No ‘Common Ground’ on Last Week’s ‘Walker’

Last week’s episode of Walker, ‘Common Ground’, was an intense wild ride (literally) that left fans screaming at their screens and at one point exclaiming something along the lines of “oh shit”. That was me anyway!

I had a slightly different reaction to the episode than many people did, I think. Walker can sometimes be a little heavy handed with its good guys v bad guys, or at least it can seem that way, but in this case they’ve done an interesting job with the Davidsons in not being black and white. I really appreciate that about this show, and I do NOT want it to change, but it got in the way of my unfettered cheering Cordell on in the big race too.

The Davidsons are not your stereotypical villains who have nefarious plans to take over the world or poison the water supply or something. They are very human, and they’ve experienced some nearly unimaginable losses. Gale is scary because she seems like she’s capable of just about anything, including manipulating her own family members (though she clearly has her own trauma history impacting those manipulations). Denise has been more sympathetic, especially prior to this episode. We’ve seen Denise through Cordell’s eyes as who she was as a teenager and someone he cared about a lot. She’s being manipulated by her mother away from the more reasonable courses of action that she seems drawn to herself again and again, and it’s working like a charm, but she lost her dad in a tragic way, her marriage is on the rocks, and I can’t help but feel bad for her. Same with Colton, who we were introduced to in a sympathetic light. He’s the new kid, longing to fit on, longing for a home and for a family who can stay together and give him a sense of stability. Yes, I know, cutting a saddle strap ain’t okay in any way, shape or form if indeed Colton is the one who did that (I’m really hoping he didn’t), but I still feel bad for him as he fears the little bit of stability he finally has is falling apart.

When Stella confronts Colton and demands to know why he outed Augie to Denise, Colton responds with “I’m sorry, what?” Does he even realize what he was doing when he confided in Gale of all people? Again, master manipulator.

He seems to eventually buy into the feud all the adults are insisting is “just the way things are”, but he reiterates again that all he wanted was a home. He knows his parents aren’t happy and he’s in danger of literally losing any semblance of home he might have had. He’s feeling hurt and angry that Stella has rejected him but still, at the eleventh hour, he tries to tell his dad that he doesn’t want to take the Walker’s home. That’s a more mature response than most of the adults are having, Walkers included!

I even feel a bit bad for Dan – he’s a fuck up, has clearly had a history of being a fuck up – but he loves his son and is desperate to stay close to him by winning their family back the disputed land (and the Walker’s land too because…revenge, I guess?). There’s nothing more dangerous than someone with nothing left to lose, and that’s Dan. When his son said there was nothing left to fight for because he’d lose the home he wanted so badly, I knew Dan would do just about anything to make that not happen. Which is a motivation I can relate to – doing anything for your child – even if the revenge part is making Dan do things that are anything but relatable. Also Dave Annable makes Dan confusingly appealing just because Dave is appealing!

The Davidsons are thus not your stereotypical bad guys. They are not the ones ‘in power’, despite Denise being the DA. They’re the ones that lost their family patriarch and their land – and one of their children, because then they didn’t have enough money to take care of her. That’s all pretty tragic – to them, the Walker family must look like a bunch of entitled and privileged winners. The show has hinted that maybe the Walker family wasn’t exactly fair to the Davidsons back then, so some of their resentment is certainly understandable. Loss pulled Cordell into a dark place for a while; it pulled the Davidsons there too, and they never got back out.

So I felt a little out of sync with the rest of the fandom as the epic horse race started. I was rooting for Cordell, especially when he stopped to go back to be sure Dan was okay, but I kind of hated the whole idea of it. Would it really be okay to take ALL of the Davidsons’ land from them? Their home? Everything? Wouldn’t it compound what they already lost perhaps unfairly and the tragedy of the barn fire? Both Liam and Cordell have struggled with that ethical question, and I was still struggling when everyone got on board with the insane plan of deciding it all on a horse race.

Lots of emotional decision making going on all over the place in this episode! Rational, what’s that?  Everyone should listen to Liam a lot more, since he’s sometimes the only person hanging onto a thread of rationality in the face of very strong emotional reactions.

I felt really bad for Cordell at times too. He’s tried so hard to give the Davidsons the benefit of the doubt and not see this as a war, and I know some viewers were fed up with that and ready to just buy into the Davidsons-are-evil-take-their-home-away solution, but I appreciated Cordell’s reluctance to do that. He started out the episode finally watching the news report from back in 1995 when the barn burned, Gale insisting that it wasn’t an accident and blaming “the kid next door”.

