In Memory of Kathy Larsen, With Love

This is not an article that I ever wanted to write – or that I ever, in a million years, imagined myself writing. But I want to say something about the friend that I lost this week, and remember just how special Kathy Larsen was.

I met Kathy through fandom. In fact, she was one of the first people I met through fandom, shortly after I discovered that online fandom was even a thing that exists. We were part of a small listserv, passionate about some of the same rather obscure things – a movie, a band, an actor that not many people had even heard of – and fangirled each other’s writing immediately. Kathy was a brilliant writer, whether it was fiction or nonfiction. She could make you laugh, pull you into a mystery, or absolutely gut you with a tragic ending. She could explain concepts that were difficult to grasp in a way that never felt like talking down to anyone, which I’m sure her students appreciated too.

Once we found out we lived only a few hours from each other, we started driving that two hours often, especially when we fell down the rabbit hole of loving a new thing – a relatively unknown little TV show on the WB called ‘Supernatural’.

Along with two friends, we fell in love with Supernatural together, and became fascinated by the close-knit community we found in that show’s fandom. At the same time, we questioned whether it was really okay for us to be quite so far down the rabbit hole. We were professors, professionals, partners, parents. Was it really okay for us to spend so much time and energy loving a TV show? Maybe because we were both professors and accustomed to research, or maybe because we just needed to prove to ourselves that it WAS okay, Kathy and I set out to find the answer. We would write a book, we decided, that set the record straight about fans and fandom, and especially fangirls. We’d examine it from our somewhat diverse perspectives, me as a psychologist and her as an English professor. But to do that, we reasoned, we needed to dive into Supernatural fandom head first and not look back – and that’s exactly what we did.

We flew across the country on almost no notice to see Jensen Ackles on stage in Fort Worth for A Few Good Men, leaving partners and kids a bit stunned. Especially when we decided one performance was not enough. The personality differences between me and Kathy made our fangirl adventures quite a contrast, and occasionally hilarious. We met Jared Padalecki (who had flown in to see his friend in the production) in the lobby candy line. I marched right up to say hello; Kathy opted not to budge from her spot in the corner and watched from a safe distance.

We needed some margaritas after with our friend Amy.

We flew across the country again all the way to LA for the premiere of the Ackles-laden indie film Ten Inch Hero (starring both Jensen and Danneel).  I managed to tell Danneel how much I loved the film while Kathy once again watched supportively from across the room.

But in other things, Kathy was fearless. We rented a PT Cruiser, figured out how to drive it (mostly) and drove down to San Diego to experience Comic Con and the Supernatural panel for the very first time.

Kathy drove.

Driver picked the music.

Shotgun shut her cakehole (and enthusiastically sang along to the classic rock and a little Steve Carlson).

With our friend Sabrina

Comic Con was eventful. We finally met Jensen Ackles.

I cried.

Kathy watched supportively from ten yards away and then hugged me and patted me until I calmed down.

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Walker Delivers More Than One ‘Sucker Punch’

The Walker fandom – and the Supernatural fandom – got some good news yesterday, with the pilot pickup of a prequel called ‘Walker: Independence’ and a Supernatural prequel called ‘The Winchesters’. Jared Padalecki and Jensen Ackles both took to social media to celebrate and to congratulate each other on their respective new projects. For fans of the original Walker, who are eagerly awaiting news of its third season, knowing the Walker  universe is about to expand was a welcome bit of news.

Walker will be taking a mini hiatus until the end of February, so there was a lot of anticipation for last week’s episode to hold fans over for that drought. It was a hard hitting episode in several ways, aptly titled ‘Sucker Punch’ – which is exactly what happened to a lot of the characters.  Directed by frequent Supernatural director Amyn Kaderali, there were some beautiful and powerful shots that brought the force of those punches home.

The episode picks up shortly after the last one ended, Captain James returning to HQ after recovering from his gunshot wounds. Liam is there because he gave him a ride, and Trey is too just because (because their bromance is in full swing, obviously, complete with welcome back fist bump).

Walker, however, is not there – instead he’s the first to get sucker punched at Serano’s bail hearing. Despite Denises’ argument against it, the judge grants Serano bail at only $50,000. Serano smirks; Walker grimaces.

