Tag: Here Comes A Candle To Light You To Bed

The Boys Episode 3.7 Drops A lot of Bombshells (And A Music Video)

The Boys Episode 3.7 Drops A lot of Bombshells (And A Music Video)

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Only one more episode of Season 3 of The Boys to go, and I don’t think anyone is ready for this wild ride to be over! This week’s episode, ominously titled “Here Comes A Candle To Light You To Bed” brought one of the biggest revelations of the series, and delivered it in a way that ensured it left a powerful impact. I know some people guessed what was coming, but I wasn’t one of those people, so it left me gobsmacked and repeating WTF more than once. Luckily I love it when this show can surprise me, so this is far from a complaint.

MAJOR SPOILERS AHEAD, SO BE SURE YOU’VE WATCHED THE EPISODE FIRST!

It’s been amusing, as a long time Supernatural fan, to watch the rest of the world discover Jensen Ackles’ acting brilliance as they watch this season of The Boys. He gave a tour de force in this episode, once again making me feel a ridiculous range of emotions that shouldn’t be possible for one character – especially one like Soldier Boy. And yet…

Look, even the official accounts can’t help but get a little heart eyed over this character (and the guy who so vividly portrays him).

More than anything, this episode was about agency and choice, as many of the characters confront their own fears and make decisions about their trajectories in life that acknowledge those fears but refuse to be constrained by them.  Homelander and Vought (as now personified by Ashley) continue to hold power by wielding that fear, Ashley utilizing their voicepiece Cameron Coleman to cast doubt on Annie’s accusations. Surely no one can take her seriously when she’s clearly just a woman scorned, and oh by the way, doesn’t she have ties to known terrorists and human traffickers? No wonder she started a home for runaway girls!  Imagine a world where the real bad guys take the moral high ground to silence a voice for change and people just believe it…oh wait.

Maeve is one of the characters who has faced the worst case scenario and decided she’s willing to lose it all to go up against Vought and Homelander. He visits her to see if he can find out where Butcher and Soldier Boy are, trying to scare her by saying that Soldier Boy has already killed seven supes and fried the power out of others – reminding her that could happen to any of them. His fear mongering doesn’t work on her anymore though.

Maeve: That’s the difference between you and me. You need to be a supe; I can’t wait til it’s over.

In one of the many parallels in this episode, Homelander recalls almost fondly that at one time he wanted to have kids with Maeve, just as Soldier Boy recalled the same about Crimson Countess previously. In an eerily prescient theme for what’s going on in the real world right now, Homelander assures her that he’d never force himself on her – but that doesn’t mean he wouldn’t harvest her eggs against her will to make himself some kids. It’s a shocking attempt to control her body and her reproductive decisions and how the hell are Kripke and this show always so good at predicting the dystopian future?

Maeve refuses to give him the upper hand though, saying that the day is still a top three for her, because she saw him scared. Touche.

Later, Homelander speaks at a rally and attacks Starlight once again when he’s supposed to be rallying in support of candidate Robert Singer (Supernatural’s own Jim Beaver). Homelander is losing it a bit though, hallucinating Soldier Boy in the crowd, his eyes glowing for a second before he gets himself under control. Walking it off, he ends up in a nearby barn where a cow is plaintively mooing. As ‘Crimson and Clover’ starts to play, the scene goes surreal, Homelander milking the cow and looking positively orgasmic while doing it and then drinking the milk right out of the bucket.

Only on The Boys, seriously.

Neuman catches him at it and tells him to pull himself together, offering him some information and a working alliance. That should go well.

A Train wakes up in the hospital with a new heart and an Ashley-written fake news story about how he got it that involves Soldier Boy killing Blue Hawk just as he and A Train were getting along again. Nice cover story, tying up all the loose ends. A Train is ambivalent about going along with all this, but you get the feeling he’s going to cave, drawn back in by the fame and fortune – and Ashley knows it.

Black Noir, on the run and hiding from Soldier Boy, also faces his fears – with the help of Buster Beaver and his cast of cartoon characters. Nathan Mitchell somehow manages to convey all kinds of emotions without saying a word, and it’s a brilliant use of cartoons to depict Noir’s backstory (as this show has done before).  Much like Homelander’s heart to heart with his own mirror image, Black Noir’s dream sequence in his head gives voice to his own self doubt and trauma without him having to utter a thing.

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Jensen Ackles on Soldier Boy and ‘That Scene’ in The Boys Episode 3.7

Jensen Ackles on Soldier Boy and ‘That Scene’ in The Boys Episode 3.7

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This week’s episode of The Boys let us get to know Soldier Boy a lot better – in all sorts of ways, some for the better and some for the worse. When I spoke with Jensen Ackles about his portrayal of Soldier Boy, we touched on a few of the scenes that happen in this episode, “Here Comes A Candle To Light You To Bed.”  The episode is a deep dive examination into toxic masculinity and how cultural norms of violence fueled by misogyny and homophobia have left many of the male characters on this show emotionally damaged and with ready access only to anger and rage.

SPOILERS AHEAD IF YOU HAVEN’T WATCHED THE EPISODE YET!

Butcher, Homelander and Soldier Boy are all struggling with those messages and what it means to be a man, but it’s Hughie who is willing to call BS on some of them in this episode. As he and Soldier Boy walk through the woods in pursuit of more revenge on Payback, Hughie shows concern for an unconscious Butcher. Soldier Boy ridicules him for it, first asking how hard Butcher must have sucked his dick for all that worry, and then saying they’re on a mission and have to just get the job done, like he did when he fought the Nazis and stormed Normandy.

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Soldier Boy: You wanna know what I do when I’m sad or scared? Fucking nothing. Because I’m not a fucking pussy.

