go down in history for both The Boys and Gen V fans – and Jensen Ackles and Supernatural fans too. Holy shit, what a scene!

Soldier Boy: What are you greasy sack of fucknuts doing in here?

Yep, that’s our disgusting uncensored murder grampa kitten, being just as gross as ever. Ahhhhh, I’ve missed him!

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Catch up on Gen V – Here’s What Happened in Episode 5!

A new episode of ‘The Boys’ spinoff ‘Gen V’ streams Friday – well, usually Thursday at midnight. If you’re like me, you can’t wait to find out what happens next!

Here’s our recap of last week’s Episode 5 to get everyone ready for this week’s Episode 6…

SPOILERS FOR EPISODES ONE THROUGH FIVE OF ‘GEN V’ AHEAD!

Everyone ended the fourth episode of Gen V wondering if their streaming service had glitched, so it’s merciful that in Episode 5 the show doesn’t make us wait to find out that no, that’s not what happened. Instead it’s Andre, Cate, Emma, Jordan and Marie whose memories glitched, as in none of them can remember the past few days. They wake up at a Supe named Dusty’s house (clearly his house because his pet llama is wandering around the premises), Andre and Cate in bed and Jordan and Marie in bed – and Emma (still gigantic) naked and floating in the swimming pool. Luckily it had a tarp on it which is covering her.

As a result of her saving the day, Emma finally starts trending on social media, and realizes that her mother’s stern warning about not “getting big” was bullshit – more of her evolution into finding her voice and being willing to take up space. Lots of it.

Know who realizes that? Sam. He shows up concerned about Emma, who doesn’t remember him at all.

Sam promises he’ll fix it, make her remember.

Emma: Remember what?

Sam: That you’re a hero. A real one.

Me, a passionate Emma fan: Damn right!

Vought is still after Sam, sending a whole team of armed operatives to capture him. In a truly disturbing sequence, Sam’s psychosis manifests so that he sees them all as puppets – and proceeds to rip them apart, puppet entrails flying everywhere and heads rolling, rock music playing to make the whole scene surreal.

Sam comes back to reality standing in a sea of bloody body parts.

Dr. Cardoza is freaked out after Sam’s little visit, but the Dean reminds him he can’t really walk out as he doesn’t have anywhere else to go, putting it in her own special way.

Dean Shetty: Cutting up Supes and seeing how they tick is a skill that won’t quite shine on your LinkedIn profile…

Back to trying to perfect a virus to control the “psychopaths” then, Dr. Cardoza.

Marie finds a tracker implanted in her chest and realizes the Dean is probably part of that. She manages to pull it out of herself (ewww). This episode begins to paint a chilling portrait of just how sinister the people running God U actually are – and sets us up for some big reveals about who they’ve drawn into their web of manipulation.

Marie runs to Cate to tell her about the trackers and…that was a mistake.  The episode veers back and forth with Marie and company discovering some of what’s going on and then being made to forget, which is depicted in a way that makes the viewer feel almost as unsettled and ‘off’ as Marie and friends.

For a while they’re sure it’s Rufus who’s messing with their heads, and poor Alexander Calvert almost gets taken out for good because of it, even as he protests his innocence.

But Sam knows the truth – and by the end of the episode, they all know who is really responsible for repeatedly wiping their memories. It’s Cate. Surprisingly empathic, relatable Cate. (Of course, that’s never the answer of who the real villain is in this universe…)

Cate says she’s sorry, that she only ever wanted to help and make things better. Do we believe her??

In other news, Jordan and Marie spend much of the episode dancing around each other and trying not to admit to the other that being together maybe wasn’t a mistake after all.  Jordan’s invisible Supe friend reminds them that maybe Marie is “cool with hiding the sausage and bumping donuts” and so maybe they can be either in female or male form and still be with her. I’m rooting for them!

I’m rooting for Sam and Emma too. She doesn’t remember who he is, but she goes to him anyway.

But how long can he keep hiding from Vought??

A new episode streams this Friday (Thursday at midnight) on Prime Video and let’s just say the level of excitement around Soldier Boy perhaps making an appearance is off the charts. I won’t say for sure that it’s in this week’s episode, but let me tell you, when you do see him again, the entire scene is PRICELESS! The gifs that fandom will make alone…. OMG.

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Catch up on Gen V now so you’re ready for all the chaos. And to catch up on the whole fascinating world of The Boys, you can preorder the new book ‘Supes Ain’t Always Heroes: Inside the Complex Characters and Twisted Psychology of The Boys’ NOW at https://smartpopbooks.com/theboys/

There is, of course, a chapter all about Soldier Boy and what makes him tick, and an exclusive interview with Jensen Ackles too – plus a lot more about all your favorite characters.

Don’t miss this week’s episode of Gen V!!

And don’t miss the chance to preorder ‘Supes Ain’t Always Heroes’ – you get free original art of Soldier Boy and Kimiko with preorders!

Lynn

 

 

Season 3 of ‘The Boys’ on DVD and BluRay Releasing in October!

Yesterday Sony Home Entertainment announced the release date for the Blu-Ray set of Season 3 of ‘The Boys’ as October 24, so if you’ve been waiting to own the adventures of Butcher, Hughie, Annie, Homelander, Soldier Boy and company, the wait is almost over.  Here’s the official synopsis of Season 3 in case you forgot (how could you forget??)