On the way out, Serano can’t resist the opportunity to gloat. Denise reminds Cordell that the case has to stay on the up and up and asks for his promise not to try something like Liam did.

Walker: If Micki taught me anything, it’s that the ends don’t justify the means.

I like that the show is keeping Micki alive by showing us that the characters have not forgotten her – far from it. Cordell promises he’ll go completely by the book and refuses to get rattled by Serano getting in his face and asking, with a thinly veiled threat, “how’s the family?”  Walker really did learn a lot from Micki, and he’s evolved and grown in the length of time we’ve known him. He doesn’t rise to the bait, though he does engage in the power play with a thinly veiled threat of his own.

Walker: Hey Serano, now I‘m watching YOU.

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ALL the Prequels! ‘The Winchesters’ and ‘Walker: Independence’ Pilots Are A Go!

There’s something almost ‘Supernatural’ about the pilots for two new shows  from Supernatural costars Jared Padalecki and Jensen Ackles  getting greenlit by the CW on the same day and announced in the same press release.

It made perfect sense for multiple reasons, though. Ackles and Padalecki worked together for 15 plus years and have remained the closest of friends even through a couple of those inevitable bumps in the road, proving their friendship can withstand challenges and come back strong. Both continue to profess their undying love for both Supernatural and their characters, Sam and Dean Winchester, reassuring fans that they’re not gone, but safe with the actors who portrayed them for so long.  Ackles is about to direct an episode of Padalecki’s new show, Walker. So it just made sense to announce the pilots were greenlit for both of their new projects on the same day, with Padalecki happily tweeting the news about both prequel series.

As a forever Supernatural fan, that made me very very happy.

A little while later, Jensen Ackles joined in the joint celebration, posting a celebration of The Winchesters and congratulating his brother Jared on the Walker: Independence prequel too.

Jensen and Danneel Ackles are executive producing the Supernatural prequel, ‘The Winchesters’, which tells the story of Sam and Dean’s parents, John and Mary. We know some unusual things already about how John and Mary ended up together, some of it the result of supernatural manipulation, so it will be interesting to see how the prequel depicts their early days. Sam and Dean thwarted all kinds of (even Godly) manipulation pretty successfully, so I wonder if their parents did some of that too?  Apparently they “put it all on the line to not only save their love, but the entire world” so it sounds like something interesting happened! Robbie Thompson, one of my favorite Supernatural writers and EPs, is shepherding the prequel into being. And Jensen Ackles will narrate as Dean Winchester, who I and many many fans have missed intensely for the past 15 months. Just knowing Jensen Ackles is inhabiting Dean Winchester again feels like the balance has been restored to the universe.

Padalecki, who has been starring as Cordell on ‘Walker’ since Supernatural wrapped, is executive producing the prequel, ‘Walker: Independence’, set in the late 1800s. The show follows Abby Walker, who’s looking for revenge after her husband is murdered right in front of her as they make their way West. She meets Hoyt Rawlins, “a lovable rogue in search of purpose” and they end up in Independence, Texas, whose eclectic population make up the rest of what sounds like an ensemble cast, similar to Walker. I’ve really been enjoying getting to know the Walker family on the original show, so I’m looking forward to a glimpse into their past too. I’m guessing this one will also be filmed in Austin, which should provide some great visuals for the West of the 1800s.

With Ackles already set to direct on Walker, I can’t help but hope that Padalecki reprises his role as Sam at some point on The Winchesters every now and then, with a little narration of his own. Or maybe there’s a time jump into the future… hey, it’s just a thought…

Whatever the future and the two new prequels hopefully bring, I’m celebrating with the SPNFamily tonight – congrats Ackles and Padaleckis!

– Lynn

You can read Jared and Jensen’s thoughts on

Sam and Dean and the legacy of Supernatural

In There’ll Be Peace When You Are Done and

Family Don’t End With Blood. Links in banner or:

The Winchesters are Renegades in Season 2’s Nightshifter (Supernatural Rewatch)

There’s a reason why the 12th episode of Season 2 is so good. Actually there are a few reasons. One, it was written by Ben Edlund. Two, it was directed by Phil Sgriccia. And then there are those two really talented guys who play Sam and Dean.

