‘The Boy’ Series Finale Takes an Emotional Ride and Comes Full Circle

There is always a lot riding on series finales. Eric Kripke repeatedly said he was nervous about landing this one for The Boys after 5 seasons, but also that he was grateful to be able to end it when they wanted to. Having lived through the contentious Supernatural finale after 15 seasons (which I loved), I was worried FOR him. And of course there are plenty of people posting that they didn’t like The Boys series finale either, but there are also plenty who did – I’m relieved that I’m one of them. I think it went the way it should have gone, even if I might not have enjoyed 100% of it – it made sense and felt like an earned ending, which I thought was also the case for Supernatural.

I enjoyed all the hoopla too (something Supernatural definitely did not get in 2020!)  Many fans went to see the episode in the theaters it played in all across the country and much of the cast and crew attended the red carpet festivities in LA before that screening. Their excitement was contagious, so even though I didn’t go to one of the screenings near me, I felt even more anticipation than usual after watching the cast and crew smiling and proud of what they’d accomplished.

As a Supernatural fan, it also warmed my heart to see so many #SPNFamily in attendance. Eric Kripke (creator of Supernatural and showrunner of that and The Boys) finds good people in the industry, whether actors or directors or crew, and works with them on multiple projects, which means there are always familiar faces. I love that these people love continuing to work together, and also still have such a soft spot for the little show that brought them together. Phil Sgriccia, who directed so many episodes of Supernatural, directed many episodes of ‘The Boys’ including the finale – he and Eric Kripke looked like the proud papas of the evening. Chris Lennertz was one of two composers for the entire run of Supernatural, and he’s the composer for The Boys too – so talented and also just a great guy! Many actors have Supernatural and The Boys in common – at the screening there was of course Jensen Ackles (Dean Winchester and Soldier Boy), and also Nathan Mitchell (Black Noir) and Rob Benedict (Splinter) who were on both shows (and Rob’s partner Ruth Connell of Supernatural too). It was so nice to see them all celebrating together!

Yes, we needed that photo of Jensen Ackles on the red carpet.

Now, for the episode itself. Major spoilers ahead, obviously.

I was actually glad that Soldier Boy was not going to be in the finale – I have complicated feelings about the character partly thanks to Jensen Ackles playing him – and I was oddly glad he was safely tucked away in stasis while everyone else fought to the death. (Yes, I said safely. I admit I didn’t want him to die. I also admit I should want him to die.) If you, like me, are a Soldier Boy fan, check out the very in depth chapter I wrote in ‘Supes Ain’t Always Heroes’ all about the fascinating character, and also read Jensen Ackles’ exclusive interview chapter all about how he crafted his complicated character – info at the end of the article.

It’s also fitting that we return to a focus on Butcher and Homelander for the finale, wrapping back to where we started this journey. The opening reminds us of their scorched earth pact: In the end, only one of us left standing.

The Boys

The Boys start the episode discouraged and mourning Frenchie, especially Kimiko.

They give him a funeral which is very The Boys, alternating between Frenchie’s scribbled out words about being closer to all of them than his own blood, that they are his family, and he’s at peace because he knew Heaven on Earth in Kimiko’s arms – and then noting that he’s seen every one of their assholes (with details of how and when) as the proof of how well he knows them. I’ve said it a lot, but the 14 year old boy humor always throws me out of the scene a little, and this was no exception. It’s the show, though, and I guess I’m in the minority since it has characterized it since the start.

Many fans were upset about the abrupt cancellation of The Boys spinoff Gen V, and hopeful that those characters might play a pivotal role in The Boys finale. They do appear, but were kept on the periphery, to some fans’ disappointment. (It seems we may see them in the two other The Boys universe properties in development, however.) Annie asks Marie, Jordan and Emma to help the influencers they saved, but they’re reluctant. As Emma asks, “the ones who were just with the guy whose hog they were dying to suck yesterday?”  As I’ve written before, I like Emma and I miss her – that one line was excellent.  Annie tells Marie a story intended to inspire her not to give up – about how she idolized Queen Maeve and then met her and was disappointed. She was by then checked out, bitter. Annie says she swore she’d never let that happen to her, but it did – but not anymore. Now it’s about keeping the light burning as long as they fucking can. Don’t meet your heroes, she advises Marie.

Marie: I don’t know about never meet your heroes – worked out kinda okay for me.

It was a sweet little moment. The Gen V three drive off, headed to Canada to help the people they can, leaving the universe open for the Gen V characters to return in another iteration of the universe.

Sage joins Kimiko at Frenchie’s grave and taunts her about letting people think she was the stray that he took in when it was really the other way around, accusing her of keeping Frenchie like a pet, on a leash, until finally Kimiko gets enraged enough to do the chest blast thing.

It works – Sage is no longer super smart.

Sage: It worked! I’m fucking stupid like you guys!

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‘The Boys’ Penultimate Episode – with some Surprise Guest Stars!

