‘The Boy’ Series Finale Takes an Emotional Ride and Comes Full Circle

There is always a lot riding on series finales. Eric Kripke repeatedly said he was nervous about landing this one for The Boys after 5 seasons, but also that he was grateful to be able to end it when they wanted to. Having lived through the contentious Supernatural finale after 15 seasons (which I loved), I was worried FOR him. And of course there are plenty of people posting that they didn’t like The Boys series finale either, but there are also plenty who did – I’m relieved that I’m one of them. I think it went the way it should have gone, even if I might not have enjoyed 100% of it – it made sense and felt like an earned ending, which I thought was also the case for Supernatural.

I enjoyed all the hoopla too (something Supernatural definitely did not get in 2020!)  Many fans went to see the episode in the theaters it played in all across the country and much of the cast and crew attended the red carpet festivities in LA before that screening. Their excitement was contagious, so even though I didn’t go to one of the screenings near me, I felt even more anticipation than usual after watching the cast and crew smiling and proud of what they’d accomplished.

As a Supernatural fan, it also warmed my heart to see so many #SPNFamily in attendance. Eric Kripke (creator of Supernatural and showrunner of that and The Boys) finds good people in the industry, whether actors or directors or crew, and works with them on multiple projects, which means there are always familiar faces. I love that these people love continuing to work together, and also still have such a soft spot for the little show that brought them together. Phil Sgriccia, who directed so many episodes of Supernatural, directed many episodes of ‘The Boys’ including the finale – he and Eric Kripke looked like the proud papas of the evening. Chris Lennertz was one of two composers for the entire run of Supernatural, and he’s the composer for The Boys too – so talented and also just a great guy! Many actors have Supernatural and The Boys in common – at the screening there was of course Jensen Ackles (Dean Winchester and Soldier Boy), and also Nathan Mitchell (Black Noir) and Rob Benedict (Splinter) who were on both shows (and Rob’s partner Ruth Connell of Supernatural too). It was so nice to see them all celebrating together!

Yes, we needed that photo of Jensen Ackles on the red carpet.

Now, for the episode itself. Major spoilers ahead, obviously.

I was actually glad that Soldier Boy was not going to be in the finale – I have complicated feelings about the character partly thanks to Jensen Ackles playing him – and I was oddly glad he was safely tucked away in stasis while everyone else fought to the death. (Yes, I said safely. I admit I didn’t want him to die. I also admit I should want him to die.) If you, like me, are a Soldier Boy fan, check out the very in depth chapter I wrote in ‘Supes Ain’t Always Heroes’ all about the fascinating character, and also read Jensen Ackles’ exclusive interview chapter all about how he crafted his complicated character – info at the end of the article.

It’s also fitting that we return to a focus on Butcher and Homelander for the finale, wrapping back to where we started this journey. The opening reminds us of their scorched earth pact: In the end, only one of us left standing.

The Boys

The Boys start the episode discouraged and mourning Frenchie, especially Kimiko.

They give him a funeral which is very The Boys, alternating between Frenchie’s scribbled out words about being closer to all of them than his own blood, that they are his family, and he’s at peace because he knew Heaven on Earth in Kimiko’s arms – and then noting that he’s seen every one of their assholes (with details of how and when) as the proof of how well he knows them. I’ve said it a lot, but the 14 year old boy humor always throws me out of the scene a little, and this was no exception. It’s the show, though, and I guess I’m in the minority since it has characterized it since the start.

Many fans were upset about the abrupt cancellation of The Boys spinoff Gen V, and hopeful that those characters might play a pivotal role in The Boys finale. They do appear, but were kept on the periphery, to some fans’ disappointment. (It seems we may see them in the two other The Boys universe properties in development, however.) Annie asks Marie, Jordan and Emma to help the influencers they saved, but they’re reluctant. As Emma asks, “the ones who were just with the guy whose hog they were dying to suck yesterday?”  As I’ve written before, I like Emma and I miss her – that one line was excellent.  Annie tells Marie a story intended to inspire her not to give up – about how she idolized Queen Maeve and then met her and was disappointed. She was by then checked out, bitter. Annie says she swore she’d never let that happen to her, but it did – but not anymore. Now it’s about keeping the light burning as long as they fucking can. Don’t meet your heroes, she advises Marie.

