OMG You Shot Your Brother! Supernatural 1.10 Asylum

Asylum is a pivotal episode – I feel like I’m saying this about every Season 1 episode as we do this rewatch, but it’s true! It’s also the perfect time to post this rewatch review, because I just finished posting an interview with the episode’s director, Guy Norman Bee. This is his favorite episode of all the many Supernatural episodes he’s directed, and that doesn’t surprise me at all. It’s beautifully directed, gorgeous to look at, and deft in its exploration of the growing tension between the Winchesters.

It’s also one of the scary episodes, which Season 1 had a lot of. Just the idea of a deserted dark asylum with a disturbing history is scary enough, but Serge Ladouceur’s brilliant cinematography and Jerry Wanek’s set design make it even creepier. The episode starts out with the Asylum’s Keep Out sign and cops realizing that some local teenagers have ignored it. The place is apparently haunted with the ghosts of the abused patients, and if you spend the night, the spirits will drive you insane.

Of course, that has never stopped adolescents.

The cops explore by flashlight.

Cop #1: Let’s split up.

All of us watching: MISTAKE!

The first cop ends up in the boiler room because of course he does, and finds the kids – the requisite horror movie false alarm. Meanwhile, cop #2’s flashlight goes out and that is never a good sign.

Then a door opens by itself – also not a good sign.

Sure enough, cop #2 goes home to his wife and blows her away.

Meanwhile, the Winchesters. Sam calls around – and we hear names that will become familiar, like Caleb and Pastor Jim – but no one has heard from their Dad.

Sam: Maybe we should call the Feds…

Dean says no, Dad would be pissed if they did.  Sam is angry, though, saying he could be dead for all they know. Dean insists he isn’t, but that leaves Sam even more frustrated.

Sam: So, he’s what? Hiding? Busy?

Touche, Sam.

Dean’s phone rings at that moment, and he smiles – it’s a text message with coordinates, which means John Winchester is alive. In fact, the place he’s sending them, the Roosevelt Asylum, has an entry in John’s journal.

Sam: This is a job. Dad wants us to work a job.

He’s bitter, resentful that their father is ignoring them and staying away, but makes contact just to send them on a mission. He seems more drill sergeant than dad, and Sam isn’t willing to gloss over it like Dean is.

Dean: Maybe he’s there…

Sam: Maybe he’s not…

This episode is written by someone who I think was a one time writer, Richard Hatem. He gets the complicated dynamic that’s already there between Dean and Sam though, as Dean retorts that their Dad wants them there, and “that’s good enough for me.”

It is not, however, good enough for Sam. And that’s becoming increasingly obvious. Sam goes along, but not all that willingly.

The Winchesters pull a rather brilliant good cop/bad cop thing on the actual cop whose partner died, which works like a charm. It involves Sam giving the asshole reporter (Dean) from the Chicago Tribune a shove and telling him “hey buddy, why don’t you show the guy a little respect”.

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Celebrating Supernatural – A Chat with Director Guy Bee

Guy Bee has always been one of my favorite directors on Supernatural, directing some of the pivotal episodes, starting with ‘Asylum’ in the first season. I met him a long time ago (which he for sure does not remember) in the green room at an early Supernatural convention. I was waiting to do an interview and he was chatting with some of the actors and I remember wanting to compliment his directing but feeling too shy to do that. This was also the time I was so nervous that I poured myself a very large glass of what I thought was wine from the carafe in the back of the room – except it was very expensive bourbon and that much would likely have left me on the floor. Luckily Kathy intervened. With an eyeroll.

That’s our storied history, Guy Bee! I’m grateful I didn’t embarrass myself, at least. Since then we’ve shared some zoom hello’s and some less fraught convention hello’s, but that first “meeting” will always stick with me.

