That’s a great episode title for this week’s ‘Walker’, referring literally to what happens to Cordell and Julia when they confront Tommy, but also to the fact that just about everyone has some kind of blinders on that aren’t letting them see things entirely clearly.
Tonight is a new episode and then we take a little break, so let’s catch up to where we are with the Walker family and company…
Of Fathers and Sons
The Walker family continues to bicker, Bonham still cranky with Augie, both parents cranky with Liam when he tries to bring work for the horse rescue and therapy center to the table, and Cordell missing breakfast all together much to their annoyance.
On a Saturday.
Bonham calls a family meeting for both his sons to “sort things out” leaving Liam to tell his brother about it. I love the framing here, Liam and his father separated, in two different worlds right now.
Bonham also finally tells Abeline about his conversation with Cordell and asking him to move out. Bonham is worried that there’s too much stress around there for Abeline, admitting he’s scared but then projecting it all onto his sons. He says Cordell needs to fix his family.
Abeline: Fix his family? We are his family! I’m curious how you decided that abandoning our son when he needs us the most is best for my health!
Me: You tell him, Abeline!
She says he’s welcome to stay in the farmhouse as long as he wants, and demands that Bonham apologize (and also finish the dishes alone lol).
Last week’s episode of Walker was aptly named, with multiple situations setting up the prospect of change for some of the characters who have been a bit in limbo recently.
Cassie and Trey are both in trouble with Captain James, but for now they’re enjoying being adorable besties out for a food truck dinner, Trey clueless when the waitress hits on him (not sure she’s a good bet because how did she know Cassie wasn’t his girlfriend though??)
Trey is worried about how angry the Captain is at them, Cassie for some reason isn’t – after he totally went off on them last week.
Cassie and Kevin are ‘buffering’ their relationship, Trey insists, determined to keep their work/life boundaries separate. Cassie’s not interested in “another fling” and she’s a little worried about where Kevin stands, especially because he didn’t tell her about an upcoming luncheon with the mayor honoring them all for their bravery.
Things are at an uncomfortable impasse with many of the Walkers too. Abeline is recovering nicely, but Bonham hasn’t forgiven August and still seems intensely on edge about making sure she doesn’t experience any stress at all (which isn’t realistic if you want to, you know, actually live…)
The Walker family is under a lot of stress, much of it caused by Bonham being horribly cranky while ostensibly trying to make things LESS stressful for Abeline in the wake of her TIA. He’s grumpy with August, who he’s having a hard time forgiving even though August is bending over backwards trying to make it up to everyone. He was grumpy with Cordell last week, leaving him this week saying he’s trying to avoid even going over to his parent’s house in the wake of the ‘find your own place to live’ advice. And he’s grumpy with Liam, who is still really floundering trying to figure out who he is and what he wants to be – it doesn’t seem to be a rancher, if the cranky feed store guy who goes off on him for using too big words can be believed. (I felt so bad for Liam there, having been someone who maybe once or twice got called out for using too many big words…) Liam was trying to help with his offer to go down to the feed store to straighten things out, but Bonham immediately warned him not to mess it up instead of being happy about the offer.
Liam introduces himself as Bonham’s son to the feed store guy and he’s like oh, Texas Ranger?
There was trepidation when ‘Walker’ returned because we left it up in the air whether Abeline would be okay after suffering a stroke – and we pick up right there, so the first part of the episode was full of terror as Cordell and August find Abeline on othe ground. Not sure it was the best thing to do, to pick her up and take her to the hospital in the truck instead of calling 911, but maybe out on the ranch that’s the quickest way to get help.
I’m never a huge fan of making everything into a music montage, but once they get to the hospital, the tension is palpable. And Bonham is beside himself – understandably. The tension between August and his grandfather is also hard to watch, but Cordell to his credit pulls his son in when he hugs Stella.
Turns out Abeline had a TIA and no lasting residual symptoms, but the doctor recommends stress management and aspirin and other preventive measures – which Bonham definitely takes to heart. Abeline hasn’t lost her sense of humor, and reminisces about the first time they came to the hospital – they were dating and Bonham tried to impress her with homemade spaghetti and meatballs, which were so undercooked that she got food poisoning. And they still ended up together!
Bonham doesn’t even want to talk about the past, feeling like she’s spending too much time looking back and refusing to look forward. He’s been scared so much by her near-miss that he doesn’t want to take any chances, while she wants to forget that it happened and carry on like nothing did. That puts my favorite couple in conflict a bit, Bonham insisting on compression socks and colloidal silver and tossing out all the high sodium laden foods in the kitchen, Abby bristling at being coddled.