The Deep, Ashley, and the Cost of Getting What You Think You Want

The penultimate episode of the final season of ‘The Boys’ is called ‘The Frenchman, the Female and the Man Called Mother’s Milk’, which makes sense considering some of the pivotal things that happen. It kicks off, though, with a musical! All the kudos to Chris Lennertz and Daveed Diggs for the opening number with Oh Father and his scantily clad dancers reminding everyone that Homelander is now bigger than Jesus, totally American, and ready to get rid of anyone who doesn’t conform (all served up with some blatant sexuality while no doubt preaching something puritanical).

As they’re working on that propaganda piece, we finally see the scene that was teased long ago, Homelander sitting in the Oval office, feet up on the desk.

He gives the president his marching orders — DCA will be the official sanctioned church, every boundary between church and state will be dissolved, and troops will be sent into every sanctuary city that took in Starlighters…

(Yes, I had to stop and scream about how RIGHT this show got its predictions for like the hundredth time because wow)

Because he’s Homelander he also wants to outlaw any milk that’s not actual milk and make breastfeeding mandatory lol. (Hey, I’m a big breastfeeding enthusiast but come on, Homie… I guess that’s the point though, he doesn’t give a damn whether or not it’s even possible for everyone).  It’s good for me to have scenes like these to remember just how unhinged and uncaring and narcissistic this crazy dictator parody is, no matter how good Antony Starr is at sometimes making him so sad. He also wants to disband Congress, which the President says he doesn’t have the authority to do. Uh oh. One tiny bit of doubt and you are in danger of being taken out; that’s how dangerous Homelander is, and how easily his ego is bruised. Homelander asks Ashley to read the President’s mind to see if he’s a true believer. He yanks off Ashley’s wig and exposes Back Ashley, who says the president is terrified of him and thinks he’s “a tiny bit psychotic”.

That’s that – the president’s head is smashed in and Homie is covered in blood, which he wipes all over the gold embroidered furniture. Annnnnnnnnnnnnnnnnd now Ashley is President!  Back Ashley tries to be the voice of reason, but Ashley marvels that she lost every single student council election, if only all those people could see her now. She’s trying hard to just enjoy it, but Back Ashley keeps pointing out the cost – that she can’t sleep, that she’s yanking out her hair, that she hates herself.

Back Ashley finally gives up and leaves, which is what Ashley thought she wanted – but now she is well and truly alone.

She’s not the only one whose relentless loyalty to a corrupt regime and dictator has left her anything but happy.  The Deep apologizes to Homelander for killing Noir, who he insists was saying some really mean shit about Homelander.  Homelander says it’s fine – then announces he’s abolishing The Seven, who haven’t had seven members in a long time (a recurring joke in the fandom). Deep tries to get Homelander to give him The Seven, citing his loyalty, ending with “please, the Seven is all I have”.

Homelander coldly says don’t make this about yourself and wishes him the best. The Seven is now The One.

Cut to a giant mural of The Seven on the side of a building being repainted – to just Homelander.

The Deep sits on a dock drowning his sorrows and throws the can carelessly into the water.

Zander the shark swims up and says he should come in and grab it – Zander (played by none other than Samuel L Jackson!) tells him to get in the water, that they know he’s responsible for the March 15 genocide. He finally sets out a threat: If he steps one foot in the water anywhere, all aquatic life will make sure he’s killed. It’s kinda a fate worse than death for the Deep. But damn, he really ended up deserving it. The ultimate sell-out.

As he’s pondering what to do, people on the beach start clamoring for him to save an old man who is drowning, his PR person reminding him this is his whole brand. He looks on in horror knowing he can’t as the old man sinks, people recording it all on their phones.

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Premiering Friday – Return to the Twisted World of ‘The Boys’ with ‘Gen V’!

I had high expectations for the new spinoff series from the universe of ‘The Boys’ simply because I love the original series so much that it’s a treat to be able to have some more of it. At the same time, I was hesitant. I’m not exactly college age – would I be able to relate to these characters who are in the throes of adolescence?

The official synopsis sets the new show at…

Godolkin University, the prestigious superhero-only college where students train to be the next generation of heroes—preferably with lucrative endorsements. You know what happens when supes go bad, but not all superheroes start out corrupt. Beyond the typical college chaos of finding oneself and partying, these kids are facing explosive situations … literally. As the students vie for popularity and good grades, it’s clear that the stakes are much higher when super powers are involved. When the group of young supes discover that something bigger and sinister is going on at school, they’re put to the test: Will they be the heroes or the villains of their stories?

That’s a familiar question for this universe, but the fact that it focuses on these “kids” was a bigger question for me. Turns out, I didn’t have to worry. Within five minutes of watching Episode 1, I was already on the edge of my seat and forgetting to take notes. It’s the same feeling I had watching Season 1 of ‘The Boys’ – the sensation of being on a roller coaster that’s taking the turns a little too fast and nearly skidding off the track as I hold on for dear life. Sometimes I definitely gasped in surprise, sometimes I laughed out loud, and of course there were some “ewww” exclamations, because this wouldn’t be the same universe if there weren’t. But, surprisingly, there were also moments where I empathized with what the main characters were going through – especially Jaz Sinclair’s Marie Moreau. The first episode is largely following her story, and by the time the episode was drawing to a close, I found myself caring about her already.