Marie: I don’t know about never meet your heroes – worked out kinda okay for me.

It was a sweet little moment. The Gen V three drive off, headed to Canada to help the people they can, leaving the universe open for the Gen V characters to return in another iteration of the universe.

Sage joins Kimiko at Frenchie’s grave and taunts her about letting people think she was the stray that he took in when it was really the other way around, accusing her of keeping Frenchie like a pet, on a leash, until finally Kimiko gets enraged enough to do the chest blast thing.

It works – Sage is no longer super smart.

Sage: It worked! I’m fucking stupid like you guys!

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‘The Best of The Boys’ Music Vinyl Collection Releases Today – with Two Jensen Ackles Songs!

A three disc vinyl collection of the music from Prime Video’s series ‘The Boys’ releases today covering the music of all five seasons. Like another Eric Kripke show we know and love (that would be ‘Supernatural’ in case you didn’t know), the music of ‘The Boys’ has always been an integral part of its storytelling, thanks to Emmy Award-winning composer Christopher Lennertz (who was one of two composers on ‘Supernatural’ also). This collection has an original score by Lennertz and Matt Bowen, and some original  and cover songs performed by the cast.

The official release of Jensen Ackles’ cover of Blondie’s “Rapture” is included along with his memorable rendition of ‘From A Logical Point of View’, plus songs from Antony Starr, Erin Moriarty, Jessie T. Usher, Karen Fukuhara, Laurie Holden and of course Daveed Diggs from last week’s musical extravaganza. There are also liner notes from the cast and crew. The collection is pressed on 3x 140gm Color Vinyl.

“We’ve spent five seasons building a musical identity for this show, and the Best of The Boys vinyl is a love letter to that evolution,” say composers Christopher Lennertz and Matt Bowen in the press release. “Curating the collection was like watching the entire series again through the music alone — you can hear the score grow up, get darker, get weirder, and find its identity over five seasons. But Season 5 is where all of that paid off. Everything we learned over the life of this show — every instinct, every risk — we poured into this final chapter. The score has never been this big, this emotional, or this relentless, and we think the Season 5 soundtrack captures the most ambitious work we’ve done for the series — the tension is sharper, the emotional swings are bigger, and the music goes to places we never would have attempted in earlier seasons. It’s the most complete and fearless work we’ve done on the show, and we think it’s the score this finale deserved.”

Christopher Lennertz (and me) Comic Con 2019

‘The Boys’ is also known for its standout original songs, performed by the cast and woven directly into the fabric of the show’s storytelling to enrich the show’s iconic scenes. Lennertz went on to talk about Season 5’s music, saying: “Over the past four seasons, original songs have played an increasingly important part of The Boys’ storytelling, and this final season’s entry might be the pinnacle of that satirical insanity. After the success of “Let’s Put the Christ Back in Christmas,” we knew we had to go even bigger and better for the plot twist that would set the entire finale into motion. As soon as Daveed Diggs was cast as “Oh Father,” I texted [Eric] Kripke and said that it would be a crime if he didn’t sing on the show. Once Eric and the writers had the concept, I knew Daveed had to write the song with me to embody the authentic voice of this character he had developed. This season’s big original song release, “Raise Him Up,” became the most soulful and audacious anthem of Vought blasphemy that would exceed all of our expectations and finally ‘rise up’ and be worthy to represent the climax of Homelander’s unhinged hubris.”

If you missed it in last week’s episode, go check it out!

The collection also features artwork by Matt Ryan Tobin, who crafted packaging to make the set a collector’s item. Tobin gets the show’s appeal, saying in the press release that “This show is fucked up. It has me grossed out and recoiling one second, convulsing with laughter the next, before eventually ripping my heart out and bringing me to tears; and repeat. I can’t think of another show that recklessly toys with your emotions so much, yet so well. The music really pilots all of these emotions, and masterfully so.”

The collection is released by Mutant, whose co-founder Mo Shafeek said: “The greatest joy of The Boys comes from its stranger-than-fiction alternate reality where superheroes exist, but just about everything else about our world remains the same. Because of that, the world of music in The Boys universe, both diegetic and non-diegetic, is so compelling. What Christopher Lennertz, Matt Bowen, and their incredible collaborators have done for five seasons is worthy of celebration. We at Mutant are honored to bring the musical world of The Boys into the real world.”

