The Trickster Messes With Sam and Dean for the First Time in Season 2’s ‘Tall Tales’

Tall Tales is one of those episodes that felt like FUN, despite some typical Supernatural monstrous happenings and, of course, people dying. But still, FUN. It was also a great episode to showcase Sam and Dean’s relationship as brothers. For better or worse! And, of course, it introduced us to Richard Speight, Jr. as the Trickster.

The ‘Then’ segment reminds us that Sam and Dean have pranked each other in the past, as brothers do, from Nair in the hair to Dean’s hand stuck to his beer bottle, Sam and Dean taunting each other with “That’s all you got?” and “Bring it on, Baldy!”  And lots of calling each other ‘bitch’ and ‘jerk’ which at this point (rewatching the series after it has ended), just makes me tear up because we know now exactly what those words mean when the Winchesters say them to each other.

Sigh. I miss my Show.

This episode opens with a professor walking to his office building at night, encountering an attractive young woman hanging out waiting for him, inexplicably dressed in a little sundress even though it’s cold and other people have jackets on.

She shows off her legs and he doesn’t notice, and he initially does try to get her to come back during office hours. He’s reluctant to respond to her flirty advances and hero worship until she finally says okay, I should go, and turns to leave. Then he changes his tune, saying he understands what she’s feeling. He shows his true narcissist colors by saying it’s natural, since he’s “somewhat of a celeb around here”. I had to cringe on behalf of professors everywhere when he said that. Nice touch of what his latest book is about though.

He kisses her even as he says it would be wrong for him to take advantage of her, and then… her face starts to disintegrate. Because this is Supernatural. He recoils in horror.

Zombie woman: What, you don’t like me anymore?

Outside the building, a janitor played by Richard Speight, Jr. watches as the professor’s body falls from the window high above, head splattered on the stones in a pool of blood.

Of course at the time that was not newsworthy (the janitor, that is). But now, on rewatch, we all squealed because Richard has joined Supernatural! He will become an integral part of the SPNFamily over the next 15 going on forever years.

ONE WEEK LATER

Sam is researching, as a Joe Walsh song plays on the radio. He’s clearly annoyed at his brother, who’s munching on something on Sam’s bed.

Sam: Dude, you mind not eating those on MY bed?

Dean (as he stuffs more in his mouth and licks his fingers enthusiastically): No, I don’t mind.

Gifs roadtripwithmybrother

Boys. I love how Supernatural always gets it so right. They are such brothers.

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Powerful Performances in Born Under A Bad Sign – Supernatural Rewatch

Born Under A Bad Sign is another one of the pivotal episodes that solidified my passion for Supernatural in such an intense way that the show would get under my skin and just stay there for – well, its over 16 years and counting now, so who knows how long? Forever?

In the “Then” we get a reminder that demons can possess humans, and of Sam and Dean’s recent agonizing conversation by the fence, Sam terrified he’s about to “go darkside” and warning his brother that if he’s not careful, “you will have to waste me someday” and Dean equally terrified he won’t be able to save Sam.

That’s where Sam and Dean are when we get to the “Now”. Dean is frantic, on the phone with Ellen after Sam has apparently gone missing.

Dean: I’m losing my mind here….I’ve called him a thousand times, there’s nothing but voicemail. I don’t know where he went or why, Sam’s just gone…

His phone shows another call and Dean cuts off to answer it.

Dean: Sammy? Where the hell are you? Are you okay? Hey hey hey, calm down, I’m on my way.

The impala roars away from under a bridge. I bet Dean broke every speed limit along the way to get to his brother.

Sam hangs up the phone and we see his bloody hand on the floor as he waits.

A while later, Dean rushes into a motel, hurrying down the hallway, still frantic. He bangs on the door and it opens, so he pushes it slowly open, calling his brother’s name. He finds Sam sitting still, blood on his shirt, head down.

Dean’s panic increases as he sees the blood and he drops to the floor, trying to push Sam’s shirt out of the way to see how badly he’s hurt. Dean is wide eyed, terrified for Sam.