She insists that Marv was the self sacrificing type and that he ran into the burning building to save the kids (Cordell and Denise). She even says right out, “Cordell Walker murdered my husband”, which seems like something that should not have been broadcast since Cordell was a minor at the time. Where is this news report and why is it still accessible on the internet?

I wonder why there wasn’t more of an investigation at the time if she really thought that? (I also continue to wonder how they missed the lantern that was just lying around the burnt barn).  Poor Cordell, having to see that, even as an adult. We know he still feels guilty about that night and doesn’t know for sure what happened, so that must have been excruciating to watch. Protect your mental health, dude! He also feels bad about “the last time the Davidsons had to move”, a reference to the fact that the Walkers might not have done right by the Davidsons back then. I can’t forget those sort of things that the show intentionally put out there, so I was glad it was acknowledged again at least initially.

At this point it’s still on the table to make a deal that’s at least somewhat equitable with the Davidsons even if the race happens, though that seems to go by the wayside by the end of the episode. Also, Liam is the voice of reason repeatedly, noting how crazy it is to decide something like this with a horse race. Ya think??

Liam is the only one who wants to cut a deal BEFORE the race (trying to cut a deal with Dan for 20 acres of Walker land so they can find some common ground). Cordell doesn’t agree though, eventually buying into the macho BS I like to think he’s mostly walked away from, saying he doesn’t want the Davidsons to think they’re afraid of a challenge. That’s a crappy reason to go ahead with this, Cordell, just saying. (Though he does, at this point, say the race is on but they don’t have to start a war. That’s a good sentiment, but I’m not sure that either family can be expected to be ‘okay’ with losing ALL their land. The stakes are too damn high here.)

I also felt bad for Cordell as he tries to practice riding on Chopper, a gorgeous horse who seems pretty high strung, with his dad as his “Coach”. (He gets way too into the part, even donning a hat that says ‘Coach’. Over the top, Bonham!).

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Last Week’s ‘Walker’ Explores All Sorts of “Boundaries”

Last week’s episode of Walker was unusual in some ways, taking us into new territory and exploring all sorts of ‘boundaries’. The episode opens on the morning after, Cordell and Geri waking up together and awkwardly trying to figure out what the boundaries are on their newly physical and romantic relationship. There’s a deliberate shot of Cordell’s wedding ring on the bedside table, reminding us that he’s still got some ambivalence about moving on from Emily – perhaps especially with her best friend.

Odette Annable and Jared Padalecki were both believable in portraying the characters’ clear affection but also the anxiety of not knowing exactly where you stand in a new relationship, especially one that’s long standing but as friends, not lovers. Especially when the shift happened as abruptly as it did, after a season and a half of slowest burn ever. There’s a reason the ‘friends to lovers’ trope is so popular, because it’s all kinds of adorable to watch these two negotiate where they go from here, even coming up with a safe word to let each other know if one goes too far too fast.

It’s ‘Dolly,’ not as in Parton but as in that cloned sheep – something that was happening in the news when Geri came to town and reminds them both of their shared past. Geri and Cordi bonded over mutual geeking out, and who doesn’t love that?

It also seemed to be a deliberate reminder that Geri did indeed “come to town” at one point – which everyone is guessing might mean that Geri is the long lost presumed dead Davidson baby who we find out about at the end. Now won’t that be awkward!

I love that Walker a) knows its audience and b) goes out of its way to be respectful of all its women characters, because Padalecki is the one who’s not dressed while Geri is in a tee shirt.

The fandom was mostly happy about that, and Geri’s reluctance to make anything ‘official’ after getting carried away with passion the night before made sense to me. She’s a little hesitant, feeling vulnerable, and needing to cover up both physically and emotionally. Cordell was much less ambivalent, but isn’t that often the way it goes? A mismatch (even temporarily)  is painful but common.

Also those screencaps are just really pretty, aren’t they?

Both Geri and Cordi struggle a bit throughout the episode with figuring out where their boundaries should be, especially when it comes to their friends and Cordell’s kids knowing about their new relationship status. Cordell very awkwardly comes back home in the morning, his dad and brother immediately teasing him for his ‘walk of shame’ and Stella just glaring.