Available for pre-order starting today at MadeByMutant.com.

If you’d like to read more about the music of ‘The Boys’, along with insights from the actors and psychologists into the complicated characters, check out the book ‘Supes Ain’t Always Heroes’ too, available at https://smartpopbooks.com/book/supes-aint-always-heroes/ with exclusive interviews from Jensen Ackles, Nathan Mitchell, Aya Cash and more (including Christopher Lennertz!)

Vinyl Track List:

Side A

  1. Never Truly Vanish Performed by Erin Moriarty
  2. Faster Performed by Jessie T. Usher, Aimée Proal
  3. Rock My Kiss Performed by Miles Gaston Villanueva
  4. Dream a Little Dream of Me Performed by Karen Fukuhara
  5. You’ve Got a License to Drive (Me Crazy) Performed by Miles Gaston Villanueva
  6. America’s Son Performed by Laurie Holden
  7. From a Logical Point of View Performed by Jensen Ackles

Side B

  1. Rapture Performed by Jensen Ackles
  2. Chimps Don’t Cry Performed by Laurie Holden
  3. Let’s Put the Christ Back in Christmas Performed by Shoshana Bean, Andrew Rannells, James Monroe Iglehart and Christopher Lennertz
  4. See Something Say Something Performed by Christopher Lennertz, Alex Karukas, and Baraka May
  5. Faster (Gospel Version) Performed by Bryson Camper, Baraka May, David Loucks, Cherise Thomas, Brittany Wallace, Princess Jones, Aja Marie Grant, and Christopher Lennertz
  6. Avenue V  Performed by Christopher Lennertz and Alex Karukas
  7. Stay Back! Performed by Antony Starr, Christopher Lennertz, and Alex Karukas
  8. Raise Him Up Performed by Daveed Diggs, Christopher Lennertz, Baraka May, Caleb Curry, Kadeem Nichols, Carmen Carter and Alex Karukas

DISC TWO

Original Score by Christopher Lennertz and Matt Bowen

Side C

  1. Truck Robbery
  2. Homelander and Stillwell*
  3. Boys Arrive*
  4. Hughie Trashes Room*
  5. Hospital Shootout
  6. Break Every Bone
  7. Meeting Blindspot
  8. Homelander in Hallway
  9. Halloween Store
  10. Fake News
  11. Brother and Sister*
  12. The Vial
  13. Shootout

Side D

  1. Not Ready
  2. Dawn of the Seven
  3. Termite Fight and Rescue*
  4. Soldier Boy
  5. Home for the Super Abled
  6. Butcher Sold Me*
  7. Soldier Boy vs. Homelander*
  8. This Is About Loyalty
  9. Maeve’s Ultimate Sacrifice*
  10. The Only Way I Could Save You*
  11. Homelander’s Dream

DISC THREE 

Original Score by Christopher Lennertz and Matt Bowen

Side E

  1. I Can Do Anything / Finale
  2. Vought Through the Years
  3. Bat Mitzvah Rock*
  4. Mirror Mirror
  5. Training A-Train
  6. Final Audition
  7. Virus
  8. Ol’ Dealey Plaza
  9. Family Is All You’ve Got
  10. Fifteen Inches of Sheer Dynamite
  11. The Democratic Church of America
  12. Cast Those Demons Out
  13. Soldier Boy Reborn
  14. Meet Quinn
  15. Cowboys and Jesus

Side F

  1. Passing the Crown
  2. Kessler
  3. The Speech*
  4. It Has Always Been You
  5. Blood and Bone
  6. The Wreckage
  7. To the Tower
  8. Canary in the Coal Mine
  9. Goodbye

Mutant is a pop culture art, music, and collectibles shop headed by creative director veterans Spencer Hickman, Eric Garza, Mitch Putnam, and Mo Shafeek and CEO Jenny Jacobi, a division of the genre-bending production company SpectreVision.

Check out the music collection and then get ready for the series finale next week!

–Lynn

You can read the book that takes a deep

dive into The Boys, with insights from its

actors, composer Chris Lennertz, artist

Darick Robertson, and  many more at:

Supes Ain’t Always Heroes

‘The Boys’ Penultimate Episode – with some Surprise Guest Stars!