All too soon, Walker is headed into its mid season hiatus – but boy, did it go out with a bang! Last week’s episode was an emotional roller coaster, which we should have expected since it’s titled “Just Desserts.” That doesn’t just apply to what comes at the end of Thanksgiving dinner either. The opening scene sets up the episode as one that deals with loss and family strife. Abby leaves a message for her brother William, saying she’s here if he wants to talk. Molly Hagan can make me feel so much with just a short little scene.
Cordi and Liam try to cope with everything they’ve been through by starting a new tradition – ranch to table turkey, complete with turkey imitation gobbles (which we also got some behind the scenes iterations of on Instagram thanks to Keegan Allen, lucky fandom that we are).
From Keegan’s IG
Jared does do a pretty authentic turkey imitation…
Stella always said she wanted to “mix things up” and Cordell is really missing his daughter, so he’s also planning Stella’s favorite dessert. Abeline and Bonham point out that Cordell is making grand gestures instead of talking to her instead of avoiding some awkward conversations. He clearly is upset that she’s been “radio silent” for a few weeks – and I find it hard to believe that Abeline hasn’t made sure Cordell realizes he got it wrong about what happened at the SideStep yet. What the hell??
The brothers tell their mom she’s not lifting a finger, assuring her they’ll have everything ready in time for the traditional Circle of Thanks, because they know this is a tough day for her.
They also do some hilarious imitations of their dad, which I’m sure Jared Padalecki and Keegan Allen thoroughly enjoyed regaling Mitch Pileggi with.
They also clearly enjoyed roaring around on ATVs wearing hunting camo gear and trying to outpace their dad – both the characters onscreen and definitely the actors. The whole kill the turkey on Thanksgiving Day and get all dressed up in camo gear and oh we also need to race ATVs didn’t make a whole lot of sense, but I don’t think that was the point – it was some indulgent fun that everyone could roll their eyes at a little.
They had just as much fun behind the scenes too…
They find some turkeys just hanging around gobbling and take a shot – which misses.
Liam: I was kinda hoping a Texas Ranger would be a better marksman.
BOYS.
They oddly give up on hunting fairly quickly, perhaps because they ran out of time riding around on their big toys like little boys. Cordell rationalizes.
It’s the awkward morning of all awkward mornings at the start of this episode, when Cordell gets up and Liam is ready to have that talk they discussed but Cordell is a bit distracted by the fact that he left his daughter in jail the night before.
It only gets more awkward when Mawline comes home – with Stella, who she bailed out.
Cordell is angry, saying he left her there to think and learn the consequences of her actions now that she’s an adult (he did have the sergeant separate her so we know she was safe, which is what I figured, but still.)
Abeline: She’s 18!
Cordell: And she’s MY daughter!
They’re both right actually. She is undermining his parenting and he is refusing to listen to Stella’s side (though she did a terrible job of actually trying to TELL him her side too.) This family is infuriating sometimes! (Like all families…)
He’s also angry that she told Cassie, accusing her of “meddling in my work as well” – and again, he’s actually not wrong, that’s not her place. But her saying “you need to take it down a notch and you need to hear your daughter out” is also good advice.
Stella FINALLY tells what really happened to Abeline – who she apparently also did not tell the story to for some reason I literally cannot fathom!
August is still infuriating (and hungover), saying he can’t help clean up at the SideStep because he’s the head of the homecoming dance committee. Mawline doesn’t take excuses though, insisting they follow the list of chores that their father left and clean up their mess at the bar. Augie also insists that Cordell wouldn’t let him tell the story, but I find that even harder to believe. He still isn’t owning up to any responsibility or apologizing, insisting he’s becoming his own person and she’s just pissed because she’s losing a sidekick and holding everyone hostage with her indecision.
Ouch.
August: So since you wanna stay hogging up the limelight…who knows, I might even shine…
Wow, Augie. But it’s clear that’s what’s really getting to him, the struggle of the younger sibling in thei shadow of their superstar older sibling’s spotlight all the time.
Colton arrives in the middle of awkward sibling rivalry fighting and offers to make breakfast – a “happy curry”. What a sweetie Colton is.