It’s been a year of calm. Homelander’s subdued. Butcher works for the government, supervised by Hughie of all people. But both men itch to turn this peace and quiet into blood and bone. So when The Boys learn of a mysterious Anti-Supe weapon, it sends them crashing into The Seven, starting a war, and chasing the legend of the first superhero: Soldier Boy.

And hoo boy, is that a powerful scene when they find him (in more ways than one!) Thanks, Jensen Ackles.

The Blu-Ray and DVD sets include special features – gag reels, deleted and extended scenes, and the “Making Of” featurette.

I don’t know about you, but gag reels are my favorite thing EVER! This cast clearly had alot of fun making last season…Catch up on Season 3 before Season 4 releases, tentatively set for some time this winter when the strike is resolved.

Every episode of that season was an insane rollercoaster that left me always wanting MORE!

You can also catch up on the story so far and be ready for Season 4 with the new book ‘Supes Ain’t Always Heroes: Inside the Complex Characters and Twisted Psychology of The Boys’.  We’re supporting the current WGA and SAG-AFTRA strike by pushing the release date back to December 5 but you can preorder the book now so you have a deep dive into the show and its characters to go along with your DVDs. What makes them tick and why did we all get sucked into this show so completely, even if it did sometimes make us want to cover our eyes? Exclusive interviews with the cast bring even more insight into the actors’ experience of what makes this show so special.

You can preorder at https://smartpopbooks.com/TheBoys/ and get free original artwork of Soldier Boy and Kimiko that’s just plain gorgeous.

And look for the spinoff show ‘Gen V’ releasing on September 29!

– Lynn

 

Jensen Ackles on Finding the Nuance in Soldier Boy – Exclusive Interview

The season 3 finale of The Boys was a tour de force for the entire cast and crew, from the writing to the directing to the effects to the score, and certainly the performances from every single actor. I’ve been a Jensen Ackles fan since Supernatural premiered way back in 2005, so I know how powerful his acting is, but to see him bring to life an entirely different character in this season, who is so very not Dean Winchester, has been eye opening nevertheless. He brings to Soldier Boy not just the toxic masculinity we were expecting, but a vulnerability that is unexpected, with subtle expressions and gestures and tone of voice, showing us so much more than we would have understood from the dialogue alone.

SPOILERS AHEAD IF YOU HAVEN’T WATCHED THE SEASON FINALE!

In the finale, Soldier Boy opens up to Butcher as the two drink together, perhaps sensing that they share some big time daddy issues.  As a manufactured superhero who’s had to hold up a fake persona for literally a century, Soldier Boy seems relieved to tell the truth – the Soldier Boy Story movie was BS. He wasn’t a poor kid with a heart of gold on the streets of South Philly who woke up with abilities; his father owned half the steel mills in the state.

Soldier Boy: I went to boarding school. Got kicked out of boarding school. Because I was a fuck up. But he made sure I knew it.

This Butcher can relate to, intimately, asking if he used a belt (like Butcher’s father did).

Soldier Boy: Never laid a hand on me. He couldn’t be bothered. Said I was a disappointment. Not good enough to carry his name. So I went to his golf buddies in the War Department and they got me into Dr. Vought’s Compound V trials.  I became a superhero. Strongest man alive, fuckin’ ticker tape parades when I came home.

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He says it all with bravado, trying to keep the persona up even as he’s finally telling the truth. What did the old man say then, Butcher wonders.

Soldier Boy: Ah. He said I took a short cut. That a real man wouldn’t have cheated.

That toxic masculinity that Soldier Boy has been embodying all season laid out in his father’s brutal, intentionally cruel accusation, fueled with misogyny and homophobia, cut deep. That disgust that his son wasn’t a ‘real man’ and that complete rejection, even after Ben had transformed himself completely into what he was certain his father wanted him to be, must have been devastating. He must have thought that his father would surely love him then, only to be rejected once more.

The pain he still carries from that rejection is clear on Soldier Boys’ face, the way he hangs his head, suddenly feeling vulnerable.

I spoke to Jensen Ackles in an exclusive one on one interview about that scene in the finale, which is one of my favorites of the entire season. In typical Jensen fashion, he gave credit to all the talented people who collaborate to make the show so special.

Lynn: Hearing the backstory of how his father treated him, I felt like I started to “get it” a little. Not that it excuses his behavior, but it starts to explain it. And you made the decision to play the character with a lot of nuance, vacillating between vulnerability and trying to connect to others, and then just erupting in rage. It’s dizzying to watch all that happen within the space of seconds, but the best part of the character is that you really pulled that nuance off. Was that an explicit note to make that nuance part of the character or something you inferred?

Jensen: A lot of that is in the script, it’s just really good writing. Kripke is such a vivid storyteller with his words, and he does it in such a precise, almost surgical way, that in reading it – not just Kripke but his whole writing staff is so talented – that a lot of that nuance is either right there on the page or certainly implied. And they allow us to kinda navigate it and find it. So I definitely was looking for that, and that’s a note that he’s been giving me since the beginning of Supernatural.

Lynn: It was so much a part of Supernatural also, yes. A big part of why I fell for Dean Winchester so hard.

