It’s no secret that Davy Perez is one of my favorite Supernatural writers. If you read my episode reviews regularly, you’ve heard me say that more than once, and he’s the only writer who wrote a chapter in the new book There’ll Be Peace When You Are Done: Actors and Fans Celebrate the Legacy of Supernatural, all about his journey as a writer and his experience on the show. There’s an online book club that’s currently reading Peace, and they’re inviting the contributors to join in their discord chat when they’re discussing that chapter. I pop in when I can, so I joined them when Davy’s chapter was the topic of conversation – and so did he!
It was Davy’s first time using Discord, so the only emoji he could find to try to express himself was the watermelon – which has remained the Book Club’s favorite emoji and is now used for all kinds of positive expressions in Davy’s honor.
The book club always has great questions and Davy had some great answers, so I’m sharing them here with the rest of the fandom (with Davy’s permission of course).
BC: What was it like to write an episode for Supernatural?
DP: I used to watch a lot of shock horror (in the) 80’s and kinda channeled that.
BC: How much influence did the network or the studio have on the writing?
DP: The network and studio give notes, but don’t mandate or dictate anything. They are more there to
guide you toward the ideals that they want the show to always be (striving) for. The writers/producers are still in charge of the story in the end.
BC: You said in your chapter that you had only watched a few episodes of Supernatural when you were hired, so you were not overly influenced by what had come before and had fresh takes on the characters and story line direction.
DP: In general, writing an episode is a lot like doubting yourself every step of the way (while also having
to) believe in your own genius. Also, specifically with SPN and with any show, you always do the work, from beats on the cards, to outline, to then just working on the scenes. I aim for an act a day when
(working) on a script. I actually found that whenever I watched an old episode, I found inspiration for
bringing something back, or looking at something from a new angle. I was hired to bring in fresh ideas, for sure, but I like innovating from existing stuff vs. just fabricating from thin air.
BC: What do you think have been your most significant contributions to the characters’ development?
DP: My most significant contribution might be either the glasses or the sweaters (in Mint Condition and American Nightmare).
(Me: mm hmm)
DP: Maybe the cowboy hats too (in Tombstone).
BC: (wholeheartedly agreed on all of the above)