Tag: Cameron Crovetti

The Boys Season 4 Wraps Up With a Bang – Can’t Wait for Season 5!

The Boys Season 4 Wraps Up With a Bang – Can’t Wait for Season 5!

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The aptly named season finale, Assassination Run, kicks off (in universe) on January 6 – because of course it does. Honestly this season is hitting almost TOO close to reality right now, as the real world gets more and more terrifying. And yet I still find it validating to know someone else is seeing the chaos going on and reflecting it back to me.

So, here’s all the twists and turns and surprises the season ended with – SPOILERS AHEAD FOR THE SEASON 4 FINALE!

Directed by none other than Eric Kripke himself.

The story lines all converge in the finale, as they should. It’s January 6 and the news about A Train comes out (and the cancellation of that fabulous film Training A Train alas…)   Vought puts out a PSA with supes saying they take responsibility… which is exactly what they don’t. Congress counts the electoral votes as Frenchie works with increasing desperation on extracting the virus.

Torn Between Two Identities

The shapeshifter pretending to be Annie surprised Hughie by asking him to marry her, and he surprises her back by running to get his own ring and asking the same, and….yep, back in bed.

Hughie: Wow, that was great… two fingers was a lot…

Next season I hope Hughie gets to really open up about all the assault he’s endured this season.

The show has been able to say some nuanced things about female sexual assault in its four years, and it’s certainly had plenty to say about the trauma every single male and female character have endured, but Hughie’s sexual assault is an opportunity to say/show more about something not often talked about enough.

In between sleeping with Hughie, the shifter goes back to real Annie to recharge, confiding her own rather sad story. Sure, she’s a sociopath, but what did anyone expect?  She’s the ultimate example of the identity crisis every single character is having this season, literally not knowing who she is.

Shifter Annie: I barely remember what I look like. One minute I was me and the next I was Miss Jamison, my preschool teacher, and I could see every memory she had. She felt justified in doing all those shitty things…you all do. You all think you’re the hero of your own story.

Another major theme of The Boys. Erin Moriarty did an amazing job with this story line – it has to be, always, so difficult to play two versions of yourself!

While Shifter Annie is gone, Hughie calls Butcher, who tells him a story about a steakhouse in Nevada where he was gonna go with Lenny. The kind of memory you bring up when you know you’re running out of time.

Butcher: Funny what you think about when your time’s up.

He asks Hughie to go there, and to tell the Boys he’s sorry. Tears in his eyes, he hangs up.

Hughie and not-Annie and MM take Robert Singer (Supernatural’s Jim Beaver) to a secret bunker where they hope to be able to defend him and that they hope the shifter won’t get in. Oops, too late…

Singer: If you’d killed Neuman like I’d ordered, we wouldn’t be stuck underground playing pocket pool… ya idjit.

Every Supernatural fan everywhere: YESSSSSSSSSSSSSSSSSS HE SAID IDJIT!!!

To make it even clearer, he adds: Balls!

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The Boys Season 4’s Penultimate Episode ‘The Insider’

The Boys Season 4’s Penultimate Episode ‘The Insider’

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Suddenly we’re almost at the end of The Boys season 4 – it seemed to go by very quickly, didn’t it? This season’s reception has been a bit more uneven than the nearly universal kudos for the previous season, especially for the last episode and the treatment of Hughie’s assault. It’s undoubtedly challenging to keep upping the game with a show that started out with such high levels of shock, sex and especially violence right from the jump. That may be the source of some struggle this season, but I’m still thoroughly enjoying what this show does best – hold up a mirror to some of the worst parts of our real life and poke at them. There’s so much that’s over the top in reality right now, sometimes The Boys feels a little too real – but mostly for me it’s validating to see the reflection and be assured that yes, someone else sees the insanity too!

I also enjoy watching the show through the lens of what it’s trying to say, which is slightly different each season. It’s why my colleague Matt and I edited a book on The Boys, examining those themes with input from actors, psychologists and media experts. I was fascinated then, in Season 3, and I’m still fascinated now. (You can find Supes Ain’t Always Heroes at your favorite bookstore or on Amazon)

We have one more episode that will air in the wee hours of Thursday morning this week – and believe me, you do NOT want to miss it!

So, what happened last week in Episode 4.07? A lot!