Last week’s episode of ‘Walker’ was one of my favorites so far – and more than that, it felt important. I talk a lot, as a psychologist, about the ways in which fictional media can help us, in everything from providing a much-needed escape, to role models and inspiration, to giving us a way to work through our own ‘stuff’ in a safely displaced manner. The latter is what this episode of Walker did. Aptly titled ‘When Rubber Meets the Road,’ the episode picks up where the first two episodes left off. The brothers Walker, traumatized from captivity and terror and torture, are now physically safe. But that does not translate to any kind of psychological safety, as Liam tries to confide to his big brother.
He says what I said in last week’s review – they should have taken both of them to the hospital, and yes, they should have had MRIs and I find it hard to believe they wouldn’t after those beatings.
“Every time I close my eyes…” Liam begins, but Cordell cuts him off, saying they don’t need to do any of that, that the threat is over.
That’s the last thing Cordell wants to do, to close his eyes and relive the trauma. He’s been trying to perfect not doing that for a long time, it turns out.
Cordell: You’re safe, I’m safe, so let’s not compare notes.
Liam protests that they need to talk about it, but Cordell disagrees.
Cordell: We don’t. It’s better this way.
Liam’s helpless sounding “maybe we have internal injuries” is spot on. They may not be physical injuries that you can see, but both men are deeply wounded internally, psychologically and emotionally.
gif jarpadandjensens
Cordell cannot go there, and that’s intensely hurtful to Liam, who keeps trying to reach out to him throughout the episode. The imagery of Cordell walking away from Liam is repeated, as though he’s turning his back on his little brother (he isn’t, but the image is nevertheless painful.)
Geri is there to console Cordell and he appreciates it, but also immediately makes a joke about his falling-off shirt.
Cordell: You’re not digging the deep V?
He deflects from her concern for him by asking about everyone else and how they are. And while that’s certainly relevant, because this was a trauma for all of them, it also keeps the focus off Cordi opening up about his own feelings to someone who clearly wants to listen.
We know they’re there, though, just under the surface – we can see it in his expression when he sees the old photo of him in the Marines on the table as he comes home, hearing in his mind “so this is the war hero…” that they taunted him with.
The first two episodes of Season 3 of Walker have kicked off with a bang! I watch this show mostly for the relationships and the universal human themes that play out, so the arc of Cordell being kidnapped tapped into both of those. The Walker family and close friends having to deal with the horror of just waiting and not knowing rang very true, as did Cordell’s reliance on his memory of Emily. Add to that the Supernatural-reminiscent focus on the Walker brothers’ relationship and I was a happy viewer. Episode 2 was directed by Austin Nichols, a Walker cast alum who is now directing – he filmed some beautiful scenes that added to the dark but intense feel of this episode.
This episode picks up right where the season premiere left off, with Liam being tossed into the cell where Cordell has been held. That was a shock – to both the audience and Cordell – and it raises the stakes for whether or not the mysterious Sean will be able to ‘break’ Walker like he says he wants to.
Liam asks Cordi to promise that he’s not gonna try some Lone Walker Ranger stuff and risk his life to save his little brother. Cordell promises, the brothers clasping hands, and then he holds his injured little brother and I am all filled up with Supernatural-ish brother feels.
Cordell is unchained since they’re playing mind games with him, though I still don’t entirely grasp how Sean thinks this is going to work. Cordell is going by his gut, he says, and assures Liam that he trusts his brother – and Julia Johnson too, the reporter who had been confined upstairs.
The scenes of the brothers locked up together are ominous and dark, but they’re also beautifully filmed, the light coming through the bars making the whole scene look surreal. A moment of applause for the director of photography and for director Austin Nichols! And for Padalecki and Keegan Allen, who make being roughed up and held in a cell look alarmingly attractive.
They give Liam dinner then put a hood over Walker’s head and take him to an office to eat dinner with Sean, part of Sean’s attempts to get Cordell to “join them”. He refuses, saying ‘I’m stuffed” and having flashbacks to when he served. They try to talk Cordell into joining them since he’s “edge of the coin” Cordell Walker, but I think they’ve seriously misunderstood that side of him. He agrees there are some flaws in the system but insists there are good people making strides to fill those cracks. Sean tells him that Emily died at the hands of an organization that he serves, taunting that he’ll never get her back.
“You could save the next widower,” Sean says, but Cordell accuses Sean of murdering people who get in his way, which makes him a terrorist. Sean insists it’s necessary to trigger change, though I don’t really know how he thinks that’s going to happen. Power vacuums often get filled by even worse organizations, and this sounds like it could be one of those.