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‘Walker’ Gets a ‘Nudge’ into a New Partnership

Walker’s tenth episode of Season 2, ‘Nudge’, starts out with something we haven’t seen before – Cordell, Liam and Trey out to lunch together. Cordell suggests Liam and Trey moving in together since both are a bit at loose ends right now, gives them a ‘nudge’ so to speak. Though I didn’t think Liam was considered single necessarily – isn’t Bret coming back? Come back, Bret!

Liam and Trey call Cordell out on saying that unlike them, he’s not alone – he’s never alone in a house full of teenagers – but they point out that alone isn’t the same as lonely. He admits it’s been quiet (lonely?) working alone without a partner.

As Walker has to go to work, he leaves Trey and Liam to ponder their future living arrangements.

Cordell: Sorry to ruin your date, but it’s on the house!

Trey: He needs to get a partner…now.

Liam confides in Trey that he’s been looking at land surveys of the Davidsons and Walkers’ land, and Trey offers to help him out.

Liam: Maybe my brother’s not the only one who needs a partner.

Awwww. Liam and Trey is the partnership nobody knew we needed, but perhaps we did. Maybe they should be roomies!

gif let-me-be-your-home

Walker kills time outside James’ office, picking up some imaginary thing on the floor (and in the process making the fandom quite happy) and then awkwardly pretending he wasn’t.

Jared is so good at creating a believable and unique individual with Cordell, and I am constantly amazed that there is not a trace of Sam Winchester in him most of the time. I’m not an actor, so that seems mysterious to me – and sometimes a bit impossible. But here we are!

James updates him on the search for a new ranger/partner, which isn’t going very well at all. In the meantime, Cordell has a solo assignment searching for a person impersonating a missing Ranger named Miles who’s doing a bunch of carjackings.

Fistbump!

Elsewhere in town, Abeline puts the word out that they need ranch hands and then (literally) bumps into Gale at the market. The two of them are so strained with each other, polite and pleasant on the surface and simmering anger still underneath.

Abeline says she taught Colton the song that Marv used to sing and Gale goes off that she always oversteps, talking about her dead husband like they had nothing to do with it…

And then we realize we’re hearing her internal monologue instead of what she says to Abeline, which is overtly polite instead.

On his solo assignment, Walker finds a suspicious looking car and stops to investigate, asking local PD to come back him up. He’s no sooner climbed into the car (carefully pushing the trunk opener with his knuckle so he doesn’t leave fingerprints because smart Cordell) than someone else with a gun shows up just as he’s climbing OUT and orders a hands up and gun down.

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Walker Delivers More Than One ‘Sucker Punch’

The Walker fandom – and the Supernatural fandom – got some good news yesterday, with the pilot pickup of a prequel called ‘Walker: Independence’ and a Supernatural prequel called ‘The Winchesters’. Jared Padalecki and Jensen Ackles both took to social media to celebrate and to congratulate each other on their respective new projects. For fans of the original Walker, who are eagerly awaiting news of its third season, knowing the Walker  universe is about to expand was a welcome bit of news.

Walker will be taking a mini hiatus until the end of February, so there was a lot of anticipation for last week’s episode to hold fans over for that drought. It was a hard hitting episode in several ways, aptly titled ‘Sucker Punch’ – which is exactly what happened to a lot of the characters.  Directed by frequent Supernatural director Amyn Kaderali, there were some beautiful and powerful shots that brought the force of those punches home.

The episode picks up shortly after the last one ended, Captain James returning to HQ after recovering from his gunshot wounds. Liam is there because he gave him a ride, and Trey is too just because (because their bromance is in full swing, obviously, complete with welcome back fist bump).

Walker, however, is not there – instead he’s the first to get sucker punched at Serano’s bail hearing. Despite Denises’ argument against it, the judge grants Serano bail at only $50,000. Serano smirks; Walker grimaces.

On the way out, Serano can’t resist the opportunity to gloat. Denise reminds Cordell that the case has to stay on the up and up and asks for his promise not to try something like Liam did.

Walker: If Micki taught me anything, it’s that the ends don’t justify the means.

