Walker Wraps Up On A High Note with ‘See You Sometime’

The Walker cast and crew didn’t know for sure whether they would be picked up for a fifth season when they filmed this final episode, but it actually works strikingly well as a series finale too. I’m grateful for that, because many of us were quite attached to this show and were expecting more seasons. Its numbers were good, so that expectation wasn’t unreasonable, but unfortunately the CW as a network is headed in a different direction – one that didn’t leave room even for a successful and popular show like this one.

I’ve spoken with some of the cast and others who worked on the show, and they were all hopeful too. So this was a tough ending for them, and I’m sure very frustrating not to be able to tie up all the loose ends and film a true series finale. Keegan Allen posted his feelings on Instagram, which I think spoke for most of the cast (and the fandom).

Nevertheless, this one did feel satisfying as it brought to a close the main story lines of this past season and even ones that have spanned multiple seasons. I hope the cast and crew know that we appreciate their hard work on this episode, and their hard work on all four seasons. I know Jared Padalecki knows, because I told him. The unexpected ending was hard on him as the EP of the show, of course, feeling responsible for so many cast and crew. But the Walker fandom was celebrating during the finale too, enjoying the ride right up to the end.

This show ending felt emotional for me too because Walker came on just as my favorite show of all time, Supernatural, was ending. It provided some continuity for fans of Jared Padalecki, who were accustomed to having him on our screens every week for the past 15 years – more if you were a Gilmore Girls fan. Supernatural ending felt like a huge change for many of us, and Walker helped ease that loss while also giving us a whole new family to love.

I really liked this episode. Its title is even perfect – not goodbye, but “See You Sometime.”

The Aftermath

The best thing about this episode – and I told Jared this too – is that the show doesn’t gloss over Cordell’s trauma from being buried alive and almost killed by the Jackal. He’s trying very hard to be “normal” and hold it together, making a big breakfast for the kids and asking Geri if she needs him for anything. He’s also trying to make it up to all of them for the time he spent distracted and away, caught up in the case. Geri says not to come over, that he’d be too much of a reminder to Cassie of what happened. Which, fair, but I still don’t think that was his fault.

As he’s talking, he starts the blender to make a smoothie and immediately has a flashback, since that’s what the Jackal used to make the fruit puree he force fed his victims. Geri’s voice calls him back, but she can tell he’s rattled.

Geri: You’re okay. I’m here.

She reassures him that she loves him (though she probably should tell him to go get some therapy instead of just reassuring him that he’s okay, since he’s probably not – and understandably so!)

Most people give Cordell a pretty damn hard time for someone who just almost died and who is clearly trying very hard to make it up to everyone that he wasn’t there for while he was immersed in the case. It’s been a theme of this show, and it makes me have a lot of empathy for Cordi. He tries so hard, and nobody really cuts him a break most of the time.

Cordell wants to celebrate August’s last day of senior year, so he made a big delicious looking breakfast and tells Augie how proud he is of all he’s accomplished over the last year, but August interrupts.

Augie: When you weren’t here…

Ouch. He says it will take a minute to get over all the trauma, which he’s certainly right about, but I don’t know why that made the reminder that “you weren’t here” necessary. Like I said, people are hard on Cordell – he loves his kids so much and tries had to be a good dad. I’ve enjoyed seeing that side of the character, and love that parenthood was such a big part of what this show was about, often much more than Rangering.

Augie must decide the same, because he pulls his dad in for a hug. And that Cordi definitely does need!

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Walker’s Penultimate Episode Is All About “Letting Go”

The title of the penultimate episode of Walker seems eerily fitting, even though at the time they filmed it, they weren’t sure if the show would be renewed or if this would be its final season. “Letting go” is something that’s hard for fans to do when they’re invested in a show and in the community of fans that grows up around it. Especially with a show as successful as Walker has been, few of us were prepared for it to be ending. I guess that’s to say I’m going into watching this one with a bit of trepidation and anticipatory grief – but also determined to enjoy the ride until the very end. Letting to is hard, as all the characters also find out in this episode.

The episode spools out mostly coherently, in real time. We pick up as Luna has been shot and Cordell rescued. Trey tries to comfort Cassie, who begs him to help Luna, but it’s too late.