Prime Video

I should have expected it after being surprised to find myself caring about some characters on ‘The Boys’ that I probably shouldn’t have, but I thought it might be different with teenagers. I guess good writing is good writing and good acting is good acting! What ‘Gen V’ does that its parent show also does so well is give us just enough backstory to make the characters sympathetic, with tragedy depicted in a visceral (sometimes literal) way that lets you really feel just how tragic that moment is. The show doesn’t shy away from blood and guts, just like ‘The Boys’, but the violence is often used to underline the shock and horror that we all feel when faced with tragedy, even the sterile non-bloody kind.

The other characters who are introduced in the first episode are also memorable, especially the ambivalent-about-being-ambitious Andre, enigmatic Jordan who is sometimes female and sometimes male, the golden boy of the school who is actually called Golden Boy because that’s hilarious, and Marie’s roommate Emma. Emma is already a favorite of mine, with a superpower that isn’t taken seriously or valued highly and an arsenal of defenses covering up a world of hurt. I’ve got a soft spot for her for sure – don’t kill her, show!

‘Gen V’, like the other shows in this universe, manages to be unrealistic and over the top while at the same time making some pointed commentary on the real world. Sometimes it’s subtle, sometimes it’s intentionally hit-you-over-the-head with the parallel, but it’s almost always biting – and I love it.

Prime Video

Special shout out to Episode One’s ability to parody every University’s overly sincere posturing, from motivational posters on the walls (“The Deep was once a kid just like you. He says: Honor is doing the right thing when no one is looking”) to the Dean of Students insisting that they’re a “family” and telling students they appreciate “the unique culturally rich change agent that you are.”   I got stuck between eye rolling and laughing out loud recognizing the familiar rhetoric of every University I’ve taught at over the years.

‘Gen V’ retains the cheeky references that the original series included, with shoutouts to CW stalwarts like Riverdale and Pretty Little Liars and supe students claiming to be “super focused” or “super inclusive” or “super abled”. I might have squealed out loud to see Alex Calvert, Supernatural’s own Jack, as one of those students.  The show can be a heady mix of serious social commentary one second and outrageous sex scenes the next, with some creative super powers constantly going on in the background. There’s also a mystery that’s introduced right from the start, something ominous and dark that is downright scary – like a little touch of Supernatural snuck in to spice things up even more. I like it!

One of the other things I relish about the universe of ‘The Boys’ is the masterful and thoroughly enjoyable social media presence the show has cultivated. It’s been so much fun to watch the Vought account interact with The Boys account, and now Gen V has been added to the mix. Fans have played along and responded to social media posts with in-universe commentary, making the whole experience extra meta (and extra amusing). Oh, and is there anything more appropriate than the official Astroglide account getting in on the fun??

The reality tie-in, it burns…

Today’s Twitter/X back and forth had Vought CEO Ashley and Kimiko disagreeing about whether you should trust Vought – or definitely not trust Vought.

I don’t trust Vought at all, but I do trust Eric Kripke, and once again he hasn’t let me down. I’m already looking forward to more of this wild ride – streaming tomorrow on Prime Video. Stream it yourself and ride along!

As A Train says, I hope you survive the experience…

The Gen V cast includes Jaz Sinclair, Chance Perdomo, Lizze Broadway, Shelley Conn, Maddie Phillips, London Thor, Derek Luh, Asa Germann, Patrick Schwarzenegger, Sean Patrick Thomas, and Marco Pigossi. Gen V also features guest stars Clancy Brown and Jason Ritter, as well as appearances from Jessie T. Usher, Colby Minifie, Claudia Doumit and P.J. Byrne, reprising their roles from The Boys.

Michele Fazekas and Tara Butters serve as showrunners and executive producers. Eric Kripke, Seth Rogen, Evan Goldberg, James Weaver, Neal H. Moritz, Ori Marmur, Pavun Shetty, Ken Levin, Jason Netter, Garth Ennis, Darick Robertson, Craig Rosenberg, Nelson Cragg, Zak Schwartz, Erica Rosbe, and Michaela Starr also serve as executive producers on the spinoff series. Serving as co-executive producers are Brant Englestein, Sarah Carbiener, Lisa Kussner, Gabriel Garcia, Aisha Porter-Christie, Judalina Neira, and Loreli Alanís. The series is produced by Sony Pictures Television and Amazon Studios, in association with Kripke Enterprises, Point Grey Pictures, and Original Film.

– Lynn

You can pre-order ‘Supes Ain’t Always

Heroes: Inside the Complex Characters

And Twisted Psychology of The Boys’,

the new book that takes a deep dive into

the world of The Boys, at

Supes Ain’t Always Heroes