Edlund didn’t stay with the show as long as I wish he had, but the episodes that he wrote are some of my favorites (as are the episodes he wrote for some of my other favorite shows). Phil Sgriccia was instrumental in shaping the show, staying until Eric Kripke’s new show took him away – and it was a great loss even then.

In ‘Nightshifter,’ the combination of Edlund’s tight, humorous but heartbreaking, quirky writing and dialogue and Sgriccia’s brilliant directing (and Serge Ladouceur’s brilliant lighting and cinematography as always) make this one of those episodes that could be the answer to someone asking for recommendations of episodes that show how special Supernatural is. The whole episode is tense, a mirror of Ronald’s paranoia threaded throughout reflecting the very real danger the Winchesters are in. This time, it’s not just from a supernatural entity, but from all too human law enforcement too. The sense that Sam and Dean are trapped – in the dark bank building, with something dangerous lurking in their midst and something dangerous waiting right outside to invade – sets the dark tone for the whole season as the mystery of the Yellow Eyed Demon and his plans for Sam play out.

It’s also a truly tragic episode, one of a handful that are hard to watch at times. Chris Gauthier’s portrayal of Ronald (and Edlund’s creation of the character) made him achingly real and very sympathetic. He’s a fanboy at heart, and he’s heroic in his own way, risking his life to do what he believes is the right thing and trying his damnedest to ‘save people, hunt things’ just like the Winchesters are doing. We’re rooting for Ronald throughout, and so are Sam and Dean, each in their own way. The contrast in how the brothers try to protect Ronald are telling, deepening our understanding of them – both how different they are and how that contrast often makes them efficient and deadly.

We also are introduced to Agent Henricksen (C. Malik Whitfield) in this episode. He’s another brilliantly written character, memorable instantly. He’s not a bad guy – he’s genuinely a good guy trying to do the right thing, and he’s smart and savvy and wisecracking doing it. The problem is, he sees the Winchesters from the outside and misinterprets who they are and what they’re trying to do. He’s sure they’re the bad guys, and he pursues them like he’s the one who’s saving people. Outsider pov is a popular trope in Supernatural fanfic for a reason – from the outside, if you didn’t know any better,  you probably would agree with Henricksen. These guys are clearly dangerous, twisted, downright evil killers. I love that twist, and seeing that perspective so clearly through this character.

And lastly, the ending is one of the best in the series, with a music cue that is absolute perfection.

So, with all that build up… let’s dive into the rewatch…

We get a brief recap of Saving People, Hunting Things and the Winchesters’ previous encounter with a shapeshifter in Season One’s ‘Skin’ as well as a reminder that Dean is a wanted fugitive from Season Two’s ‘The Usual Suspects’ – and then we jump to the present, SWAT teams and cops and local press surrounding a building as a hostage is dramatically released – to our shock, the guy releasing him is none other than Dean Winchester.

That can’t be good.

Director Phil Sgriccia makes it both realistic and an intensely dramatic reveal as police and press all flurry around when they know a hostage is coming out, and the last thing we expect is for it to be Dean yelling at them to get back as he lets the hostage go.

ONE DAY AGO

Sam and Dean working a case in a jewelry store, Sam having a serious conversation with the manager guy and Dean having a flirty conversation with the woman who works there.  She asks him what it’s like being FBI and Dean takes the opportunity to play it up – dangerous, keeping secrets. And lonely. Most of all, lonely. It’s clearly effective, but then, how could it not be? This is Dean Winchester she’s talking to.

She offers to do a more private interview later, and hands over her phone number (on a piece of paper because this is 2006).

Dean: You’re a true patriot.

Early seasons Dean is good with the BS and always interested in a hookup.

Sam, on the other hand, is having a much less pleasant conversation with the poor store manager, who can’t understand how an employee he’s known for decades lost his mind and murdered the store’s night watchman.