Jensen:  It’s nice to know he’s still encouraging us to find the nuances of the scenes and make those moments in between the moments count.

Lynn: Well, you did. I was a little angry at you, like damn it, I knew he was gonna put just enough vulnerability in there that I was not gonna be able to just outright hate this character. And the entire fandom has been flailing along with me with the same quandary, so good job, good job.

Jensen: It was fun to play those colors, to be just such an outwardly gross character, but to play him in a way that you do feel bad, you feel bad for this big guy’s journey even though you shouldn’t.

Lynn: I think that’s exactly it. I felt bad even though I kept saying, what are you doing? It got to the point when I thought he might die and I was yelling at the screen no no no no don’t die don’t die!

Jensen: (laughing)

Lynn: This episode was painful to watch because of all my conflicting feelings. But Supernatural was also painful, so I guess maybe that’s just me…. Don’t judge.

Jensen: (laughing) Maybe that’s what we should be delving into, Lynn. What does this say about you?

Lynn: Oh no, let’s not go there…

Luckily, he let me off the hook.

In the end, Soldier Boy can’t accept what his son is offering, even though he has wanted a chance to raise a child and “do it better”. But Soldier Boy is confronted with a son who personifies all the things he hates most about himself – all the things his father accused him of. It’s tragic that, in the final moment, Soldier Boy can’t shake loose of his father’s brutal definition of what it is to be a man. All he can see is Homelander looking weak. A disappointment. All those things that his father called him, and that he constantly fears in himself, and so he can’t bear to see that in his own son. So he lashes out, recapitulating his own father’s rejection and cruelty.

But he does it with no joy; his face reflects the pain he too is feeling, his inescapable disappointment in himself. And of course, there are tragic consequences.

At least he’s not dead – Eric Kripke has said that Soldier Boy will definitely be back at some point and Jensen has said that if Kripke asks, he’ll come running. I  swear, I could hear the sigh of relief from the entire fandom from all over the globe at that moment. Thanks for making us care so much, Jensen and Eric. I think.

Stay tuned for my deep dive on The Boys season finale – coming later today!

Caps: javkles

– Lynn

You can read Jensen Ackles’ thoughts on fandom,

Dean Winchester and Supernatural in his chapters

in Family Don’t End With Blood and There’ll Be

Peace When You Are Done – links here or at:

The Boys Season Finale Is Almost Here – Non-Spoilery Thoughts on The Instant White Hot Wild

The season finale of The Boys Season 3 has all the over the top fight scene showdowns we would expect  from a finale episode – but it also has so much more. And much of that is a dizzying mix of heartbreaking and hopeful. Those emotions are so far apart that rocketing back and forth between them is what I called in my review of last week’s episode a mindfuck, and this week is even moreso. Back on the roller coaster for the finale, though – I’ve admitted that the twists and turns and speed are both terrifying and exhilarating, so I keep opting to climb right back on.

There are a lot of reckonings in the final episode. Some of the characters find their lines and then pick a side – and it’s not always the one we’re expecting them to pick. I went into watching this episode holding my breath, because despite all of us knowing he’s a Class A asshole, most of the show’s fans do not want Season 3 to be the last we see of Jensen Ackles as Soldier Boy.

The character is a big departure from Soldier Boy of the comics, from his overt cowardice to his origins (and not being the father of Homelander). That left Kripke and company the room to create a character that is much more nuanced and complex, and then to cast someone as brilliant as Ackles to portray him. The cast has been effusive in saying that Jensen “fit right in” and Ackles, in his customary humble way, has said that he was just hoping not to mess up a dynamic that was already working perfectly (which it was). All of that shows. Soldier Boy, Butcher and Hughie was the trio I had no clue I needed until they were on my screen – and now I definitely want MORE.

As I pushed play on this episode, now knowing that Homelander is Soldier Boy’s son, I had about a thousand hypotheses of which direction things could go. Suffice it to say, I bit my nails a lot while watching – and that I was still shocked. And once again, I felt more than I anticipated and more than I wanted to. No spoilers in this article for the finale episode, but HANG ON TIGHT! Here are my non-spoilery thoughts after watching the season finale, now that I’ve (sort of) composed myself.

The final episode revisits the main themes of the season, including toxic masculinity, which Kripke and many of the actors have talked about in interviews throughout the season. Almost every character struggles with what that means and what that role entails. Is masculinity inextricably linked with ‘strength’ and ‘saving people’ and if so, how is that defined? Who gets to define it?

The theme extends beyond gender. The Boys has an interesting twist to the “saving people, hunting things” mantra that Kripke wove into Supernatural, asking if it really matters who’s doing the saving. And there’s an underlying theme that’s deeper, and one that struck me as very real life – what does it do to the person who needs to be saved? Does being saved translate to weakness and saving to strength? Would we even be asking that question if we weren’t as a culture obsessed with being badass in some oddly strict definition of the word, no matter how we identify? It’s part and parcel of the whole superhero genre, but is that a message that’s actually helpful? Sometimes being strong isn’t about being able to laser someone in half or throw them across the room. Sometimes it’s about being there for someone else when they need it, even if that doesn’t look very badass. As a psychologist, I am awed when I see that kind of strength in my clients – ordinary human beings doing extraordinary things to help others. That’s a whole different definition of badass.