Fast forward to the present. There’s an online book club that some fans started to discuss the two books that I edited that have chapters by the cast and the fans of Supernatural – Family Don’t End With Blood and There’ll Be Peace When You Are Done. They often invite the actors and fans who wrote chapters to drop into the book club on Discord and answer some questions about their chapters, and I drop in too when I can.  And because the Supernatural cast and crew is like no other, they actually do drop into the book club and join in the discussion of their book chapters and the show!

Rick Worthy (the Alpha Vamp on Supernatural) dropped in a few months ago to discuss the chapter he wrote in There’ll Be Peace When You Are Done, and the conversation turned to Rick’s collaboration with director Guy Bee in creating the memorable character. Rick mentions working with Guy and becoming good friends in his chapter also. The book club was so intrigued, they invited Guy to come chat with them the next time they met. I was excited to join in too, because directors always have some fascinating insights and I will never ever get tired of hearing about Supernatural. Maybe especially now that it’s ended – having some new insights feels like an incredible treat!

Here’s the Book Club conversation, with some wonderful memories of Supernatural and some interesting thoughts on directing too.

Book Club: Rick Worthy was here at our last meeting and talked about the two of you collaborating to create the Alpha Vamp character. You seemed to work very well together. Is this kind of collaboration common between an actor and a director to flesh out a character? What made Rick great to work with?

Guy: I remember having some suggestions for the part (Brad Dourif) and we auditioned my pal Nick Lea [SIDEBAR – Nick Lea played Alex Krycek on the X-Files and was eventually on Supernatural in the ‘Time After Time’ episode]  who lives in Vancouver, but when I saw Rick’s audition tape I knew he was the only guy to play the Vamp! That Voice!  One of the joys of directing is working on subtext and a motif, (collaborating) with the actors and finding subtleties that aren’t necessarily “on the page”. Rick is a consummate actor who thrives on that kinda stuff. He’s a director’s dream because he ALWAYS elevates the script from just ink on a page to a fully realized, believable character!

[SIDEBAR – Rick Worthy enjoyed filming that episode as much as Guy did, and it sounds like Jared and Jensen did too. Here’s what Rick Worthy had to say about the episode: When Sam and Dean come to his house there is this big long Citizen Kane table where the Alpha Vamp presides, and it was just awesome, a beautiful set design, I couldn’t have asked for anything more. And then Dean attacks and comes after me and I have to hurl him, just toss him over the table like he’s paper! It was one of those really cool stunt scenes and I love to do those. I remember Jared got very excited and came up to me and said dude, you should totally record this on your iPhone! So I gave him my iPhone and he said I’ll record it for you. When the director Guy Bee called ‘Action’, we do the stunt and then I just toss Dean (I believe it was his stunt double) over the table. I think we did it in two takes, and I remember looking back at Jared and he gave me the thumbs up like, yeah that was really cool! I love working with actors who enjoy what they’re doing and have respect for the process. How many times has he done this kind of shot? Dozens and dozens and dozens of times, maybe hundreds since the pilot. I really loved that.]

[And on his friend Guy Bee:  He’s a great guy. He’s like the one director who goes to conventions and does karaoke. He does “Dirty Deeds and They’re Done Dirt Cheap” and sings his ass off. He’s a fun guy to hang out with.]

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Going ‘Home’ Again: Supernatural Rewatch 1.09

I’m now convinced at this point in my epic Supernatural from the start rewatch that the entire Season 1 was just freaking amazing, but even before the rewatch, I knew this week’s episode was one of my favorites. The aptly named ‘Home’ told us so much about the Winchesters, and is one of the very few episodes that includes Sam, Dean, John and Mary. Just that alone makes me extremely emotional.

I was at a convention once when Jeffrey Dean Morgan and Samantha Smith were both there, with Jared and Jensen, and I couldn’t help but tear up.

Photo: Kim Prior (@PriorStudios)

When you care about the Winchesters, it’s a special thing to have them all together – even if they don’t all interact in this episode. Typical heartbreaking Winchester lives, right?

I’m doing the rewatch with a group of friends (via Zoom, as everything is done in the midst of the pandemic we’re a year into…), so we all settled in to watch with anticipation.