Manager: I heard him die…

The poor guy is distraught, and I can only imagine how horrible that would be. Dean has the empathy to look guilty when he realizes the kind of conversation Sam’s having, and joins them. He can’t resist waving the clerk’s phone number at Sam though.

The manager informs them that the police took all the security tapes, much to Dean’s dismay.

Dean: Friggen’ cops.

Sam: They’re just doing their job, Dean.

Dean: No, they’re doing OUR job, only they don’t know it, so they suck at it.

He’s not wrong.

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Walker’s ‘Two Points For Honesty’ is All About Courage

Directed by Bosede Williams and written by Blythe Ann Johnson,  the new episode of Walker picks up where the last one left off – a cliffhanger of an ending with Captain James shot and lying in Trey’s front yard bleeding, while Trey calls out to him desperately., “Cap! Cap!”

Typical of James, he warns Trey to stay safe where he is, but Trey goes into full badass mode, yelling “No, that’s not an option” and running out to get him to safety, returning fire at the gunman until he drives away.

gifs abordelimpala

James: Did he get you?

Trey: You’ve got two holes in you and you’re asking about me?

This episode gives us a deeper understanding of both James and Trey, with Coby Bell and Jeff Pierre really stepping up to the plate to show us who these men are and how their histories have brought them to where they are today. In some ways, the episode is all about courage, which looks very different in different situations. Sure, Trey saving James is courageous, but so is his ability to figure out what he does and does not want to do with his life. Both Trey and Walker, in this episode, confront a decision about what being a hero really means, and both are self aware and secure enough to realize it doesn’t only mean the one calling the shots or running into a hail of bullets. An important message that we don’t get to see in media very often.

A trooper named Alexis Jackson rushes them to the hospital, with a ‘Call me Jack’ that means she might be back. It’s too soon for a Micki replacement, but Jack drives like a badass as James tries to keep giving orders – until he literally passes out. Trey utilizes a stuffed animal that’s in Jack’s patrol car to try to stop the bleeding as he asks her how long until the hospital.

Jack: Five minutes maybe?

Trey: Better make it two.

Jack: Copy that.

Jack is Scotty in this scenario, if you’ve ever watched original Star Trek.

They’ve said her name multiple times, so my guess is we’ll see Jack again. Ione Butler did a great job making her memorable in only a few short scenes, so that bodes well for the character’s future.

As they wheel James into surgery, Trey realizes he’s got the Captain’s badge in his pocket, James still trying to give instructions.

James: Tell Walker…

Trey fingers the bloodied badge as they wheel James down the corridor.

gif saturnsammy

Walker gets a call from Trey (and Stella gets a call from James’ son DJ at the same time), interrupting a family game of Clue that Cordell is thinking about very deeply while his kids try to get him to move it along.

It’s a powerful way to show the reality of how things can change in an instant – the shock when bad news intrudes on a heartwarming family moment, and how hard it can be to shift gears and comprehend that it’s really happening.

Most of the Walker family heads to the hospital, where Trey in his bloody shirt and Jack are waiting for news – Liam, Stella, Augie and Bonham all come with Cordell to support both him and James. I love how supportive the entire Walker clan is of each other. They bicker like every family but when someone needs help, it’s all of the Walkers on one side, a united front.

Trey gives Walker the captain’s badge.

At first the doctor gives them good news, that the bullet missed any major arteries and he’s got a positive prognosis. James comes to with Walker sleeping sitting up beside him and immediately asks about the shooter, wondering if it’s connected to Serano. Cordell assures him that they’ll find the guy, and James says yes, that he deosn’t want anyone else running point on this.

Walker tries to give him the badge back so he can pick up the responsibility, misunderstanding, but James says no, that he needs Cordell running point on it, as temporary Captain.

Cordell is hesitant, but James reassures him, “it’s you, man.”

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Happy Birthday, Dean Winchester – A Year Later, I Still Miss You

Last year was the first year that on his birthday, I wrote about missing Dean Winchester. I thought maybe that would also be the last time I celebrated his birthday; that by the next year, he would be put on a shelf, remembered always but as a cherished part of my past.

Instead, it’s January 24, 2022 and I am still missing Dean Winchester.