I like that the show is keeping Micki alive by showing us that the characters have not forgotten her – far from it. Cordell promises he’ll go completely by the book and refuses to get rattled by Serano getting in his face and asking, with a thinly veiled threat, “how’s the family?”  Walker really did learn a lot from Micki, and he’s evolved and grown in the length of time we’ve known him. He doesn’t rise to the bait, though he does engage in the power play with a thinly veiled threat of his own.

Walker: Hey Serano, now I‘m watching YOU.

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Walker Episode 2.07 asks “Where Do We Go From Here?”

Walker returned after a mini hiatus over the holidays last week, much to fans’ anticipation. Jared Padalaecki did an Instagram Live with Entertainment Weekly’s Sam Highfill in the morning, teasing what to expect later that evening, and he live tweeted the episode, which made the return extra exciting.

The fandom that has followed Padalecki from show to show, especially from Supernatural, is accustomed to some interaction (okay, yes, we’re a bit spoiled!) and Jared has kept up that tradition on Walker, sometimes jumping on Twitter to reply to random fan questions and generally wreaking wonderful havoc in the fandom. Some of the other Walker cast are also interactive, including Keegan Allen’s popular posts that are often right in line with what the fans themselves would request. The high degree of interaction has solidified the Walker fandom quickly, with its own fan wikis and content accounts – and, so far anyway, not too much in the way of fandom in-fighting. Fingers crossed it stays that way!

Padalecki and Sam Highfill having fun on EW IG live

So there was alot of anticipation about last week’s episode, and the episode moved just about every story line along – and delivered a cliffhanger ending too!

The titular question applies to just about everyone over the course of the episode, but the first iteration is for the brothers Walker. The episode starts out with the Walkers preparing a meal together, everyone joking around until Cordell accidentally knocks a bowl full of fresh rolls out of Liam’s hands. It shatters, an apt metaphor for the fragility of the brothers’ relationship right now.

Cordell snaps at him, Liam snaps back, and Augie and Stella want to know what the hell is going on. Liam decides to tell them about his suspicions about Dan Miller and how he made an ill advised false police report.

Stella: That’s not good.

Stella with the understatement. The brothers glare at each other.

Cordell: It’s a misdemeanor. Your uncle could be disbarred.

Liam: Thanks, Cordell, I know that.

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Abilene says that’s enough as Liam storms out. She’s not exactly thrilled with either of her sons right now and I am, as always, loving her Mama Bear approach to trying to keep this volatile family of hers on a relatively even keel. It rarely works but I appreciate her efforts.

Walker goes to the office, watching as someone takes Micki’s name plate down and carts it off in a box, and ouch. It’s not clear at first, but apparently weeks have passed, and they haven’t been easy ones.

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Walker Delivers an Emotional Goodbye Episode for Lindsey Morgan

The holiday themed episode of Walker, aptly titled ‘Douglas Fir’, has an interesting start – which in my book is a good thing. A Texas-sounding version of Jingle Bells plays as a big red bow blows down the street like a tumbleweed, shifting to a guy eating a candy cane driving along the road listening to that song on the radio.

I loved these shots in the beginning, with the Christmas music accompaniment. Beautiful and creative cinematography.

It then shifts into more stereotypical Walker territory as some bad guys hold up the public safety truck (wearing truly creepy reindeer masks and carrying big guns). They beat him rather brutally (hard to watch) and then try to break into the van with a blow torch.

That was a suitably offbeat beginning for an episode that turned out to be very emotional, in a different way, for both its cast and its fans.

That’s because this was the last episode for Lindsey Morgan (Micki), who leaves the show for personal and self-care reasons, with the full support of the rest of the cast and production. As a fan of the show and the character, I will definitely miss her, but this episode handled her departure with compassion by bringing some of the real life themes and emotions right into the canon of the show.

It’s also the holiday episode, so the next scene finds the Walker kids bringing in a sort of Charlie Brown Christmas tree, right down to the criss cross wood stand it’s nailed onto. Augie’s shoulder is still hurting but he doesn’t want to own up to how it happened. Enter Cordell – Jared Padalecki looking seriously adorable in an elf hat and being all in the holiday spirit. Bonham is decidedly not in the holiday spirit, unfortunately – and not on board with the Charlie Brown tree though I think it’s kinda cute.

The Walker bros reminisce about 90s Christmases past, which unfortunately also includes some bad memories with the Davidsons, a theme that’s hard for the Walkers to get away from. Cordell is still not wanting a war and Liam agrees to be civil.

Cordell: We’re good?