Dean: You’re bleeding, ohmygod.

Sam sounds completely out of it, traumatized beyond being able to express any emotion at all. He tells Dean that he doesn’t think the blood is his, says he tried to wash it off. That he doesn’t remember anything.

I have to say that both Padalecki and Ackles played that scene incredibly well – I could feel Dean’s panic acutely, and Sam’s utter confusion and despair (making Meg a pretty great actress also!). They are both primed for these emotions already, Dean so worried about Sam’s fate and Sam convinced he could go dark side any moment.

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Supernatural’s First Mention of Angels in Season 2’s Houses of the Holy

The unlucky number 13 episode of Supernatural’s Season 2 is actually another iconic one. It’s one that was striking at the time because it was so beautifully directed and filmed (by Kim Manners) but it’s even more striking now as we’re doing a rewatch in 2022 because it’s the first episode to mention something that will become integral to the show – angels. Kripke famously didn’t want to include actual angels in the show originally, thinking that would be too much of a stretch and a venture into religious territory the show wanted to mostly avoid, but the writer’s strike changed the ending of Season 3 and Dean went to hell and they needed something to quickly pull  him out – voila, an angel! That decision changed the course of the show, but at this point in Season 2, angels were still something outside the realm of Supernatural.

Of course we don’t know that for most of this episode, which makes it a nice tease – and then a crushing disappointment for Sam. Knowing now, post series, that the God who Sam desperately wants to have faith in turns out to be a real dick, makes young Sam’s desperation to find something good to believe in even more heartbreaking. Sam is just plain good himself throughout the show, but he can’t see it, and religion/God/angels bring him some hope. Unfortunately that hope is misplaced – it will take Sam and Dean a while to realize that they need to put their faith in each other instead.

The opening segment is scary, a young woman watching television alone, smoking a cigarette (which was probably a little more common on network television in early 2007 than it is now). I’m not very observant because I didn’t realize she was supposed to be a sex worker, but I guess the heavy makeup and smoking a lot were supposed to convey that?

In typical Supernatural uh oh something’s wrong fashion, the lights start flickering. The woman changes the channel to a televangelist proclaiming that “the Lord is with you, look up and see the light” and even when she turns the TV off, it comes right back on. That is never good!

We see her alarm through the angel figurines in her apartment, in one of many striking Manners shots.

“The lord is talking to you right now, you have a purpose, it’s time to receive the message he’s sending,” the TV says. The camera pulls in closer and closer as everything starts to shake, furniture falling over, lamps crashing down. An angel figurine on the end table spins around madly as the woman becomes more and more terrified. Suddenly there’s a bright light, and then a figure appears in the light. The woman’s mouth falls open in awe.

And then it’s some time later, the same woman sans makeup and cigarettes sitting on her bed and reading a bible. The psych tech in very attractive white scrubs (aka Sam Winchester) comes in to ask her some questions, and she asks if he wants to know if she’s stark raving cuckoo for cocoa puffs (which is a reference some people watching the show now might not even get!)

Sam’s empathic.

Sam: I didn’t say that.

His empathy (and that adorable shy smile most likely) allows her to open up, and she says that she thinks that what she saw was real. Sam closes the chart and makes eye contact instead of writing notes – he’s so good at making people feel at ease so they’re comfortable confiding in him – and says he’d like to know what she saw. Did God talk to her?

She says no, but he sent someone – an angel.

Sam is skeptical, but he listens.

The woman insists that what she did was important, that she helped the angel smite an evil man (who she stabbed to death). That even though the angel didn’t give her the man’s name, he told her to wait for a sign – and then she saw it.

Sounds like a very dangerous way to go after evildoers!

Sam goes back to the motel and finds Dean enjoying the bed’s Magic Fingers. He’s lying on his back looking super happy, trembling all over with the vibrations and listening to his iPod, mouth gaping a little because, as always, Ackles is very good at conveying what Dean’s feeling. In this case, pleasure. Mmm.

