‘The Boy’ Series Finale Takes an Emotional Ride and Comes Full Circle

There is always a lot riding on series finales. Eric Kripke repeatedly said he was nervous about landing this one for The Boys after 5 seasons, but also that he was grateful to be able to end it when they wanted to. Having lived through the contentious Supernatural finale after 15 seasons (which I loved), I was worried FOR him. And of course there are plenty of people posting that they didn’t like The Boys series finale either, but there are also plenty who did – I’m relieved that I’m one of them. I think it went the way it should have gone, even if I might not have enjoyed 100% of it – it made sense and felt like an earned ending, which I thought was also the case for Supernatural.

I enjoyed all the hoopla too (something Supernatural definitely did not get in 2020!)  Many fans went to see the episode in the theaters it played in all across the country and much of the cast and crew attended the red carpet festivities in LA before that screening. Their excitement was contagious, so even though I didn’t go to one of the screenings near me, I felt even more anticipation than usual after watching the cast and crew smiling and proud of what they’d accomplished.

As a Supernatural fan, it also warmed my heart to see so many #SPNFamily in attendance. Eric Kripke (creator of Supernatural and showrunner of that and The Boys) finds good people in the industry, whether actors or directors or crew, and works with them on multiple projects, which means there are always familiar faces. I love that these people love continuing to work together, and also still have such a soft spot for the little show that brought them together. Phil Sgriccia, who directed so many episodes of Supernatural, directed many episodes of ‘The Boys’ including the finale – he and Eric Kripke looked like the proud papas of the evening. Chris Lennertz was one of two composers for the entire run of Supernatural, and he’s the composer for The Boys too – so talented and also just a great guy! Many actors have Supernatural and The Boys in common – at the screening there was of course Jensen Ackles (Dean Winchester and Soldier Boy), and also Nathan Mitchell (Black Noir) and Rob Benedict (Splinter) who were on both shows (and Rob’s partner Ruth Connell of Supernatural too). It was so nice to see them all celebrating together!

Yes, we needed that photo of Jensen Ackles on the red carpet.

Now, for the episode itself. Major spoilers ahead, obviously.

I was actually glad that Soldier Boy was not going to be in the finale – I have complicated feelings about the character partly thanks to Jensen Ackles playing him – and I was oddly glad he was safely tucked away in stasis while everyone else fought to the death. (Yes, I said safely. I admit I didn’t want him to die. I also admit I should want him to die.) If you, like me, are a Soldier Boy fan, check out the very in depth chapter I wrote in ‘Supes Ain’t Always Heroes’ all about the fascinating character, and also read Jensen Ackles’ exclusive interview chapter all about how he crafted his complicated character – info at the end of the article.

It’s also fitting that we return to a focus on Butcher and Homelander for the finale, wrapping back to where we started this journey. The opening reminds us of their scorched earth pact: In the end, only one of us left standing.

The Boys

The Boys start the episode discouraged and mourning Frenchie, especially Kimiko.

They give him a funeral which is very The Boys, alternating between Frenchie’s scribbled out words about being closer to all of them than his own blood, that they are his family, and he’s at peace because he knew Heaven on Earth in Kimiko’s arms – and then noting that he’s seen every one of their assholes (with details of how and when) as the proof of how well he knows them. I’ve said it a lot, but the 14 year old boy humor always throws me out of the scene a little, and this was no exception. It’s the show, though, and I guess I’m in the minority since it has characterized it since the start.

Many fans were upset about the abrupt cancellation of The Boys spinoff Gen V, and hopeful that those characters might play a pivotal role in The Boys finale. They do appear, but were kept on the periphery, to some fans’ disappointment. (It seems we may see them in the two other The Boys universe properties in development, however.) Annie asks Marie, Jordan and Emma to help the influencers they saved, but they’re reluctant. As Emma asks, “the ones who were just with the guy whose hog they were dying to suck yesterday?”  As I’ve written before, I like Emma and I miss her – that one line was excellent.  Annie tells Marie a story intended to inspire her not to give up – about how she idolized Queen Maeve and then met her and was disappointed. She was by then checked out, bitter. Annie says she swore she’d never let that happen to her, but it did – but not anymore. Now it’s about keeping the light burning as long as they fucking can. Don’t meet your heroes, she advises Marie.