The episode begins with a woman unpacking, having just moved into a new house. Her young daughter insists, as kids sometimes do, that there’s something in her bedroom closet. But this is Supernatural, so the mom’s casual “oh honey there’s nothing in here, look I’ll just open it up and then turn my back on it” does not reassure all of us watching. Instead we all start screaming NOOOOOOO because it’s creepy as hell even though I mostly remembered that nothing happens until later.

Little kid agrees to go to bed, mom hears scrabbling and scratching noises in the basement, and unlike me, decides she needs to go down there and investigate right now. When the lights don’t work for some unknown reason she’s undaunted and continues with a freaking flashlight.

Everyone watching: No no no why would you do that?

Upstairs in the little girls’ bedroom, the closet door slowly opens.

Everyone watching: Why are you just sitting there, little girl? RUN LIKE HELL!!!

The woman in the basement finds an old wooden box and stops to open it up.

Me: Does she think the rats are in there? And if they are, what the hell is she going to do armed with a flashlight??

She pulls out some old photos. Written on the back: The Winchesters. John, Mary, Dean and Little Sammy.

Awwww.  No time for sentimentality though, because a flaming creature walks out of the closet and the little girl screams and then we see the mom screaming from a second story window.

Sam Winchester wakes up from a nightmare.

Later, he keeps drawing the same tree that he saw in his dream over and over, lost in thought, while Dean is looking for cases.

Dean: Am I boring you with this hunting evil stuff?

Sam says no, but continues to pore over the drawing of the tree, while Dean gets increasingly frustrated with the lack of his little brother’s attention.

Dean: A man shot himself in the head…. Three times…

He theatrically waves his arms around, trying and failing to get Sam’s attention, while all of us watching are laughing. It didn’t take long for Jensen Ackles’ talent for physical comedy to make itself known, and it is a joy to behold. All over the world, in 2005, people were falling in love with Dean Winchester because of it.

And with his shaggy haired, intense younger brother.

Sam: Wait! I’ve seen this.

He pulls out Dad’s journal and finds a photo with the tree. And the Winchesters.

Sam: Dean, I know where we have to go next. Back home. To Kansas.

Dean: Okay, random….

Sam doesn’t want to explain further, but Dean has had it with his brother’s repeated nightmares and reticence to tell him what’s going on.

Sam (reluctantly) I have nightmares.

Dean: I’ve noticed.

Sam: And sometimes… they come true

Dean: Come again.

Sam finally tells Dean what he’s been keeping from him. That he dreamt of Jessica’s death for days before it happened.

Dean is clearly rattled, trying to cling to the belief that it’s a coincidence, and that it’s not something to do with their family. He’s tried so hard to regain a sense of control with hunting, and the last thing he wants is to think their family curse is reasserting itself – and that Sam is somehow in the middle of it.

Dean: First you tell me you’ve got the shining and then that I’ve gotta go back home? Especially when I… I swore to myself I would never go back there.

Dean has on the red plaid shirt of doom, and sad violins play as he looks back over his shoulder at Sam and you can see just how anguished he is. But this is Sam telling him they need to go save people, and there’s no way Dean Winchester is going to say no.

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Happy Birthday, Jensen Ackles!

This is the first year I’m wishing Jensen Ackles a happy birthday that he hasn’t been Dean Winchester. Last year at this time, I knew that would soon be true, though I had no idea that it wouldn’t be until 2020 was almost over that Supernatural would actually come to an end. It’s been three months, and during that time Jared Padalecki has kicked off a new character and a successful new show with Walker, doing lots of interviews and talk shows and even live tweeting on Thursday nights again. Misha Collins has continued to fight the good fight to change the world, with livestreams and tweets and collaborations with the other people out there trying to do the same thing, and a GISH mini hunt coming up. Jensen, on the other hand, took the time in between Supernatural and his new role in The Boys to retreat to the snowy wilderness of reputedly Colorado to enjoy some family time and shovel snow, with only brief appearances to document the snow shoveling or to accept well-deserved awards.