Trey and James go after the Jackal, giving Cassie something to do by taking care of a trembling and shaking Walker, but you can’t miss the glare she sends his way either.

It’s not rational really, he didn’t kill Luna, he was trying to save people just like David was. But he’s also alive and rescued and Luna is dead, and it makes sense that Cassie would really be struggling with that in the immediate aftermath.

A gunfight ensues in the woods (with music) and James gets shot (luckily with a vest on). Trey and the Jackal fight, and the Jackal almost gets the jump on him before they finally manage to take him down.

Coby Bell really conveyed all the pent-up hatred and resentment that James must have for this killer who nearly destroyed his marriage – twice! He looks like it’s all he can do just to rein in the impulse to pull that trigger.

This episode has some interesting things to say about emotions and how we can or can’t control them. It’s one of the main struggles that bring people in for help (with my psychologist hat on for a minute), and something that nobody is born knowing how to do. This episode shows just how difficult it can be to regulate our emotions when what we’re feeling is this intense – both with James in this scene and with Cassie later.

Later, the whole family gathers around Cordell’s hospital bed, Bonham squeezing his hand.

Liam is freaked out because Cordi was buried alive and it brings back horrible memories of when he almost was forced to bury his brother’s body when they were kidnapped.

It’s a Wizard of Oz situation, with Cordi telling them “I have so much to tell you – all of you. I dreamt you were all with me.”

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‘Walker’ Hits A Home Run with Let’s Go, Let’s Go!

This is such a fascinating episode, one of the best ones of the entire series. From the moment Cordell wakes up (thinks he wakes up) in an alternate reality where Emily is alive and it’s Augie’s graduation day, everything is weird. Even the way those scenes are filmed is weird, blurry around the edges as reality bleeds in and out. I love the look of it, the visual reminders that this is not real. Jared Padalecki does an amazing job portraying Cordi’s complex mix of emotions – confusion, a lingering sense of ‘wrongness’, but also so much joy and relief at having the people he loved and lost back in his life.

Even the title card is ghostly perfect!

The dialogue is brilliantly vague – Emily could be talking about all kinds of things. We’re here. Roads. Life. Never thought we’d get this far. She’s laying out his outfit, jacket, boots. Tie.

“Your mom would want that.”

I get a bad feeling right from the start – which, of course it’s bad, we know where he really is and what’s really happening – but I’m fascinated by how his drugged mind and dying body are making sense of this. It is surreal but somehow rings so true.

It’s emotional too, Cordi touching Emily with such reverence, astounded that she’s “real”, that “we’re here… it’s here.”

The use of “it” and vague words like that are perfect, especially when you think back over the episode once its conclusion is known. IT is here. But what is “it”? An important day for sure, a pivotal day, a day that portends lots of changes. That could describe a graduation day, but it could also describe many other huge life changes.

Jared Padaelcki shows off his acting chops by registering Cordi’s alternate confusion and gratitude, trying to just take it in and drink it up as they make the “long trip” to his parents’ house through “bad traffic” but the feeling of something being off nagging at him.

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Walker Gets Darker with ‘End This Way’ 

Multiple story lines come to a head, and one to a resolution, in last week’s episode of Walker. With three more to go, there’s a sense of urgency and foreboding about the Jackal case that is really adding to the tension – and I am here for it!

I’m also here for the dark turn this show is taking, with all the cast really stepping up to pull it off. So, this week…

Cassie and David and… Ed?

Cassie and Luna are the lightness to balance out all that dark. We get some more shirtless Luna with Cassie, and some nice banter. He wants her to meet his best friend Ed, saying she’ll like him, they both love to talk.

Spoiler alert: She does not like him.

Extra spoiler alert: Neither does anyone else. Except Luna, for some reason I can’t fathom yet at all.

The three meet up at the Side Step, Ed taking issue with how much Austin has changed and with the trendy drink Cassie orders (a Boulevardier, which many Supernatural fans immediately associated with Steve Carlson, a musician friend of Jared Padalecki and Jensen Ackles – that’s a line in a song of his.) Anyway, Ed and Cassie don’t exactly hit it off. He criticizes the SideStep too. Cassie defends it, saying they’re about to open another, in fact.