The Life of Ryan

The theme of this episode – attempting to be your own person and who you really are — is expressed in a biting parody of one of my favorite shows of all time, Avenue Q, which I saw on Broadway with my kids a long time ago – and adored.  Vought Studios presents, of course, Avenue V, complete with puppets of all the supes and poor Ryan looking uncomfortable with every single thing they sing about.  Most of that is encouraging kids to rat out their parents and teachers and neighbors for anything that might be ANTIFA or Christmas hate.  Ryan keeps calling ‘cut’, though the director insists his dad approved the lyrics. Homelander, overwhelmed with issues of his own, leaves Ryan a snippy message to just suck it up and do it, but that doesn’t go over too well.

Ryan eventually stops the filming and addresses the camera, much to Homelander’s anger and disappointment (though he’s taking his father’s previous advice not to let anyone else prevent you from speaking your mind…Be careful what you wish for, Homelander)

(I feel like Cameron Crovetti had a blast filming this…)

Ryan: That song isn’t cool, none of this is cool. Your family isn’t your enemy, your family is all you’ve got. I’ve been thinking about my mom a lot. She died but she loved Christmas…and Terms of Endearment…and her husband Billy. But she wouldn’t love this and she wouldn’t want me doing it. My mom always told me to tell the truth.

Ryan is as torn as everyone else this season – in his case, between two dads.  At Homelander’s place, Ryan sees a package under the Christmas tree and recognizes the return address as “dontbeacunt”. It’s a photo of his mom and Butcher and their dog.

Butcher, watching Ryan’s speech on a TV in a bar, tells Kessler aka himself that’s why he’s got faith in the kid.

And then he collapses on the floor of the bar.

Butcher also reunites with the Boys in this episode, telling them about the virus Sameer is working on and that it would cause global pandemic and a supe genocide. They all notice for the first time that Butcher is sometimes talking to no one (as Kessler calls him an asshole and warns him that he’s pissing away their best shot).  Butcher agrees that they’ll only use the virus on Homelander and Neuman, much to his alter ego’s disgust.

Kessler confronts Butcher, aka Butcher confronts himself. Why does he have such a soft spot for supes? Is it because he fucked Maeve? Cares about Ryan, who’s not even his? Butcher says he gave Becca his word, but Kessler scoffs that if their love was so perfect and pure why did he go around fucking waitresses?

Nobody is better at convincing Butcher that he’s a fuck-up than Butcher himself.

The Boys are starting to pull together again, though. Butcher also got Mallory to pull some strings and free a reluctant and still guilt-stricken Frenchie. MM asks Butcher to be back in charge, saying he’s better off doing research instead of being the skipper – and trying to follow doctor’s orders. Hughie, Butcher and Annie start to figure out the assassination plot for January 6 (of course) and also find a supe shapeshifter that Sister Sage put on the job. Uh oh.

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Catch Up On ‘The Boys’ Before Tonight’s New Episode!

Catch Up On ‘The Boys’ Before Tonight’s New Episode!

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The fifth episode of The Boys Season 4 that aired last week is one of my favorites. If you look beyond the spectacle, this show can be surprisingly emotional – and this episode is one that will make you feel, juxtaposing heartbreaking, tender and over-the-top violence in scenes that end up being powerful and memorable.

As we get ready for the next episode in the wee hours of Thursday morning, here’s a recap of what happened in the last episode and where we are now. (Oh, and episode 6? Pivotal!)

SPOILERS FOR EPISODE 5 AHEAD…

It’s Hard to Be One of ‘The Boys’

Before we get to the emotional part of the episode, in other news (that often mirrors the actual news in alarming ways), Firecracker is on a roll attacking Annie and pressing assault charges, painting their altercation and rivalry as “a biblical war of good versus evil”.  She’s painting herself as “the Lord’s Savior” for their new division, Vought Faith, all of them trying to manufacture some tears with a playing of “I Will Remember You” for Ezekiel. Annie’s also being blamed for the murder of Ezekiel, which was apparently done by Butcher somehow.

MM is increasingly worried about Janine, who’s been suspended for fighting a kid who called Homelander a hero. It’s hard to know the truth and stay quiet about it, isn’t it? MM tells her fighting isn’t the way to solve problems but she counters with why not, that’s what you do? Point, Janine. I look forward to Janine’s journey as she increasingly has the blinders taken off. I can relate, as I’m sure many of us can.