I know how grief works, how it’s a process that eventually results not in letting go of who or what you love, but slotting it into a place where you can remember and love always but also move on and love other things. I thought, by this time, maybe I’d have fallen head over heels for another fictional character, another TV show or book or movie. I thought everyone else would have too – and that’s certainly what happened for many of my friends. Some people I met and became good friends with in the Supernatural fandom did move on, either to other shows and characters or away from fandom all together.

That’s never easy for me – I am beyond thrilled for them, but change is hard and I sometimes wish we were “all in this together” as it felt for so many years as a Supernatural fan. That we might not agree about where we wanted the show to go or who was our favorite character, but we all watched together and cared about Supernatural.  I tend to be pretty fandom monogamous, and it seems my love for Dean Winchester and Supernatural is very much alive and well fourteen months after the series wrapped.

But guess what? That’s okay. This is a post of gratitude, not sadness. I am so happy to be able to say that my love for Dean hasn’t waned in the past year, and I’m even happier to say that I’m not alone in that.  My timeline may not be as overwhelmingly Supernatural as it was when the show was airing, but it’s still full of gorgeous pictures and gifs of Dean Winchester doing what he does best – saving people, hunting things. Protecting the people he loves. Sometimes bloody, sometimes brave. Sometimes scared, sometimes vulnerable. Sometimes laughing, sometimes crying.

Always, to me, endlessly fascinating.

I’m so grateful that there are other fans who are still as in love with Supernatural as ever and still want to talk about it.  Grateful for the online book club that has read Family Don’t End With Blood and There’ll Be Peace When You Are Done and my other books on Supernatural, and to all the Supernatural actors who joined in over the past year to talk about the chapters they wrote (pretty sure Jensen Ackles made a lot of people’s day when his chapter was discussed.)

Grateful for my little rewatch group who are watching the show from the beginning. I’m so enjoying writing reviews of those early seasons so that this website will have a review of every single episode. Grateful for the facebook chats and discord groups and twitter DMs that give me a space to gush as much as I want about why yes, Dean Winchester IS still the most fascinating, complex, compelling fictional character of all time, thank you very much.

I’m grateful to everyone who follows this blog and comments on these posts, and to everyone who chats and shares and laughs and cries together on twitter and tumblr and Instagram and facebook. Grateful to the talented creative fans still writing the most amazing fanfiction and creating the most amazing art and taking con videos and photos and sharing with all of us. I was so afraid there would be no new content once the show ended and that hasn’t happened; I am thankful for that every single day.

I’m also really grateful that the people who love the Winchesters as much as I do and brought them to life so brilliantly have not forgotten them either. Jared and Jensen’s chapters in There’ll Be Peace When You Are Done and Family Don’t End With Blood are all about how much these characters and this show and this fandom have meant to them, and what they hope the Winchesters’ legacy will be. I knew that they didn’t want to let these characters go, but I still worried – I’m so glad they have found a way to throw themselves into new characters and projects while still hanging onto their love for Sam and Dean.

When Jensen says, “Dean is not gone, he’s right here, I’ve got him”, I believe him. When Jared says Sam will always be a part of him, or Misha writes poetry from Castiel’s point of view, I know that’s true for them too.

And I’m so grateful.

I’m celebrating all the exciting new ventures that have been undertaken since Supernatural wrapped, settling in with the queso and a warm blanket on Thursdays for a new episode of Walker with Jared. Anticipating Jensen joining The Boys, which I’ve loved from the start, with a new character we will undoubtedly love to hate. Reading Misha’s poetry and watching him roadtrip across the US with Roadfood. I’m so happy for all of them, and for us, that we get to have these new things.

But make no mistake, I miss Dean Winchester.

I miss Supernatural.

I love knowing Robbie Thompson is busy writing more Supernatural verse with ‘The Winchesters’ and that Dean Winchester will at the very least be narrating some of that show if it comes to be. Even if it doesn’t, I love knowing that Jensen wanted it to. I love that they still want to talk about and celebrate and remember the show and the characters I’ll never stop loving.