The Deep, Ashley, and the Cost of Getting What You Think You Want

The penultimate episode of the final season of ‘The Boys’ is called ‘The Frenchman, the Female and the Man Called Mother’s Milk’, which makes sense considering some of the pivotal things that happen. It kicks off, though, with a musical! All the kudos to Chris Lennertz and Daveed Diggs for the opening number with Oh Father and his scantily clad dancers reminding everyone that Homelander is now bigger than Jesus, totally American, and ready to get rid of anyone who doesn’t conform (all served up with some blatant sexuality while no doubt preaching something puritanical).

As they’re working on that propaganda piece, we finally see the scene that was teased long ago, Homelander sitting in the Oval office, feet up on the desk.

He gives the president his marching orders — DCA will be the official sanctioned church, every boundary between church and state will be dissolved, and troops will be sent into every sanctuary city that took in Starlighters…

(Yes, I had to stop and scream about how RIGHT this show got its predictions for like the hundredth time because wow)

Because he’s Homelander he also wants to outlaw any milk that’s not actual milk and make breastfeeding mandatory lol. (Hey, I’m a big breastfeeding enthusiast but come on, Homie… I guess that’s the point though, he doesn’t give a damn whether or not it’s even possible for everyone).  It’s good for me to have scenes like these to remember just how unhinged and uncaring and narcissistic this crazy dictator parody is, no matter how good Antony Starr is at sometimes making him so sad. He also wants to disband Congress, which the President says he doesn’t have the authority to do. Uh oh. One tiny bit of doubt and you are in danger of being taken out; that’s how dangerous Homelander is, and how easily his ego is bruised. Homelander asks Ashley to read the President’s mind to see if he’s a true believer. He yanks off Ashley’s wig and exposes Back Ashley, who says the president is terrified of him and thinks he’s “a tiny bit psychotic”.

That’s that – the president’s head is smashed in and Homie is covered in blood, which he wipes all over the gold embroidered furniture. Annnnnnnnnnnnnnnnnd now Ashley is President!  Back Ashley tries to be the voice of reason, but Ashley marvels that she lost every single student council election, if only all those people could see her now. She’s trying hard to just enjoy it, but Back Ashley keeps pointing out the cost – that she can’t sleep, that she’s yanking out her hair, that she hates herself.

Back Ashley finally gives up and leaves, which is what Ashley thought she wanted – but now she is well and truly alone.

She’s not the only one whose relentless loyalty to a corrupt regime and dictator has left her anything but happy.  The Deep apologizes to Homelander for killing Noir, who he insists was saying some really mean shit about Homelander.  Homelander says it’s fine – then announces he’s abolishing The Seven, who haven’t had seven members in a long time (a recurring joke in the fandom). Deep tries to get Homelander to give him The Seven, citing his loyalty, ending with “please, the Seven is all I have”.

Homelander coldly says don’t make this about yourself and wishes him the best. The Seven is now The One.

Cut to a giant mural of The Seven on the side of a building being repainted – to just Homelander.

The Deep sits on a dock drowning his sorrows and throws the can carelessly into the water.

Zander the shark swims up and says he should come in and grab it – Zander (played by none other than Samuel L Jackson!) tells him to get in the water, that they know he’s responsible for the March 15 genocide. He finally sets out a threat: If he steps one foot in the water anywhere, all aquatic life will make sure he’s killed. It’s kinda a fate worse than death for the Deep. But damn, he really ended up deserving it. The ultimate sell-out.

As he’s pondering what to do, people on the beach start clamoring for him to save an old man who is drowning, his PR person reminding him this is his whole brand. He looks on in horror knowing he can’t as the old man sinks, people recording it all on their phones.

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‘The Boys’ Delivers a Supernatural Reunion – And So Much More!

As a long-time fan of both Supernatural and The Boys, my anticipation for this week’s episode has been off the charts for what seems like forever. I’m definitely one of the fans who would love a Season 16 of Supernatural or a feature film or an 8 episode streamer or pretty much whatever, but I’m also happy to see “my boys” onscreen together in anything else in the meantime. Witnessing how they talked about filming together and how much fun they had (and how much chaos inevitably happened) only made me more excited – they filmed a year ago, so it seems like we had to wait an inordinately long time to actually SEE it. But guess what? The episode, and what I’ve been calling the “Supernatural Reunion”, did not disappoint! I found myself either yelling “oh nooooo” or just laughing my head off during the entire sequence, which was full of surprises.

