Suddenly we’re almost at the end of The Boys season 4 – it seemed to go by very quickly, didn’t it? This season’s reception has been a bit more uneven than the nearly universal kudos for the previous season, especially for the last episode and the treatment of Hughie’s assault. It’s undoubtedly challenging to keep upping the game with a show that started out with such high levels of shock, sex and especially violence right from the jump. That may be the source of some struggle this season, but I’m still thoroughly enjoying what this show does best – hold up a mirror to some of the worst parts of our real life and poke at them. There’s so much that’s over the top in reality right now, sometimes The Boys feels a little too real – but mostly for me it’s validating to see the reflection and be assured that yes, someone else sees the insanity too!
I also enjoy watching the show through the lens of what it’s trying to say, which is slightly different each season. It’s why my colleague Matt and I edited a book on The Boys, examining those themes with input from actors, psychologists and media experts. I was fascinated then, in Season 3, and I’m still fascinated now. (You can find Supes Ain’t Always Heroes at your favorite bookstore or on Amazon)
We have one more episode that will air in the wee hours of Thursday morning this week – and believe me, you do NOT want to miss it!
So, what happened last week in Episode 4.07? A lot!
The Life of Ryan
The theme of this episode – attempting to be your own person and who you really are — is expressed in a biting parody of one of my favorite shows of all time, Avenue Q, which I saw on Broadway with my kids a long time ago – and adored. Vought Studios presents, of course, Avenue V, complete with puppets of all the supes and poor Ryan looking uncomfortable with every single thing they sing about. Most of that is encouraging kids to rat out their parents and teachers and neighbors for anything that might be ANTIFA or Christmas hate. Ryan keeps calling ‘cut’, though the director insists his dad approved the lyrics. Homelander, overwhelmed with issues of his own, leaves Ryan a snippy message to just suck it up and do it, but that doesn’t go over too well.
Ryan eventually stops the filming and addresses the camera, much to Homelander’s anger and disappointment (though he’s taking his father’s previous advice not to let anyone else prevent you from speaking your mind…Be careful what you wish for, Homelander)
(I feel like Cameron Crovetti had a blast filming this…)
Ryan: That song isn’t cool, none of this is cool. Your family isn’t your enemy, your family is all you’ve got. I’ve been thinking about my mom a lot. She died but she loved Christmas…and Terms of Endearment…and her husband Billy. But she wouldn’t love this and she wouldn’t want me doing it. My mom always told me to tell the truth.
Ryan is as torn as everyone else this season – in his case, between two dads. At Homelander’s place, Ryan sees a package under the Christmas tree and recognizes the return address as “dontbeacunt”. It’s a photo of his mom and Butcher and their dog.
Butcher, watching Ryan’s speech on a TV in a bar, tells Kessler aka himself that’s why he’s got faith in the kid.
And then he collapses on the floor of the bar.
Butcher also reunites with the Boys in this episode, telling them about the virus Sameer is working on and that it would cause global pandemic and a supe genocide. They all notice for the first time that Butcher is sometimes talking to no one (as Kessler calls him an asshole and warns him that he’s pissing away their best shot). Butcher agrees that they’ll only use the virus on Homelander and Neuman, much to his alter ego’s disgust.
Kessler confronts Butcher, aka Butcher confronts himself. Why does he have such a soft spot for supes? Is it because he fucked Maeve? Cares about Ryan, who’s not even his? Butcher says he gave Becca his word, but Kessler scoffs that if their love was so perfect and pure why did he go around fucking waitresses?
Nobody is better at convincing Butcher that he’s a fuck-up than Butcher himself.
The Boys are starting to pull together again, though. Butcher also got Mallory to pull some strings and free a reluctant and still guilt-stricken Frenchie. MM asks Butcher to be back in charge, saying he’s better off doing research instead of being the skipper – and trying to follow doctor’s orders. Hughie, Butcher and Annie start to figure out the assassination plot for January 6 (of course) and also find a supe shapeshifter that Sister Sage put on the job. Uh oh.





















