So happy birthday, Dean Winchester. I still miss you. But mostly, I’m grateful that you exist. The beauty of a fictional character is that they can live on forever. We’ve got fifteen seasons of getting to know Dean and who he is and what he cares about and how he fights and grieves and persists and loves. We’ve got sixteen years and counting of fanworks that celebrate and explore and share the beauty of that character and what makes him tick (according to each and every person who shares their head canon with the rest of us). We’ve got Jensen Ackles, who was so instrumental in making Dean who he is and helping us all fall in love with him, still reassuring us that “Dean’s right here, I’ve got him.”

I don’t think any other fictional character will ever capture my imagination and inspire my devotion like Dean Winchester.

And really, I wouldn’t have it any other way.

— Lynn

You can remember and celebrate what

the Winchesters and Supernatural meant

and the legacy they leave with chapters by

actors and fans in There’ll Be Peace When

You Are Done and Family Don’t End With

Blood. Links on the home page or at:

‘The Boys’ Universe Expands with ‘The Boys Presents: Diabolical’

As we all wait with great anticipation for Season 3 of The Boys (and for Supernatural fans especially, Jensen Ackles’ Soldier Boy) the universe of the series  expands even more in March with an 8 episode animated anthology series The Boys Presents: Diabolical. The episodes, which are animated shorts of 12 to 14 minutes, will all premiere on March 4 on Prime Video for easy bingeing.

Diabolical episodes will each have their own animation style, and are all set in the same universe as the original series, though showrunner Eric Kripke tweeted that “a couple are canon, the rest are just insane.”  It’s hard to fathom that they are MORE insane than the original, which has set the bar pretty high, but if anyone should know, it’s Mr. Kripke!

He added, “And you guys, trust me, they turned out so so good.”

I do trust him, which has led me down the road to ‘ruin’ for over fifteen years, that’s the problem! Which means, of course, I’m looking forward to these mini episodes of bonus material for the series. If we thought The Boys pushed the envelope with its live action, imagine what it can do with the limitless opportunity offered by animation! The teaser lives up to its name, starting out looking and sounding like a harmless Animaniacs episode and abruptly devolving into… well, I’ll let you watch it yourselves! (link at the end of the article).

The Boys universe will expand even more next year with Varsity, a new show that is set at a college for young adult superheroes that’s run by (who else?) Vought International. The show is described as R rated (which should surprise no one) and irreverent (again, no surprise) – it should be interesting to see who’s successful in moving up in the ranks toward being part of The Seven.

As for Diabolical, in addition to Kripke, Awkwafina, Garth Ennis, Eliot Glazer and Ilana Glazer, Evan Goldberg and Seth Rogen, Simon Racioppa, Justin Roiland and Ben Bayouth, Andy Samberg, and Aisha Tyler are all involved with Diabolical. The Boys is based on The New York Times best-selling comic by Garth Ennis and Darick Robertson and was developed by executive producer and showrunner Eric Kripke.

The original series returns in June with a focus on original supe troop Payback, featuring the discovery of Soldier Boy.

Jensen Ackles recently described him as an old man with all those sensibilities and definitely not a good guy – but obviously the old man  looks like Jensen Ackles, so how confusing is that gonna be? I can’t wait!

Check out Diabolical now –

The Boys: Diabolical Teaser

— Lynn

You can read chapters by Jensen Ackles and

the rest of the Supernatural cast in Family

Don’t End With Blood and There’ll Be Peace

When You Are Done, links on the home page

banner or at:

Walker Episode 2.07 asks “Where Do We Go From Here?”

Walker returned after a mini hiatus over the holidays last week, much to fans’ anticipation. Jared Padalaecki did an Instagram Live with Entertainment Weekly’s Sam Highfill in the morning, teasing what to expect later that evening, and he live tweeted the episode, which made the return extra exciting.

The fandom that has followed Padalecki from show to show, especially from Supernatural, is accustomed to some interaction (okay, yes, we’re a bit spoiled!) and Jared has kept up that tradition on Walker, sometimes jumping on Twitter to reply to random fan questions and generally wreaking wonderful havoc in the fandom. Some of the other Walker cast are also interactive, including Keegan Allen’s popular posts that are often right in line with what the fans themselves would request. The high degree of interaction has solidified the Walker fandom quickly, with its own fan wikis and content accounts – and, so far anyway, not too much in the way of fandom in-fighting. Fingers crossed it stays that way!