Suffice it to say, we’re all missing him. A glimpse of his stand-in on The Boys at Friday’s filming location was enough to create a social media uproar, and Jensen wasn’t even the one in the pictures! That says something very good about how much of an impact he’s made on many people’s lives.

In the spirit of missing him, and of missing Dean Winchester (because I still haven’t managed to completely separate them in my head or my heart) I thought I’d do a little appreciation post to celebrate Jensen’s birthday. If I do more of these in the future (which, let’s face it, I’m sure I will), they won’t be focused on Dean. They’ll be focused on new characters, new projects, new photo shoots, new aspects of his life. So for one more birthday, in this post let me express my gratitude to Jensen for giving us Dean Winchester.

There’s no doubt that the characters and the story are a big part of why Supernatural had such a huge impact on my life, and that’s down to Eric Kripke and the other writers over the years, but there’s also no doubt that it was Jensen who breathed life into Dean and made him so compelling.

People joke that Jensen has chemistry with even inanimate objects, and I think that might be true. He could disarm someone as easily with a moment of flirtation as with a knife to their throat. But make no mistake, Dean Winchester is dangerous.

You never doubt that, the way Jensen portrays him.

At the same time, Jensen also made you believe in his vulnerability.

Dean was not a cardboard character who didn’t have emotions. Far from it. Jensen’s ability to make you really believe in Dean’s feelings about the other people in his life who were important to him was so brilliant that the show made us love anyone he loved, and root for those relationships with all our hearts.

He didn’t love easily, but when he did, he loved fiercely.

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Supernatural Rewatch – With Some BTS Insights on ‘Bugs’!

The eighth episode of Supernatural does not get a lot of love – in fact, it’s one that’s routinely skipped on rewatches or ridiculed for its “bad writing”. But honestly? ‘Bugs’ is a great episode, especially now in retrospect. All those early episodes are frankly amazing, with both the acting and the writing top notch and the cinematography off the charts gorgeous.

Bugs are not my favorite thing, so there are some parts of this episode that are indisputably cringeworthy, but it goes with the territory. The guest stars on this episode are also amazing, especially Carrie Genzel (who wrote a wonderful chapter in There’ll Be Peace When You Are Done and would memorably return to the show in Just My Imagination) and Tyler Johnston, who played a young Matt here and would later return as Samandriel.  See the end of this review for some (cringeworthy and also hilarious) behind the scenes insights from Carrie and Tyler about the filming of this episode.

So, what’s not to like?

I watched, as always, with some of my friends and fellow Supernatural fans, via zoom. Which, after a year of the pandemic, is how most of us live life half the time anyway!

The open is, as is often the case, pretty scary – a guy working in a housing development falls down a hole, breaks his ankle and is trapped. While his friend gets a rope to try to save him, he looks around and to his horror hears the sound of thousands of beetles coming for him. He screams for help as they crawl into his ears, his mouth… by the time the other guy shines his flashlight into the hole, guy number one is dead dead dead.

Everyone doing the rewatch: Ewwwwww

Cut to the boys, as always. Sam’s reading the paper in a bar, about the “local death that’s a medical mystery” as Dean comes down the stairs, grinning and shuffling a fist full of bills. I’m struck sometimes now by how carefree early seasons Dean is, despite what they’re already facing. He is genuinely thrilled that he’s won a bunch of money in a poker game or whatever.

Sam: You know, we could get day jobs…

Dean:  Hunting’s our day job. Besides, we’re good at it, it’s what we were raised to do.

Sam: How we were raised was jack.

Dean: Says you!

The brothers are still new to being back together, Dean still sensitive and defensive about the hunting life that Sam left behind and Sam still critical of all the things that he left to get away from.

Also they are extremely distracting because they look like THAT.

The newspaper suggests maybe mad cow disease, which – remember that?

Dean: Wasn’t that on Oprah?

Sam: (incredulous) You watch Oprah?