And what of the definitions that our culture instills in us? All those gendered stereotypes about what strength looks like, the strict boundaries of “what it means to be a man”. As this entire series has vividly shown, and perhaps this season especially, some of those rules and norms are toxic, harming the individual and everyone around them. Driving people away. The idea that you don’t need anyone, that relationships aren’t important, that everyone is a threat to your place in the hierarchy. That you can never be the one who needs saving. The reiteration of a hierarchy that says someone has to be the alpha male and everyone else has to fall in line – and that if you are that alpha male you have to hang onto that spot no matter what or who gets sacrificed.  Do you have to internalize those rules you learned from a flawed parent and live by them, or can you decide to make your own rules? And will it be too late if you do?

I said in my review of the last episode that The Boys comes from a very Freudian perspective – that we are inevitably shaped by our pasts, whether we want to be or not. Especially, as Freud believed, those early years and our first caregivers. But neither Freud nor The Boys would say that there’s no escaping that early experience, even if it was traumatic. As Kimiko says in this episode, “Our past is not who we are. I thought I’d always be broken, but you saw something in me.” The question is, which of these characters can see that something in themselves, and will it be enough for them to break away?

The heartbreaking answer is that for some, no it will not.

One of the reasons this season, and especially these last few episodes, hit me so hard is because they also echo some of the main themes of Supernatural. There’s a reason I was and always will be so emotional about that show. This season of The Boys looks at family and its importance in our lives and its many definitions, just as Supernatural did. Family by blood, family by choice, family by shared time in a foxhole trying to survive. Family as the support system who gets you through, and family as abusive and controlling and ultimately soul-destroying. Family as the people who give you those ideas about what it means to be a man or a woman without leaving any space for any other options, and demonstrate those rules with the abuse that makes them unforgettable.

Sometimes. Sometimes the cycle doesn’t get broken – and I hate that.

There are vivid reminders that abuse doesn’t always mean beating the shit out of someone (though sometimes it does). Words can do lasting damage just as easily, and sometimes those are even harder to forget or fight back against – because it’s your own self you’re talking back to. (The Boys makes that literal at times, which I invariably love an unreasonable amount). The voices in our heads can talk us out of irrational thoughts that hold us back, or they can talk us into staying afraid and trying to stay safe the only way we’ve learned. With all the trauma and PTSD in The Boys, it’s inevitable that both of those voices exist – and are sometimes given voice themselves!

The messages about fathers and sons in this show are Freudian in their flavor too. There’s a tremendous fear of betrayal, the darkest side of competition, mixed with heartbreaking longing, very Oedipal.  Sometimes I hope desperately that the message will be different, but this show has never been one to avoid the dark side.

The season ultimately turns out to be all about choice – as Kripke’s shows often are. Do you choose to have power if you can, or do you turn it down? Is there something worth giving it up for? Conversely, is there something worth holding onto it for, even if there is a price? There are no easy answers for any of the characters, and that holds true in the real world too.

I love that a show that’s entirely ‘out there’ rings so true for what is right here in front of us every single day. I love that it reflects the worst of humanity, specifically mirroring the things that make my stomach turn on a daily basis – and that it also reflects the best. It’s dark as hell, and disturbing, and sometimes truly painful to watch, but it makes me think and it makes me feel. It gets the wheels turning as fast as that roller coaster barrels down the steepest hill and leaves me just as breathless.

One more ride on the rollercoaster? Sign me up.

Do not miss the season finale of The Boys this Friday (or tonight if we’re lucky), and be prepared for some of the twists and turns  not being what you expect. Season 4, anyone?

– Lynn

You can read Jensen Ackles’ thoughts on fandom

and his 15 years on Supernatural (along with the

other actors) in Family Don’t End With Blood and

There’ll Be Peace When You Are Done – links in

banner or at:

 

 

 

 

 

The Boys Episode 3.7 Drops A lot of Bombshells (And A Music Video)

Only one more episode of Season 3 of The Boys to go, and I don’t think anyone is ready for this wild ride to be over! This week’s episode, ominously titled “Here Comes A Candle To Light You To Bed” brought one of the biggest revelations of the series, and delivered it in a way that ensured it left a powerful impact. I know some people guessed what was coming, but I wasn’t one of those people, so it left me gobsmacked and repeating WTF more than once. Luckily I love it when this show can surprise me, so this is far from a complaint.

MAJOR SPOILERS AHEAD, SO BE SURE YOU’VE WATCHED THE EPISODE FIRST!

It’s been amusing, as a long time Supernatural fan, to watch the rest of the world discover Jensen Ackles’ acting brilliance as they watch this season of The Boys. He gave a tour de force in this episode, once again making me feel a ridiculous range of emotions that shouldn’t be possible for one character – especially one like Soldier Boy. And yet…

Look, even the official accounts can’t help but get a little heart eyed over this character (and the guy who so vividly portrays him).

More than anything, this episode was about agency and choice, as many of the characters confront their own fears and make decisions about their trajectories in life that acknowledge those fears but refuse to be constrained by them.  Homelander and Vought (as now personified by Ashley) continue to hold power by wielding that fear, Ashley utilizing their voicepiece Cameron Coleman to cast doubt on Annie’s accusations. Surely no one can take her seriously when she’s clearly just a woman scorned, and oh by the way, doesn’t she have ties to known terrorists and human traffickers? No wonder she started a home for runaway girls!  Imagine a world where the real bad guys take the moral high ground to silence a voice for change and people just believe it…oh wait.