Padalecki and Sam Highfill having fun on EW IG live

So there was alot of anticipation about last week’s episode, and the episode moved just about every story line along – and delivered a cliffhanger ending too!

The titular question applies to just about everyone over the course of the episode, but the first iteration is for the brothers Walker. The episode starts out with the Walkers preparing a meal together, everyone joking around until Cordell accidentally knocks a bowl full of fresh rolls out of Liam’s hands. It shatters, an apt metaphor for the fragility of the brothers’ relationship right now.

Cordell snaps at him, Liam snaps back, and Augie and Stella want to know what the hell is going on. Liam decides to tell them about his suspicions about Dan Miller and how he made an ill advised false police report.

Stella: That’s not good.

Stella with the understatement. The brothers glare at each other.

Cordell: It’s a misdemeanor. Your uncle could be disbarred.

Liam: Thanks, Cordell, I know that.

gifs abordelimpala

Abilene says that’s enough as Liam storms out. She’s not exactly thrilled with either of her sons right now and I am, as always, loving her Mama Bear approach to trying to keep this volatile family of hers on a relatively even keel. It rarely works but I appreciate her efforts.

Walker goes to the office, watching as someone takes Micki’s name plate down and carts it off in a box, and ouch. It’s not clear at first, but apparently weeks have passed, and they haven’t been easy ones.

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Supernatural Gets Creepy (With Dolls!) in Season 2’s ‘Playthings’

Ah, Playthings. One of the creepiest episodes of Supernatural for me personally, because what is more creepy than an old mansion and a bunch of old incredibly terrifying DOLLS?? Add an equally terrifying little ghost girl and an old woman confined to an attic (plus some gruesome murders) and you’ve got an episode that gives me goosebumps every time. It’s also got some great brother moments between the Winchesters, so at least there’s some respite from the anxiety.

It’s next up on our Supernatural rewatch (it just turned 2022 as I’m typing this), so let’s revisit what made this episode so memorable – and so creepy!

We start out with the reminder that something evil might be brewing in poor Sam, the underlying theme of Season 2 that’s impacting both brothers, Sam terrified that he might hurt someone and Dean terrified that he won’t be able to protect Sam.

THEN

A reminder from Dean that “dad told me something”, Sam’s anguished question “Am I supposed to go darkside or something?” and Dean’s big brother determination to protect Sam no matter what. Then we’re back where we left off, Sam and Dean finding Ava’s discarded engagement ring in a pool of her fiance’s blood.

So very Supernatural.

NOW

The exterior location for this episode is every bit as creepy as the rest of it – an old mansion from the 1930s now the Pierpont Inn. As movers take out boxes of stuff, we learn that it has a rich history in the community, with generations getting engaged or married there, but it’s now up for sale. As the moving guy takes out the boxes, we pan to two little girls sitting at the top of the stairs on the landing watching – and not very happy about the move.

One of them is Tyler, daughter of the owner. The other is Maggie, her imaginary friend – who we already suspect is not exactly a trying-to-be-helpful Sully.

Tyler goes to play with her dollhouse that’s a replica of the Inn, and we pan over shelves full of creepy dolls, including a clown doll that would have given Sam Winchester nightmares (and possibly me also).

The whole episode is brilliantly shot, never fully lit and always looking just a little bit foggy, making the antique decor and dark wood just that much creepier. The creative camera angles add to the feeling that something is amiss here, sometimes looking up and sometimes down but rarely straight on.

Tyler puts a doll in the rocking chair, but when she looks again he’s not there – instead he’s at the bottom of the staircase, head askew.

Uh oh.

Just then, we hear her mother scream. At the foot of the stairs is the hapless moving man, twisted up, head askew just like the doll, in a pool of his own blood and a cracked doll next to him on the floor.

Well done, Supernatural. CREEPY as hell, but well done.

Cut to Sam and Dean looking for Ava, their motel room covered with maps and notes and a missing poster and looking a lot like John Winchester’s motel room might have.  Sam checks with Ellen, but she doesn’t have any leads either. Dean is worried about his brother.