Ah, the things we (and Sam) were learning about Dean Winchester. So much softness underneath that performatively gruff (sometimes) exterior.

The Impala streaks across some beautiful Vancouver countryside on her way to Oasis Plains. Sam and Dean pose as Uncle Dusty’s never-before-mentioned nephews, rolling easily with the guy’s skepticism and flattering him enough that he forgets about it soon enough. They’re good at what they do; John taught them well. And, as I’ve pointed out many times already on this rewatch, they’re SMART.

They amass some intel, like the guy’s brain disintegrated in an hour or less and that, unlike mad cow disease, there was no sign of dementia, lack of motor control, or anything else weird.

Sam and Dean look down the very deep hole.

Dean: Only room for one, you have a coin?

Sam: Dean, we have no idea what’s down there!

Dean: Okay I’ll go if you’re scared. You scared? Call it in the air, chicken!

Sam: (exasperated) I’m going.

Dean: I said I’d go!

Sam: I’m going. Don’t drop me!

Me: I could sit here and listen to their brotherly bickering and banter all damn day. I miss it so much it makes my heart ache.

That accomplished, they get back into the Impala and pass an open house that’s advertising Free BBQ, and Dean pulls over.

Dean: I know a good place to start. I’m hungry for BBQ, how bout you?

SaM: Free food’s got nothing to do with it?

Dean: Of course not, I’m a professional.

This time the banter is good humored, the brothers gently teasing each other, smiling when the other isn’t looking. Dean looks around at the brand new housing development as they get out of the car, saying that it would freak him out growing up in a place like that, manicured lawns, etc.

Dean: I’d blow my brains out.

Sam: There’s nothing wrong with normal.

Dean: I’d take our family over normal any day.

Both brothers know they’re not talking about Oasis Plains. I really appreciate it now, how neither of them will let it go – they go round and round and round, each stuck in their own perspective of why Sam left and what that means. That strikes me as so realistic – it’s what we do, we get stuck on this stuff, and it gets in the way of our relationships with people we love. I so enjoy watching Sam and Dean struggle with it, knowing that eventually they’ll work it out.

Larry the developer welcomes them to the open house, taking one look at Sam and Dean going house shopping and assuring them that “we accept homeowners of any race, religion, color or…. Sexual orientation.”

Dean: (deadpan) We’re brothers.

Larry: (awkward) Oh.

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Sam and Dean Go To College – Supernatural Rewatch 1.07 Hookman! 

Hook Man was never one of my favorite episodes, but I think I’m appreciating all the episodes more on rewatch just because I know I’m not getting any more – they’re all incredibly valuable to me now. And this one, like so many of the early episodes, was beautifully filmed and had the creepy horror movie vibe down.

It’s a stereotypical sorority house opening and then the even more stereotypical college kids on a date go parking under a creepy bridge in the dark. As they start kissing in the car, we see the silhouette of a man in a flowing coat with a hook for a hand. And honestly, it’s truly scary!  The guy keeps trying to pull her shirt down and she keeps saying no, hey, I mean it – and then there’s the ominous sound of scraping metal against metal, although we can’t see anything out there. The guy gets out because that’s what the guy always does in a horror movie and then the girl frantically rolls up the windows and starts screaming.

There’s a wonderful shot of the car as something invisible scratches a deep gash in the side, with a terrible screech – but there’s no one there.

The terrified young woman finally gets out and starts to run away, only to look back and see the guy dead and strung up from a tree.

Cue horror movie worthy scream.

Opening segment at an end, it’s time to find the Winchesters. Sam and Dean are searching for clues on their dad, Sam on a pay phone (it’s 2005!) and Dean on a laptop at a café.

Dean: Your half caf latte is getting cold here, Francis.

Sam: Bite me.

(That little conversation makes more sense if you watch the deleted scene that explains the Francis somehow, but I can’t for the life of me remember what happened in it).