Last Thursday was a double dose of excitement for Walker fans – the original show returned for its third season and its brand new prequel, Walker Independence, premiered right after. For me as a long-time Supernatural fan (who’s been a Walker fan since the start), it felt a little like the “good old days” of Supernatural fandom, with anticipation all day and then a live tweet fest with fans and cast alike all sharing their real-time reactions. Jared Padalecki and Gen Padalecki joined in the fun, which made it extra special for fans – and I think most of us were not at all disappointed with either the original show’s return or what looks to be an excellent new show in Walker Independence!
I’m not doing an actual review of Walker Independence (because holy crap there are a lot of shows out there to watch right now!) but suffice it to say that I thoroughly enjoyed it and its intriguing cast of characters. I can’t wait to see more and will be watching on Thursday nights for sure. (Shout out to an epic callback – Hoyt’s horse is named Cordell. Cue all the innuendo that invites…)
As the second episodes prepare to air, let’s look back at what happened on the season premiere of Walker.
We get a brief recap (as if anyone forgot that Cordell didn’t come back from his run with Trey and Liam!). Dan Miller is mentioned, so we know he’s still around, which makes me very happy indeed – I love Dave Annable and his character, and I always thought Dan got kind of a raw deal, so I’m glad to hear that the Walkers gave him some of the disputed land back. More Dan and Liam push-pull-kinda-reluctant-friendship please!
And then we pick up right where we left off, with poor Cordell being dragged to a shady looking van and tossed inside.
That set the tone for the episode for Walker, who spent it locked in a cage and periodically tortured by his captors as they tried to “break” him.
The men refer to him as their new inside guy, saying they have to “initiate” him. Honestly I don’t entirely understand what their goal was as they keep torturing him and demanding that he somehow give in so they can stop. Give in to what? They’re not asking him for any information. I guess they want him to agree to join them? Not sure how torture gets someone to want to do that, but Cordell figures out they want him to be Fenton’s replacement.
Bad Guy No. 2: So this is the war hero, huh?
That cues us in that what Cordell is going to experience is tied into his past, and whatever trauma he went through then.
The music during the initial putting-a-blindfolded-Cordell-in-a-cage montage was a good song, very Supernatural-esque, but I’m mostly not a fan of how prominent the music is sometimes in the show. In this case, it mostly worked, but sometimes it pulls me right out of a scene that might otherwise have been powerful. In this episode, however, the music was well chosen and worked with the couple of scenes in which music was prominent.
We get to hear Cordell’s thought process as he uses his training and experience to try to figure out where he is and who’s holding him, first with a monologue and later as he imagines Emily there with him, keeping him calm and helping him talk through strategizing.
The season finale of Walker tied up a lot of loose ends for Season 2 – and then kicked off a whole new mystery, and a dramatic one at that!
The episode is titled “Something’s Missing” and that is both literally and figuratively true throughout the show. (One of the things I like best about Walker is that they love to run parallel themes throughout an episode and then reference it somehow in the title, and it’s a fun game for a reviewer to pick out all the instances of that theme – or at least it is for this reviewer!)
The first thing that’s missing is Emily, because Stella Blue is about to graduate. If you’ve ever lost someone, you know that the toughest times are big life events, the celebrations that you always thought that special person would be at. I facilitated a grief counseling group at a university counseling center for many years, and I heard from so many students nearing graduation just how hard it was to approach that milestone without a parent they had always imagined there to be proud of them. Emily not being there is hard for Stella, and it’s hard for Cordell too. Cordell is every parent, wondering where the time went and saying that it seems like yesterday that Emily told him she was pregnant.
Later in the episode, they share a tender father-daughter moment over one of the games they used to play on family game night, something Cordell hasn’t been able to do since he lost his wife. Stella says it seems like a good time to start over, or to carry on where they left off. Cordell admits he would never have taken the game out of the box, that it’s so like her – and her mom – to make him face it. That’s also a theme of the episode, going back to the exploration of grief and loss that I have always valued most in this show – that you can’t go over it or around it, eventually you have to go through it. Everyone does that differently and on their own timetable, but Stella and Geri and Cordell have all learned that it’s true. Cordell is proud of his daughter.
Cordell: You make all of us feel. You’re the one that keeps this family together. I ran, you stayed.
Stella: I ran a few times too.