Dean: Sorry, man.

Ellen does share information about the freak accidents that have been happening at the Pierpont Inn, though, and Sam wants to check it out. Dean is surprised. Sam wonders why.

Dean: Well yeah, it’s just, you know, not the patented Sam Winchester way, is it?

Sam: What way is that?

Dean: I just figured after Ava there’d be, you know, more angst and droopy music and staring out the rainy window…

Sam glares.

Dean: Yeah, I’ll shut up now.

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Sam Learns the Truth (and has a VERY Close Call) in Supernatural Season 2’s ‘Hunted’

This episode was written by Raelle Tucker, who I really wish had stuck around longer, and directed by Rachel Talalay, one of the first women to direct Supernatural. And they both did an amazing job! Also special shout out to the music cues that make the episode haunting and creepy, as much as its subject matter does.

The THEN reminds us that the Winchesters are still out there saving people, hunting things. That John Winchester knew the truth about Sammy and didn’t tell his sons. That he whispered something to Dean before he died and Dean lied about it. That Sam knows the demon said he has plans for Sam and other children like him. Like Max, like the ‘others’….

I love the huge mystery that the show was spooling out at the time, leaving me always feeling like I was on the edge of my seat desperately wanting to know what the hell was going on, and knowing that my boys were right at the center of it. It was so compelling, it’s no wonder I fell so hard for this show!

NOW…

The opening is a gut punch right away, a psychiatrist talking to his patient, a young man who’s hesitant to confide in the doctor about what he refers to as his ‘ability’.

Scott: When I touch something…I can electrocute it, if I want.

As if that isn’t chilling enough, he gives an example – the neighbor’s cat.

Scott: Its insides fried up like a hamburger.

The haunting sounds of ‘White Rabbit’ by Jefferson Airplane play in the background as Scott tells his disturbing tale, “One pill makes you larger and one pill makes you small…”

Scott knows the doc doesn’t believe him, and holds his hand out ominously.

Scott: Wanna shake on it?

I think I started screaming NOOOOO don’t do it the first time I saw this, as the doctor calmly asks why he wanted to kill the neighbor’s cat, but Scott says he didn’t – that “he” wants him to.

Doc: Who?

Scott: The yellow eyed man. He comes to me in my dreams… he has plans for me…

Everyone watching: OHMYGOD

I can’t even describe now, almost 15 years later, how chilling that reveal was. How just the words “yellow eyed man” struck fear into our hearts as viewers, because we knew Sam and Dean were in serious danger and we didn’t yet know just what it meant.

Scott leaves the doctor’s office and walks out into the dark, clouds of mist hanging over the deserted street as he rushes down a hill, hunched over, looking scared.

He looks around, calls out “Hello?” thinking someone’s following him, as the music grows louder and a train rushes overhead. We see the shadow of a man behind him in his car window as he finally gets there and then he’s stabbed, brutally. Blood spills out of his mouth as he dies and it’s brutal, graphic, so much more sinister because of the cinematography and the music and damn this show is so well done.

From that disturbing beginning, we’re back at the iconic fence with the Winchesters, Sam and Dean drinking beer next to the river.

Dean: Before Dad died, he told me something. Something about you.

Sam: What? Dean, what did he tell you?

Dean: He said that he wanted me to watch out for you, to take care of you…

Sam points out that their dad said that a million times, but Dean insists this time was different, increasingly agitated as he tries to confide in Sam this burden that he’s been carrying.

Dean: This time was different. He said that I had to save you…that nothing else mattered, and that if I couldn’t, I’d…

He falters, anguished, and Sam presses him, fully aware that this is bad, very bad.

Sam: You’d what, Dean?

Dean is looking at Sam almost begging him to make this all go away, and yet he pushes on, knows he has to come clean to Sam.

Dean: That I’d have to kill you. He said that I might have to kill you, Sammy.

Sam looks as anguished as Dean, the two of them facing off in this beautiful spot over this horrific reveal.

Sam: Kill me?! What the hell is that supposed to mean?

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