Maeve is one of the characters who has faced the worst case scenario and decided she’s willing to lose it all to go up against Vought and Homelander. He visits her to see if he can find out where Butcher and Soldier Boy are, trying to scare her by saying that Soldier Boy has already killed seven supes and fried the power out of others – reminding her that could happen to any of them. His fear mongering doesn’t work on her anymore though.

Maeve: That’s the difference between you and me. You need to be a supe; I can’t wait til it’s over.

In one of the many parallels in this episode, Homelander recalls almost fondly that at one time he wanted to have kids with Maeve, just as Soldier Boy recalled the same about Crimson Countess previously. In an eerily prescient theme for what’s going on in the real world right now, Homelander assures her that he’d never force himself on her – but that doesn’t mean he wouldn’t harvest her eggs against her will to make himself some kids. It’s a shocking attempt to control her body and her reproductive decisions and how the hell are Kripke and this show always so good at predicting the dystopian future?

Maeve refuses to give him the upper hand though, saying that the day is still a top three for her, because she saw him scared. Touche.

Later, Homelander speaks at a rally and attacks Starlight once again when he’s supposed to be rallying in support of candidate Robert Singer (Supernatural’s own Jim Beaver). Homelander is losing it a bit though, hallucinating Soldier Boy in the crowd, his eyes glowing for a second before he gets himself under control. Walking it off, he ends up in a nearby barn where a cow is plaintively mooing. As ‘Crimson and Clover’ starts to play, the scene goes surreal, Homelander milking the cow and looking positively orgasmic while doing it and then drinking the milk right out of the bucket.

Only on The Boys, seriously.

Neuman catches him at it and tells him to pull himself together, offering him some information and a working alliance. That should go well.

A Train wakes up in the hospital with a new heart and an Ashley-written fake news story about how he got it that involves Soldier Boy killing Blue Hawk just as he and A Train were getting along again. Nice cover story, tying up all the loose ends. A Train is ambivalent about going along with all this, but you get the feeling he’s going to cave, drawn back in by the fame and fortune – and Ashley knows it.

Black Noir, on the run and hiding from Soldier Boy, also faces his fears – with the help of Buster Beaver and his cast of cartoon characters. Nathan Mitchell somehow manages to convey all kinds of emotions without saying a word, and it’s a brilliant use of cartoons to depict Noir’s backstory (as this show has done before).  Much like Homelander’s heart to heart with his own mirror image, Black Noir’s dream sequence in his head gives voice to his own self doubt and trauma without him having to utter a thing.

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Jensen Ackles on Soldier Boy and ‘That Scene’ in The Boys Episode 3.7

This week’s episode of The Boys let us get to know Soldier Boy a lot better – in all sorts of ways, some for the better and some for the worse. When I spoke with Jensen Ackles about his portrayal of Soldier Boy, we touched on a few of the scenes that happen in this episode, “Here Comes A Candle To Light You To Bed.”  The episode is a deep dive examination into toxic masculinity and how cultural norms of violence fueled by misogyny and homophobia have left many of the male characters on this show emotionally damaged and with ready access only to anger and rage.

SPOILERS AHEAD IF YOU HAVEN’T WATCHED THE EPISODE YET!

Butcher, Homelander and Soldier Boy are all struggling with those messages and what it means to be a man, but it’s Hughie who is willing to call BS on some of them in this episode. As he and Soldier Boy walk through the woods in pursuit of more revenge on Payback, Hughie shows concern for an unconscious Butcher. Soldier Boy ridicules him for it, first asking how hard Butcher must have sucked his dick for all that worry, and then saying they’re on a mission and have to just get the job done, like he did when he fought the Nazis and stormed Normandy.

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Soldier Boy: You wanna know what I do when I’m sad or scared? Fucking nothing. Because I’m not a fucking pussy.

That’s a pretty good description of toxic masculinity and its roots in raging misogyny, and it’s a mantra that Soldier Boy has adopted wholesale. It’s also tragic, leaving him with no outlet for legitimate feelings of sadness and fear and a lot of reasons to project so he doesn’t have to even recognize those emotions.

Hughie has had it with fear keeping him back though. He gets in Soldier Boy’s face, saying he didn’t storm shit and that his whole Marlboro Man act is fucking crap.

Soldier Boy punches him in the face – which is the perfect toxic masculinity response for sure!

I spoke with Jensen Ackles in an exclusive interview about that scene and the theme of toxic masculinity that Soldier Boy embodies in this season of The Boys.

Ackles: He’s a character from a time when men were supposed to shut up and not have feelings and not cry and be manly and be tough, and women were supposed to know their place. And I think he’s using it in a way which only Kripke can, in his satirical voice of pulling back the curtain on what we’re dealing with as a society to a certain extent now. Kripke uses Soldier Boy to represent that old ideology.

He touched on the scene in this episode where Soldier Boy and Hughie confront each other about how to handle emotions and what it means to be a man.

