Episode two of the fifteenth and final season of Supernatural was called ‘Raising Hell’. I’m not sure why it was called that, since Hell was ostensibly already “raised” in the first episode, but it turned out to be sort of fitting anyway, since the episode raised a fair amount of disagreement and infighting amongst the stressed-out-because-we’re-about-to-lose-this-show fandom. As a fan, I sometimes agree with all the sides. I understand the fans who don’t want to hear any complaints or criticisms, who desperately want their last 19 episodes of the show to be something that feels good, a celebration without critique that brings only joy and lots of good memories. I understand that feeling; I tend to be good at forgiving, handwaving and even ignoring in order to appreciate the good parts of what I love. On the other hand, I also understand the fans who are critical of an episode. When you only have 19…18….episodes left, having one of those feel unsatisfying is tough to swallow. I’m somewhere in between the extremes.
The writers of this episode are not always my favorites, as I’ve said before. They have written some good episodes, but there are quite a few that haven’t worked well for me. Whether it’s because they’re seasoned television writers or because they just enjoy juggling, these are the writers who often are given the episodes that include everything but the kitchen sink (which I’m sure, in all fairness, is challenging). Some people like that and are happy to greet each new revelation with a more is better attitude. That’s not me. I like to savor each little bit of this show. I like the show to spool itself out without too much rushing, and for every moment to be invested with depth and a meaning I have to work a bit to figure out. I’m not just here for the action; I expect the show to give me insight into the characters that are why I love it. I start to get a headache when there’s too much going on that isn’t well connected to the main characters or when there are too many characters jammed into one episode.
We’ve been told that lots of ‘fan favorite’ characters will be coming back this season, which makes sense. It’s the last season, our last chance to see some of our favorites and perhaps to give them a proper send off. I’ve been on board with that revelation, and at the same time concerned that it would be overdone, so that each return wouldn’t have the gravity it’s due. For me, that happened in this episode. Rowena and Chuck were back, which was expected, so I won’t consider those a “return” as much as a they’re-part-of-the-current-storyline. But in addition to Rowena and Chuck (and new character Belphegor) in this episode, we had three other returns: Amara, Ketch and Kevin. That’s a lot of returns in one episode!
I like all three of the returning characters, and the actors did a wonderful job with their portrayals. While I initially wasn’t a Ketch fan, I’ve warmed up to the character over the seasons, partly I suspect because David Haydn-Jones is an awesome human being and a talented enough actor that he brings a vulnerability to Ketch that’s unexpected and interesting. Most of fandom was spoiled for all three returns, which also dilutes the impact considerably, and while I don’t entirely know if it made sense for Ketch to turn up there in the nick of time, I could go with it.
Then we had the return of Amara, something fandom also knew about. I loved Emily Swallow showing us Amara’s evolution (and her snazzy new wardrobe) but by the time we saw her and Chuck, the episode was already feeling a bit crowded.
And then we got the most emotional return of all – Kevin Tran. Again, most of us knew he’d be back, which diminished the impact, unfortunately. I was happy he was coming back; It’s no secret that I love Osric Chau to bits and that I adored his character. But by the time Kevin appeared, I think I actually exclaimed “Kevin too??”