Billy and Joe meet on a park bench in the cold. Their exchange, as always, is crude and full of back and forth psychological volleys as Butcher struggles with his conscience. (Fandom is doing a lot of speculation right now about who Joe really is, and no spoilers here, but it’s pretty fascinating to watch, isn’t it?)

When Billy complains about the cold, Kessler has a typical answer, steeped in misogyny.

Joe: Well, I was thinking we could meet in your mum’s pussy but I wanted somewhere more private.

He’s also got a lot of criticism for the Boys.

Joe: Your team’s a joke. MM’s on the verge of breakdown, Frenchie’s a druggie, Hughie’s a pussy and the two supes on your side…

He also pushes Butcher to stay the course and be as brutal as it takes to get rid of Homelander.

Joe: Brother, I don’t get you. Half your brain is a fucking tumor, last chance at Homelander and now you decide to go soft? You and me – we don’t belong with decent people.

Ouch. It’s exactly what Butcher has always struggled with, torn apart by guilt over his little brother’s death and still believing so much of the hurtful things his father said to him.

Side note: Butcher’s not the only one struggling to figure out right and wrong. Homelander bonds more with Ryan, letting him make his own decisions and saying he’s proud of him for doing that, that he was manipulated by people his whole life and doesn’t want to do the same thing to Ryan. Ryan tries to do some good in the world by defending a woman that director Bourke is making uncomfortable, but teaching him a lesson about that inequitable power dynamic turns into reiterating one as Ryan enjoys watching Bourke get his ass beat way too much.

This is all pretty bleak, but there is hope – Butcher finally tells them he’s found the virus that kills supes that we saw developed at Godolkin U on the first season of Gen V. Unfortunately, as we know, Neuman has it.

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‘The Boys’ Delivers a Gut Punch Episode with ‘Wisdom of the Ages’

‘The Boys’ Delivers a Gut Punch Episode with ‘Wisdom of the Ages’

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Before we get into the fourth episode of Season 4 of The Boys, arguably one of the best episodes of the series, there’s other exciting news for the show – Jared Padalecki, who Eric Kripke cast as Sam in Supernatural, has finally said yes to hopefully joining The Boys in Season 5. If, as we suspect, Jensen Ackles’ Soldier Boy will also be back in Season 5, the entire Supernatural fandom will be sat and waiting impatiently (not that many of us aren’t already doing that this season, thoroughly enjoying SPN alums Jeffrey Dean Morgan and Rob Benedict (RIP Splinter) along with the entire stellar cast of The Boys).

I’ve been hoping Jared joined The Boys when his schedule allowed for a long time, so I’m thrilled to hear that might well be happening soon!

(You can catch up on all things ‘The Boys’, including deep dives into the characters and everything that makes the show special – plus exclusive interviews with Jensen Ackles on Soldier Boy and other cast – with that book Jensen’s holding, Supes Ain’t Always Heroes. Links at the end of the article fyi).

So, where are we now in Season 4?  The fourth episode of Season 4 of The Boys takes a dark dark turn – as in, things go very wrong for a lot of people.

It’s been more than a week, so I’m assuming you’ve caught up with all the insanity of the first three episodes (Spoilers for those episodes ahead). To recap:

The Insanity so Far: 4.01 to 4.03 Recap

Homelander and company have a plan for taking out poor Robert Singer and putting in fellow supe Victoria Neuman. On a personal note, Homelander is so obsessed with aging that he’s collecting gray hairs in a jar – gray hairs from anywhere he finds ‘em. He’s also sick of being surrounded by sycophants and imbeciles, proving it by demanding that The Deep give A Train a blow job and having them stand up and start getting to it (much to Ashley’s obvious excitement which was a touch I loved!).

That was a weirdly fitting counterpoint to Season 1 when The Deep forces Starlight to give him a blow job – and actually does go through with it. I love that the show remembers its own history.