Ackles: In that scene where he’s talking to Hughie in the forest and he says, wanna know what I do when I’m scared? Nothing. Cause I don’t get scared. It’s like he doesn’t allow himself to have those feelings because he can’t, he was told to be tough.

cap majesticjensen

Exactly. As were Butcher and Homelander, with similar results. And that’s pretty tragic.

I also asked Jensen about the lines he didn’t want to cross in the show and that he eventually worked through with showrunner Eric Kripke, which I was fairly certain had to do with some scenes in this week’s episode. He said there was a scene that got cut that started out with Soldier Boy “going in hot and heavy” making out with an older woman who was a maid at the motel, in the scene when Butcher and Hughie walk in with snacks.

Ackles: That wasn’t the line, but that was the jumping off point of when we see Soldier Boy in The Legend’s bedroom. That was supposed to be … a lot more interactive, we’ll say…

Me: That was my guess!

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Ackles: Soldier Boy had a thing for women in their older years and maids for some reason. We were supposed to be in a … much more compromising position… when they walked in. But I was like, I don’t think any of us are gonna be comfortable doing this.

In typical Jensen fashion, he was more concerned about the actresses, who he said he was pretty sure didn’t want to be doing that either!

It’s clear that The Boys is every bit as much of a collaborative show as Supernatural always was, so of course they made some joint decisions about what would fly and what wouldn’t (apparently with the help of some stick figure sketches in those ‘compromising positions’ Jensen mentioned.  Personally I thought the scene as it was aired worked perfectly.

Stay tuned for my deep dive recap and review of this episode coming up soon, and more from my exclusive interview with Jensen Ackles after the finale of Season 3 airs at the end of next week!

– Lynn

You can read Jensen Ackles’ thoughts on fandom

and Supernatural in Family Don’t End With Blood

and There’ll Be Peace When You Are Done – links

here on the home banner or at:

 

 

Non-Spoilery Preview (and Soldier Boy musings) of The Boys Episode 7 – Releasing Friday!

The penultimate episode of ‘The Boys’ Season 3, ominously titled ‘Here Comes A Candle To Light You To Bed,’ releases this Friday on Prime Video, and the little teasers already have everyone bouncing in anticipation (per usual). This is my non-spoilery teaser review of my own reaction to episode 3.7 – and as a Supernatural fan, this one is especially for everyone who was already a Jensen Ackles admirer or has joined the party recently and jumped on board in appreciation of Soldier Boy.

The last few episodes of Season 3 are going to be a rollercoaster for Ackles fans the likes of which we have never ridden. My advice is you’d better hold on tight, because this one is like that rollercoaster in the dark at Disney World where it’s extra scary because you never know when there’s gonna be a sudden twist or how violent the turn is gonna be. That also makes it extra exhilarating – for a long time that was my favorite ride there. But when I say my heart was pounding out of my chest and I had to jump up and sort of run around my kitchen a few times to calm down, to the accompaniment of colorful exclamations, I am not exaggerating.

Ackles himself weighed in on Instagram about his character’s wee bit of anger issues….

Ya’ think??

From the perspective of someone who has been a Supernatural fan for 17 years, there are all kinds of things that fandom has imagined a character Ackles plays doing – things that a show on the CW could not include, even if it might have made more sense for hardened traumatized hunter Dean Winchester than his PG vocabulary ever did. Most of those things have played out in fanfiction over the years, for sure, but somehow seeing and hearing a character onscreen who is not limited to the CW standards and practices was more shocking than I expected. No, I am very much not complaining.

Seeing Jensen be able to sink his teeth into a role like this, into a character who is raw and fucked up and in many ways the worst of a swatch of humanity in real life – it was awesome. For someone who’s a long-time fan, it was also a mind fuck, in that I could not help but love the character just a little even when I hated him.

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There’s a reason the fandom calls him Danger Grampa or Sweet Baby Murder Kitten, after all.

We learn about some of the horrible things he’s done in this episode, right alongside more of the things that have been done to him – and right alongside the moments when he lets his guard down a little and says something real and shows some genuine emotion. That is one of the things this show has excelled at from the beginning and why I’ve loved it since Season 1 – it’s always shades of gray, even the worst characters having moments of humanity when I feel for them. But having one of my favorite actors embody that kind of complexity made it so much more difficult for me to negotiate. I kept wanting to sympathize with him – especially when the traumas of his past are laid out – but each time there’s a punch to the gut that reminds me that I can’t get too pulled in. Talk about a mindfuck!

Read more

Get Ready for More Soldier Boy!  The Boys Season 3 Episode 4 Releases Friday!

The title of this episode (Glorious Five Year Plan) refers to something Mr. Edgar said about Vought’s long term planning, but I can’t help but think it also could refer to what The Boys showrunner Eric Kripke’s former show Supernatural originally was – Kripke’s Glorious Five Year Plan for the show that ended up running for a decade more and changing many people’s lives in the process. Mine included. The episode was written by Meredith Glynn, who also was a writer for Supernatural. It seems fitting to make the title into a Supernatural reference, because we get to see more of Soldier Boy.

Like, a lot more of him.

That was not a spoiler or a surprise to anyone following what Jensen Ackles and Eric Kripke and everyone else has said about that scene, but still, it’s maybe a bit eye opening. Okay, more than a bit. Let me just grab a cold drink here before I go on.