Dean confides to Sam that he doesn’t think Dad wants to be found. Dad would, on the other hand, want them to check out a case he’s found of a mutilated body and an invisible attacker. Sam goes along, which follows the gradual evolution of Sam’s investment in hunting and saving innocent people versus finding the thing that killed Jessica and their missing father. He still wants the latter more than the former, but he’s beginning to see the sense of control and satisfaction that saving other people can bring when your life feels so out of control. It’s what Dean was trying to explain to his brother in Wendigo, as a coping strategy that keeps him going even in the face of repeated trauma and tragedy in their own family.

They end up at a fraternity house, where they claim to be fraternity brothers looking for a place to stay. The funny thing is, Jared and Jensen are so young at this point that it’s entirely plausible.

A frat boy is painting himself purple. As you do. (Fandom is fandom btw, and if it’s perfectly okay to paint yourself purple for every game, don’t quibble with media fans cosplay or any other expression of fannish passion and creativity!)

Frat boy to Dean: Do me a favor, get my back?

Dean: Oh, he’s the artist. The things he can do with a brush.

Sam gives him a bitchface and Dean sits down to watch while Sam paints, thoroughly enjoying the spectacle.

Dean: You missed a spot, lower back…

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Supernatural Rewatch Episode 1.06 – Going A Little Deeper with ‘Skin’

My Supernatural rewatch from the very beginning (after the entire 15 seasons of the series has aired) continues this week with ‘Skin’. I was excited to rewatch this episode because I remember it as being pretty epic. The music is amazing, there are some super disturbing and dark flashlight-lit scenes that have that quintessential early seasons Supernatural horror movie vibe – and it has two Deans. What’s not to like?

In probably one of the best openings of the series, Inna Gadda Da Vida plays as a SWAT team bursts into a house to rescue a bound and bloodied woman tied to a chair in a dark house. They pursue her attacker, ordering him to freeze and drop the knife. He turns around, bloody knife raised, and we see  — to our absolute shock —  that it’s Dean Winchester!

He leaps to the ground and gets away. What a beginning!

And then it’s: One Week Earlier

Sam and Dean pull the Impala into a Gas N Sip, another of the Supernatural locations that I’ve been at. This one was on my very first trip to Vancouver in 2007, when Kathy and I traversed the beautiful city with a fellow fan who was also a resident. Every time we managed to find a filming location, we stood there in awe, overcome just to be standing where the Winchesters had, taking photos of what had reverted back to a nondescript gas station. The confused attendants probably wondered what the hell we were doing. It didn’t matter; we were joyful just to be there.

Sam is reading emails on his phone because he’s pretty tech savvy for 2005, and Dean’s feelings are a little hurt that Sam’s not paying him more attention (now that we know how worried about Sam leaving again he was, this and every other scene reads just a little differently – and makes a lot of sense). Dean tries increasingly provocative statements to try to get Sam’s attention, finally landing on “Sam wears women’s underwear” because early seasons Supernatural was subtly misogynistic and homophobic in a way that was probably realistic for who Dean was and how he’d been raised but in 2021 makes me do a little eyeroll. But hey, Dean is not perfect, and that’s one of the things I love about him. Another is how much he evolves over the course of the show.

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“That Was Scary!” – Supernatural Rewatch with Bloody Mary

Next up in the Supernatural Rewatch, it’s time for the scariest episode of Supernatural EVER – Bloody Mary! The only episode to leave me and my daughter screaming and clutching each other hysterically on the couch because we were foolish enough to watch this episode in the dark with just the two of us at home. I’m still in awe of you for pulling off so much scary, Supernatural!

As usual, I did this rewatch with four friends over Zoom, because that’s the way we do things in the midst of a pandemic. For this episode, that was a good thing, because I still don’t think I want to watch it all alone! The episode opening is scary right out of the gate. Teenage girls at a slumber party in Toledo playing truth or dare, and of course one of them dares the other to say Bloody Mary in the bathroom mirror three times. The room is dark, lit only by candlelight, and the girl is nervous but peer pressure pushes her to do it anyway. She closes the bathroom door and all of us watching start yelling “Don’t to it! Lie to them! They can’t even see you!” Alas, she does not listen, and honestly, I don’t even like HEARING her say it!