Liam: Yeah man, we’re good.

Of course in TV show land, that usually means we are not going to be good for long…

Enter Denise, who shares a lot of those holiday memories with the Walkers but isn’t in the holiday spirit, especially now that the transport van was hijacked.  Denise asks Liam to go with Cordell to check it out since the locals will clam up when they see her in her old stomping grounds.

Meanwhile, Micki and Trey try to talk it out about Garrison, so she doesn’t answer Walker’s phone call. She apologizes for not telling Trey sooner and tries to explain, being truthful about Garrison being her ex-fiance. Trey’s hurt, understandably, because she lied – especially about something so big, not just an ex boyfriend but Micki being engaged. Her explanation for how he ‘slipped right out of my hands’ is so vague I’m not sure Trey even understands that it is literal and not a metaphor, but it seems like they have a chance to work things out now that she’s come clean.

Micki: Are we okay?

Trey: Cmon, it’s us, it’s Tricki…

(I kinda love that they’ve incorporated the fannish ship name into the show). But the directorial choice to position the painting between them speaks volumes.

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Walker Episode 2.03 – A Real Barn Burner!

Last week’s Walker, the third episode of Season 2, dug deeper into the themes of grief and loss that the series has tackled since the pilot, tying those themes to those of hate and resentment that have become clearer in season 2. The episode opens with Cordell sleeping on the couch in the midst of a nightmare, tossing and turning as he sees flashes of that fateful night in the Davidson’s barn with Denise long ago. The two teenagers are sitting there together with a lantern when they suddenly have to run out, leaving the burning lantern behind. Cordell wakes up, distressed.

What’s even more distressing is we immediately jump to the perspective of the creepy Walker family’s spy, watching intimate family moments – Augie and Stella on the couch, Bonham and Abeline working on a puzzle, Stella in a bathrobe (creepier still). Geri sleeping on a couch too, Colton and Stella bandaging the wandering horse’s leg, Denise’s husband lurking around. Liam on the phone talking to someone about “tying it back to Serano”. The whole scene is shot with creepy music that makes it seem like something bad is about to happen – very well done, in other words.

It’s actually two guys listening in, and when they hear what Liam says about them being onto Serano, they immediately realize “the boss is toast”. One wants to cut and run, one wants to find another buyer for their surveillance setup since the Walker family, he notes, collects lots of enemies. (Ouch)

That ominous background runs beneath everything else going on, although the episode overtly is about a chili cookoff, Abeline using their Gran’s original recipe and a $10,000 prize up for grabs. There’s a sentimental reason Abeline wants to win, which I totally understand. (I love Abeline so much – she’s not perfect by any means, but I can often so relate to where she’s coming from). (Did you catch Jared/Cordell snacking on a pepper?)

Cordell’s on edge after the nightmares, overreacting when August leaves a towel too close to the pot of chili on the stove and it catches fire and yelling at his son.

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Walker Deepens Micki’s Backstory with ‘The One That Got Away’

I was at a Supernatural convention when last week’s episode of Walker aired, glad to have the opportunity of telling Jared Padalecki in person how much I’m enjoying his new show, so I didn’t get to watch live. When I returned, I watched on the CW app and decided to just enjoy the ride instead of taking notes for this review – and I was so glad I did! The second episode of Season 2, The One That Got Away, was full of excitement and fight scenes and close calls, but it was also a poignant episode with an amazing performance by Lindsey Morgan. I’m not always a fan of episodes that switch back and forth among multiple story lines, which Walker sometimes does thanks to its large ensemble cast, but this episode was tightly focused on just two story arcs – the culmination of Micki’s undercover work and the Walker-Davidson ‘feud’.  I loved being able to just sink into a story line and let it play out, almost in real time.

This episode had a significant Supernatural connection since it reunited star Jared Padalecki with his Supernatural costar and frequent director Richard Speight, Jr., whose distinctive touch gave the episode some striking scenes.

Let’s talk about the family feud arc first. Last week explored the origin of the bad feelings between the Davidsons and the Walkers, focusing on the older generations and their complicated history. This week the focus was on the younger generation, especially Stella and Colton, as they try to figure out how much of that history will color their own relationship. As I told Jared last weekend, I always like watching Walker for the deeper themes as well as the kicking ass, and this season’s focus on long-standing and difficult to disentangle tensions and resentments seems like a frighteningly relevant theme to tackle. Stella and Colton inherited the animosity between their families, which is something that happens in all facets of life every day, from families to politics to fandoms. Can they even get to know each other as individual  humans with all that baggage?