Stella has grown up a lot over the past two years of real time, and on the show as well. Cordell gives her a gift, knowing she’s been struggling with individuation and the question of staying close or going away for college.
Cordell: I want you to know now…it’s okay to go.
That made me tear up partly because it was such a beautifully played father-daughter scene, and partly because that’s a line from the Supernatural finale too, when Sam gives his brother the gift of permission to go in a more permanent way. I don’t know if it was a deliberate call back, but it made me even more emotional than I was. I’m sure the parallel wasn’t lost on Padalecki, who understands intimately the importance of that finale to many fans.
Another thing that’s missing, but not for long, in this episode is certainty. The certainty of figuring out who you are and what you want to do with your life. While Stella seems close to figuring that out, both Liam and Trey are at a transition point in their lives and unsure of where they should be going.
James tells Trey that he has to stay out of official Ranger business if he’s not an official Ranger – which James offers him after making some calls. They’re willing to treat his military experience as time served so he could be an actual Ranger – which came as no surprise to most of the fandom, who has been expecting it. I feel better about that than them offering to employ him as a psychologist when he isn’t one, but that’s probably just me feeling bitter about all those years of a PhD program to get to that point. It makes sense to make Trey a Ranger so they can keep Jeff Pierre and his popular character on the show, and Trey certainly seems qualified.
Trey talks to his mom about the Ranger offer; she’s not all that happy about it, worrying about all the stress and anxiety. I can relate to his mom – that would so be me if one of my kids announced that!
Liam is also unsure of his next step, saying he’s not so sure he wants to go back to being a lawyer and envious of his father for always knowing what he wanted to do. Later in the episode, he thanks Bonham for forgiving him when he wanted to move away, and Bonham says that it helped make him who he is. So did you, and the ranch, Liam says. And when Bonham says that the ranch isn’t for everyone, Liam tells his father: I think it is, for me.
Walker’s penultimate episode ‘A Matter of Miles’ was an uncomfortable one to watch – intentionally so. The gulf between the various ‘sides’ feels pretty much uncrossable now, many characters feeling like their backs are against the wall after coasting along without expressing things like anger, resentment, guilt and suspicion for too long. There’s a sense of desperation that pervades all the tenuous relationships, amping up the tension for pretty much the entire episode. I found myself feeling like I needed a break mid episode from all that tension, so I could imagine how the characters were intended to be feeling!
There are two main story lines running in parallel throughout – the return of Miles and the mystery of what he and Fenton were really up to and who is/are the bad guy(s) here, and the escalating feud between the Walkers and the Davidsons. I don’t like black and white anything, I’m always here for the nuance, but this episode painted the Davidsons with a much darker brush. I’ve been expecting that to happen, since they’ve been set up to be the ‘bad guys’ all along and obviously the Walkers have to turn out to be the ‘good guys’. But there were only a few characters who I could say I actually liked in this one – the rest, on both sides, were just plain unpleasant. I get where the Walker family’s anger is coming from – who could not be angry at people who literally took your home right out from under you? But the show did a good job early on of showing the Davidsons as people who’ve endured as much loss and tragedy as the Walkers – including all their land – so there’s anger and bitterness and now a drive for revenge on both sides of the fence. Understandable maybe, but stressful to watch!
Gale and Denise in this episode are much more the stereotypical villains, saying one seemingly reasonable thing to Geri and then snarking about the real reason they’ve agreed to dinner with the enemy behind her back. I half expected them to do an evil cackle at some points, enjoying that they have the power to wreck anything that was the Walkers – especially Abeline’s. Tearing up her vegetable garden even if it means no more nice fresh vegies was a petty, purely vengeful thing to do. Abby is right – no matter how much Gale takes from them, it’s never going to heal for her the rage she feels about Abilene having Marv’s love and the Walkers having all the land and her not getting to raise her child (even if most of that was probably Marv’s mistakes, not the Walkers’ fault). It’s impossible not to dislike Gale and Denise heartily in this episode.
Unfortunately it was also impossible for me not to dislike how some of the other characters who I usually like a lot were acting. Bonham is a barely contained boiling-over pot of anger throughout the painful dinner, tossing barbs at the Davidsons any chance he gets. Probably it was putting the Walkers in an impossible situation, asking them to come back to the house that was theirs and still feels to them like theirs (witness Cordell walking in without knocking and almost tossing his hat on the peg he expects to still be there) and expecting them to sit down and make nice.