Ed: Where, at the airport?

He is NOT happy to hear that Luna is moving to Austin. Like not at all. Luna blurts out he’s moving “because I love her” and Cassie overhears.

He tells Cassie that Ed had a pretty rough relationship with his mom and can get defensive; that they were there for each other and he’s afraid to lose that.

He also admits that what she overheard is true.

Luna: I’m sorry I didn’t tell you sooner, but there’s no denying it. I love you.

Twisted Family History

We pick up Stella’s story with her taking off to find the necklace, while Liam confronts Augie about where she’s gone, pissed as hell that she kept lying to him about being okay and desperate to know where she might have gone. August, unfortunately, doesn’t really know. Bonham and Mawline hear all the yelling and August comes clean about the necklace and Joanna Rawlins’ threats.

Anybody who saw Mawline’s face when Joanna’s name was mentioned knew something interesting was about to happen.

Geri calls Cordell to tell him about his daughter being in danger, Liam warning he’s “not in the best headspace”.  Geri wants him to come home and help, but he says he’ll go check out a gazebo where she’s hid out before instead.

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Walker gets Weird with ‘A History of Horrors and Other Tales’

As Walker heads into its final five episodes, the show is taking some innovative turns, which I’m really enjoying. I don’t like media to be too predictable, and while some things still are (Stella, I’m looking at you…), there’s plenty going on that’s not. In fact, some of it is downright confusing, which I actually don’t mind as long as there’s eventually an explanation.

Full disclosure, my good friend Alana King is the post production coordinator on this episode, but seriously, look at this episode!

I love the look of it, the innovative editing, the music, everything! Jared Padalecki’s portrayal of Cordell is fascinating right now – what’s going on in his head?? We can so clearly see that he is not okay, even as he keeps insisting he is, because of all the little nonverbal cues Padalecki uses to tell us in no uncertain terms that something is very wrong.

But what exactly is it? I love that I’m asking that question.

The “previously” ends with Cordell knocked out by the Jackal, which is….interesting. I had heard that this episode was kinda trippy and maybe a little unreal, so I was already looking for clues that things might not be as they seem, and that felt like it could be one. We’ll see…

Not On The Same Page at HQ

Cordell wakes up at 3 am in the dark, falling back to the mattress and looking like I do when I REALLY don’t wanna get up in the morning.

gifs jaredwalkersam

There’s a montage of the morning that’s beautifully cut together but also confusing, as Cordell goes back to his wall of weird and Captain James starts his morning out with the case too, while Cassie and Trey talk about their upcoming interviews for lieutenant.

Everything is weird right off the bat though, HQ nearly deserted other than Cassie and Trey. And Cordi and Geri sitting in the lounge area. Geri is back, excited to tell Cordell about her plans for the new Side Step, and a bit annoyed with him – as she puts it – “boy listening”. He’s distracted, twitchy, on edge. Geri talks about it as their business, the next step in their lives.

Cordi: I’m so happy for you.

Ouch.

She urges him to think about taking a break – a vacation even.

Both are themes of the episode, the tension between “us” and “you” and how decisions can be made that are one or the other and maybe not seen in the same way by two people. And also the theme of needing to step back and take a break, or risk getting tunnel vision and making some very bad decisions. I like that the show tackles a lot of those universal themes, that all of us can relate to. Communication between two people is hard, whether you’re partners or siblings, related by blood or otherwise. When are things about “us” and when is something just about “you”?

There’s also an underlying tension throughout the episode because of time pressure, and isn’t that realistic to just about all of our lives? James says they need to have a real breakthrough by the end of the day or the Jackal case will be turned over to the FBI, which nobody is happy to hear (though I can’t help but think that might be a good thing!)  As they go over the loose ends, Cordell has that pounding and ringing in his ears, as they talk about the one victim who got away. They all recall that victim said the digoxin made him feel like he was crazy, or on an acid trip, or having a lucid dream.

Hmmmmm. Lucid dream, huh? Hmmm.