Butcher’s having a crisis of conscience as he contemplates how much he’s willing to do to Ryan to “get him on our side”, personified in visions of Becca. Butcher’s new buddy Joe Kessler is not only played by Jeffrey Dean Morgan but has also traumatized the Supernatural fandom by channeling John Winchester (the character he played on that show) by insisting to Butcher that yes, he’d train his son up to be a killer. (Which is just what John Winchester did to both his sons).

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The Wild Ride Continues: Season 4 of ‘The Boys’ Kicks Off and I’m Here For It!

The Wild Ride Continues: Season 4 of ‘The Boys’ Kicks Off and I’m Here For It!

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(Includes events in the first three episodes of The Boys Season 4 but we’ve left some of the biggest spoilers for you to experience yourself…)

The first three episodes of The Boys dropped in the wee hours of the morning yesterday, much to the delight of fans who’ve been waiting for almost two years for more of their favorite show. While we were waiting, Dr. Matt Snyder and I put together a book of essays and interviews from the cast of the show and psychologists and media experts who love it, dissecting the complicated characters and what makes them tick – Supes Ain’t Always Heroes. I was hoping to see some of the themes in the book picked up in the new season – which they were. So let’s dig in! What’s happening with all our favorites?

Neuman & Singer: Winning Ticket

I can’t help but like Victoria Neuman. I know, I know, she’s exploded lots of people’s heads, but she’s been used her whole life and is more focused on protecting her own daughter than anything, which is one of those universally relatable motivations. (Okay, okay, so Zoe is now a tentacle-spewing supe herself, but still).  In the first three episodes of Season 4, we see that while once she was, I think, genuinely friends with Hughie, now they’re at odds. Actually that’s an understatement, but Neuman takes it in stride.

Neuman: You guys are actually getting worse at your jobs!

I love her running mate too, Presidential candidate Robert Singer. He’s a bit less enthusiastic about her, with good reason.

Singer: Everyone told me to pick Buttigieg instead…

(I happen to know how much Beaver relishes this show and that kind of dialogue. You can read all his thoughts on The Boys and his character in his exclusive interview in  Supes Ain’t Always Heroes: Inside The Complex Characters and Twisted Psychology of The Boys)

Homelander: Daddy Issues

I’ve read some reviews that question whether focusing on the same big bad for four seasons will have to get old, but honestly? This season brings a whole new batch of neuroses and Oedipal struggles for Homie to deal with, and I’m here for that. So much of Homelander’s life has been anything but ordinary, but one of the things he confronts in this season is something that’s as universal as breathing – aging. How do you think he’s going to handle that? Yep, you probably guessed right.

And then there’s parenting. It’s tough to put your progeny in the spotlight when your own narcissism is insisting it should be YOU there, even if you really do care (as much as you’re able). Soldier Boy was proof of just how hard it is to break the horrors of intergenerational trauma, and hoo boy, did Homelander ever have a lot of that. Trauma with a capital T. We learn more about John’s early upbringing in the first episodes of this season, as he goes back to visit his first “home”. With a Fudgie the Whale cake.

That’s a real Time Magazine cover, btw, as showrunner Eric Kripke tweeted. He’s right, this show’s marketing team is beyond amazing!

I will forever relish the character of Homelander for a) Antony Starr’s brilliance and b) the opportunities it offers for real life parallels that are so on the nose they’re almost painful. He emerges from his trial calmly telling everyone to “remain calm, you’re all very special people” and I didn’t know whether to laugh or cry.

The New Supes Drop Some Truth Bombs

New supe Sister Sage energizes Homelander – and the show itself. As Homelander’s supporters square off in a shouting match with Starlight supporters, she comes up with the plan to manipulate public opinion against the Starlighters. And she knows the value of a martyr. Much like Stormfront, Sage is introduced in a way that makes us think we’re going to like her. Her apartment is literally floor to ceiling books and not much else, befitting for the smartest person in the world.

Sage: That person is too smart to give a fuck about Pottery Barn.

She’s also refreshingly and brutally honest with Homelander, commenting on his enlarged prostate and his gray hairs and that he’s “going through some existential midlife stuff.”

Sage also easily manipulates The Deep (and hooks up with him over their mutual love of Outback’s bloomin’ onion, which, valid) and knows how they could pitch Ryan as the newest chosen-by-God hero.

Sage: The chosen one narrative only works if he stands alone. Hollywood trains people to fall in love with the white boy saviors.

