I hadn’t had a chance to chat with Richard Speight, Jr. since the fall of 2019, when, as we all know, the world was very, very different. So it felt like a welcome little slice of “normalcy” to sit down (in two different parts of the country) last week to catch up on what’s going on in his world – including the new film Driven, the newly renamed podcast with Rob Benedict, and the four episodes of Supernatural he’s directed in Season 15. We’re so excited that Richard has a chapter in the new book, There’ll Be Peace When You Are Done: Actors and Fans Celebrate the Legacy of Supernatural — his is one of the most inspiring chapters in the book and really wraps up what the show is all about and why so many of us love it. That chapter came from our last chat in the fall, and this chat turned out to be equally fascinating!
But first, our conversation last week began with the obligatory wow, 2020.
Lynn: Crazy time. Interesting time to be a psychologist.
Richard: Interesting time to be an auto mechanic! Everything is so bizarre. Every now and then, as I move through my day, I just have a moment of ‘Holy cow’…
L: It hits you like a slap in the face, doesn’t it? Like oh, this is actually real… It’s nice to cling to these little bits of normalcy. I’ve really been enjoying your podcast with Rob. Last week you announced it’s now going to be both a podcast and sometimes a youtube show – called Kings of Con. Which made a lot of people very happy, including me. How did that come about?
R: Well, we started the podcast on a lark, just to be creative and kill time, so we didn’t think about it or plan on writing the songs or anything. And it just became its own thing as we went along, and we discovered what was funny and what worked. Then, 12 episodes in, we started talking to some people who are much more ensconced in the podcast world and got some advice – one thing that is valued across the board is expanding the brand. And My Guest Is Richard Speight is a wonderful title if you know who the hell Richard Speight, Jr. is, but if you’re just scouring podcasts that’s not gonna mean anything to you.
L: (laughing) Very true.
R: So we began aiming for a very specific audience vs. aiming for an audience in general. And because we’re enjoying doing it and we’re finding a comedic style and format that we really like, we thought, “let’s take the advice of people who do this for a living and really try to make this a cooler brand.”
[Detour on the phone call for Dad Richard, which was frankly adorable]
R: Hang on Lynn, I’m with the kids by myself, I need to keep my eye on things…
L: (also a parent) Yes you do.
R (to young son): Your hair looks great, but you’ve gotta get dressed.
L: (cracks up)
R: (to Lynn) His hair is fabulous, but he’s totally naked.
[Yes, this was one of my favorite parts of the interview. Anyway…]
R: So we’re gonna have to discover this new podcast the same way we discovered that the first one worked. We’ll figure it out, we’ll involve some guests, but not much is gonna change. We still like what we were already doing — the songs, the banter. We like everything. What we’re gonna do now is expand the brand so it’s a known property, but it’s not gonna be Richard Slate and Rob Bennett and the cast of the series, you know? It’s just like, we’re the dudes from the convention who are that voice and face of cons.
L: It’s a great idea! So many of the people we love seeing at conventions, but especially you and Rob, can just sit and riff and make it hilariously funny. But this will allow other people who don’t know who you are to find it – and I think it will fill a real gap because you are the guys who have this vast knowledge of cons and con stories and other actors, so I think it will feel a real gap right now when people are really missing conventions.
R: Yeah, and I’m itching to have people come in and join us, from that world and elsewhere. The whole zoom recording and youtube posting, which were not things we really had considered, were strong recommendations from the people that we are tapping for info. So I figured we’d try that and see how it goes.
L: It’s a great time to explore and evolve – there’s a freedom to that I imagine, as an artist, to do what you want to do.
R: Yeah, it’s incredibly freeing — because it’s just us making crap up!
L: (laughing) There’s that.
R: There’s no time limit, no context, no ad dollars, nothing. It’s great!
L: I’m enjoying it, and I look forward to the new format. I really enjoyed the indie film you co-starred in that came out recently too, Driven. The film has an almost theatrical feel to it, since for most of the film it’s just the two main characters, often in a car. It had an intimacy to it with that close focus. What are the good things about that and what were the challenges?
R: In this case, I think when you have a movie that is theatrical in its style, which this was, you’re at the mercy of the dialogue — so you better hope it’s well written. I happen to think this was very well written, which was why I agreed to do it to start with. I thought it was very clever and fun.
L: It was!
[Phone call interlude, this time for the dog]