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Walker (and his Daughter) Are At “Witt’s End”

We got the sad news last week that Walker was not renewed for a fifth season by the CW, which left a very disappointed fandom, cast and crew. At a convention in Germany this weekend, fans showed EP and lead actor Jared Padalecki just how grateful they were for four years of this show, the entire audience of thousands holding up messages that said Thank You For Walker.

Other fans who weren’t at the con also took to social media to post their own “Thank You For Walker” messages, me included.

Padalecki was visibly moved, thanking the fans and exclaiming he had “all the feels”.

Photo op: yas_nata

I will be so sorry to see this show go, especially after this season’s dark and twisted story lines – but I am going to enjoy every single one of the final episodes until then!

Last week’s Walker saw us finding out finally one of the mysterious people we’ve been looking for – the woman who’s looking for that necklace. We also get more obsessed Cordell and like-father-like-daughter Stella, worried Augie and Liam and Trey, and for a change of pace, some adorable romantic Cassie and Luna.

Cassie and Luna Get Serious

We also get snuggling Cassie and Luna (and more shirtless Luna because this show definitely knows its fandom).

Cassie introduces him to her big brother on a double date with Liam and Ben.

Luna: Yeah Liam is big and strong, he can protect me.

I kinda love Ben and Cassie and their sibling energy.

Cassie: But don’t be weird about it, or anything else for that matter.

Ben: Who me?

Cassie: Oh no.

After a sort of interrogation courtesy of big brother, Cassie worries that maybe a long distance relationship won’t work, and Luna says he’s not sure where he’ll settle down. Ben confronts her about making sure a long term relationship is really what she wants, but she insists it is.

Cassie and Luna discuss the long term thing, but it turns out it’s not actually a problem – Luna put in a request for a transfer to Austin!

More kissing ensues. I love the way Cassie pushes Luna’s hair back, it’s so … affectionate? Hot? Both?

Ashley and Justin have some amazing chemistry, that’s for sure.

Cordell Is Not Fine

Everyone is still very worried about Cordell, and with good reason. Fresh from a CT scan from his blow to the head, Walker can’t stay away from the case or HQ.  He’s almost disappointed that Boyle didn’t turn out to be the Jackal –  he’s definitely not, though, because he’s actually dead, possibly killed by the Jackal himself.

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Walker Goes Down a Dark Path with ‘Hold Me Now’

I’m so enjoying the psychological journey the show is taking Cordell on.

He wakes up, alone, reaching over for Geri but finding no one there, checking his text messages remembering she’s away. And only then does he look the other direction – at what I’ve come to call The Book.

gif jaredwalkersam

Much like John Winchester’s journal in Padalecki’s previous show, Supernatural, it’s a journal that leads to a spiraling obsession as first James and now Walker try to figure out who the Jackal is. It feels dangerous, almost like an addiction – Larry couldn’t fight its pull, almost sacrificing his relationships with his family and his sobriety. Now Walker is being pulled down its wormhole, and his relationships are already starting to show the strain too, even if he doesn’t realize it yet.

Cordell is vulnerable to falling down the rabbit hole of obsession for some of the same reasons John Winchester was – he’s had way too much loss and trauma, and right now the support and relationships that usually sustain him are in flux. Stella is in college so not around all the time, Augie is about to graduate from high school and maybe enlist, and even Geri is away right now. Without his family to anchor him, Cordell just keeps doing what he literally does in the opening scene – being drawn into The Book. And the case.

He’s still trying, though. He immediately pulls out the eggs and bacon, wanting to cook breakfast for Augie, but his almost-grown son doesn’t have time. Cordell is disappointed and you get the feeling it would have been so good for him to have that time and that everyday parenting taking-care-of-someone job to do, but Augie is a high schooler and he’s got adolescent priorities, and that’s all pretty normal (if always difficult for parents!)

They talk, though, both kind of apologizing for the blow up the other night. Augie assures his dad that the kids don’t have an issue with him and Geri.

After his son leaves, Cordell puts the bacon and eggs back in the fridge and makes himself a bowl of cereal, alone in his kitchen.

And gets out The Book.

Tracking The Jackal

Walker is supervising the case and running down suspects as they search for the Jackal, reluctant to cross anyone off the list too quickly. They go visit one suspect, who is kinda a creepy guy but

Cassie: It’s more about control issues than violence.