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The Winchesters are Renegades in Season 2’s Nightshifter (Supernatural Rewatch)

There’s a reason why the 12th episode of Season 2 is so good. Actually there are a few reasons. One, it was written by Ben Edlund. Two, it was directed by Phil Sgriccia. And then there are those two really talented guys who play Sam and Dean.

Edlund didn’t stay with the show as long as I wish he had, but the episodes that he wrote are some of my favorites (as are the episodes he wrote for some of my other favorite shows). Phil Sgriccia was instrumental in shaping the show, staying until Eric Kripke’s new show took him away – and it was a great loss even then.

In ‘Nightshifter,’ the combination of Edlund’s tight, humorous but heartbreaking, quirky writing and dialogue and Sgriccia’s brilliant directing (and Serge Ladouceur’s brilliant lighting and cinematography as always) make this one of those episodes that could be the answer to someone asking for recommendations of episodes that show how special Supernatural is. The whole episode is tense, a mirror of Ronald’s paranoia threaded throughout reflecting the very real danger the Winchesters are in. This time, it’s not just from a supernatural entity, but from all too human law enforcement too. The sense that Sam and Dean are trapped – in the dark bank building, with something dangerous lurking in their midst and something dangerous waiting right outside to invade – sets the dark tone for the whole season as the mystery of the Yellow Eyed Demon and his plans for Sam play out.

It’s also a truly tragic episode, one of a handful that are hard to watch at times. Chris Gauthier’s portrayal of Ronald (and Edlund’s creation of the character) made him achingly real and very sympathetic. He’s a fanboy at heart, and he’s heroic in his own way, risking his life to do what he believes is the right thing and trying his damnedest to ‘save people, hunt things’ just like the Winchesters are doing. We’re rooting for Ronald throughout, and so are Sam and Dean, each in their own way. The contrast in how the brothers try to protect Ronald are telling, deepening our understanding of them – both how different they are and how that contrast often makes them efficient and deadly.

We also are introduced to Agent Henricksen (C. Malik Whitfield) in this episode. He’s another brilliantly written character, memorable instantly. He’s not a bad guy – he’s genuinely a good guy trying to do the right thing, and he’s smart and savvy and wisecracking doing it. The problem is, he sees the Winchesters from the outside and misinterprets who they are and what they’re trying to do. He’s sure they’re the bad guys, and he pursues them like he’s the one who’s saving people. Outsider pov is a popular trope in Supernatural fanfic for a reason – from the outside, if you didn’t know any better,  you probably would agree with Henricksen. These guys are clearly dangerous, twisted, downright evil killers. I love that twist, and seeing that perspective so clearly through this character.

And lastly, the ending is one of the best in the series, with a music cue that is absolute perfection.

So, with all that build up… let’s dive into the rewatch…

We get a brief recap of Saving People, Hunting Things and the Winchesters’ previous encounter with a shapeshifter in Season One’s ‘Skin’ as well as a reminder that Dean is a wanted fugitive from Season Two’s ‘The Usual Suspects’ – and then we jump to the present, SWAT teams and cops and local press surrounding a building as a hostage is dramatically released – to our shock, the guy releasing him is none other than Dean Winchester.

That can’t be good.

Director Phil Sgriccia makes it both realistic and an intensely dramatic reveal as police and press all flurry around when they know a hostage is coming out, and the last thing we expect is for it to be Dean yelling at them to get back as he lets the hostage go.

ONE DAY AGO

Sam and Dean working a case in a jewelry store, Sam having a serious conversation with the manager guy and Dean having a flirty conversation with the woman who works there.  She asks him what it’s like being FBI and Dean takes the opportunity to play it up – dangerous, keeping secrets. And lonely. Most of all, lonely. It’s clearly effective, but then, how could it not be? This is Dean Winchester she’s talking to.

She offers to do a more private interview later, and hands over her phone number (on a piece of paper because this is 2006).