The dad of the house says goodnight to the girls and walks up the stairs, and as he passes by a mirror, we catch a glimpse of a dark figure in it and I literally want to scream, it’s so scary. He looks in the mirror in the bathroom, his eyes begin to bleed, and he collapses. The older daughter comes home later and finds him dead in a pool of blood and screams.

Cut to Sam also screaming, in a well done edit, having another nightmare about Jessica (Adrianne Palicki), who keeps asking him “Why, Sam?”  It’s clear at this point in the show that Sam is tormented by his own guilt and sense of responsibility. It’s a common thing with trauma, unfortunately. One of the things that makes trauma and sudden loss so unnerving is that it makes us feel like the world is out of control. By taking responsibility in some way for what happened, even if that makes no logical sense, that allows us to feel a little more in control – and like next time, we’ll maybe be able to stop a future trauma from happening. Of course, there’s the big down side of leaving you with a whopping helping of guilt and self blame, which Sam is dealing with.

Dean, ever the big brother, is concerned.  Dean wakes him up and tries to get Sam to open up to him – note that Dean is not really the stereotype of ‘no chick flick moments’ that he pretends to be, from the very start. He knows Sam is struggling and wants to help, but can’t if Sam won’t confide in him.

Dean: Sooner or later we’re gonna have to talk about this.

The brothers visit the morgue, which is also oddly dark and creepy, posing as med students from Ohio State and faced with an unimpressed and uncooperative morgue attendant.

Dean: (under his breath to Sam): I wanna hit him.

Sam bribes him instead, which works.

Dean protests: I earned that money!

Sam: You won it in a poker game.

Dean: (insistent) Yeah!

I love their banter. Dean refuses to feel guilty about how they ‘make a living’, while Sam is still clinging to ‘normal’ and thus judging it. He’s going along, but he’s not fully on board.

Next they go to the dad’s funeral, where younger daughter Lily insists that her father’s death was her fault (the broader theme of the episode, since it’s what Sam is struggling with too). Sam assures her that it wasn’t her saying Bloody Mary three times that did it, since it’s her dad who died. The brothers try to figure out exactly what is happening, since kids play the slumber party game all the time and no one dies.

Me: Hah! Not taking chances!

Also: How are they that pretty?

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Happy Birthday, Dean Winchester – We Miss You!

You know how they say you don’t know what you’ve got til it’s gone? Or that you don’t know how much you love something/someone until you don’t have them anymore?

Yeah. It’s true. I’ve known for fifteen years that I was madly in love with Dean Winchester, but even knowing that, I truly didn’t know how much I was going to miss him when he was gone. I took for granted that I’d always be able to “see” him, that I could keep discovering his character and his story, little by little as time went on. I underestimated how wonderful it was to be endlessly fascinated by a fictional character and have the privilege of learning who he was, in bits and pieces and often-covered-up glimpses of the ‘real’ Dean Winchester, over the course of years and years and years. There was a reality to that discovery, in that it played out gradually, just like it does with people in our actual lives. And thanks to Jensen Ackles’ brilliant portrayal, there was a reality to everything about Dean Winchester that made him real to many of us.

That made him very hard to lose.

I thought that 2020 would be the last time I wished Dean happy birthday; I knew that he wouldn’t exist in the present by 2021. But right now I find myself needing to write about him again. It’s part of grieving the loss of something/someone important, that we want to hang onto our memories of them and remember why they were so important to us. I don’t want to forget him, not ever. And since fictional characters never needed our real-life validation, it doesn’t make any difference whether Dean ‘exists’ in the present or not – remembering him is for me. I miss him, and reminding myself of all the reasons why I love  him helps me feel just a little bit better.