Walker: It’s the control issues that interest me.

In fact, it’s all right there in The Book.

Flashback to five years ago, Larry and David arguing, all of them traumatized by the victim found with hands tied behind their back with climbing rope.

Larry: Our guy thrives on having people at his mercy, enjoys it. Wants them helpless as a child.

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Walker Approaches Mid Season with ‘We All Fall Down’

Last week’s episode of Walker was downright ominous. It’s close to mid season, and that means the stakes are getting raised for the ongoing plotlines that Season 4 has been following. You can feel the tension ratcheting up as it does.

And the cast really brought their A game to make us FEEL it.

The Return of Hoyt – and The Mysterious Mehar

One of the pleasures of this episode was the return of Hoyt (Matt Barr). In a flashback, he steals the necklace Stella and Augie have been looking for. For some reason he steals it in broad daylight in the middle of a social event, and pulls his bandana right off his face to grin as soon as he does, but still manages to escape and get away with his friend Mehar (Jay Ali) and his lucky jacket and the car that’s now Stella’s.

They both enjoy the theft and the getaway far too much, but it’s hard to fault them for it when they’re kinda adorable.

In the present, Stella decides that Mehar was in on the theft with Hoyt, so they decide to try to find him. Which seems like a horrible idea. And undoubtedly will be.

Stella steals/borrows Geri’s phone to contact Mehar. Augie actually questions if they should go to an adult about this instead of contacting a known felon, but Stella doesn’t want their dad to know she “sorta” lied to the police – and insists that SHE is the adult they go to. Which, nope.

Stella sets it up that Mehar will a) steal her wallet and b) use the information she gave him to pull off another jewelry theft. Which, what are you thinking, Stella??? They “help” him pull off the theft and not get caught so he’ll owe them, entirely forgetting that they’re now accomplices to grand larceny!  Stella, you have not learned your lesson after all the times you tried to handle something like this on your own?

Mehar attempts the theft (once again in the midst of a big social gathering) and Stella and Augie blow off dinner with their poor dad, who is so craving some family time, to give him an assist so he’ll owe them. Stella also gives him back the lucky jacket, and asks for the necklace or the truth in return. Oh, Stella. Don’t look so pleased like you pulled something off that’s wonderful!

Kids.

Mehar says he doesn’t have the necklace, that Hoyt played him all those years ago. They stopped at a bar for Hoyt to see “an old friend,” he says, and we get a flashback – of Hoyt meeting up with Duke when Cordell was under cover.

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‘Walker’ Quietly Explores Guilt, Helping and Masculinity in ‘We’ve Been Here Before’

This week’s episode of Walker saw the search for the Jackal heat up (along with Cassie and Luna), while James, on the other hand, refuses to warm up to Cordell at all after their falling out. It’s an episode all about how our past impacts our present, for better or worse. And underneath, it’s a quiet exploration of some of the ways in which masculinity is defined, toxic and otherwise, and how that impacts our ability to help others – and accept that help for ourselves.

This show is often so much deeper than it seems at first watch, and this episode was no exception.

Down the Rabbit Hole (Again)

Picking up where last week left off, Walker reluctantly fills James in on their new leads on the Jackal, taking him to their wall of Supernatural-looking case notes.

They announce it to the news and all put their heads together to try to stop this guy before he keeps going on another killing spree.

Det. Luna pulls his hair back. Yes, this is an important note.

Cordell is still worried about James, who’s noticeably cool to him. (What a great shot showing this dynamic!)

In fact, lots of people are kinda hard on him recently. Geri has to do all the exposition of what happened to lead up to Walker and James’ rift, which makes it sound like she’s critical of him trying to protect Larry. She also tells him to focus more on being a Ranger and not a co-owner of the Side Step, going to meet with an influencer about opening another bar without him. She’s not wrong that he can’t be in three places at once, but he looks a little sad to be left out.

Then Kelly comes over wanting to make a plan to keep James grounded, and tells him that Larry’s more or less forgiven her, when it’s clear he hasn’t forgiven Cordell.

Poor guy is trying to keep everyone happy and it really isn’t working. Kelly wants him to make sure James doesn’t drown, but how is he supposed to do that?? I feel like he’s being set up to be blamed when things go off the rails again. And his guilt from what happened before is making him just shoulder all that responsibility anyway.