Dean: You’re a true patriot.

Early seasons Dean is good with the BS and always interested in a hookup.

Sam, on the other hand, is having a much less pleasant conversation with the poor store manager, who can’t understand how an employee he’s known for decades lost his mind and murdered the store’s night watchman.

Manager: I heard him die…

The poor guy is distraught, and I can only imagine how horrible that would be. Dean has the empathy to look guilty when he realizes the kind of conversation Sam’s having, and joins them. He can’t resist waving the clerk’s phone number at Sam though.

The manager informs them that the police took all the security tapes, much to Dean’s dismay.

Dean: Friggen’ cops.

Sam: They’re just doing their job, Dean.

Dean: No, they’re doing OUR job, only they don’t know it, so they suck at it.

He’s not wrong.

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Supernatural Gets Creepy (With Dolls!) in Season 2’s ‘Playthings’

Ah, Playthings. One of the creepiest episodes of Supernatural for me personally, because what is more creepy than an old mansion and a bunch of old incredibly terrifying DOLLS?? Add an equally terrifying little ghost girl and an old woman confined to an attic (plus some gruesome murders) and you’ve got an episode that gives me goosebumps every time. It’s also got some great brother moments between the Winchesters, so at least there’s some respite from the anxiety.

It’s next up on our Supernatural rewatch (it just turned 2022 as I’m typing this), so let’s revisit what made this episode so memorable – and so creepy!

We start out with the reminder that something evil might be brewing in poor Sam, the underlying theme of Season 2 that’s impacting both brothers, Sam terrified that he might hurt someone and Dean terrified that he won’t be able to protect Sam.

THEN

A reminder from Dean that “dad told me something”, Sam’s anguished question “Am I supposed to go darkside or something?” and Dean’s big brother determination to protect Sam no matter what. Then we’re back where we left off, Sam and Dean finding Ava’s discarded engagement ring in a pool of her fiance’s blood.

So very Supernatural.

NOW

The exterior location for this episode is every bit as creepy as the rest of it – an old mansion from the 1930s now the Pierpont Inn. As movers take out boxes of stuff, we learn that it has a rich history in the community, with generations getting engaged or married there, but it’s now up for sale. As the moving guy takes out the boxes, we pan to two little girls sitting at the top of the stairs on the landing watching – and not very happy about the move.

One of them is Tyler, daughter of the owner. The other is Maggie, her imaginary friend – who we already suspect is not exactly a trying-to-be-helpful Sully.

Tyler goes to play with her dollhouse that’s a replica of the Inn, and we pan over shelves full of creepy dolls, including a clown doll that would have given Sam Winchester nightmares (and possibly me also).

The whole episode is brilliantly shot, never fully lit and always looking just a little bit foggy, making the antique decor and dark wood just that much creepier. The creative camera angles add to the feeling that something is amiss here, sometimes looking up and sometimes down but rarely straight on.

Tyler puts a doll in the rocking chair, but when she looks again he’s not there – instead he’s at the bottom of the staircase, head askew.

Uh oh.

Just then, we hear her mother scream. At the foot of the stairs is the hapless moving man, twisted up, head askew just like the doll, in a pool of his own blood and a cracked doll next to him on the floor.

Well done, Supernatural. CREEPY as hell, but well done.

Cut to Sam and Dean looking for Ava, their motel room covered with maps and notes and a missing poster and looking a lot like John Winchester’s motel room might have.  Sam checks with Ellen, but she doesn’t have any leads either. Dean is worried about his brother.

Dean: Sorry, man.

Ellen does share information about the freak accidents that have been happening at the Pierpont Inn, though, and Sam wants to check it out. Dean is surprised. Sam wonders why.

Dean: Well yeah, it’s just, you know, not the patented Sam Winchester way, is it?

Sam: What way is that?

Dean: I just figured after Ava there’d be, you know, more angst and droopy music and staring out the rainy window…

Sam glares.

Dean: Yeah, I’ll shut up now.

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