Oof, she’s not wrong.

Firecracker, on the other hand, is sort of a mini Stormfront, in that she’s every offensive thing we hear proclaimed on the ‘news’ and in the media every single day. She’s transphobic, anti-vax, you name the thing and she’s saying it – on her “Truth Bomb” youtube channel usually.  Occasionally she says something that really is a truth bomb. “What are you selling?” Sage asks her at the TruthCon convention.

Firecracker: Purpose. These people have nothing, maybe just lost a job or a house. I tell them a story, give them a purpose.

This show hits you in the stomach just when you least expect it.

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Fathers, Sons and The Power of Choice – The Boys Explosive Season 3 Finale

Fathers, Sons and The Power of Choice – The Boys Explosive Season 3 Finale

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The season finale of Season 3 of The Boys has been one of the most anticipated ever. It’s honestly been so much fun watching the excitement ramp up each week for each episode – it was a brilliant decision on Eric Kripke and Prime Video’s part to release the episodes over five weeks instead of all at once, especially with the insane promotion we were treated to each week. I watched the whole season before it streamed in the press screeners, but I still felt entirely swept up in the anticipation and excitement (and, let’s face it, dread!) each week.

The cast traveled to Brazil for four wild days of promotion, which only served to amp up the anticipation even more. We were treated to interviews and red carpets and the cast all having a bloody good time. And Jensen Ackles looking like this.

Now that everyone has had a chance to watch it, this is the spoilery recap and review of the season finale, so SPOILERS ahead. LOTS OF THEM!

I’ve been watching this show since its beginning and have loved it since then, but Season 3 has been a whole different ballgame. As a passionate Supernatural fan, the addition of Jensen Ackles as Soldier Boy meant that I was even more excited about this season, but even I wasn’t prepared for just how much I’d be drawn in by the character or just how complicated my feelings about Soldier Boy would be. He’s an asshole and a bigot and a bully, but Ackles also portrays him with vulnerability and humor and at times he’s almost charming. I feel like I should not have been hoping for any kind of redemption arc for Soldier Boy, and yet I found myself nervous as hell going into the finale, hoping that a) he wouldn’t be killed off and b) he might find at least a little bit of redemption. Help save the day, maybe?

Well… I should know Eric Kripke better than that by now!

I’ve been writing a lot about this season of The Boys being all about choice, and the season finale sees every main character have to make some difficult ones.

Passing It On From Father To Son – Or Not

This season is also about the intergenerational transmission of trauma, and the toxic masculinity messages that are passed down from fathers to sons. One of those messages is about strength and power. All the men whose fathers were abusive, with either physical or verbal violence or both, have a hard time not repeating the cycle.

Butcher’s father was both, and those toxic messages are ever-present in his head, bleeding out of him in eruptions of physical violence and caustic, cruel barbs thrown at enemies and friends alike.

In this episode, he vacillates wildly between giving into those violent impulses, laser focused (heh heh) on taking down Homelander and willing to use anyone as a weapon to do that, and trying to hang onto the caring part of him that wanted to protect Lenny and now wants to protect Hughie.  He never does tell Hughie about the Temp V being fatal, but he unceremoniously knocks him out with a punch and shoves him in a convenience store bathroom to keep him from taking it again. So, a few points at least in his favor?

On the other hand, he’s been fine with using Frenchie and Kimiko and now Soldier Boy to get the revenge he wants, and he’s as manipulative as ever in this episode, as he repeatedly tells Soldier Boy that Homelander is not really his son. We see Soldier Boy’s ambivalence several times, hesitating to kill his own son and emotional about having a child – but Butcher knows to play to the rage he feels at being tossed aside and replaced, focusing that rage on Homelander by telling Soldier Boy that he is his replacement and the reason he was tortured. Well played, Butcher, but chillingly cruel.

Homelander was not just abused but neglected, deprived of not just a father but a mother too. A sensitive boy like Butcher seems to have been, he too had that knocked out of him with cruelty, absorbing the same message that to be “a man” you must not only be strong and powerful but unfeeling too. Showing vulnerability is weakness, unmanly. Both men struggle to have any kind of healthy relationships – even Butcher’s with his wife was doomed once Ryan existed – and both have been increasingly isolated and alone as this season progressed.

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