That’s a pretty good description of toxic masculinity and its roots in raging misogyny, and it’s a mantra that Soldier Boy has adopted wholesale. It’s also tragic, leaving him with no outlet for legitimate feelings of sadness and fear and a lot of reasons to project so he doesn’t have to even recognize those emotions.

Hughie has had it with fear keeping him back though. He gets in Soldier Boy’s face, saying he didn’t storm shit and that his whole Marlboro Man act is fucking crap.

Soldier Boy punches him in the face – which is the perfect toxic masculinity response for sure!

I spoke with Jensen Ackles in an exclusive interview about that scene and the theme of toxic masculinity that Soldier Boy embodies in this season of The Boys.

Ackles: He’s a character from a time when men were supposed to shut up and not have feelings and not cry and be manly and be tough, and women were supposed to know their place. And I think he’s using it in a way which only Kripke can, in his satirical voice of pulling back the curtain on what we’re dealing with as a society to a certain extent now. Kripke uses Soldier Boy to represent that old ideology.

He touched on the scene in this episode where Soldier Boy and Hughie confront each other about how to handle emotions and what it means to be a man.

Ackles: In that scene where he’s talking to Hughie in the forest and he says, wanna know what I do when I’m scared? Nothing. Cause I don’t get scared. It’s like he doesn’t allow himself to have those feelings because he can’t, he was told to be tough.

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Exactly. As were Butcher and Homelander, with similar results. And that’s pretty tragic.

I also asked Jensen about the lines he didn’t want to cross in the show and that he eventually worked through with showrunner Eric Kripke, which I was fairly certain had to do with some scenes in this week’s episode. He said there was a scene that got cut that started out with Soldier Boy “going in hot and heavy” making out with an older woman who was a maid at the motel, in the scene when Butcher and Hughie walk in with snacks.

Ackles: That wasn’t the line, but that was the jumping off point of when we see Soldier Boy in The Legend’s bedroom. That was supposed to be … a lot more interactive, we’ll say…

Me: That was my guess!

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Ackles: Soldier Boy had a thing for women in their older years and maids for some reason. We were supposed to be in a … much more compromising position… when they walked in. But I was like, I don’t think any of us are gonna be comfortable doing this.

In typical Jensen fashion, he was more concerned about the actresses, who he said he was pretty sure didn’t want to be doing that either!

It’s clear that The Boys is every bit as much of a collaborative show as Supernatural always was, so of course they made some joint decisions about what would fly and what wouldn’t (apparently with the help of some stick figure sketches in those ‘compromising positions’ Jensen mentioned.  Personally I thought the scene as it was aired worked perfectly.

Stay tuned for my deep dive recap and review of this episode coming up soon, and more from my exclusive interview with Jensen Ackles after the finale of Season 3 airs at the end of next week!

– Lynn

You can read Jensen Ackles’ thoughts on fandom

and Supernatural in Family Don’t End With Blood

and There’ll Be Peace When You Are Done – links

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Non-Spoilery Preview (and Soldier Boy musings) of The Boys Episode 7 – Releasing Friday!

Non-Spoilery Preview (and Soldier Boy musings) of The Boys Episode 7 – Releasing Friday!

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The penultimate episode of ‘The Boys’ Season 3, ominously titled ‘Here Comes A Candle To Light You To Bed,’ releases this Friday on Prime Video, and the little teasers already have everyone bouncing in anticipation (per usual). This is my non-spoilery teaser review of my own reaction to episode 3.7 – and as a Supernatural fan, this one is especially for everyone who was already a Jensen Ackles admirer or has joined the party recently and jumped on board in appreciation of Soldier Boy.

The last few episodes of Season 3 are going to be a rollercoaster for Ackles fans the likes of which we have never ridden. My advice is you’d better hold on tight, because this one is like that rollercoaster in the dark at Disney World where it’s extra scary because you never know when there’s gonna be a sudden twist or how violent the turn is gonna be. That also makes it extra exhilarating – for a long time that was my favorite ride there. But when I say my heart was pounding out of my chest and I had to jump up and sort of run around my kitchen a few times to calm down, to the accompaniment of colorful exclamations, I am not exaggerating.

Ackles himself weighed in on Instagram about his character’s wee bit of anger issues….

Ya’ think??

From the perspective of someone who has been a Supernatural fan for 17 years, there are all kinds of things that fandom has imagined a character Ackles plays doing – things that a show on the CW could not include, even if it might have made more sense for hardened traumatized hunter Dean Winchester than his PG vocabulary ever did. Most of those things have played out in fanfiction over the years, for sure, but somehow seeing and hearing a character onscreen who is not limited to the CW standards and practices was more shocking than I expected. No, I am very much not complaining.

Seeing Jensen be able to sink his teeth into a role like this, into a character who is raw and fucked up and in many ways the worst of a swatch of humanity in real life – it was awesome. For someone who’s a long-time fan, it was also a mind fuck, in that I could not help but love the character just a little even when I hated him.

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There’s a reason the fandom calls him Danger Grampa or Sweet Baby Murder Kitten, after all.

We learn about some of the horrible things he’s done in this episode, right alongside more of the things that have been done to him – and right alongside the moments when he lets his guard down a little and says something real and shows some genuine emotion. That is one of the things this show has excelled at from the beginning and why I’ve loved it since Season 1 – it’s always shades of gray, even the worst characters having moments of humanity when I feel for them. But having one of my favorite actors embody that kind of complexity made it so much more difficult for me to negotiate. I kept wanting to sympathize with him – especially when the traumas of his past are laid out – but each time there’s a punch to the gut that reminds me that I can’t get too pulled in. Talk about a mindfuck!

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