No significant spoilers here, by the way, so you can enjoy the full impact of the episode that is about to be released, which is AMAZING. I’ll be back with a more detailed recap in a few days once everyone has had a chance to watch and enjoy. This episode is a pivotal one, and not just for Soldier Boy. Most of the episode watches Homelander consolidate his power; he knows even more than we think he does about the people currently in power, and is not afraid to use every single method he can think of to flip that power balance to his favor. He makes some surprising alliances to do it – but that is so often what this show is about. The one you think holds all the power sometimes suddenly doesn’t, and the people you think are allies may just have been temporarily pretending to be. Virtually anyone is capable of stabbing anyone else in the back at any time, which keeps the suspense factor going every episode. The Deep, parroting his ambitious scheming wife, ingratiates himself with Homelander and gets into a physical fight with A Train, which leaves A Train roaring with rage. For a while it looks like Starlight has Queen Maeve, Supersonic and maybe even A Train (after that altercation) more or less united against Homelander, but underestimating him is never a good idea. Some people find that out the hard way.

I have to say that Antony Starr is brilliant as this unhinged-and-owning-it version of Homelander. He’s constantly manipulating everyone around him, keeping them off guard with provocative comments and overt threats that he then keeps insisting was “just kidding, lighten up you guys!” It’s like Gaslighting 101 and he is an absolute master. There’s a priceless scene with Ashley (Colby Minifie, always a favorite of mine) where he asks her in disgust, “Is your idiot brain getting fucked by stupid?” She says no, obviously flustered, but Ashley learns fast. Later she asks Cameron Coleman the same question, threatening/promising to punish him if he says yes, and did I mention there’s maybe an impressive strap-on somewhere in this scene? I can’t help it, I kinda love Ashley.

While the supes continue to smile for the cameras and engage in brutal infighting,  the boys are in search of the weapon that was powerful enough to reputedly kill Soldier Boy – and thus maybe powerful enough to kill Homelander. Butcher is perfectly willing to send Kimiko on a mission of murder even when she protests that she’s “not your fucking gun”. In fact, that’s exactly what he says she is – he tells them what to do and they fucking do it. Frenchie bristles, especially after Butcher keeps treating him like a dog exactly as Little Nina taunted him about, but he also backs down. The parallels between Butcher, who is perfectly happy to use people as weapons instead of treating them like people, and the people in power at Vought who do exactly the same, are striking, and Karl Urban knows just how to make it chilling.

Kimiko doesn’t like it, but she does the job – decked out in silver stilettos and a skin tight sequined dress and looking like fire. This is not a spoiler since Karen Fukuhara has described this scene and the once-in-a-lifetime opportunity of fighting with dildos, but there’s nothing like actually seeing it. There’s the Star Spangled Banger for Homelander, the Deep’s Flounder Pounder, Black Noir’s Silent Screamer. It’s pretty epic. I’ve never really thought about a fight with dildos as the weapons of choice, but Kimiko makes it work – in a bloody, disgusting and entirely lethal way. As soon as I saw the cabinet, I started to snicker, after hearing Karen talk about enjoying the insane scene. She’s a brown belt in real life and it shows when Kimiko gets to do a fight scene.  Sometimes the over-the-top scenes include an unexpected emotional impact too, which is something I value in this show – this is one of them. Kimiko’s innovative murder of the bad guy saves the prostitutes he hired or trafficked, but they’re more terrified of her than they were of him, and that isn’t lost on her.

And then there’s Soldier Boy. Eric Kripke tweeted some behind the scenes fun times with Soldier Boy back in the day, so you can look forward to more of that. Such as it is.

Everyone in the Supernatural fandom who has found their way over to The Boys is eagerly awaiting more of Jensen Ackles’ Soldier Boy. Without spoiling anything that isn’t already known, this episode includes a scene that is both insane (including a supe hamster that flies through the air like the Monty Python rabbit in The Holy Grail to eat a guard’s face) and dramatically epic (recall those temporary laser eyed powers we all know Butcher becomes desperate enough to take on) before Soldier Boy makes his memorable debut.

There’s a subtle Supernatural homage in there that reminds me of Castiel’s epic entrance complete with shattering glass and flashing lights, and then there’s a reveal that no one is going to soon forget. We’ve already seen in teasers and trailers what the boys see, so this is not a spoiler – steam pouring from an opened door, the shadowy figure of a person inside, oxygen mask on and tubes keeping him alive.  He wakes slowly, raising his head, snapping his restraints and pulling out all his tubes and mask. He stands, staggers to the door, hands gripping the sides, looking disoriented, and then stumbles out.

I confess that I gasped. And maybe watched that scene more than once. Maybe.

Jensen Ackles has told the story of his very first day on set being naked in front of the coworkers he didn’t even know yet, “nothing between me and them but a sock”, so that’s no spoiler either. There’s a whole lot of steam going on, but let’s just say that all that working out he put himself through did not go to waste in my humble opinion. The Boys is all about showing its male cast with fewer clothes than its female cast, and I am here for it.

I won’t say what happens next so you can watch it for yourself, but I am looking forward to some gifs and screencaps from this episode. Like, a lot of them. ALL of them. Don’t let me down, fandom!

Halfway through the season and I don’t want it to end! Next episode drops in one week – stay tuned for a proper recap of this episode, for more from our exclusive chat with Jensen Ackles, and for more on The Boys Season 3!