Marie: I don’t know about never meet your heroes – worked out kinda okay for me.

It was a sweet little moment. The Gen V three drive off, headed to Canada to help the people they can, leaving the universe open for the Gen V characters to return in another iteration of the universe.

Sage joins Kimiko at Frenchie’s grave and taunts her about letting people think she was the stray that he took in when it was really the other way around, accusing her of keeping Frenchie like a pet, on a leash, until finally Kimiko gets enraged enough to do the chest blast thing.

It works – Sage is no longer super smart.

Sage: It worked! I’m fucking stupid like you guys!

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‘The Boys’ Penultimate Episode – with some Surprise Guest Stars!

The Deep, Ashley, and the Cost of Getting What You Think You Want

The penultimate episode of the final season of ‘The Boys’ is called ‘The Frenchman, the Female and the Man Called Mother’s Milk’, which makes sense considering some of the pivotal things that happen. It kicks off, though, with a musical! All the kudos to Chris Lennertz and Daveed Diggs for the opening number with Oh Father and his scantily clad dancers reminding everyone that Homelander is now bigger than Jesus, totally American, and ready to get rid of anyone who doesn’t conform (all served up with some blatant sexuality while no doubt preaching something puritanical).

As they’re working on that propaganda piece, we finally see the scene that was teased long ago, Homelander sitting in the Oval office, feet up on the desk.

He gives the president his marching orders — DCA will be the official sanctioned church, every boundary between church and state will be dissolved, and troops will be sent into every sanctuary city that took in Starlighters…

(Yes, I had to stop and scream about how RIGHT this show got its predictions for like the hundredth time because wow)

Because he’s Homelander he also wants to outlaw any milk that’s not actual milk and make breastfeeding mandatory lol. (Hey, I’m a big breastfeeding enthusiast but come on, Homie… I guess that’s the point though, he doesn’t give a damn whether or not it’s even possible for everyone).  It’s good for me to have scenes like these to remember just how unhinged and uncaring and narcissistic this crazy dictator parody is, no matter how good Antony Starr is at sometimes making him so sad. He also wants to disband Congress, which the President says he doesn’t have the authority to do. Uh oh. One tiny bit of doubt and you are in danger of being taken out; that’s how dangerous Homelander is, and how easily his ego is bruised. Homelander asks Ashley to read the President’s mind to see if he’s a true believer. He yanks off Ashley’s wig and exposes Back Ashley, who says the president is terrified of him and thinks he’s “a tiny bit psychotic”.

That’s that – the president’s head is smashed in and Homie is covered in blood, which he wipes all over the gold embroidered furniture. Annnnnnnnnnnnnnnnnd now Ashley is President!  Back Ashley tries to be the voice of reason, but Ashley marvels that she lost every single student council election, if only all those people could see her now. She’s trying hard to just enjoy it, but Back Ashley keeps pointing out the cost – that she can’t sleep, that she’s yanking out her hair, that she hates herself.

Back Ashley finally gives up and leaves, which is what Ashley thought she wanted – but now she is well and truly alone.

She’s not the only one whose relentless loyalty to a corrupt regime and dictator has left her anything but happy.  The Deep apologizes to Homelander for killing Noir, who he insists was saying some really mean shit about Homelander.  Homelander says it’s fine – then announces he’s abolishing The Seven, who haven’t had seven members in a long time (a recurring joke in the fandom). Deep tries to get Homelander to give him The Seven, citing his loyalty, ending with “please, the Seven is all I have”.

Homelander coldly says don’t make this about yourself and wishes him the best. The Seven is now The One.

Cut to a giant mural of The Seven on the side of a building being repainted – to just Homelander.

The Deep sits on a dock drowning his sorrows and throws the can carelessly into the water.

Zander the shark swims up and says he should come in and grab it – Zander (played by none other than Samuel L Jackson!) tells him to get in the water, that they know he’s responsible for the March 15 genocide. He finally sets out a threat: If he steps one foot in the water anywhere, all aquatic life will make sure he’s killed. It’s kinda a fate worse than death for the Deep. But damn, he really ended up deserving it. The ultimate sell-out.

As he’s pondering what to do, people on the beach start clamoring for him to save an old man who is drowning, his PR person reminding him this is his whole brand. He looks on in horror knowing he can’t as the old man sinks, people recording it all on their phones.

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