Some fans of The Boys were skeptical about all the fuss being made about the Supernatural reunion, fearing it would take away from the final season of the show (which only has 3 more episodes) but the episode was also the most highly rated by press viewing the early screeners – and I think deservedly so. It definitely moved the plot along in multiple ways, and it lived up to the calendar blood-splatter warning that some main character(s) would die. Spoiler alert, lots of people (and supes) die in this episode!

It’s also a genre departure as a pov episode, in that it devotes a chunk of time to many of the characters, exploring their perspectives on Homelander as God, on where their loyalty lies, and on some of their struggles with what it’s cost them to keep going along with Homelander no matter what.

SPOILER ALERT – MAJOR SPOILERS FOR EPISODE 5 AHEAD

FIRECRACKER

Spoiler alert, the main supe to die is Firecracker. Valorie Curry outdid herself in this episode, making the character nuanced enough so that you feel for her even as you loathe what she’s doing, and what she’s refusing to see. Kripke told TVLine that Firecracker is an allegory for all the loyalists who go along with a dictator demanding allegiance, compromising their values, and then end up “hoisted on their own petard” anyway. There’s really no pleasing someone like Homelander, on the show or in real life, as we’ve seen time and time again.  As Kripke put it, “nothing will ever be enough, it doesn’t matter how much you give up.”  In Firecracker’s case, it’s everything she once sincerely believed in.

At first, things seem to be going well for Firecracker. She makes her case to Homelander and the Seven with an advertisement full of cowboys and horses and guns and the stereotypes of Americana, presenting the “massive growth” in popularity of their new religious movement, led by white men and women of course.

Soldier Boy (looking down at his crotch while giving her a smirk): I’m seeing massive growth myself…

gifs justjensenanddean

He is so massively gross it sometimes circles back to oddly endearing.  And he really likes to talk about his dick. And other people’s dicks, for that matter. Homelander does not miss that interaction though, and he doesn’t like it. He also isn’t happy about being called a prophet when prophets are servants and he is the saviour. His delusion is getting to the point where even his followers keep making missteps, misjudging just how deranged and grandiose he’s become. Most of his accolytes go along with everything he says, each of them trying to out-pander the others. Firecracker wins him over, though, kneeling in front of him worshipfully and handing him something physical that will appeal to his ego – the Homelander Bible, complete with a raised gold figure of himself right on the cover.

Homelander (impressed): It’s heavy…

Soldier Boy (eyeroll)

It is, of course, AI written. Two years ago Kripke and company sure saw that coming!

It seems fitting that this is who has it now…

Homelander agrees to do it her way. Sister Sage reminds them that their plan will generate widespread civil unrest (does this seem familiar??) – no worries, Homelander says, they’ll just recall all the supes stationed overseas. After all, “American heroes should be protecting America, not Whogivesafuckistan!”

Fresh from her victory, Firecracker goes back to her hometown in Florida to meet with the reverend of her childhood church (who happens to be the marijuana growing grampa on Sheriff Country…)  He was a support to her as a child, making sure she got at least one hot square meal a day, but now his church is losing people to the Democratic Church of America and the supe Praying Mantis is intimidating them by spraying acid out of his butt to melt their stained glass windows.

She asks why he doesn’t just pay the franchise free and join them; he says they can’t even afford their water bill. The reverend reminds her of what she doesn’t want to recall – Homelander isn’t God and the things he can do aren’t miracles, and she’s still the same Misty Tucker Gray.

Cut to a grunting, naked Soldier Boy on top of Firecracker, and now every Jensen Ackles fan has a gif (or 3) of his “O face”.

Firecracker: We ain’t doin’ that again.

Soldier Boy: That’s what you said the last six times.

He lights a joint which is so very Soldier Boy, and hotter than anyone wants it to be. He senses she’s a little out of it and is worried, though I’m not sure if it’s because he’s a considerate lover or it threatens his ego if she didn’t.

Soldier Boy: Did you nut? Because you usually nut…

The answer appears to be no, since she changes the subject and asks if he was baptized. He says yes, in front of half of Chestnut Hill by Gov. Sproul, and then his family kept up appearances but never set foot in church again.