This could be a really long article if I tried to make an exhaustive list of what I love about Dean Winchester, so I’ll keep it short. Top five reasons why I will always love Dean Winchester.

One, I love his complexity. That’s due to Eric Kripke, who created him and wrote him for the first five seasons, and to Jensen Ackles’, who brought him to life in a way that was even more vivid than what was written on the page. It took me a whole season to fall for Dean Winchester; at first, I dismissed him a little as a stereotypical ‘bad boy’ type, a little too brash. Pretty on the surface but too stereotypical underneath. (Forgive me, I was only watching because a friend insisted, so clearly I wasn’t paying enough attention!) When Season 2 began, I suddenly realized that I had misjudged the show, and the brothers. I remember watching Dean, leaning against the Impala, break down and confide to Sam that he was not at all okay, tears glistening in his eyes, voice breaking. I let the papers I was grading slide to the floor and said out loud, “how did I not realize this show was amazing?”   But it was also Dean, and Jensen’s willingness to show his character’s vulnerability, that made me fall head over heels for Supernatural.

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Jared Padalecki is “Back In The Saddle” With the New Walker

For Supernatural fans, who are still grieving the loss of our beloved show after 15  years on the air, the premiere of the new CW show ‘Walker’ on Thursday brought a lot of complicated feelings. Many of us weren’t ready (and to be honest, would never have been ready) to say goodbye to Sam Winchester, so seeing Jared Padalecki inhabit a brand new character was exciting but also brought a fresh sense of loss, as though the new character made the loss of Sam finally real. On the other hand, it was wonderful to have another television show to anticipate, and for Thursday nights at 8 pm EST to be something special once again instead of a time I tended to wander around the house lamenting that ‘it feels like something’s missing…’). In the midst of continuing controversy about the way Supernatural ended, and a hashtag campaign to tank ‘Walker’ before it even began, the show itself managed to air with considerable fanfare anyway – making it the CW’s most watched Thursday in three years, even topping NBC’s airing in its time slot!

Despite being brand new, Walker didn’t get left out of the Bernie meme going around, which must be some kind of pop culture litmus test, right?

Graphic: quickreaver

The network went all out in its promotion, with billboards and articles in every mainstream publication and Jared making the talk show rounds. That meant a fandom that’s accustomed to constant content and had been going into withdrawal was ecstatic to finally get some new photos of Mr. Padalecki – and oh, what new photos they were!

The Supernatural cast also went all out, with most of Padalecki’s former cast members sending him best wishes for his new show. On premiere day, former onscreen and always offscreen brother Jensen Ackles posted an Instagram message of support, telling Padalecki to “Go get ‘em, cowboy” and Jared and wife/costar Gen gave a shout out in return to Jensen and Danneel Ackles’ Austin-based brewery, Family Business Beer Company, on their CWWalker Instagram takeover. For Supernatural fans making the transition to new shows, the reminder that in real life they’re all going to remain good friends was somehow comforting. Padalecki has also said that he’s set on getting former costar Ackles to guest or direct on Walker as soon as his filming schedule for Amazon’s ‘The Boys’ allows.

I did not watch the original ‘Walker Texas Ranger’, nor am I a big fan of either westerns or cop procedurals, so Walker wasn’t a show that would have been on my must watch list if it wasn’t for Padalecki. That meant I went into it with measured expectations, and still feeling a bit sad about missing the Winchesters. There were mixed reviews from the media who received advance screeners of the pilot, but I like to make up my own mind anyway, so I sat down to watch figuring I’d just see where the show took me. I didn’t expect to feel as much as I did, and for me, that’s a very good thing. I didn’t even fall in love with Supernatural, my favorite show of all time, right away; I had to get to know the characters. They had to pull me in, make me want to know more about them. Fascinate me. And while I’m not pulled in entirely yet with Walker, I am interested. I want to know more.  And that bodes well for a brand new show.

I have to admit, the second that I saw Padalecki back on my tv screen again, I teared up.

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That’s my boy!! (Okay, one of them…)

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