– Lynn

You can read about Jensen Ackles’ experience

of fandom and Supernatural in his chapters in

Family Don’t End With Blood and There’ll Be

Peace When You Are Done – links here or at:

 

 

Exclusive Chat with The Boys’ Jensen Ackles – Season 3 Premieres Tomorrow!

Prime Video’s Season 3 of the hugely successful series ‘The Boys’ premieres tomorrow, and anticipation is through the roof. It’s been a month of press appearances and red carpet premieres and following the cast on a whirlwind European tour, with The Boys social media wizards rolling out daily content that has kept the fandom more well fed than Supernatural fans would have been in a bloody YEAR! I am not at all used to this, but I could get spoiled pretty quickly.

It’s clear from the sneak peaks and ‘leaked’ Public Service Announcement outtakes and teaser trailers that Season 3 is going to be amazing – but let me tell you, having watched the entire thing, it is BEYOND amazing. I felt like my head was going to explode from the twists and turns and revelations, and from the unexpectedly strong (and mixed) emotions I kept experiencing – and I assure you, Victoria Neuman was nowhere nearby. I loved that Supernatural was always a roller coaster ride for me, and The Boys takes me on the same kind of journey. With even more blood and guts and ALOT more non-G-rated content!

There have also been a slew of interviews with the cast, and yesterday I joined in the fun. I had a lovely chat with Soldier Boy himself yesterday afternoon, aka Jensen Ackles. Mostly I wanted to delve deep into understanding his new character on The Boys for its third season, and that part of the interview will have to wait until it’s not so spoilery, but we also had time to reminisce a little about his last show (and my favorite show of all time), Supernatural, and how working on The Boys was both different and similar.

When you watch a show for 15 years like I did Supernatural, you get pretty familiar with your favorite character (that would be Dean Winchester) and the way in which an actor portrays him (that would be Jensen). I used to play a game where I’d try to figure out what lines were ad-libbed, since that happened a fair amount on Supernatural. They were inevitably some of my favorite lines. According to Ackles, my track record was pretty good. Soldier Boy, on the other hand, is a brand new character. I don’t really “know” him that well, so it’s harder to pick out those improvised moments. I asked Jensen if he could think of any examples off the top of his head.

Jensen: There were some, I’m trying to think – I just watched the whole season through this weekend.

Me too, Jensen. It was a bloody wild ride!

Jensen: There wasn’t a whole lot of room for that though, given the character and given the type of scenes we were filming.  I know like all of the stuff that we did, like the PSA that got ‘leaked’, that was just me and Phil (Sgriccia) messing around.

Me: I totally should have called that one.

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If you missed the priceless PSA outtakes and Ackles’ perfectly grumpy delivery, I tweeted it when it was released and kept the fandom gif makers very very busy.

PSA Trailer

Sgriccia has directed on many of Eric Kripke’s shows, including being a long-time director on Supernatural. I once had the great privilege of being on set when he was directing and sitting behind him to watch. (Jensen introduced him as “the man, the myth, the legend” and believe me, I didn’t need to be reminded to be in awe! In fact, I guess I was more or less frozen in silence so as not to interfere with filming, because eventually Phil turned around in his chair and exclaimed, “you are the quietest person I’ve ever met!” Which, I am NOT – but it was Phil Sgriccia!)

That PSA has Ackles ad-lib written all over it. No wonder I love it so much.

At that moment in our chat, Ackles began laughing.

Jensen: You know what’s funny? I’m driving [with a driver] to the airport right now and literally looking up at a billboard and I see my face right there on the Y – and I look over there and there’s another one, literally right across the street, the same one. Like my face is right here in the middle of LA!

Me: OMG that’s so bizarre. Savor it, not many people have that experience, that’s for sure!

(He posted the moment on his Instagram a little while later haha)

I also asked him what it was like being “the new guy” on set after having experienced the Supernatural set for fifteen seasons, with a cast and crew who were essentially family after all that time.

Me: It was a special set.

Jensen: Yeah, it was. And you know, this was fun for me. It wasn’t basically being the co-leader of a set for fifteen years, and it was kinda interesting – almost refreshing – to be the guest on somebody else’s set. Being the guest at the dinner table. And it was nice to kinda sit back and watch somebody else lead and set the tone for that set. I think Karl does an amazing job, Ant does an amazing job, they are all really great – not just at portraying their characters, but also providing a really healthy fun and creative space to make the show. So it was nice to kinda plug myself in.

Me: You can tell that you all got along well. Even the interaction in the press interviews and the way everyone can tease each other. It seems like it worked out really well.

From Claudia Doumit IG
From Jensen Ackles IG

Jensen: It’s great and I had a lot of fun and again, like everybody who I was working with, they just brought it. It’s a different level. I felt like it was the same great energy level that I was so used to on Supernatural, but on a much bigger stage.

He is definitely right about both the energy level and the size of the stage – don’t miss Season 3 of The Boys, premiering tomorrow on Prime Video.

And stay tuned for much more about The Boys and more of my exclusive interview with Jensen coming up!

– Lynn

For more from Jensen Ackles on fandom

and how that’s impacted him, and on

Supernatural, you can read his chapters

in Family Don’t End With Blood and

There’ll Be Peace When You Are Done