(I got distracted by the fact that Chestnut Hill is right down the road, having forgotten that Ben grew up nearby. Didn’t they need some on location filming for Vought Rising??)

Anyway, she asks if maybe Homelander might go easy on the reverend who practically raised her.

Soldier Boy: So you didn’t nut.

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Everyone Goes Darkside in ‘The Boys’ Episode 4 ‘The King of Hell’

Not gonna lie, as a Supernatural fan I was waiting for Mark Sheppard to show up as Crowley after the title of this episode appeared – alas, we didn’t get a Crowley cameo. From the reviews, some people were critical of this episode that “nothing happened to move the story forward” but I 100% disagree. This episode gave us the kind of insights I crave the most – the emotional and psychological ones. It didn’t move the story forward a great deal if the ‘story’ is ‘get the V1’ but to me the fascinating story is that of the characters and their relationships, and we got A LOT of insights about that.

WARNING: MAJOR SPOILERS AHEAD FOR THE BOYS EPISODE 5.04!

How to Sell a Lunatic as the New God

Samaritan’s Embrace is bankrupt and Homelander is convinced he’s a God, and those two things work together to make a dark statement about religion and power as The Boys continues to reflect some of our darkest reality in a truly disturbing way. Homelander continues to fascinate me as he uses his hallucination of Madelyn and the delusions of grandeur that followed to move ahead with his plan to be the savior of the world. He’s still very much obsessed with his own family though, the episode opening with him sadly looking at a phone of him and Ryan and then accusing Firecracker of smelling like Soldier Boy (which he’s absolutely correct about).

He tells Firecracker that he was visited by an angel who foretold his destiny.

Firecracker: Well praise be – what is it?

When he answers ‘God’, she thinks he means serving the lord, but he quickly corrects her. He won’t be serving the lord, he’ll BE the lord. The messiah.

Homelander is making sense of his tragic life and all its hardships as the price he’s had to pay for being special and destined to be god, and he’s convinced Firecracker saw it all along and she’s not about to dissuade him. Therefore, he informs her, he’s chosen her to spread the word – since they control the media.

Homelander: Jesus would kill for our marketing.

Firecracker: WTF face

(This is a theme throughout the episode, which is peppered with small humorous moments like WTF faces to break up the too-close-to-reality darkness).

We get a typical The Boys scene intended to make most people say ‘ewww’ with Ashley and Oh Father, who married for PR but have discovered that she loves punishing him and he loves being punished, so they make enough noise to disgust the guards at the door and send his ball gag flying with enough force that it breaks the wall when he screams in ecstasy, ‘Back Ashley’ enjoying the show as voyeur. She reads his mind when he’s unguarded though, and realizes that the church is bankrupt.

Just then Firecracker shows up and gets to deliver a Soldier Boy-worthy gross line – “Dang, smells like a wet shit in a Waffle House in here”.

I admit that got the “ewww” the show was going for.

Some of the Seven minus Homelander and Soldier Boy meet at Vought Tower to brainstorm how they can make Homelander being God palatable to the masses.

Worm: What we need is a good story, who’s read Joseph Campbell?

I like Worm. Bring him some tasty dirt, someone.

The PR lady, on the other hand, does not like Worm, saying no wonder his last film got a low rating on the AV Club (which is a real thing and a nudge at fandom ala what Supernatural used to do in its meta episodes, so it made me smile).

Worm: I had to service fourteen main characters and cross over a bunch of assholes – you try to make a good finale out of that!

(Writers getting meta and putting a writer character into the canon, it’s the series’ last season after all and Kripke has spoken openly about being worried about fan reception of the series finale – he didn’t write the ending to Supernatural, but that finale certainly came with a range of reactions!)

It’s Firecracker who comes up with the idea that they need a church that preaches America and convinces the masses that the real American hero is Homelander, and he’s their savior. The Democratic Church of America. Voila, kill two birds with one stone, rescue her hubby’s failing church and find a way to get people to accept Homelander as god.

I am sincerely shocked that doesn’t exist with exactly that name already, to be honest.

Fathers and Daughters

A variation on the theme of fathers and sons that has so characterized this season and this show, Annie pays her estranged father a visit. I know some people thought this was a needless detour but I loved exploring her backstory more and finally knowing what the real story was with her dad. Turns out he’s remarried and Annie has a half brother, Mason.

Annie: WTF face.

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