With a little help from Coach Trey (who is perhaps trying to keep his mind off constant worry about Micki), they make a start on that in this episode. He engineers escape rooms for the two pairs of kids, who must start to communicate before they can find the literal key to get out of the rooms and out of detention. August apologizes for the Ruby debacle, and that facilitates the boys’ escape to a congratulatory Coach Trey.

Stella admits she wrongly accused Colton (Jalen Thomas Brooks) and he apologizes for his insensitivity, complaining about his divorcing parents when Stella has actually lost one of her parents. It was a little too convenient, sure, but I liked the message behind it – and I was rooting for them by the time Stella stopped the car to tell Colton to hop in.

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‘Walker’ Returns for Season 2 and Some New Mysteries

Walker returned for its second season last week, and immediately hit the ground running with some intriguing new mysteries and some deeper themes that kept my psychologist brain happy too.  I couldn’t watch it live so caught up on the CW app, which means I missed live tweeting with Jared Padalecki unfortunately. I am so enjoying how active he is on Twitter recently – I always end up smiling at his ability to spread joy and excitement throughout the Walker and Supernatural fandoms by just randomly replying to tweets. At the same time, I really admire his ability to ignore the haters who seem to always be lying in wait. It must be tempting to just pull back and stay quiet when you know you can count on being attacked every time you interact – he does see some of that and it has to be hurtful on some level – but being a positive force is more important and so he does it anyway. One of my first in depth conversations with him, way back in the early days of Supernatural, was about how hurtful those online comments can be – yet here he is, still persevering and being a bright light in the lives of so many fans.

Last week was an eventful one for the Walker fandom – it was premiere week, which was a joyous occasion, but it was also the week that Lindsey Morgan announced that she would be leaving the show. I don’t know anyone who didn’t love her character of Micki, and her dynamic with both Cordell and Trey, so the fandom was sad about her departure. I’m sure the cast and crew and producers were also sad about it, since a mid season unplanned departure has all sorts of ramifications – but it is to the credit of both the fandom and the show that everyone supported Lindsey in her decision to take care of her own mental health. Too often, we all ‘push through’ and ignore what our brains and bodies are telling us we need, sometimes with disastrous consequences. I will miss Micki, but Lindsey set a great example in being candid about what she was going through and making the tough decisions she needed to.

I know Jared understands that need – in his autobiographical chapter in the book Family Don’t End With Blood, he wrote openly and eloquently about his own mental health and how difficult it had been for him to ever make that a priority as a lead on a television show. There’s a lot of talk about how we all should do that, but Jared put his money where his mouth is and got behind Lindsey and her decision, both as a lead actor and as an executive producer. That’s a real departure from ‘the way things are done’ in television and film, and I feel kind of proud of both Jared and Lindsey for doing the right thing.

That said, I am really going to miss Micki Ramirez!

The episode itself was non-stop, sometimes moving so quickly I felt a little dizzy.

Micki Undercover

Micki’s story line was the action-packed one, with her undercover assignment three months in and the demands of living that role 24/7 starting to take a toll on all her relationships, just like it did when Cordell became a little too much Duke and less Cordi.

She’s cut herself off from Walker and from Trey (and presumably from her moms after just reconnecting/reestablishing those relationships). It’s easy to see how that seems like the right thing to do, to keep everyone safe, but it takes a toll anyway. Lies and deception and isolation are built into being under cover – which is something I honestly never gave a moment’s thought until watching Walker.

I really felt for Trey, knowing that Micki is in danger but cut off from her and unable to verify if she’s okay. I don’t blame him for tracking her down at trivia night at some bar, just in time to see her partner-in-crime (literally), the hapless Spider, get tossed off a building onto the roof of a car and murdered. Micki grabs Trey and tells him that she loves him, tearfully saying that she “sure hopes that girl of yours comes home”. But then she sends him on his way.

Everyone, in fact, is worried about both Micki and Trey. The episode begins with a nice bonding scene, Walker and Trey and Liam all out for a run. They make a pretty picture for the fandom too, which I’m sure was not lost on anyone (though they looked a lot more like Jared, Jeff and Keegan to be honest).

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