And the (Fourth) Walls Come Tumbling Down: Supernatural’s MetaFiction

Warner Bros/The CW
Warner Bros/The CW

This week is the Popular Culture Conference in Chicago, which means I get to hang out with other academically inclined folks and have deep discussions about some of my favorite things – including fandom, the reciprocal relationship between fans and the things we love, and of course, Supernatural. That doesn’t leave me much time to do a review of this week’s episode (so this will be a briefer review than usual). But Robbie Thompson sure as hell gave me a lot to talk about!

I love meta episodes. Any time a character has mentioned “subtext” in the first minute of the Show (while breaking the fourth wall and staring into the camera, no less), I’m a happy camper. My daughter Emily, however, is generally not a meta fan. She likes Supernatural, and she loves to take it apart and critique it, but she usually prefers her characters not to talk back and the fourth wall to stay firmly in place. Imagine my surprise when we watched Show together last night and she announced, “I liked it!”

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Misha Collins Takes it Slow and Makes it Pretty – Supernatural’s Mother’s Little Helper

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Director!Misha – in a Sam shirt!

Supernatural is on a roll. Once again, I was swept along by this week’s episode, the hour going by way too quickly – and that’s exactly how I like it. Adam Glass’ script and Misha Collins’ directing were a heady combination, with the rest of the stellar cast and crew all bringing their A game for the first-time director.

When we spoke to Misha at VegasCon, the first thing we asked him about directing was, “So, do you have the bug now?”

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Supernatural’s Blade Runners Cuts Deep (And that’s a good thing)

Warner Bros/The CW
Warner Bros/The CW

I went into this episode cautiously, because these two writers’ efforts don’t always work well for me. But I try to always be open minded about this Show, and it paid off – because this time Eugenie Ross-Leming and Brad Buckner penned a kickass episode that I LOVED! The dialogue, the plot, the characters, the progression, all worked for me. And Serge Ladouceur’s directing was spot on. What a pleasure to sit down and write a review full of squee (though also full of plenty of trepidation – this is Supernatural, after all!)

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Winchesters Through the Funhouse Mirror: Supernatural’s Thinman

Warner Bros/The CW
Warner Bros/The CW

I’ve had so many different thoughts about ‘Thinman’ that my head is still spinning – once again, I woke up this morning already writing this review in my head, which I suppose isn’t a bad thing (unless of course I was supposed to do something else this morning….cough…work…cough…) There was alot I loved about this episode. In fact, Jenny Klein should expect a tackle hug next time I see her for the Weechesters flashback scene alone (fair warning, Jenny).

I love that we saw some progress with the Mark of Cain story arc, which is a road I’m anticipating going down even as I’m biting my nails about the dark places Show intends to take us. I’ve been theorizing about the Mark and what its impact on Dean has been already, and am intrigued by the possibility that part of what it does is pull the wearer away from those he loves, isolating him from family and turning him away from love and affection and his own humanity, so he can kill without remorse or regret. It’s a punishment more than a gift, influencing those he loves most to turn away from him. And that’s terrifying. One of my favorite themes of the Show is Dean’s understanding of why he and Sam are better together, especially after he glimpses a future without Sam in ‘The End’: “We keep each other human.” It’s true. Sam has repeatedly been the one thing that keeps Dean from going darkside, from becoming the vicious killer that he secretly believes he is. If the Mark can separate Dean from Sam, how close to that internal self image will Dean become?

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But Will it Still be Epic? Supernatural’s “The Purge”

Warner Bros/The CW
Warner Bros/The CW

I’m assuming Eric Charmelo and Nicole Snyder intended that title to refer both to the physical transformations of the MotW’s victims and to the emotional purge of Sam’s speech to Dean in those all-important last five minutes of SPN. Nice touch, writers.

Once again, the episode was split into two parts – and once again, I have more to say about the second. The first was a rather tragic story of a monster-trying-to-be-normal, a classic Supernatural theme. I was a bit worried that there would be too much insensitivity and ‘fat jokes’ for me to just sit back and enjoy, but I think the script did a decent job of avoiding that, so I was able to enjoy the ride. The special effects were disgusting (and awesome), the guest actors were memorable, and despite the chill between the brothers, the humorous scenes still worked. Dean with powdered sugar all over his face (and Sam’s expression haha), the awkward conversation about sex and ‘extra padding’, even some of their snarks at each other made me laugh. There was suspense, some scary scenes, some gorgeous cinematography with the boys and their flashlights. The brothers worked together as seamlessly as ever – there’s nothing wrong with their working relationship at least. We got boys in suits, and in dress shirts and ties lounging around motel rooms, which is always a big plus.

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