In spite of the exposition scene, Geri and Cordell are in a good place, though. There’s a tender little scene where she helps him button his shirt sleeve cuffs later in the episode.

Helping – the ethics and value of giving help, as well as the sometimes underestimated value of being able to receive help – is the underlying theme of this episode, along with how many messages we take from our past in trying to make those decisions. Sometimes it’s such a simple thing, like letting someone help you button your shirt, that deepen a relationship. Relationships can’t prosper if no vulnerability is allowed, and I’m really happy to see that Cordell and Geri are letting that happen, toxic masculinity be damned.

Some shows talk about these little things more obviously, which can be powerful; Walker does it quietly, the way these little things that are nevertheless important play out in our everyday lives. And that too is powerful.

The episode pulls the viewer in on the mystery that is trying to figure out who the Jackal is. Interestingly, the motel room had zero DNA, which makes me instantly worried that’s because Det. Luna was of course there already. I do not want him to be the bad guy!! Poor Cassie doesn’t need another Kevin experience (and isn’t it ominous that the title of the episode is We’ve Been Here Before… I hope that doesn’t apply to Cassie here too!)

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Walker Gets Dark with ‘Insane B.S. and Bloodshed’

Walker is both a family drama and a crime fighting mystery drama. So far this season, we’ve had more of the family drama, which if you’ve been reading my reviews, you know I’ve enjoyed. I’m usually not quite as drawn into the case focused episodes, but this one was an exception – the show is getting as dark as it probably has so far with the Jackal, and it’s pretty compelling.

And disturbing.

There a lot of interesting team-ups in this episode, some new and some long-standing (but maybe soon-to-be-disrupted…)

Stella and Augie Team Up With Witt

I wonder if the situation with Witt will somehow wind into the Jackal case too, or if it’s separate. The episode also saw a lot happening with Witt and Stella, after we left off the last episode with Witt holding Sadie and Stella at gunpoint and ordering them to “just drive”.

Witt, after forcing Stella and Sadie to drive him away from HQ, insists they’re on the same side. I can understand why they’d be a bit skeptical, Witt!

He says that the shady and scary woman who hired him to steal a necklace from Geri’s house (and got him shot when Stella and Sadie came back there) is after him. Turns out it was his accomplice who died in that burning car – Witt switched their wallets so he could play dead. He feels as guilty about the other man dying as Stella did when she thought she accidentally killed him.

Sadie: All this insane BS and bloodshed is over a frickin’ necklace??

Apparently yes.

Witt gives them his gun and says he wouldn’t blame them if they shot him, but he’s asking for their help finding the necklace and he’s sorry for what he put them through. Then he walks away, leaving Stella holding the gun and sobbing.

Sadie tries to console her, but all the emotions Stella has been trying to swallow all this time, believing she killed Witt, just come pouring out. I thought Violet Brinson did an amazing job showing Stella’s breakdown, the way her face just crumples as Witt walks away. Ouch.

Sadie and Stella go to HQ to tell her dad, but then Stella has second thoughts. She doesn’t want Witt to go to jail, and wants to help him instead. She now feels a connection with him, knowing what it feels like to be responsible for someone else’s death. This time Sadie is the voice of reason, but Stella prevails. Like father like daughter, Stella wants to wait until they find out more about the necklace before they tell her dad.

Sadie’s not having it.

Sadie: You insist on carrying around this misguided guilt, and I won’t carry it too. We can end this right now, I wish you’d see that.

While the two are arguing about whether to confide in Cordell, Augie and Liam are at Cordell’s waiting for Stella, who had promised to come back there but hasn’t shown up. The two decide to eat massive amounts of midnight steak nachos in some odd masculine ritual about bulking up, make themselves half sick, and make lots of jokes about stinking up the bathroom (which has to be an inside joke for Jared Padalecki, whose reputation for being “gassy” precedes him on this set too I’m sure).

Augie is worried about Stella, but Liam has been told by so many people to leave her alone that he’s reluctant to be intrusive.

Liam: I heard loud and clear that we should stop hounding her so I’m staying out of it.

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